Bibliographies thématiques / Matilʹda (Motion picture : 2017)

Littérature scientifique sur le sujet « Matilʹda (Motion picture : 2017) »

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Publié le 25 juillet 2024

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Articles de revues sur le sujet "Matilʹda (Motion picture : 2017)"

Rusinova, E. A. « Voice in the Metadiegetic Space of the Motion Picture ». Journal of Flm Arts and Film Studies 9, n^o 3 (15 septembre 2017) : 46–59. http://dx.doi.org/10.17816/vgik9346-59.

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This extension of the authors publication cycle Audiovisual Means of Creating Metadiegetic Space in Cinema (Vestnik VGIK #1(31), 2017; #2 (32), 2017) is a historical, artistical and technological survey of special sound-design techniques that make it possible to use the expressive potential of a human voice in a subjective (metadiegetic) space of the motion picture and through the voice to separate the metadiegetis from the sound realism of the diegesis of an audio-visual production.

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Rusinova, Elena A. « Music in the Metadigetic Space of the Motion Picture ». Journal of Flm Arts and Film Studies 9, n^o 2 (15 juin 2017) : 80–87. http://dx.doi.org/10.17816/vgik9280-87.

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This extension of the authors previous article udiovisual Means of Creating Metadiegetic Space in Cinema (see Vestnik VGIK #1 (31), 2017) is a historic survey of the sound design techniques which make it possible to use musical expressive means for designating the films subjective space (metadiegesis) and separating the metadiegesis from diegesis by means of music.

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Hossein, Najafi, et Darryl W. Miller. « Predicting motion picture box office performance using temporal tweet patterns ». International Journal of Intelligent Computing and Cybernetics 11, n^o 1 (12 mars 2018) : 64–80. http://dx.doi.org/10.1108/ijicc-04-2017-0033.

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Purpose The purpose of this paper is to investigate temporal tweet patterns and their effectiveness in predicting the financial performance of a movie. Specifically, how tweet patterns are formed prior to and after a movie’s release and their usefulness in predicting a movie’s success is explored. Design/methodology/approach Volume was measured and sentiment analysis was performed on a sample of Tweets posted four days before and after the release of 86 movies. The temporal pattern of tweeting for financially successful movies was compared with those that were financial disappointments. Using temporal tweet patterns, a number of machine learning models were developed and their predictive performance was compared. Findings Results show that the temporal patterns of tweet volume, length and sentiment differ between “hits” and “busts” in the days surrounding their releases. Compared with “busts” the tweet pattern for “hits” reveal higher volume, shorter length, and more favourable sentiment. Discriminant patterns in social media features occur days in advance of a movie’s release and can be used to develop models for predicting a movie’s success. Originality/value Analysis of temporal tweet patterns and their usefulness in predicting box office returns is the main contribution of this research. Results of this research could lead to development of analytical tools allowing motion picture studios to accurately predict and possibly influence the opening night box-office receipts prior to the release of the movie. Also, the specific temporal tweet patterns presented by this work may be applied to problems in other areas of research.

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Kim, Taegu, Jungsik Hong et Pilsung Kang. « Box Office Forecasting considering Competitive Environment and Word-of-Mouth in Social Networks : A Case Study of Korean Film Market ». Computational Intelligence and Neuroscience 2017 (2017) : 1–16. http://dx.doi.org/10.1155/2017/4315419.

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Accurate box office forecasting models are developed by considering competition and word-of-mouth (WOM) effects in addition to screening-related information. Nationality, genre, ratings, and distributors of motion pictures running concurrently with the target motion picture are used to describe the competition, whereas the numbers of informative, positive, and negative mentions posted on social network services (SNS) are used to gauge the atmosphere spread by WOM. Among these candidate variables, only significant variables are selected by genetic algorithm (GA), based on which machine learning algorithms are trained to build forecasting models. The forecasts are combined to improve forecasting performance. Experimental results on the Korean film market show that the forecasting accuracy in early screening periods can be significantly improved by considering competition. In addition, WOM has a stronger influence on total box office forecasting. Considering both competition and WOM improves forecasting performance to a larger extent than when only one of them is considered.

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Jeffries, Judson L. « Jordan Peele (Dir.), GET OUT [Motion Picture] Blumhouse Productions, 2017. Running Time, 1 h 44 min ». Journal of African American Studies 22, n^o 1 (14 février 2018) : 139–49. http://dx.doi.org/10.1007/s12111-018-9393-9.

