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Articles de revues sur le sujet « Mass media – Germany – History »

Auteur : Grafiati

Publié le 10 mars 2023

Mis à jour le 31 juillet 2025

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1

Ignatova, Irina, and Elena Zubarkina. "Media Criticism in Germany: History and Theory." Theoretical and Practical Issues of Journalism 8, no. 3 (2019): 512–23. http://dx.doi.org/10.17150/2308-6203.2019.8(3).512-523.

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The article is dedicated to the study of the history and theory of media criticism in Germany and the importance of the phenomenon of media criticism for the development and successful functioning of the mass media in German-speaking countries. The theoretical preconditions for the development of media criticism in Germany and its historical stages play an important role in understanding the modern institution of media criticism and the mechanisms of its impact on the recipient. Media criticism has existed since the media themselves appeared, and the existence and emergence of new media is alw

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Oktrova, Mirela. "German and Albanian Media in Political and Social Change: Challenges, Patterns, and Deviations." Studies in Media and Communication 12, no. 1 (2023): 167. http://dx.doi.org/10.11114/smc.v12i1.6497.

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Studying the past interactions between Germany and Albania in the field of media is an important topic, as it is crucial for understanding the current challenges and finding solutions to promote cooperation and communication between two countries in the future. The purpose of the research is to compare the historical development of the mass media in Germany and Albania, as well as to consider the models of interaction between these countries in the field of media. During the research, the following methods of theoretical knowledge were used: analysis, comparison, synthesis, and generalization.

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McLellan, J. "Mass Media, Culture and Society in Twentieth Century Germany." German History 26, no. 4 (2008): 598–99. http://dx.doi.org/10.1093/gerhis/ghn070.

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Kosnick, Kira. "Ethnicizing the Media: Multicultural Imperatives, Homebound Politics, and Turkish Media Production in Germany." New Perspectives on Turkey 29 (2003): 107–31. http://dx.doi.org/10.1017/s0896634600006130.

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The past fifteen years have witnessed a veritable explosion of mass media productions aimed at immigrant populations in Germany. Facilitated by new communication technologies, television channels and radio stations from former “home countries” and elsewhere have become available to immigrants via satellite and the internet. Daily newspapers produced in Ankara, Belgrade, or Warsaw can be bought at German newspaper stands. There has also been a proliferation of mass media venues created locally, by and for immigrants themselves, and nowhere is this landscape of immigrant media more evolved than

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Schmalz, Tatjana. "Zur medialen Integration russlanddeutscher (Spät-)Aussiedler nach dem Fall Lisa und ihrer Mediendarstellung bis zur Bundestagswahl 2017." Zeitschrift für Slawistik 64, no. 3 (2019): 445–64. http://dx.doi.org/10.1515/slaw-2019-0024.

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Summary The majority of German Russians, who had settled in Germany in the 1990 s, were long considered conformist up to January 2016 where Russian media services and officials exploited the criminal case of Lisa F. in Berlin. A few right wing AfD party activists gathered several thousand Russian speakers to protest against the German refugee policy. Even though the activist’s mobilizing narrative can easily be deconstructed as a political myth with little consensus within the German Russian population, German mass media have since generalized this heterogeneous group as troublemakers with div

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Ross, C. "Writing the Media into History: Recent Works on the History of Mass Communications in Germany." German History 26, no. 2 (2008): 299–313. http://dx.doi.org/10.1093/gerhis/ghn022.

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KÜHNE, THOMAS. "Great Men and Large Numbers: Undertheorising a History of Mass Killing." Contemporary European History 21, no. 2 (2012): 133–43. http://dx.doi.org/10.1017/s0960777312000070.

