Littérature scientifique sur le sujet « Material and Immaterial Culture »
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Articles de revues sur le sujet "Material and Immaterial Culture"
Chimenz, Luisa. « Sacred design. Immaterial values, material culture ». Design Journal 20, sup1 (28 juillet 2017) : S3436—S3447. http://dx.doi.org/10.1080/14606925.2017.1352847.
Texte intégralDabek, Ryszard. « Immaterial/Materiality ». Journal of Asia-Pacific Pop Culture 2, no 2 (1 décembre 2017) : 220–37. http://dx.doi.org/10.5325/jasiapacipopcult.2.2.220.
Texte intégralMeyer, Morgan. « Placing and tracing absence : A material culture of the immaterial ». Journal of Material Culture 17, no 1 (mars 2012) : 103–10. http://dx.doi.org/10.1177/1359183511433259.
Texte intégralFackler, Katharina. « Of Stereoscopes and Instagram : Materiality, Affect, and the Senses from Analog to Digital Photography ». Open Cultural Studies 3, no 1 (1 janvier 2019) : 519–30. http://dx.doi.org/10.1515/culture-2019-0045.
Texte intégralPizzocaro, Silvia. « Matter still matters. Design education for a material culture in the immaterial age ». Temes de Disseny, no 34 (26 novembre 2018) : 92–103. http://dx.doi.org/10.46467/tdd34.2018.92-103.
Texte intégralvan Dijk, Simone. « At home in the workplace : The value of materiality for immaterial labor in Amsterdam ». European Journal of Cultural Studies 22, no 4 (21 juillet 2019) : 468–83. http://dx.doi.org/10.1177/1367549419861628.
Texte intégralKnappett, Carl. « Materials with materiality ? » Archaeological Dialogues 14, no 1 (4 avril 2007) : 20–23. http://dx.doi.org/10.1017/s1380203807002140.
Texte intégralKhan, Aisha. « Material and Immaterial Bodies : Diaspora Studies and the Problem of Culture, Identity, and Race ». Small Axe 19, no 3 48 (novembre 2015) : 29–49. http://dx.doi.org/10.1215/07990537-3341801.
Texte intégralPiatti-Farnell, Lorna, Gwyneth Peaty et Ashleigh Prosser. « Evolving identities in popular culture ». Australasian Journal of Popular Culture 11, no 1 (1 décembre 2022) : 3–8. http://dx.doi.org/10.1386/ajpc_00047_2.
Texte intégralIrawan, Hengki, Sri Endah Wahyuningsih et Jawade Hafidz. « Legal Protection For Victims Of Traffic Violations That Lead To Death (Case Study On Police Traffic of Rembang) ». Jurnal Daulat Hukum 2, no 4 (28 mars 2020) : 485. http://dx.doi.org/10.30659/jdh.v2i4.8349.
Texte intégralThèses sur le sujet "Material and Immaterial Culture"
Malta, Renata Barreto. « A COMUNICAÇÃO NO MERCADO DO IMATERIAL : Tensões e distensões da produção simbólica em uma era pós-material ». Universidade Metodista de São Paulo, 2013. http://tede.metodista.br/jspui/handle/tede/675.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This thesis is constituted by two complementary stages, the theoretical and the empirical ones, which are essential to reach the following aims we have proposed. 1) Confirming a change in the publicity praxis in which material and functional elements become less relevant and immaterial and intangible elements more important. 2) Investigating, objectively and comparatively, the corpus content, demonstrating which themes prevail in different social periods and punctuating their tangible and intangible essence. 3) Presenting and delineating the Market of Immaterial , the outline of a new model of marketing segmentation which has the immateriality as base. The theoretical discussion based on Cultural Studies and in authors who discourse about the Post Modernity and its consumption relations is the bottom-line of this research and only by it we could elaborate the assumptions which have originated the two hypotheses, extremely connected, which sustain this thesis. The empirical research applies as a method the quantitative content analysis of the corpus, composed by advertising videos, carefully defined. Following the analytical and theoretical path, it was possible to conclude that we are in a post material era, ruled by the intangible, which modifies the market communication.
