Thèses sur le sujet « Material and Immaterial Culture »
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Malta, Renata Barreto. « A COMUNICAÇÃO NO MERCADO DO IMATERIAL : Tensões e distensões da produção simbólica em uma era pós-material ». Universidade Metodista de São Paulo, 2013. http://tede.metodista.br/jspui/handle/tede/675.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This thesis is constituted by two complementary stages, the theoretical and the empirical ones, which are essential to reach the following aims we have proposed. 1) Confirming a change in the publicity praxis in which material and functional elements become less relevant and immaterial and intangible elements more important. 2) Investigating, objectively and comparatively, the corpus content, demonstrating which themes prevail in different social periods and punctuating their tangible and intangible essence. 3) Presenting and delineating the Market of Immaterial , the outline of a new model of marketing segmentation which has the immateriality as base. The theoretical discussion based on Cultural Studies and in authors who discourse about the Post Modernity and its consumption relations is the bottom-line of this research and only by it we could elaborate the assumptions which have originated the two hypotheses, extremely connected, which sustain this thesis. The empirical research applies as a method the quantitative content analysis of the corpus, composed by advertising videos, carefully defined. Following the analytical and theoretical path, it was possible to conclude that we are in a post material era, ruled by the intangible, which modifies the market communication.
A tese é constituída por duas etapas complementares, a teórica e a empírica, essenciais para que os seguintes objetivos propostos sejam devidamente cumpridos. 1) confirmar uma mudança da práxis publicitária na qual elementos materiais e funcionais passam a ser minimizados e elementos imateriais e intangíveis evidenciados. 2) investigar de forma objetiva e comparativa o conteúdo do corpus e demonstrar quais temáticas prevalecem em diferentes períodos sociais, pontuando sua natureza tangível e intangível. 3) Apresentar e delinear o Mercado do Imaterial , o esboço de um novo modelo de segmentação de mercado que tem a imaterialidade como base. O aprofundamento teórico-conceitual alicerçado nos Estudos Culturais e em autores que discorrem sobre a pós-modernidade e suas relações de consumo é ponto de partida desta pesquisa e só por meio dele chegamos às premissas que dão origem às duas hipóteses, extremamente interligadas, que sustentam esta tese. A pesquisa empírica utiliza como procedimento metodológico a análise de conteúdo quantitativa do corpus, composto por vídeos publicitários criteriosamente definidos. Por meio do trajeto analítico e teórico, é possível concluir que estamos em um período pós-material regido pelo intangível, o que modifica a comunicação de mercado.
ANGELINI, Dario. « ECOMUSEI E LA CULTURA MATERIALE E IMMATERIALE ». Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/91346.
Texte intégralCarvalho, Conceição de Maria Belfort de [UNESP]. « A genealogia do patrimônio em São Luís : da Athenas a capital da diversidade ». Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/103556.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Análise da produção de identidades em São Luís, Maranhão. Busca-se compreender, por meio da genealogia foucaultiana, como se constituiu, histórica e discursivamente, uma simultaneidade de identidades, que nomeiam, atualmente, a ―São Luís da diversidade‖, a partir do conceito de patrimônio cultural, edificado por várias práticas discursivas. Faz-se uma análise de diversos discursos, buscando a emergência de acontecimentos que os fabricaram e criaram São Luís como Athenas Brasileira, como Manchester do Norte, como Jamaica, e, atualmente, como diversidade (num espaço que reúne a multiplicidade, onde tudo acontece ao mesmo tempo, agora). O corpus assinala a longa duração histórica recortada nesta pesquisa (séculos XVIII-XXI). Em cada momento da irrupção do discurso de ―patrimônio‖ ele se materializa em textos e suportes de diferentes naturezas: livros e imprensa ilustram práticas discursivas que constroem a identidade de Athenas Brasileira (séculos XVIII-XIX); leis, documentos oficiais, documentos fotográficos registram o epíteto Manchester do Norte (início do século XX); várias mídias – impresso, outdoors, planfletos, busdoors – na atualidade, destacam uma simultaneidade de identidades. A pesquisa orienta-se pela proposta teórico-metodológica adotada pela Análise do Discurso de base foucaultiana, na direção que é dada no Brasil pelos trabalhos de Gregolin (2004), Sargentini e Navarro-Barbosa (2004), Fernandes (2007) e nas preocupações de um grupo de pesquisadores, que vêm, a partir da AD, pensando as identidades maranhenses (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). Para a constituição histórico-discursiva de uma ―São Luís da diversidade‖, a pesquisa parte da genealogia do conceito de patrimônio, destacando duas concepções que o performaram enquanto um elemento constitutivo de identidade: o patrimônio material...