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Scholarship is not only about gaining new insights or establishing accurate knowledge but also about struggling for political impact and for market shares – shares of public or private funds, of academic jobs, of quotations by peers, and of media performances. Timothy Snyder's Bloodlands fights for recentring contemporary European history.1 No longer, his new book implies, should the centre of that history be Germany, which initiated two world wars and engaged with three genocides; even less should the centre be Western Europe, which historians for long have glorified as the trendsetter of mod

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Nebesnyuk, U. A. "THE HISTORY OF A CALENDAR AS A CUMULATIVE TEXT OF MASS MEDIA IN THE ETHNIC CULTURE OF GERMANY." Bulletin of Udmurt University. Series History and Philology 29, no. 6 (2019): 976–81. http://dx.doi.org/10.35634/2412-9534-2019-29-6-976-981.

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The article presents the analysis of composition, forms and functions of a calendar as a cumulative text of mass media in the ethnic culture of Germany from the mid-fifteenth until the early nineteenth century. It was revealed that, in connection with the growing role of narrative entertainment part since the 10s of the nineteenth century and the politicization of social consciousness during the great French Revolution, the calendar as a truly national medium of information has been undergone literarization, having lost its original meaning. Calendar stories have formed an independent literary

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Дённингхаус, Виктор. "«Американская лихорадка»: попытка массовой эмиграции немецкого населения из Советского Союза в конце 1920-х годов". Qazaq Historical Review 1, № 3 (2023): 365–88. http://dx.doi.org/10.69567/3007-0236.2023.3.365.388.

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The article examines the case of the mass emigration of Germans from the Soviet Union to Europe and America in the late 1920s, referred to as the “American fever”. Based on unpublished archival materials from the collections of RGASPI (Russian State Archive of Social-Political History) and GARF (State Archive of the Russian Federation), as well as documentary collections, German periodicals of the era, and contemporary research, the study presents a comprehensive account of the alterations in the conditions of departure from the USSR for Soviet citizens of German nationality, encompassing both

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Khrishkevich, Tatiana. ""NS-documentation centers” in Germany as a historical experience of overcoming the past." Metamorphoses of history, no. 25 (2022): 0. http://dx.doi.org/10.37490/s230861810023096-5.

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The article analyzes the activities of the centers of National Socialist documentation in Germany. They introduce the German public to the history of the Nazi regime. They are engaged in preserving the memory of his victims and are conducting research in this area. Leading centers NS-documentation centers are located in Munich, Cologne, Dresden. In addition to the centers, numerous memorials and museums are engaged in preserving historical memory. They contain information about prisoners of concentration camps. Red Army soldiers who were captured by the Germans, about the graves of Soviet citi

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Griebel, Tim, and Erik Vollmann. "We can(’t) do this." Journal of Language and Politics 18, no. 5 (2019): 671–97. http://dx.doi.org/10.1075/jlp.19006.gri.

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Abstract Migration has been a defining topic in the discourse in Germany since the so-called “refugee crisis” in 2015. This corpus-assisted critical discourse analysis systematically reconstructs the discourse about migration in two influential German newspapers, thereby emphasizing the construction of different subject positions for people migrating to Germany. Mass media are an important arena for the fight for hegemony between discursive coalitions of culturalization regimes that are based on openness and closure respectively. The discursive space of the German discourse about migration off

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Rensmann, L. "Holocaust Memory and Mass Media in Contemporary Germany: Reflections on the Goldhagen Debate." Patterns of Prejudice 33, no. 1 (1999): 59–76. http://dx.doi.org/10.1080/003132299128810498.

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van Waarden, Betto. "A Colonial Celebrity in the New Attention Economy: Cecil Rhodes’s Cape-to-Cairo Telegraph and Railway Negotiations in 1899." English Historical Review 136, no. 582 (2021): 1193–223. http://dx.doi.org/10.1093/ehr/ceab327.

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Abstract In 1899, the British colonialist Cecil Rhodes went to Berlin to negotiate about his fantastical ‘Cape-to-Cairo’ telegraph and railway scheme with his former nemesis, the German emperor Wilhelm II. Why did this initiative of Rhodes, who was held responsible for the disastrous Jameson Raid and no longer occupied any official position, receive so much coverage and legitimacy in the international press? Despite the vast scholarship on Rhodes, there is strikingly little analysis of these negotiations, considering that they were hailed as marking the rehabilitation of Rhodes and the trouble

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Roth-Cohen, Osnat. "Immigration Builds a Nation: The Hybrid Impact of European Immigration on the Development of an Advertising Industry." Journal of Communication Inquiry 42, no. 4 (2018): 359–80. http://dx.doi.org/10.1177/0196859918792207.