A tese é constituída por duas etapas complementares, a teórica e a empírica, essenciais para que os seguintes objetivos propostos sejam devidamente cumpridos. 1) confirmar uma mudança da práxis publicitária na qual elementos materiais e funcionais passam a ser minimizados e elementos imateriais e intangíveis evidenciados. 2) investigar de forma objetiva e comparativa o conteúdo do corpus e demonstrar quais temáticas prevalecem em diferentes períodos sociais, pontuando sua natureza tangível e intangível. 3) Apresentar e delinear o Mercado do Imaterial , o esboço de um novo modelo de segmentação de mercado que tem a imaterialidade como base. O aprofundamento teórico-conceitual alicerçado nos Estudos Culturais e em autores que discorrem sobre a pós-modernidade e suas relações de consumo é ponto de partida desta pesquisa e só por meio dele chegamos às premissas que dão origem às duas hipóteses, extremamente interligadas, que sustentam esta tese. A pesquisa empírica utiliza como procedimento metodológico a análise de conteúdo quantitativa do corpus, composto por vídeos publicitários criteriosamente definidos. Por meio do trajeto analítico e teórico, é possível concluir que estamos em um período pós-material regido pelo intangível, o que modifica a comunicação de mercado.
ANGELINI, Dario. « ECOMUSEI E LA CULTURA MATERIALE E IMMATERIALE ». Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/91346.
Texte intégralCarvalho, Conceição de Maria Belfort de [UNESP]. « A genealogia do patrimônio em São Luís : da Athenas a capital da diversidade ». Universidade Estadual Paulista (UNESP), 2009. http://hdl.handle.net/11449/103556.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Análise da produção de identidades em São Luís, Maranhão. Busca-se compreender, por meio da genealogia foucaultiana, como se constituiu, histórica e discursivamente, uma simultaneidade de identidades, que nomeiam, atualmente, a ―São Luís da diversidade‖, a partir do conceito de patrimônio cultural, edificado por várias práticas discursivas. Faz-se uma análise de diversos discursos, buscando a emergência de acontecimentos que os fabricaram e criaram São Luís como Athenas Brasileira, como Manchester do Norte, como Jamaica, e, atualmente, como diversidade (num espaço que reúne a multiplicidade, onde tudo acontece ao mesmo tempo, agora). O corpus assinala a longa duração histórica recortada nesta pesquisa (séculos XVIII-XXI). Em cada momento da irrupção do discurso de ―patrimônio‖ ele se materializa em textos e suportes de diferentes naturezas: livros e imprensa ilustram práticas discursivas que constroem a identidade de Athenas Brasileira (séculos XVIII-XIX); leis, documentos oficiais, documentos fotográficos registram o epíteto Manchester do Norte (início do século XX); várias mídias – impresso, outdoors, planfletos, busdoors – na atualidade, destacam uma simultaneidade de identidades. A pesquisa orienta-se pela proposta teórico-metodológica adotada pela Análise do Discurso de base foucaultiana, na direção que é dada no Brasil pelos trabalhos de Gregolin (2004), Sargentini e Navarro-Barbosa (2004), Fernandes (2007) e nas preocupações de um grupo de pesquisadores, que vêm, a partir da AD, pensando as identidades maranhenses (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). Para a constituição histórico-discursiva de uma ―São Luís da diversidade‖, a pesquisa parte da genealogia do conceito de patrimônio, destacando duas concepções que o performaram enquanto um elemento constitutivo de identidade: o patrimônio material...