An analysis of the production of identifies in São Luís – Maranhão. This paper tries to understand, through the genealogy of Foucault, how a simultaneity of identities constituted itself, historically and discursively, which it is considered, nowadays, the ―São Luís of the Diversity‖, from the concept of cultural patrimony, constructed by several discursive practices. It is done an analysis of several discourses and so looking for the emergency of happenings which they fabricate, so creating São Luís like a Brazilian Athens, a Manchester of the North, id est a Jamaica; and for the present like a diversity (in a space which gets together the multiplicity; where everything happens at the same time, now). The corpus signs the long historical length performed in this field research (XVIII – XXI Centuries). In every moment of the irruption of the discourse of ―patrimony‖ it materializes itself into texts and supports of different natures: books and press illustrates discoursive practices which construct the identity of Brasilian Athens (XVIII – XIX Centuries); laws, official documents, photographical documents register the epithet Manchester of the North (beginning of the XX Century); several midia – printed, outdoors, pamphlets, birsdoars – nowadays, emphasize a simultaneity of identities. This paper guides itself to the theoretical methodological proposal adopted by the analysis of the discourse from Foulcantian basis, in that direction whide is given in Brazil by works of Gregolin (2004), Sargentini and Navarro-Barbosa (2004), Fernandes (2007) and also based upon the preoccupations of a group of researchers who come, since AD, considering the Maranhense identifies (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). To the construction of the historical – discoursive approach of a ―São Luís of the diversity‖, this perper departs from the genealogy... (Complete abstract click electronic access below)
Slavet, Eliza Farro. « Freud's Moses memory material and immaterial / ». Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3252818.
Texte intégralTitle from first page of PDF file (viewed April 19, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 302-325).
Anzellotti, Elisa. « Memoria e materia della danza : problemi conservativi di un patrimonio culturale immateriale ». Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080130.
Texte intégralThis paper aims to discuss the difficulties involved in the preservation of the an intangible cultural heritage: the Dance.We shall begin from an aesthetic and philosophical premise as we investigate the problems that arise with an art form whose virtual essence lives in the ephemeral. However, this quality and the different perception of time and space that the dance create, that allows this art form to adapt to the fluidity of the 21st century - an era encumbered by dynamic dichotomies.In order to fully understand the importance of preserving this cultural heritage, an entire chapter has been devoted to “intangible cultural heritage legislation” which includes particular reference to dance works and copyright laws. An understanding of this aspect is essential - especially when confronting problems related to exploring and researching within dance archives - a prominent theme in this work. The thesis then moves onward to define the element of dance itself, with particular attention placed on the dancer’s instrument (the body) and the new technology. Only after thoroughly exploring this fundamental aspect, we will then discuss the sensitive issue of dance archive preservation.The preliminary exploration and definition in the thesis then brings us to the main question: How can we preserve and protect dance masterpieces in the digital era, especially with respect to current changes in National museums and archive conservation.Specific examples with regards to dance conservation and its evolution have been hued from selected European Institutions and in particular, those in Italy. One of the overriding concepts throughout this thesis has been to focus on the topic from the dancers point of view and therefore, collaborating with important dance figures such as the French master, Dupuy, has offered invaluable insight. It is the hope of this thesis to lay the ground work of a theoretical basis for an ideal center to study and preserve the evolution of dance in Italy