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This research focuses on the nascent advertising industry in British Mandatory Palestine and how it was influenced and transformed by German Jewish immigrants, who arrived between 1933 and 1939, in a wave of immigration known as the Fifth Aliyah. At the time, local advertising was rather small and undeveloped until the mass wave of immigrants (over 200,000), many highly skilled and educated, came from Central Europe, mainly from Germany. These immigrants played a vital role in the local advertising industry. Their contributions were evaluated using a theoretical model consisting of primary ana

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Jones, Mark. "Media and the Making of Modern Germany: Mass Communications, Society and Politics from the Empire to the Third Reich." European Review of History: Revue europeenne d'histoire 17, no. 6 (2010): 913–14. http://dx.doi.org/10.1080/13507486.2010.534883.

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Martynenko, Elena, and Nickolay Parkhitko. "The history of the German media in the context of political transformation since unification (1990–2020)." OOO "Zhurnal "Voprosy Istorii" 2023, no. 7-2 (2023): 44–61. http://dx.doi.org/10.31166/voprosyistorii202307statyi35.

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The authors analyze the development of the German mass media over the 30-year period of the existence of the united country, outline the main trends, and identify the features and prospects for the German's mass media development as the crucial institution of a modern democratic society. The context of the transformation of the modern media space seems relevant in scientific and practical terms.

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VON HODENBERG, CHRISTINA. "Mass Media and the Generation of Conflict: West Germany's Long Sixties and the Formation of a Critical Public Sphere." Contemporary European History 15, no. 3 (2006): 367–95. http://dx.doi.org/10.1017/s0960777306003377.

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From the 1950s to 1970s the West German public sphere underwent a rapid politicisation which was part of the ongoing socio-cultural democratisation of the Federal Republic. This article examines the role of the mass media and journalistic elites in bringing about this change. It analyses how and when political coverage in the media evolved from an instrument of consensus to a forum of conflict. Arguing that generational shifts in journalism were crucial to this process, two generations, termed the ‘45ers’ and the ‘68ers’, are described in regard to their professional ethos and their attitudes

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Schülting, Sabine. "‘Imagined communities’." Cahiers Élisabéthains: A Journal of English Renaissance Studies 96, no. 1 (2018): 160–71. http://dx.doi.org/10.1177/0184767818761144.

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Focusing on two productions of this past decade of The Merchant of Venice in Germany, the article challenges the predominant national focus of ‘European Shakespeares’. It suggests that contemporary Shakespeare productions can indeed comment on Europe’s intricate relations – political, economic and cultural – with other parts of the world, and on the tension between English as a lingua franca and the cultural and linguistic diversity of Europe. It suggests to complicate, with Shakespeare, the notion of ‘European identity’, in a time of mass migration, multi-ethnic societies and the globalizatio

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Cincotta, Natalie R. "Ideal Men and Dream Women: Computer Matchmaking in twen during the West German Sex Wave, 1967–1970." German History 40, no. 1 (2022): 107–22. http://dx.doi.org/10.1093/gerhis/ghab089.

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Abstract Between 1967 and 1970, the West German youth magazine twen embarked on an ambitious experiment to match young heterosexual pairs using computer programming. Named Rendezvous, the program emerged during a moment of particular promise and transformation in West German history. The so-called ‘sex wave’, an emphasis on self-discovery and the reconfiguration of social relationships, had produced both new possibilities and pressures for how young West Germans should ‘get to know’ each other and what they should find meaningful in their romantic relationships. Rendezvous promised to take the

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SAUNDERS, ANNA. "Media and the Making of Modern Germany: Mass Communications, Society, and Politics from the Empire to the Third Reich - By Corey Ross." History 94, no. 316 (2009): 544–45. http://dx.doi.org/10.1111/j.1468-229x.2009.00468_39.x.