An analysis of the production of identifies in São Luís – Maranhão. This paper tries to understand, through the genealogy of Foucault, how a simultaneity of identities constituted itself, historically and discursively, which it is considered, nowadays, the ―São Luís of the Diversity‖, from the concept of cultural patrimony, constructed by several discursive practices. It is done an analysis of several discourses and so looking for the emergency of happenings which they fabricate, so creating São Luís like a Brazilian Athens, a Manchester of the North, id est a Jamaica; and for the present like a diversity (in a space which gets together the multiplicity; where everything happens at the same time, now). The corpus signs the long historical length performed in this field research (XVIII – XXI Centuries). In every moment of the irruption of the discourse of ―patrimony‖ it materializes itself into texts and supports of different natures: books and press illustrates discoursive practices which construct the identity of Brasilian Athens (XVIII – XIX Centuries); laws, official documents, photographical documents register the epithet Manchester of the North (beginning of the XX Century); several midia – printed, outdoors, pamphlets, birsdoars – nowadays, emphasize a simultaneity of identities. This paper guides itself to the theoretical methodological proposal adopted by the analysis of the discourse from Foulcantian basis, in that direction whide is given in Brazil by works of Gregolin (2004), Sargentini and Navarro-Barbosa (2004), Fernandes (2007) and also based upon the preoccupations of a group of researchers who come, since AD, considering the Maranhense identifies (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). To the construction of the historical – discoursive approach of a ―São Luís of the diversity‖, this perper departs from the genealogy... (Complete abstract click electronic access below)
Slavet, Eliza Farro. « Freud's Moses memory material and immaterial / ». Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2007. http://wwwlib.umi.com/cr/ucsd/fullcit?p3252818.
Texte intégralTitle from first page of PDF file (viewed April 19, 2007). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 302-325).
Anzellotti, Elisa. « Memoria e materia della danza : problemi conservativi di un patrimonio culturale immateriale ». Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080130.
Texte intégralThis paper aims to discuss the difficulties involved in the preservation of the an intangible cultural heritage: the Dance.We shall begin from an aesthetic and philosophical premise as we investigate the problems that arise with an art form whose virtual essence lives in the ephemeral. However, this quality and the different perception of time and space that the dance create, that allows this art form to adapt to the fluidity of the 21st century - an era encumbered by dynamic dichotomies.In order to fully understand the importance of preserving this cultural heritage, an entire chapter has been devoted to “intangible cultural heritage legislation” which includes particular reference to dance works and copyright laws. An understanding of this aspect is essential - especially when confronting problems related to exploring and researching within dance archives - a prominent theme in this work. The thesis then moves onward to define the element of dance itself, with particular attention placed on the dancer’s instrument (the body) and the new technology. Only after thoroughly exploring this fundamental aspect, we will then discuss the sensitive issue of dance archive preservation.The preliminary exploration and definition in the thesis then brings us to the main question: How can we preserve and protect dance masterpieces in the digital era, especially with respect to current changes in National museums and archive conservation.Specific examples with regards to dance conservation and its evolution have been hued from selected European Institutions and in particular, those in Italy. One of the overriding concepts throughout this thesis has been to focus on the topic from the dancers point of view and therefore, collaborating with important dance figures such as the French master, Dupuy, has offered invaluable insight. It is the hope of this thesis to lay the ground work of a theoretical basis for an ideal center to study and preserve the evolution of dance in Italy
Il presente lavoro ha come obiettivo quello di affrontare un discorso conservativo di un bene culturale immateriale, qual è la danza.Partendo da una premessa estetico filosofica, si indagano le problematiche che si pongono in essere con un’arte la cui essenza risiede nell’effimero. Questa caratteristica, insieme alla diversa percezione di spazio e tempo che si ha con la danza, fanno sì che si adatti meglio di altre arti ai cambiamenti di questo secolo fluido e pieno di dicotomie.Per comprendere appieno l’importanza della salvaguardia di tale bene è stato dedicato un capitolo alla legislazione dei beni culturali intangibili, con particolare riferimento alla danza e al diritto d’autore, fondamentale anche quando si vanno ad affrontare le problematiche riguardanti gli archivi, punto su cui è incentrato molto del lavoro. Tema cardine è infatti la questione della conservazione della danza sia nelle sue componenti materiali, ma soprattutto nella sua immaterialità. Ruolo centrale è rivestito dal corpo del danzatore, elemento sfuggente come in tutte le arti performative. Particolare attenzione viene data alle nuove tecnologie (fotografia, cinema e video) senza tralasciare la documentazione e la conservazione che si ha con la scrittura e le immagini (con specifico riferimento al rapporto con le arti plastiche). Vengono presi in esame poi specifici esempi europei e italiani per indagare la situazione inerente la conservazione della danza. Un criterio che ha guidato la scelta è stato proprio quello di dare risalto al danzatore. In questo modo si sono volute gettare le basi teoriche per un ideale centro per lo studio e la conservazione della danza in Italia sul modello francese del CND
Carvalho, Conceição de Maria Belfort de. « A genealogia do patrimônio em São Luís : da Athenas a capital da diversidade / ». Araraquara : [s.n.], 2009. http://hdl.handle.net/11449/103556.