Il presente lavoro ha come obiettivo quello di affrontare un discorso conservativo di un bene culturale immateriale, qual è la danza.Partendo da una premessa estetico filosofica, si indagano le problematiche che si pongono in essere con un’arte la cui essenza risiede nell’effimero. Questa caratteristica, insieme alla diversa percezione di spazio e tempo che si ha con la danza, fanno sì che si adatti meglio di altre arti ai cambiamenti di questo secolo fluido e pieno di dicotomie.Per comprendere appieno l’importanza della salvaguardia di tale bene è stato dedicato un capitolo alla legislazione dei beni culturali intangibili, con particolare riferimento alla danza e al diritto d’autore, fondamentale anche quando si vanno ad affrontare le problematiche riguardanti gli archivi, punto su cui è incentrato molto del lavoro. Tema cardine è infatti la questione della conservazione della danza sia nelle sue componenti materiali, ma soprattutto nella sua immaterialità. Ruolo centrale è rivestito dal corpo del danzatore, elemento sfuggente come in tutte le arti performative. Particolare attenzione viene data alle nuove tecnologie (fotografia, cinema e video) senza tralasciare la documentazione e la conservazione che si ha con la scrittura e le immagini (con specifico riferimento al rapporto con le arti plastiche). Vengono presi in esame poi specifici esempi europei e italiani per indagare la situazione inerente la conservazione della danza. Un criterio che ha guidato la scelta è stato proprio quello di dare risalto al danzatore. In questo modo si sono volute gettare le basi teoriche per un ideale centro per lo studio e la conservazione della danza in Italia sul modello francese del CND
Carvalho, Conceição de Maria Belfort de. « A genealogia do patrimônio em São Luís : da Athenas a capital da diversidade / ». Araraquara : [s.n.], 2009. http://hdl.handle.net/11449/103556.
Texte intégralBanca: Vanice de Oliveira Sargentini
Banca: Luzia Sigoli Fernandes Costa
Banca: Marisa Gama Khalil
Banca: Antonio Suárez Abreu
Resumo: Análise da produção de identidades em São Luís, Maranhão. Busca-se compreender, por meio da genealogia foucaultiana, como se constituiu, histórica e discursivamente, uma simultaneidade de identidades, que nomeiam, atualmente, a ―São Luís da diversidade‖, a partir do conceito de patrimônio cultural, edificado por várias práticas discursivas. Faz-se uma análise de diversos discursos, buscando a emergência de acontecimentos que os fabricaram e criaram São Luís como Athenas Brasileira, como Manchester do Norte, como Jamaica, e, atualmente, como diversidade (num espaço que reúne a multiplicidade, onde tudo acontece ao mesmo tempo, agora). O corpus assinala a longa duração histórica recortada nesta pesquisa (séculos XVIII-XXI). Em cada momento da irrupção do discurso de ―patrimônio‖ ele se materializa em textos e suportes de diferentes naturezas: livros e imprensa ilustram práticas discursivas que constroem a identidade de Athenas Brasileira (séculos XVIII-XIX); leis, documentos oficiais, documentos fotográficos registram o epíteto Manchester do Norte (início do século XX); várias mídias - impresso, outdoors, planfletos, busdoors - na atualidade, destacam uma simultaneidade de identidades. A pesquisa orienta-se pela proposta teórico-metodológica adotada pela Análise do Discurso de base foucaultiana, na direção que é dada no Brasil pelos trabalhos de Gregolin (2004), Sargentini e Navarro-Barbosa (2004), Fernandes (2007) e nas preocupações de um grupo de pesquisadores, que vêm, a partir da AD, pensando as identidades maranhenses (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). Para a constituição histórico-discursiva de uma ―São Luís da diversidade‖, a pesquisa parte da genealogia do conceito de patrimônio, destacando duas concepções que o performaram enquanto um elemento constitutivo de identidade: o patrimônio material... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: An analysis of the production of identifies in São Luís - Maranhão. This paper tries to understand, through the genealogy of Foucault, how a simultaneity of identities constituted itself, historically and discursively, which it is considered, nowadays, the ―São Luís of the Diversity‖, from the concept of cultural patrimony, constructed by several discursive practices. It is done an analysis of several discourses and so looking for the emergency of happenings which they fabricate, so creating São Luís like a Brazilian Athens, a Manchester of the North, id est a Jamaica; and for the present like a diversity (in a space which gets together the multiplicity; where everything happens at the same time, now). The corpus signs the long