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Zimmermann, Clemens. "Media and the Making of Modern Germany: mass communication, society and politics from the Empire to the Third Reich." Historical Journal of Film, Radio and Television 31, no. 1 (2011): 154–56. http://dx.doi.org/10.1080/01439685.2011.553461.

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Braida, Nicole. "From the Small Screen to the Big Screen: The Super8's Distribution of Sandokan TV series." Cinéma & Cie. Film and Media Studies Journal 24, no. 43 (2025): 125–40. https://doi.org/10.54103/2036-461x/19977.

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‘From the small screen to the big screen’ proclaims the advertising text of the Super8’s of a television series distributed in 1979 by the German company Piccolo Film, emphasizing the novelty and the potential of format. The film is Sandokan, an Italian miniseries from 1976 directed by Sergio Sollima and starring the Indian actor Kabir Bedi as the exotic protagonist of Salgari’s famous adventure. This contribution maps the European and global success of the series and its media format’s history, focusing in particular on Super8’s distribution. It retraces Super8 ‘reduction prints’ in different

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Green, Jonathan. "The Extract of Various Prophecies: Apocalypticism and Mass Media in the Early Reformation." Renaissance and Reformation 40, no. 4 (2018): 15–42. http://dx.doi.org/10.33137/rr.v40i4.29267.

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The compilation known as the Extract of Various Prophecies (Auszug etlicher Practica und Prophezeiungen) was the most popular prophetic pamphlet in Germany in the decade between 1516 and 1525. While the Extract was known to contain excerpts from the Prognosticatio of Johannes Lichtenberger and the Speculum of Johannes Grünpeck, this article identifies the sources of the introduction (Simon Eyssenmann’s annual prognostication for 1514) and the concluding verse (an annual prognostication for 1508) and clarifies the process of compilation. In contrast to earlier views that see it as a clumsy and

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Haase, Christian. "Review Article: The German Mass Media in the Twentieth Century: Between Democracy and Dictatorship." European History Quarterly 40, no. 3 (2010): 484–92. http://dx.doi.org/10.1177/0265691409371034.

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Slobodian, Quinn. "How to see the world economy: statistics, maps, and Schumpeter's camera in the first age of globalization." Journal of Global History 10, no. 2 (2015): 307–32. http://dx.doi.org/10.1017/s174002281500008x.

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AbstractHow we assess globalization is largely determined by how we see the world economy. This article follows a disagreement about how to see the world economy among economists in Germany and Austria in the first age of globalization from the 1870s until the First World War. Absorbing metaphors from contemporary developments in media technologies, the debate pitted historical economists, who used statistics and cartography to make visible what they called the ‘world economic organism’, against marginalist economists, including a young Joseph Schumpeter, who rejected panoramic descriptions of

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Krahn, Carolin. "Napoli fürs Sofa." Quellen und Forschungen aus italienischen Archiven und Bibliotheken 103, no. 1 (2023): 57–77. http://dx.doi.org/10.1515/qufiab-2023-0006.

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Abstract Using a famous commercial shown on German-language television from the 1980s, this article analyses the media staging, reactivation and transformation of audio-visual images of Italy at the turn of the 20th and 21st centuries. The case study operates at the intersection of music history, the advertising and insurance industries, mass media and global tourism. It interweaves musical, technological, socio-cultural and discursive perspectives. In doing so, it demonstrates how key acoustic motifs become nationally connoted carriers of meaning in the context of the cross-media production a

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Melnyk, Viktor. "CZECHIAN GERMANS: THE HISTORY OF POLITICAL SELF-DESTRUCTION (1939–1945)." Politology bulletin, no. 83 (2019): 40–50. http://dx.doi.org/10.17721/2415-881x.2018.83.40-50.