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Mao, Yi, Yun-ru Li et Jin-fu Zhu. « Research on Key Technologies of Network Centric System Distributed Target Track Fusion ». Mathematical Problems in Engineering 2017 (2017) : 1–8. http://dx.doi.org/10.1155/2017/6137015.

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To realize common tactical picture in network-centered system, this paper proposes a layered architecture for distributed information processing and a method for distributed track fusion on the basis of analyzing the characteristics of network-centered systems. Basing on the noncorrelation of three-dimensional measurement of surveillance and reconnaissance sensors under polar coordinates, it also puts forward an algorithm for evaluating track quality (TQ) using statistical decision theory. According to simulation results, the TQ value is associated with the measurement accuracy of sensors and the motion state of targets, which is well matched with the convergence process of tracking filters. Besides, the proposed algorithm has good reliability and timeliness in track quality evaluation.

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Ichihashi, Tsunetomo, Yutaka Hirabayashi et Miyuki Nagahara. « Potential Utility of a 4K Consumer Camera for Surgical Education in Ophthalmology ». Journal of Ophthalmology 2017 (2017) : 1–5. http://dx.doi.org/10.1155/2017/4374521.

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Purpose. We evaluated the potential utility of a cost-effective 4K consumer video system for surgical education in ophthalmology. Setting. Tokai University Hachioji Hospital, Tokyo, Japan. Design. Experimental study. Methods. The eyes that underwent cataract surgery, glaucoma surgery, vitreoretinal surgery, or oculoplastic surgery between February 2016 and April 2016 were recorded with 17.2 million pixels using a high-definition digital video camera (LUMIX DMC-GH4, Panasonic, Japan) and with 0.41 million pixels using a conventional analog video camera (MKC-501, Ikegami, Japan). Motion pictures of two cases for each surgery type were evaluated and classified as having poor, normal, or excellent visibility. Results. The 4K video system was easily installed by reading the instructions without technical expertise. The details of the surgical picture in the 4K system were highly improved over those of the conventional pictures, and the visual effects for surgical education were significantly improved. Motion pictures were stored for approximately 11 h with 512 GB SD memory. The total price of this system was USD 8000, which is a very low price compared with a commercial system. Conclusion. This 4K consumer camera was able to record and play back with high-definition surgical field visibility on the 4K monitor and is a low-cost, high-performing alternative for surgical facilities.

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Tejedor-Sanz, Sara, Jose Rodrigo Quejigo, Antonio Berná et Abraham Esteve-Núñez. « Cover Picture : The Planktonic Relationship Between Fluid-Like Electrodes and Bacteria : Wiring in Motion (ChemSusChem 4/2017) ». ChemSusChem 10, n^o 4 (16 février 2017) : 652. http://dx.doi.org/10.1002/cssc.201700219.

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Astuti, Yayun Dwi. « UPAYA PENINGKATAN KEAKTIFAN DAN HASIL BELAJAR SISWA MATERI GAYA DAN GERAK DENGAN MODEL PEMBELAJARAN PICTURE AND PICTURE ». ATTARBIYAH 26 (31 décembre 2016) : 283. http://dx.doi.org/10.18326/tarbiyah.v26i0.283-308.

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Data hasil tes formatif kelas IV semester 1 tahun pelajaran 2016/2017, mendapatkan nilai rata-rata adalah 55,18, sebagian siswa masih memperoleh nilai di bawah KKM yang ditetapkan yaitu 65 dan harus mengikuti program perbaikan. Sebanyak 9 siswa (33,33%) tuntas, dan 18 siswa (66,67%) yang belum tuntas. Dari 27 siswa di kelas IV SD Negeri 3 Jebol, hanya terdapat 10 siswa yang aktif dalam pembelajaran. Oleh karena itu penulis melakukan tindakan untuk mengatasi masalah dengan model pembelajaran picture and picture untuk dapat meningkatkan keaktifan dan hasil belajar siswa. Pada prasiklus hanya 10 siswa yang aktif, menjadi 16 siswa di siklus I dan 19 siswa di siklus II. Hasil belajar siswa meningkat dari nilai 55,18 pada prasiklus, menjadi nilai 71,85 pada siklus I, dan kembali meningkat menjadi nilai 84,81 pada siklus II. Tingkat ketuntasan belajar meningkat, 33,33% pada prasiklus, 70,37% pada siklus I dan 88,89% pada siklus II. Penerapan model picture and picture dalam perbaikan pembelajaran dengan sub tema gerak dan gaya dapat meningkatkan keaktifan dan hasil belajar. Data from formative test fourth Grade 1st semester of academic year 2016/2017, get the value of the average is 55.18, some students still received grades below KKM set at 65 and must follow remedial courses. A total of 9 students (33.33%) completed, and 18 students (66.67%) which is not yet complete. Of the 27 students in the fourth grade of SD Negeri 3 Jebol, there are only 10 active students in learning. Therefore, the author take action to overcome the problem by using the learning model picture and picture to be able to enhance the activity and student learning outcomes. In prasiklus only 10 students are active, to 16 students in the first cycle and 19 students in the second cycle. Learning outcomes of students increased from 55.18 on prasiklus value, being the value of 71.85 in the first cycle, and increased again to the value 84.81 in the second cycle. Increasing the level of mastery learning, on prasiklus 33.33%, 70.37% in the first cycle and 88.89% in the second cycle. The application of the model picture and picture in the improvement of learning with the sub theme of motion and force can enhance the activity and student learning outcomes. Kata kunci: keaktifan, hasil belajar, model picture and picture