historical length performed in this field research (XVIII - XXI Centuries). In every moment of the irruption of the discourse of ―patrimony‖ it materializes itself into texts and supports of different natures: books and press illustrates discoursive practices which construct the identity of Brasilian Athens (XVIII - XIX Centuries); laws, official documents, photographical documents register the epithet Manchester of the North (beginning of the XX Century); several midia - printed, outdoors, pamphlets, birsdoars - nowadays, emphasize a simultaneity of identities. This paper guides itself to the theoretical methodological proposal adopted by the analysis of the discourse from Foulcantian basis, in that direction whide is given in Brazil by works of Gregolin (2004), Sargentini and Navarro-Barbosa (2004), Fernandes (2007) and also based upon the preoccupations of a group of researchers who come, since AD, considering the Maranhense identifies (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). To the construction of the historical - discoursive approach of a ―São Luís of the diversity‖, this perper departs from the genealogy... (Complete abstract click electronic access below)
Doutor
Eimke, Andrea. « Liminal Space - an investigation of material and immaterial boundaries and their space in between ». AUT University, 2010. http://hdl.handle.net/10292/916.
Texte intégralO'Connor, Kaori. « Lycra, baby boomers and the immaterial culture of the new midlife : a study of commerce and culture ». Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406396.
Texte intégralRosario, Deborah Hope. « Milton and material culture ». Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:45542c8d-0049-49cf-8d19-6d206195d9a7.
Texte intégralMacIntyre, Hector. « Material Culture and Technological Determinism ». Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/31939.
Texte intégralKelt, Jonathan Mark. « Material culture, temporality and meaning ». Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.625057.
Texte intégralRoberts, Sharon Emma. « Childhood material culture and museum representations ». Thesis, University of Newcastle Upon Tyne, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.427292.
Texte intégralKoca, Asli. « Authentication Of Space : The Photograph As A Raw Material For Architectural Production ». Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/3/12611454/index.pdf.
Texte intégralphotography.&rdquo
Photography has been interpreted essentially as a technique and a visual medium to document architecture in general. The &ldquo
photograph,&rdquo
in this sense, is regarded as a representational form of documentation and an artistic and material expression of architecture. Besides this conventional value, this study argues that photography not only provides a new medium for the reinterpretation of architectural space, but also a new material and technique for architectural production. In this respect, this study discusses photography as an emerging tool for architecture in which the photograph is conceived as a raw material. As in the manufacturing of a raw material in an industrial process, the main argument of this study is that as long as a photograph is processed with required components, it contributes to architectural production in a comparable manner. Even it has the potential to produce architectural space in its own right. To understand the nature of this architectural space supported by a variety of physical and non-physical characteristics of photography, this study compares two different ways of architectural production with the aid of photographs. Starting with the assumption that there is a radical change in the conception of photography in architecture from an immaterial quality to material essence, this study argues that the photograph is a raw material that can be used to authenticate architectural space from the initial idea to the built object. Therefore, drawing attention to the changed value of photography for architecture over time, the aim of this study is to establish a critical framework to understand and discuss this contemporary function of photography in architecture.
Sonnenberg, Liesl. « A comparison of the commoner material culture to that of the elite material culture at Great Zimbabwe ». Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/25526.
Texte intégralAyers, Drew R. « Vernacular Posthumanism : Visual Culture and Material Imagination ». Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/communication_diss/34.