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Objective of the study: to classify and identify the main causes of the process of political self-destruction of the German ethnic minority in the territory of Czechoslovakia; to propose, substantiate and introduce into scientific circulation the concept of political self-destruction of the German community in the territory of the Protectorate of Bohemia and Moravia, which existed under the suzerainty of the Third Reich from March 15, 1939 to May 13, 1945. Methodology: Therefore, the journalistic and literary works of the Protectorate of Bohemia and Moravia were analyzed, as well as legal docu

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Melnyk, Viktor. "CZECHIAN GERMANS: THE HISTORY OF POLITICAL SELF-DESTRUCTION (1939–1945)." Politology bulletin, no. 83 (2019): 40–50. http://dx.doi.org/10.17721/2415-881x.2019.83.40-50.

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Objective of the study: to classify and identify the main causes of the process of political self-destruction of the German ethnic minority in the territory of Czechoslovakia; to propose, substantiate and introduce into scientific circulation the concept of political self-destruction of the German community in the territory of the Protectorate of Bohemia and Moravia, which existed under the suzerainty of the Third Reich from March 15, 1939 to May 13, 1945. Methodology: Therefore, the journalistic and literary works of the Protectorate of Bohemia and Moravia were analyzed, as well as legal docu

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Makukh-Fedorkova, Ivanna. "The Role of Cinema in the History of Media Education in Canada." Mediaforum : Analytics, Forecasts, Information Management, no. 7 (December 23, 2019): 221–34. http://dx.doi.org/10.31861/mediaforum.2019.7.221-234.

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The era of audiovisual culture began more than a hundred years ago with the advent of cinema, and is associated with a special language that underlies non-verbal communication processes. Today, screen influence on humans is dominant, as the generation for which computer is an integral part of everyday life has grown. In recent years, non-verbal language around the world has been a major tool in the fight for influence over human consciousness and intelligence. Formation of basic concepts of media education, which later developed into an international pedagogical movement, in a number of wester

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Chernysh, Oleg. "The Role of Mass Media in the Formation of Media Literacy of the Individual in the Context of Information Warfare." Education and Pedagogical Sciences, no. 3 (175) (2020): 11–19. http://dx.doi.org/10.12958/2227-2747-2020-3(175)-11-19.

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The article defines the role of the media in the formation of media literacy of the individual in the context of information warfare on the basis of theoretical and empirical analysis. It is emphasized that information wars have a long history of development and have been known for a long period of human development. It is noted that the concept of “information warfare” became especially relevant in the second half of the twentieth century. This is due to the active development of scientific and technological progress and the beginning of a new information age of human development. Different i

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Dröse, Albrecht, and Marius Kraus. "Ulrich von Hutten’s Partisanship in the Reuchlin Controversy (1514–1519): Determining Functions of “Invectivity” in Early Sixteenth-Century German Humanism." Journal of Early Modern Christianity 10, no. 1 (2023): 13–41. http://dx.doi.org/10.1515/jemc-2023-2036.

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Abstract At the beginning of the sixteenth century, the controversy around the Hebraist Johannes Reuchlin rather quickly developed from a mere scholarly dispute into a mass media event. The German humanists played a large part in this, countering his supposed opponent, the Jewish convert Johannes Pfefferkorn, with a multitude of elaborate invectives, and acting as a vituperative community. Ulrich von Hutten participated particularly eagerly in the anti-Pfefferkorn discourse and was heavily involved in its satirical climax, the Epistolae obscurorum virorum. The concept of “invectivity” can prov

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Scheerbaum, Martin, Constantin Langenbach, Petra Scheerbaum, et al. "Prevalence of cardiovascular risk factors among 28,000 employees." Vasa 46, no. 3 (2017): 203–10. http://dx.doi.org/10.1024/0301-1526/a000611.