Texte intégralBanca: Vanice de Oliveira Sargentini
Banca: Luzia Sigoli Fernandes Costa
Banca: Marisa Gama Khalil
Banca: Antonio Suárez Abreu
Resumo: Análise da produção de identidades em São Luís, Maranhão. Busca-se compreender, por meio da genealogia foucaultiana, como se constituiu, histórica e discursivamente, uma simultaneidade de identidades, que nomeiam, atualmente, a ―São Luís da diversidade‖, a partir do conceito de patrimônio cultural, edificado por várias práticas discursivas. Faz-se uma análise de diversos discursos, buscando a emergência de acontecimentos que os fabricaram e criaram São Luís como Athenas Brasileira, como Manchester do Norte, como Jamaica, e, atualmente, como diversidade (num espaço que reúne a multiplicidade, onde tudo acontece ao mesmo tempo, agora). O corpus assinala a longa duração histórica recortada nesta pesquisa (séculos XVIII-XXI). Em cada momento da irrupção do discurso de ―patrimônio‖ ele se materializa em textos e suportes de diferentes naturezas: livros e imprensa ilustram práticas discursivas que constroem a identidade de Athenas Brasileira (séculos XVIII-XIX); leis, documentos oficiais, documentos fotográficos registram o epíteto Manchester do Norte (início do século XX); várias mídias - impresso, outdoors, planfletos, busdoors - na atualidade, destacam uma simultaneidade de identidades. A pesquisa orienta-se pela proposta teórico-metodológica adotada pela Análise do Discurso de base foucaultiana, na direção que é dada no Brasil pelos trabalhos de Gregolin (2004), Sargentini e Navarro-Barbosa (2004), Fernandes (2007) e nas preocupações de um grupo de pesquisadores, que vêm, a partir da AD, pensando as identidades maranhenses (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). Para a constituição histórico-discursiva de uma ―São Luís da diversidade‖, a pesquisa parte da genealogia do conceito de patrimônio, destacando duas concepções que o performaram enquanto um elemento constitutivo de identidade: o patrimônio material... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: An analysis of the production of identifies in São Luís - Maranhão. This paper tries to understand, through the genealogy of Foucault, how a simultaneity of identities constituted itself, historically and discursively, which it is considered, nowadays, the ―São Luís of the Diversity‖, from the concept of cultural patrimony, constructed by several discursive practices. It is done an analysis of several discourses and so looking for the emergency of happenings which they fabricate, so creating São Luís like a Brazilian Athens, a Manchester of the North, id est a Jamaica; and for the present like a diversity (in a space which gets together the multiplicity; where everything happens at the same time, now). The corpus signs the long historical length performed in this field research (XVIII - XXI Centuries). In every moment of the irruption of the discourse of ―patrimony‖ it materializes itself into texts and supports of different natures: books and press illustrates discoursive practices which construct the identity of Brasilian Athens (XVIII - XIX Centuries); laws, official documents, photographical documents register the epithet Manchester of the North (beginning of the XX Century); several midia - printed, outdoors, pamphlets, birsdoars - nowadays, emphasize a simultaneity of identities. This paper guides itself to the theoretical methodological proposal adopted by the analysis of the discourse from Foulcantian basis, in that direction whide is given in Brazil by works of Gregolin (2004), Sargentini and Navarro-Barbosa (2004), Fernandes (2007) and also based upon the preoccupations of a group of researchers who come, since AD, considering the Maranhense identifies (CRUZ, 2005; SANTOS, 2002; MATOS, 2002; CARVALHO, 2001). To the construction of the historical - discoursive approach of a ―São Luís of the diversity‖, this perper departs from the genealogy... (Complete abstract click electronic access below)
Doutor
Eimke, Andrea. « Liminal Space - an investigation of material and immaterial boundaries and their space in between ». AUT University, 2010. http://hdl.handle.net/10292/916.