Texte intégralPhilp, Jude. « Resonance : Torres Strait material culture and history ». Thesis, University of Cambridge, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.411074.
Texte intégralMcGrew, William Clement. « Chimpanzee material culture : implications for human evolution ». Thesis, University of Stirling, 1990. http://hdl.handle.net/1893/2016.
Texte intégralBolland, Charlotte. « Italian material culture at the Tudor court ». Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/26963.
Texte intégralKuritsky, Orit. « Transformational tales : media, makeovers, and material culture ». Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/46660.
Texte intégral"February 2009."
Includes bibliographical references (p. 94-101).
This thesis probes into current American makeover culture, thorough three detailed case studies that represent an increasing confluence of commerce, entertainment, and, at times, spirituality. Each of the chapters is devoted to a niche media property, or genre, dedicated to the domestic sphere. The first chapter focuses on the genre of home decorating TV shows and practices of their consumption. The second centers on a single television program - TLC's What Not to Wear, and the interpretative activities it provokes among viewers. The third chapter examines the FlyLady - a transmedia property with a strong internet base, described by its founder as a "behavior modification system" that coaches its subscribers in getting their houses in order. This study was driven, among other things, by the following questions: as the 'commodity frontier' gets increasingly intermingled with our daily lives, with the help of increasingly pervasive media, how do certain communities respond, and with what methods of meaning-making? What draws audiences to engage with media properties so intermingled with commerce in the first place? And, what constitutes these properties' entertainment value as well as the other values audiences find in them? The answers vary with each case study, yet, there are many commonalities pertaining to meanings associated with consumer goods in late capitalism. The media properties described here capitalize on the movement of meaning from culture through consumer goods to individuals. At the same time these three chapters exemplify many cases of redirecting, filtering, and damming up the flow of meaning on the part of viewers and subscribers.
by Orit Kuritsky.
S.M.
Douny, Laurence. « A praxeological approach to Dogon material culture ». Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1445424/.
Texte intégralKorwin-Pawlowski, Wendy. « Material Literacy : Alphabets, Bodies, and Consumer Culture ». W&M ScholarWorks, 2017. https://scholarworks.wm.edu/etd/1499450053.
Texte intégralShaw, Elizabeth. « Recycled Narratives : Contemporary Jewellery - Material Culture - Praxis ». Thesis, Griffith University, 2018. http://hdl.handle.net/10072/376858.
Texte intégralThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
Full Text
Fernandez-Llorente, Esther. « Material morality : success, material culture and the realist novel, 1848 to 1883 ». Thesis, University of Southampton, 2015. https://eprints.soton.ac.uk/396524/.
Texte intégralDe, Finis Serena. « Service design for cultural intangible heritage : tra conoscenza dell’architettura contemporanea e turismo sostenibile il caso di Matosinhos ». Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Trouver le texte intégralYsselstein, Geraldine Marion. « East German material culture : building a collective memory ». Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31499.
Texte intégralArts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
Jay, Phyllida. « The material culture of ethical and sustainable fashion ». Thesis, University College London (University of London), 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.675416.
Texte intégralArmstrong, Pamela. « Byzantine and Ottoman Torone material culture as history ». Thesis, Queen's University Belfast, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.599931.
Texte intégralTacchi, Jo Ann. « Radio sound as material culture in the home ». Thesis, University College London (University of London), 1997. http://discovery.ucl.ac.uk/1317663/.
Texte intégralReindl, Eva Maria. « On the developmental origins of human material culture ». Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7853/.
Texte intégralFlavin, Susan. « Consumption and material culture in sixteenth-century Ireland ». Thesis, University of Bristol, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.550301.
Texte intégralAnderson, Gavin. « Andriesgrond revisited : material culture, ideologies and social change ». Bachelor's thesis, University of Cape Town, 1991. http://hdl.handle.net/11427/19515.