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Abstract. Background: Cardiovascular diseases are the leading cause of death in Germany. The knowledge of causal risk factors and their distribution is of utmost importance to design screening programs. Probands and methods: In this cross-sectional study design we used STROBE criteria to achieve the highest comparability possible. Anthropometric measures (height and weight), total cholesterol, glucose level, and blood pressure were measured. Probands’ history was collected by using a standardized questionnaire. The data was age- and gender-adjusted for the working population 16 to 70 years of

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Pozdnyakova, Ju S. "Framing Science in the Media: Case Study of News on Bolshaya Udina Volcano." Vestnik NSU. Series: History and Philology 22, no. 6 (2023): 94–102. http://dx.doi.org/10.25205/1818-7919-2023-22-6-94-102.

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The article considers the process of transformation of framing of science from a researcher (6 letters, 5 versions of the text with corrections) through the news in corporate mass media (press release, 1 text) to other mass media (8 texts in English, 1 text in German, 59 texts in Russian). Three frames were identified in the original text: “narrative of the progress of the study”, “catastrophizing the results of the study”, and “the need for additional observations for more accurate research results”. The media exploited the “catastrophizing” frame most actively: 6 texts in English, 1 text in

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Martin, Benjamin G., and Elisabeth Marie Piller. "Cultural Diplomacy and Europe's Twenty Years’ Crisis, 1919–1939: Introduction." Contemporary European History 30, no. 2 (2021): 149–63. http://dx.doi.org/10.1017/s096077732000065x.

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Photographs of the German and Soviet pavilions facing off at the Paris International Exposition in 1937 offer an iconic image of the interwar period, and with good reason. This image captures the interwar period's great conflict of ideologies, the international interconnectedness of the age and the aestheticisation of political and ideological conflict in the age of mass media and mass spectacle. [Figure 1] Last but not least, it captures the importance in the 1930s of what we now call cultural diplomacy. Both pavilions – Germany's, in Albert Speer's neo-classical tower bloc crowned with a gia

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Wiesen, S. Jonathan. "Mass Media, Culture, and Society in Twentieth-Century Germany. Edited by Karl Christian Führer and Corey Ross. Houndsmills, U.K., and New York: Palgrave Macmillan. 2006. Pp. 254. Cloth $85.00. ISBN 0-230-00838-0." Central European History 41, no. 2 (2008): 315–18. http://dx.doi.org/10.1017/s0008938908000435.

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Suslov, I. V., D. S. Artamonov, and A. R. Faizliev. "Soviet Leaders in Western Media Space." Nauchnyi dialog 11, no. 9 (2022): 143–62. http://dx.doi.org/10.24224/2227-1295-2022-11-9-143-162.

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The results of the analysis of the USSR image in Western social media are presented. The novelty of the study lies in the use of the Global Database of Events, Language, and Tone in the analysis of the image of Soviet leaders in the Euro-Atlantic press. A review of messages that mention the names of the leaders of the USSR from January 1, 2017 to the present in the Western press has been completed. It is proved that the overall emotional tone of the narrative about the Soviet leaders in Western media is extremely negative. It is noted that French and German journalists, in comparison with Angl

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Geppert, Dominik. "Review: Karl Christian Führer and Corey Ross (eds), Mass Media, Culture and Society in Twentieth-Century Germany, Basingstoke: Palgrave Macmillan, 2006; 254 pp; $85.00 hbk; ISBN: 9780230008380." Journal of Contemporary History 44, no. 3 (2009): 542–44. http://dx.doi.org/10.1177/00220094090440030904.

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Karaev, F. K. "HISTORY OF THE GREAT PATRIOTIC WAR IN A TEXTBOOK FOR HIGHER EDUCATIONAL INSTITUTIONS OF SOVIET TAJIKISTAN." Bulletin of the South Ural State University Series «Social Sciences аnd the Humanities» 23, no. 4 (2023): 14–22. http://dx.doi.org/10.14529/ssh230402.

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The article describes and analyses the chapter on the Great Patriotic War from the textbook «History of the Tajik SSR». The textbook was published in 1965 for the higher education institutions of the republic of Tajikistan. Since the textbook was written during the «thaw» period, it reflects the situation regarding the interpretation of the postwar history after the debunking of the personality cult of I. V. Stalin. The article characterizes the structure and main plot of the chapter about the Great Patriotic War. It focuses on the scientific activities of the textbook editor Academician Z. S.