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Koos, Marianne. « Verkörperung – Entkörperung bei Rembrandt ». Zeitschrift für Kunstgeschichte 80, n^o 3 (30 décembre 2017) : 349–91. http://dx.doi.org/10.1515/zkg-2017-0018.

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Abstract This article analyzes the painterly formation of pictorial subjects of embodiment and disembodiment since the early modern period. Starting with Gerhard Richter, Quattrocento painters, and Titian, it focuses on Rembrandt and his late group portrait The Anatomy Lesson of Dr. Deijman (1656). The subject of this picture is a dissection of a man’s brain – and hence the surgeons’ search for the seat of the human soul and the motion of life. In the motif of the corpse, Rembrandt performs a radical operation with paint layers that historical sources described with the terms “doodverwe” and “lyffverwe” (“dead color” and “body color”). Rembrandt’s pictorial formation is a distinctly complex answer to the soulless, lifeless corpse’s state of being, which has been reduced to no more than an image. At the same time, the dead body is the place in which Rembrandt reflects the act of painting as a way of working with the tension of embodiment and disembodiment, of giving and taking life, with color.

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Thèses sur le sujet "Matilʹda (Motion picture : 2017)"

Gutierrez, III Jose. « Investigating Kracauerian cinematic realism through film practice and criticism : Life-world series (2017) and selected films of Lino Brocka ». HKBU Institutional Repository, 2018. https://repository.hkbu.edu.hk/etd_oa/525.

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This dissertation is an investigation on the realist film theory of Siegfried Kracauer. It was principally conducted through film practice as exemplified by the ten short films that compose the omnibus film project, Life-world Series (dir. Joni Gutierrez, 2017, 118 minutes). To supplement the study's examination of Kracauerian cinematic realism (KCR), film criticism of selected works of Lino Brocka was also accomplished. The methodology involved three components: (1) research-based production of Life-world Series; (2) textual analyses of the said film collection and selected Brocka films; and (3) meta-analysis of the scholarly criticism on the Brocka film. This dissertation is the first to use film-making practice which was a part of the research project and devised to investigate KCR, which avows that the cinematic experience of physical reality as an object of contemplation fosters an intuitive understanding of the Lebenswelt (life-world) and, in turn, brings about the redemptive potential of film vis-à-vis the modern condition. The emergent design of Life-world Series opened the study to a wide range of possibilities that it could not have encountered if it limited itself to applying a particular theory as a framework in doing film criticism of pre-existing works. This project - through both its film practice and criticism components - is an interweaving of key notions from Husserlian phenomenology and the seven KCR tropes identified in the study, namely: (1) the quotidian; (2) the transient; (3) the refuse; (4) the fortuitous; (5) the indeterminate; (6) the flow of life; and (7) the spiritual life itself. The phenomenological engagement of this investigation has provided opportunities for expanding the inventory of KCR tropes, to conceivably include characteristics of the Lebenswelt which form part of the project's overall findings; that is, the life-world as: (1) expansive; (2) multi-layered; (3) flowing; (4) in the process of becoming; (5) resonantly intersubjective; (6) a thing of beauty; (7) relating to essences; (8) cyclical; (9) transcendent; (10) meaning-laden; (11) fragmented; and (12) malleable. The dissertation explicates how its phenomenological approach in inspecting KCR led to the construction of a prospective model of cinematic realism - the integrated quadrant model of Kracauerian cinematic realism (IQMKCR) - and finally, determines the implications and prospects of using film practice as an instrument in interrogating KCR.