Texte intégralO'Connor, Kaori. « Lycra, baby boomers and the immaterial culture of the new midlife : a study of commerce and culture ». Thesis, University College London (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406396.
Texte intégralRosario, Deborah Hope. « Milton and material culture ». Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:45542c8d-0049-49cf-8d19-6d206195d9a7.
Texte intégralMacIntyre, Hector. « Material Culture and Technological Determinism ». Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/31939.
Texte intégralLivres sur le sujet "Material and Immaterial Culture"
Art Gallery of New South Wales., dir. Material immaterial. Sydney : Art Gallery of New South Wales, 1997.
Trouver le texte intégralBertocci, Stefano, Marco Bini et Saverio Mecca, dir. Documentation for conservation and development. Florence : Firenze University Press, 2006. http://dx.doi.org/10.36253/8884534933.
Texte intégralSdegno, Emma, Martina Frank, Pierre-Henry Frangne et Myriam Pilutti Namer. John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Venice : Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5.
Texte intégral1954-, Kuma Kengo, dir. Material/immaterial : The new work of Kengo Kuma. New York : Princeton Architectural Press, 2009.
Trouver le texte intégralEl-Moawen, Amir. Material and immaterial motivational instruments : A future-orientated analysis. London : LSE, 1999.
Trouver le texte intégralIl gioco e i giochi nel mondo antico : Tra cultura materiale e immateriale. Bari : Edipuglia, 2013.
Trouver le texte intégralKontou, Tatiana, Victoria Mills et Kate Nichols. Victorian Material Culture. London : Routledge, 2022. http://dx.doi.org/10.4324/9781315400266.
Texte intégralKontou, Tatiana, Victoria Mills et Richard Menke. Victorian Material Culture. London : Routledge, 2022. http://dx.doi.org/10.4324/9781315400303.
Texte intégralKontou, Tatiana, Victoria Mills et Adelene Buckland. Victorian Material Culture. London : Routledge, 2022. http://dx.doi.org/10.4324/9781315400143.
Texte intégralBuck, Peter Henry. Samoan material culture. Millwood, N.Y : Kraus Reprint, 1988.
Trouver le texte intégralChapitres de livres sur le sujet "Material and Immaterial Culture"
Cannella, Fabrizia. « Femminielli and the city : urban space and non-binary gender identities in Naples ». Dans Embodying Peripheries, 200–215. Florence : Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-661-2.09.
Texte intégralTschebann, Saskya. « Cemetery Enchanted, Encore : Natural Burial in France and Beyond ». Dans Bioarchaeology and Social Theory, 249–68. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-03956-0_11.
Texte intégralWhatley, Sarah. « The Challenge of the Inter in the Preservation of Cultural Heritage ; The Intangibility of the Material and Immaterial Dancing Body in Performance ». Dans Lecture Notes in Computer Science, 218–26. Berlin, Heidelberg : Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-40050-6_19.
Texte intégralAbels, Birgit. « Passageways of Knowing. Music, Movement, Reconnection ». Dans Postcolonial Repercussions, 165–78. Bielefeld, Germany : transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839462522-011.
Texte intégralPaver, Chloe. « Between the Material and the Immaterial ». Dans Exhibiting the Nazi Past, 25–63. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77084-0_2.
Texte intégralSchmid, Susanne. « Introduction : Immaterial Angel or Material Poet ? » Dans Shelley's German Afterlives, 1–20. New York : Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604230_1.
Texte intégralLöfgren, Orvar. « Material Culture ». Dans A Companion to Folklore, 169–83. Chichester, UK : John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118379936.ch9.
Texte intégralSamida, Stefanie. « Material culture ». Dans The Routledge Handbook of Reenactment Studies, 130–32. First edition. | New York : Routledge, 2020. : Routledge, 2019. http://dx.doi.org/10.4324/9780429445637-27.