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Hornberger, Barbara. ""I Don't Feel Hate"." Persona Studies 10, no. 1 (2024): 74–84. http://dx.doi.org/10.21153/psj2024vol10no1art1871.

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In (media) popular music, “personas” are usually media personalities. They mainly appear in mass media. As the media landscape has changed over the last 150 years, so have the media appearances of these musician-personalities - from sheet music to radio, records, film, television, music videos and finally YouTube, Instagram and TikTok. Popular music is dominated by stars, media personalities who present a musical performance - but the way this performance is presented has varied historically. In “old” media, record companies had considerable power with regard to access to markets, but also reg

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Stasch, Rupert. "The Camera and the House: The Semiotics of New Guinea “Treehouses” in Global Visual Culture." Comparative Studies in Society and History 53, no. 1 (2011): 75–112. http://dx.doi.org/10.1017/s0010417510000630.

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One of the most frequently encountered representations of West Papuan people internationally today is a photographic or video image of a Korowai or Kombai treehouse (Figure 1). Circulation of these images first exploded in the mid-1990s. In 1994, anArts & Entertainment Channelfilm about Korowai was broadcast in the United States under the titleTreehouse People: Cannibal Justice, and in 1996National Geographicpublished a photo essay titled “Irian Jaya's People of the Trees.” Korowai and Kombai treehouses have since been depicted in dozens of magazine and newspaper articles and twenty televi

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Derix, Simone. "Facing an “Emotional Crunch”: State Visits as Political Performances During the Cold War." German Politics and Society 25, no. 2 (2007): 117–39. http://dx.doi.org/10.3167/gps.2007.250208.

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This article argues that state visits are highly symbolic political performances by analyzing state visits to Berlin in the 1950s and 1960s. The article concentrates on how state visits blended in the Cold War's culture of suspicion and political avowal. Special emphasis is placed on the role of mass media and on the guests' reactions and behavior. State visits to Berlin illuminate the heavy performative and emotional burden placed on all participants. Being aware of the possibilities for self-presentation offered by state visits, West German officials incorporated state visitors into their sy

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Augustine, Dolores L. "Media and the Making of Modern Germany: Mass Communications, Society, and Politics from the Empire to the Third Reich. By Corey Ross. Oxford and New York: Oxford University Press. 2008. Pp. xiv+426. Cloth $110.00. ISBN 0199278210." Central European History 43, no. 2 (2010): 364–68. http://dx.doi.org/10.1017/s0008938910000178.

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Borisova, Nina. "The emergence of radar in different countries: comparative-historical analysis." Genesis: исторические исследования, no. 7 (July 2020): 51–73. http://dx.doi.org/10.25136/2409-868x.2020.7.33501.

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The subject of this research is the activity of participants of the first radar projects in the pioneer countries (Soviet Union, United States, Great Britain, Germany), aimed at creation of prototype models and improvement of technical characteristics of new equipment. The goal consists in determination of the role of Soviet works in the genesis of radar. The evolutionary process of creation of the first radars, unfolded in the prewar period (1930s), is viewed individually for each country, with identification of differences and similarities. At the time of joining the World War II, all countr

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Kosiuk, Oksana. "Features of Coverage of the War in Ukraine On the Example of the Website of the Official Iranian Mass Media «Irna»." Obraz 44, no. 1 (2024): 58–71. http://dx.doi.org/10.21272/obraz.2024.1(44)-58-71.

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Introduction. After the full-scale invasion of Russia into Ukraine all countries of the world gradually got involved into the war which is perceived and viewed differently. Iran suddenly became one of the biggest challenges for the international community since it is a supplier of mass destruction weapons which almost caused the energy collapse of Ukraine in November-December 2022. Relevance of the study. Despite the numerous statements of the leading mass media, Iran is still positioning its pacifism and non-involvement in the war in Ukraine. The USA, GB, Germany, France, Turkey, Israel get a

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Fox, Jo. "Book Review: Corey Ross, Media and the Making of Modern Germany: Mass Communications, Society, and Politics from the Empire to the Third Reich, Oxford University Press: Oxford, 2008; xiii + 426 pp., 17 illus.; 9780199278213, £55.00 (hbk)." European History Quarterly 40, no. 3 (2010): 554–55. http://dx.doi.org/10.1177/02656914100400030634.