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Livres sur le sujet "Matilʹda (Motion picture : 2017)"

Italy) Convegno Confronto sulla sceneggiatura (2017 Trieste. La scrittura per il cinema : Atti dei convegni 2017 e 2018. Trieste : EUT, Edizioni Università di Trieste, 2019.

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Ding, Yaping. Zhongguo dang dai dian ying yi shu shi, 1949-2017. 8^e éd. Beijing : Wen hua yi shu chu ban she, 2017.

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Bangladesh) Dhaka International Conference on Women in Cinema (3rd 2017 Dhaka. 3rd Dhaka International Conference on Women in Cinema : 13-14 January 2017. Sous la direction de Shafiqur Rahman M. editor, Rainbow Film Society (Bangladesh) et Dhaka International Film Festival (15th : 2017 : Dhaka, Bangladesh). Dhaka, Bangladesh : Rainbow Film Society, 2017.

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Aoyama, Shin'ya. Tōkyō Orinpikku 2017, Toei Kasumigaoka Apāto : Tokyo 2017. 8^e éd. Tōkyō : Kabushiki Kaisha Sayūsha, 2021.

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Bhardwaj, Ankur. Note by Note : The India story, 1947-2017. Noida, Uttar Pradesh, India : HarperCollins Publishers India, 2018.

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Adeniyi, Dapo. Aké : Great moments of a grand production. Lagos, Nigeria] : Back Page Productions, 2016.

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Bock, Wolfgang. Kunst und Angst : Ein Essay über Søren Kierkegaard und den Film "The Square" : zum Verhältnis von Moderne, Melancholie und Gewalt. Würzburg : Königshausen & Neumann, 2021.

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Costa, Pedro. Vitalina Varela : Caderno de rodagem 2017-2019 : Sacavém, Cova da Moura, Quinta da Lage, Bairro 6 de Maio, Figueira das Naus, Cabo Verde. Lisbon] : Pierre von Kleist, 2021.

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China) Guo ji qing nian dao yan jiao liu hui (1st 2017 Xi'an Shi. Xin si lu, xin qing nian, xin dian ying : 2017 shou jie guo ji qing nian dao yan jiao liu hui lun wen ji = Proceedings of the first international young directors' festival. 8^e éd. Xi'an : Xi bei da xue chu ban she, 2017.

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Cecchinelli, Giada. Psycho : Le prigioni di Norman Bates. [Rome] : Weird · book, 2022.

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Chapitres de livres sur le sujet "Matilʹda (Motion picture : 2017)"

Dixon, Shane M., et Tim Gawley. « Screening Workplace Disaster : The Case of Only the Brave (2017) ». Dans Visualising Safety, an Exploration, 101–10. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33786-4_12.

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AbstractMedia influence how we define and engage with our world, shaping our interpretations, attitudes, behaviours. Feature films in which work-related injuries, deaths, and disasters are the storylines can convey occupational safety messages to large, diverse audiences. Films can entertain, act as “powerful” and “poignant” memorials to workers, heighten peoples’ awareness of events, and even deepen their understanding of the causes of workplace disasters. However, it is unclear how films actually represent the complexities of workplace injury and industrial disaster. We examined the film Only the Brave (di Bonaventura, Luckinbill (Producers), Kosinski (Director) in Only the Brave [Motion Picture] (Columbia Pictures, United States, 2017)), which recounts the story of the deaths of 19 wildland firefighters in America. In particular, we examine how the film portrays workplace disaster and the factors which led up to the event. We discuss some strengths and limitations of feature films as a form of visualizing workplace disaster.

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« 15. New Video Generation : The Myanmar Motion Picture Industry in 2017 ». Dans Myanmar Media in Transition, 287–306. ISEAS Publishing, 2019. http://dx.doi.org/10.1355/9789814843409-017.

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Jutz, Gabriele. « Cinematography’s Blind Spots : Artistic Exploitations of the Film Frame ». Dans Cinematic Intermediality, 136–49. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.003.0010.