Texte intégralLeibman, Laura. « Material culture ». Dans The Routledge Companion to Jewish History and Historiography, 343–59. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, [2019] : Routledge, 2018. http://dx.doi.org/10.4324/9780429458927-25.
Texte intégralAdshead, S. A. M. « Material Culture ». Dans Material Culture in Europe and China, 1400–1800, 1–30. London : Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25762-1_1.
Texte intégralActes de conférences sur le sujet "Material and Immaterial Culture"
Conejo-Arrabal, Francisco, Francisco José Chamizo-Nieto, Nuria Nebot-Gómez de Salazar et Carlos Rosa-Jiménez. « METHODOLOGY FOR MAPPING INTANGIBLE CULTURAL HERITAGE THROUGH WEBGIS INTEGRAL PLATFORMS. LA FONTANALLA NEIGHBOURHOOD AS A CASE STUDY ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15651.
Texte intégralSotgiu, Antonio Vincenzo, et Serena Noemi Cappai. « Pinnettas de pedra : a guide for the valorisation of dry-stone artifacts ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14331.
Texte intégralBeltramo, Giulia. « MATERIAL AND IMMATERIAL : ENHANCEMENT OF THE CULTURAL LANDSCAPE AND HISTORICAL MEMORY IN THE LOWER PO AND INFERNOTTO VALLEYS ». Dans 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/2.1/s05.006.
Texte intégralCastagnaro, Corrado. « The interpretation of the vernacular in the modern work of Gherardo Bosio : the Albanian experience. » Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15536.
Texte intégralBanaru, Svetlana, Aurelia Litvin et Alexandru Nistiriuc. « Revitalization of tangible and intangible cultural heritage elements – bridge between generations ». Dans 4th Economic International Conference "Competitiveness and Sustainable Development". Technical University of Moldova, 2022. http://dx.doi.org/10.52326/csd2022.11.
Texte intégralOrozco Varela, Luis Pablo, Mariana Blanco Ortiz, Gustavo Campos Fonseca, María Cubillo González et Javier Nuñez Marín. « El Museo Dialoga : el museo y la sociedad en comunicación crítica. » Dans Congreso CIMED - II Congreso Internacional de Museos y Estrategias Digitales. Valencia : Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/cimed22.2022.15643.
Texte intégralNór, Soraya, Elizabeth de Siervi, Camila Abad et Julia Mayer. « Paisagem cultural dos jardins domesticos com plantas medicinais e aromáticas : Grande Florianópolis ». Dans Seminario Internacional de Investigación en Urbanismo. Barcelona : Curso de Arquitetura e Urbanismo. Universidade do Vale do Itajaí, 2016. http://dx.doi.org/10.5821/siiu.6345.
Texte intégralGheorghiu, Dragos, et Livia Stefan. « VIRTUAL MUSEUMS : DEALING WITH CULTURAL IDENTITY IN THE DIGITAL AGE ». Dans eLSE 2018. Carol I National Defence University Publishing House, 2018. http://dx.doi.org/10.12753/2066-026x-18-280.
Texte intégralNovelli, Francesco. « Castle Garth in Newcastle (UK) : processes of transformation, integration and discharge of a fortified complex in an urban context ». Dans FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia : Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11548.
Texte intégralGil, Ana. « DIGITAL RECONSTRUCTIONS - A METHODOLOGY FOR THE STUDY, PRESERVATION AND DISSEMINATION OF ARCHITECTURAL HERITAGE ». Dans ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia : Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.2982.
Texte intégralRapports d'organisations sur le sujet "Material and Immaterial Culture"
Island Ark Project Team, Island Ark Project Team. Digital preservation of immaterial island culture in the face of climate change. Experiment, avril 2014. http://dx.doi.org/10.18258/2415.
Texte intégralHawley, Anna. Structures of daily life : the material culture of Surry County, Virginia, 1690-1715. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.5495.
Texte intégralIvanova, Halyna I., Olena O. Lavrentieva, Larysa F. Eivas, Iuliia O. Zenkovych et Aleksandr D. Uchitel. The students' brainwork intensification via the computer visualization of study materials. [б. в.], juillet 2020. http://dx.doi.org/10.31812/123456789/3859.
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