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Bülent Küçük. "Borders of Europe: Fantasies of identity in the enlargement debate on Turkey." New Perspectives on Turkey 41 (2009): 89–115. http://dx.doi.org/10.1017/s0896634600005380.

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AbstractThe European public debate on Turkey's EU accession either emphasizes Turkey's political (in)competence for EU membership, or marks its cultural difference. Based on the discourse analysis of this debate in the German mass media, this paper questions the dominant European perspective, by placing emphasis on how and where the symbolic borders of an imagined Europe become visible. I will argue that the debate surrounding Turkey's accession to the EU reveals an ambivalent discursive process as it places the construction of the self-definition of Europe at the frontier of its Turkish-Islam

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Waqfin, Mohammad Saat Ibnu. "Values of Character Education According to KH. Hasyim Asy'ari and Its Relevance." SCHOOLAR: Social and Literature Study in Education 3, no. 3 (2024): 284–88. https://doi.org/10.32764/schoolar.v3i3.4493.

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The history of the industrial revolution itself goes through various stages, starting with industrial revolution 1.0, 2.0, 3.0, to industry 4.0. The industrial phase is a real change from existing changes. Industry 1.0 is characterized by mechanization of production to support the effectiveness and efficiency of human activities, industry 2.0 is characterized by mass production and quality standardization, industry 3.0 is characterized by mass customization and flexibility in automation and robot-based manufacturing. Industry 4.0 is here to replace industry 3.0 which is characterized by physic

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Michelini, Enrico. "The representation of Yusra Mardini as a Refugee Olympic Athlete: A sociological analysis." Sport und Gesellschaft 18, no. 1 (2021): 39–64. http://dx.doi.org/10.1515/sug-2021-0003.

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Summary This article explores the representation of Yusra Mardini as a refugee Olympic athlete. Her participation in the 2016 Olympic Games is analyzed through different areas of programming of the mass media and, specifically, through Mardini’s autobiography, documents of the International Olympic Committee, and German newspapers. A qualitative content analysis is carried out and a systems theoretical framework applied. The results reveal that Mardini’s refugee background was both an obstacle and an advantage for her career within the sport system. The establishment of the Refugee Olympic Tea

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Holzer, Anton, and Elisabeth Lauffer. "Picture Stories: the Rise of the Photoessay in the Weimar Republic." International Journal for History, Culture and Modernity 6, no. 1 (2018): 1–39. http://dx.doi.org/10.18352/hcm.520.

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Between the mid-1920s and the early 1930s German photojournalism experienced a profound, far-reaching upheaval. Up until this time, the illustrated mass media had favoured the reproduction of single photos, but during this brief period the photo-essay rose to prominence. Photographs and texts were integrated into a new, complex narrative unity: photoreportage. This article aims to reconstruct the historical conditions under which modern photo-reportage arose during the Weimar Republic. It will also revise certain accepted judgements about the history of photojournalism between the world wars.

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Kultaieva, Maria, and Nadiia Grygorova. "On Advantage or Disadvantage of Academic Scholarship for Life." Filosofiya osvity. Philosophy of Education 29, no. 2 (2024): 8–26. http://dx.doi.org/10.31874/2309-1606-2023-29-2-1.

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The article with allusions on Nietzsche’s provocation about history lessons proposes an interdisciplinary approach to academic scholarship considered as a special cultural and organizational form of advanced studies aimed at professional development or skill exchange, which have influence on human being in contemporary societies involved in the process of globalization. The theoretical conceptualization of institutionalized forms of scholarships and internships is analyze in connection with its practical representation and economical allocation. Pathological representations of academic scholar

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