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This chapter discusses filmic and photographic works that focus on isolated film frames, whether extracted from the continuum of a film strip, as in Slide Movie (Gebhard Sengmüller, 2007) and Und ich blieb stehen. (Thames, London) (Susanne Miggitsch, 2017), or captured photographically from a book or a viewing table, as in Motion Picture (La Sortie des Ouvriers de l’Usine Lumière à Lyon) (Peter Tscherkassky, 1984/2008) and Précis de decomposition (Éric Rondepierre, 1993–1999). Usually rendered invisible during projection, a single frame represents the ‘blind spot’ of cinematography. An explicitly ideological perspective was offered in 1971 by French film critic Sylvie Pierre Ulmann, who distinguished between the use of extracted frames (or ‘photograms’) and idealized still photographs produced on a film set. These ‘parasitic photographs’ no longer bear traces of the material state of a given film copy; they look flawless and perfectly meet ideological requirements of ‘legibility’ and ‘beauty’. The examples presented here bypass ideological claims, because, on the one hand, their dissected frames belong to the same order as the film they are taken from, and, on the other, they result in varying forms of ‘illegibility’.

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Actes de conférences sur le sujet "Matilʹda (Motion picture : 2017)"

Hsu, Chun-Fei, Wei-Heng Kao, Wei-Yu Chen et Kai-Yi Wong. « Motion planning and control of a picture-based drawing robot system ». Dans 2017 Joint 17th World Congress of International Fuzzy Systems Association and 9th International Conference on Soft Computing and Intelligent Systems (IFSA-SCIS). IEEE, 2017. http://dx.doi.org/10.1109/ifsa-scis.2017.8023232.

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Nordvik, Andreas, Natalia Khan, Roberto Andrei Burcă et Thomas J. Impelluso. « A Study of Roll Induced by Crane Motion on Ships : A Case Study of the Use of the Moving Frame Method ». Dans ASME 2017 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/imece2017-70111.

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This paper presents a new method in dynamics — The Moving Frame Method (MFM) — and applies it to analyze the roll, yaw and pitch of a ship at sea, as induced by an onboard moving crane. The MFM, founded on Lie Group Theory, Cartan’s Moving Frames and a compact notation from geometrical physics, enables this expedited extraction of the equations of motion. Next, the method deploys the power of the special Euclidean Group SE(3) and a restricted variation to be used in Hamilton’s Principle, to extract the equations of motion. The mathematical model is then simplified to get a clearer picture of the parameters that impact the motion of the crane. The equations of interest are numerically solved by using fourth order Runge-Kutta method to obtain the specific data for the motion induced by the crane. Then, The Cayley-Hamilton theorem is used to reconstruct the rotation matrix. To supplement the paper, a webpage is coded with a model of the crane and ship, to graphically visualize the motion in 3D. It is imperative to note that while there are many approaches to dynamics, the MFM presents a consistent method, from 2D to 3D, and across sub-disciplines. The simplification is what has enabled undergraduate students to undertake this project.

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Yang, Kuan, Xiaxin Cao, Changqi Yan, Yongyong Yang, Chunping Tian et Jianjun Xu. « Visualization Study of Bubble Sliding Characteristics in a Subcooled Flow Boiling Narrow Rectangular Channel Under Natural Circulation Condition ». Dans 2017 25th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/icone25-66843.

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Heat transfer enhancement by the motion of the bubbles sliding along the heating surface are wildly reported by many researchers, thus it is of great importance to quantitatively investigate the characteristics of sliding bubbles. A visualization study of subcooled flow boiling of water in a vertical single face-heated narrow rectangular channel under a series of natural circulation working conditions was conducted. Pictures of the bubble sliding behaviors were captured by a high speed camera simultaneously with thermal data. A sequence of digital image processing algorithms were applied to the original picture to extract bubble shape and location information, which post-processing methods were adopted to obtain characteristic sliding parameters (including the distribution of the equivalent sliding bubble diameter and velocity, number density of the sliding bubbles). It is found that bubbles can be able to nucleate and grow while sliding on the heating plate after the ONB point; the bubble number density, average bubble sliding velocity and the average sliding diameter continue to increase along the test section; heat transfer in the flow channel are significantly enhanced along flow direction with relatively low local void fraction. The average bubble sliding velocity near the inlet is significantly smaller than the sectional average velocity of single-phase fluid of the flow channel, and then it exceeded near the outlet of the test section. The average bubble sliding velocity and diameter increase with increasing heat flux and decreeing local subcooling degree. The equivalent diameter of sliding bubbles and the bubble sliding velocity approximately follow normal distribution. The distribution of the bubble diameter and velocity both cover a wild range. The standard deviations of the probability density function of the sliding bubble diameter and velocity increase with increasing heat flux and decreasing subcooling degree.

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