Texte intégralThe original aims of this thesis were to analyze all the material remains from the previous excavations and collate all written reports on Andriesgrond Cave. Only one article has been written on Andriesgrond Cave (Parkington 1978), while several articles have referred to single unpublished reports or additional projects. Artefacts are analyzed and grouped according to their relevant chapters, and in the conclusion an interpretation of these finds is given in conjunction with social psychological theory of stress coping strategies and inter- and intragroup processes.
Good, Katherine L. « Adaptive Re-use:Interventions in an Existing Material Culture ». University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1282575826.
Texte intégralIon, Sabina A. « Identity and Material Culture in Seleucid Jebel Khalid ». University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin147981964305723.
Texte intégralSlade, Mary Ann Barbara Carleton University Dissertation Sociology and Anthropology. « Sleeping beauty, the material culture of Tsimshian Shamans ». Ottawa, 1994.
Trouver le texte intégralHourigan, Sally. « Clothing, Mothers and Daughters : A Material Culture Study ». Thesis, Griffith University, 2015. http://hdl.handle.net/10072/367488.
Texte intégralThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Humanities
Arts, Education and Law
Full Text
Vasey, April Jean. « Seneca Hair Combs as Material Culture : A Study ». W&M ScholarWorks, 1991. https://scholarworks.wm.edu/etd/1539625652.
Texte intégralPringle, Wendy Suzanne. « Chorioallantoic membrane culture : its potential for toxicity assessment and its limitations for skeletal tissue culture ». Thesis, University of Southampton, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.328538.
Texte intégralTurrin, Daniela Anna. « Slippages .... exploring the aesthetic encounter from the perspective of Merleau-Ponty's ontology ». University of Sydney. n/a, 2005. http://hdl.handle.net/2123/698.
Texte intégralVan, Wormer Heather. « Ideology in all things material culture and intentional communities / ». online access from Digital Dissertation Consortium access full-text, 2004. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3129552.
Texte intégralGumbley, Warren, et n/a. « A comparative study of the material culture of Murihiku ». University of Otago. Department of Anthropology, 1988. http://adt.otago.ac.nz./public/adt-NZDU20070619.111844.
Texte intégralHolt, Timothy James Peter. « Material culture : an inquiry into the meanings of artefacts ». Thesis, University of Warwick, 1996. http://wrap.warwick.ac.uk/2313/.
Texte intégralHohti, Paula Sofia. « Material culture, shopkeepers and artisans in sixteenth-century Siena ». Thesis, University of Sussex, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.426267.
Texte intégralGaydarska, Bisserka Ivanova. « Landscape, material culture and society in South East Bulgaria ». Thesis, Durham University, 2004. http://etheses.dur.ac.uk/3052/.
Texte intégralBoksmati, Nadine Tarek. « Hellenisation deconstructed : space, material culture and identity in Beirut ». Thesis, University of Cambridge, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.612937.
Texte intégralMikkel, Bille. « Negotiating protection : Bedouin material culture and heritage in Jordan ». Thesis, University College London (University of London), 2009. http://discovery.ucl.ac.uk/16121/.
Texte intégralKim, Koni Cecilia. « Korea as seen through its material culture and museums ». Thesis, University of Leicester, 2005. http://hdl.handle.net/2381/31151.
Texte intégralHan, In-Sung Kim. « Islamic material culture in medieval Korea and its legacy ». Thesis, SOAS, University of London, 2016. http://eprints.soas.ac.uk/26513/.
Texte intégralEastop, Dinah. « Stuff happens : a material culture approach to textile conservation ». Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/169895/.
Texte intégralThorpe, Ruth. « Elite women and material culture in Ireland, 1770-1840 ». Thesis, Queen's University Belfast, 2018. https://pure.qub.ac.uk/portal/en/theses/elite-women-and-material-culture-in-ireland-17701840(051f45b2-20fd-411c-9dab-d549b528d4d1).html.
Texte intégralWeir, Patricia M. « Lawyers' experience of exposure to traumatic material ». Thesis, Griffith University, 2023. http://hdl.handle.net/10072/420865.
Texte intégralThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Applied Psychology
Griffith Health
Full Text