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Littérature scientifique sur le sujet « Mass media – Germany – History »

Auteur : Grafiati
Publié le 10 mars 2023

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Articles de revues sur le sujet "Mass media – Germany – History"

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Ignatova, Irina, et Elena Zubarkina. « Media Criticism in Germany : History and Theory ». Theoretical and Practical Issues of Journalism 8, no 3 (16 juillet 2019) : 512–23. http://dx.doi.org/10.17150/2308-6203.2019.8(3).512-523.

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The article is dedicated to the study of the history and theory of media criticism in Germany and the importance of the phenomenon of media criticism for the development and successful functioning of the mass media in German-speaking countries. The theoretical preconditions for the development of media criticism in Germany and its historical stages play an important role in understanding the modern institution of media criticism and the mechanisms of its impact on the recipient. Media criticism has existed since the media themselves appeared, and the existence and emergence of new media is always accompanied by positive or negative feedback on them. The development of the media inevitably leads to their criticism. The article considers media criticism as a global criticism of the media and as a study of individual specific phenomena in the media environment. The estimated role of media criticism is recognized by German-speaking researchers as one of the main functions. And it must be understood that media criticism provides an opportunity for a reasoned discussion about the media, without which neither the existence of the media, nor indeed the society as a whole is possible. Media criticism generates an open discussion and thereby contributes to the enlightenment of society. To some extent, setting norms and standards for the quality of journalism, it forms ethical boundaries of communication, both for journalists and for the audience. The stages of development of media criticism in Germany, described in the article, cover the period from the late 1980s to the present. The main subsystems of mass media are considered: television media criticism, media criticism on the radio, in print media, media criticism in the Internet space. Thanks to this, we get a full picture of the formation and development of media criticism in Germany.
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McLellan, J. « Mass Media, Culture and Society in Twentieth Century Germany ». German History 26, no 4 (1 octobre 2008) : 598–99. http://dx.doi.org/10.1093/gerhis/ghn070.

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Kosnick, Kira. « Ethnicizing the Media : Multicultural Imperatives, Homebound Politics, and Turkish Media Production in Germany ». New Perspectives on Turkey 29 (2003) : 107–31. http://dx.doi.org/10.1017/s0896634600006130.

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The past fifteen years have witnessed a veritable explosion of mass media productions aimed at immigrant populations in Germany. Facilitated by new communication technologies, television channels and radio stations from former “home countries” and elsewhere have become available to immigrants via satellite and the internet. Daily newspapers produced in Ankara, Belgrade, or Warsaw can be bought at German newspaper stands. There has also been a proliferation of mass media venues created locally, by and for immigrants themselves, and nowhere is this landscape of immigrant media more evolved than in the case of Turkish-language media in Berlin.
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Schmalz, Tatjana. « Zur medialen Integration russlanddeutscher (Spät-)Aussiedler nach dem Fall Lisa und ihrer Mediendarstellung bis zur Bundestagswahl 2017 ». Zeitschrift für Slawistik 64, no 3 (6 août 2019) : 445–64. http://dx.doi.org/10.1515/slaw-2019-0024.

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Summary The majority of German Russians, who had settled in Germany in the 1990 s, were long considered conformist up to January 2016 where Russian media services and officials exploited the criminal case of Lisa F. in Berlin. A few right wing AfD party activists gathered several thousand Russian speakers to protest against the German refugee policy. Even though the activist’s mobilizing narrative can easily be deconstructed as a political myth with little consensus within the German Russian population, German mass media have since generalized this heterogeneous group as troublemakers with divided loyalties and as a potential threat to the federal elections of 2017. Although German Russian lobby organisations heavily criticised these mass media representations, they are likely to stand the chance of finally establishing their migration history as a part of general knowledge.
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Ross, C. « Writing the Media into History : Recent Works on the History of Mass Communications in Germany ». German History 26, no 2 (1 avril 2008) : 299–313. http://dx.doi.org/10.1093/gerhis/ghn022.

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KÜHNE, THOMAS. « Great Men and Large Numbers : Undertheorising a History of Mass Killing ». Contemporary European History 21, no 2 (29 mars 2012) : 133–43. http://dx.doi.org/10.1017/s0960777312000070.

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Scholarship is not only about gaining new insights or establishing accurate knowledge but also about struggling for political impact and for market shares – shares of public or private funds, of academic jobs, of quotations by peers, and of media performances. Timothy Snyder's Bloodlands fights for recentring contemporary European history.1 No longer, his new book implies, should the centre of that history be Germany, which initiated two world wars and engaged with three genocides; even less should the centre be Western Europe, which historians for long have glorified as the trendsetter of modernity; and the Soviet Union, or Russia, does not qualify as ‘centre’ anyway. Introducing ‘to European history its central event’ (p. 380) means to focus on the eastern territories of Europe, the lands between Germany and Russia, which, according to Snyder, suffered more than any other part from systematic, politically motivated, mass murder in the twentieth century. The superior victimhood of the ‘bloodlands’ is a numerical one. Fourteen million people, Jewish and non-Jewish, in the territories of what is today most of Poland, the Ukraine, Belarus, western Russia, and the Baltic States did not become just casualties of war but victims of deliberate mass murder. Indeed, this is ‘a very large number’ (p. 411), one that stands many comparisons: ten million people perished in Soviet and German concentration camps (as opposed to the Nazi death camps, which were located within the ‘bloodlands’), 165,000 German Jews died during the Holocaust (p. ix), and even the number of war casualties most single countries or territories counted in the Second World War was smaller.
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Nebesnyuk, U. A. « THE HISTORY OF A CALENDAR AS A CUMULATIVE TEXT OF MASS MEDIA IN THE ETHNIC CULTURE OF GERMANY ». Bulletin of Udmurt University. Series History and Philology 29, no 6 (25 décembre 2019) : 976–81. http://dx.doi.org/10.35634/2412-9534-2019-29-6-976-981.

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The article presents the analysis of composition, forms and functions of a calendar as a cumulative text of mass media in the ethnic culture of Germany from the mid-fifteenth until the early nineteenth century. It was revealed that, in connection with the growing role of narrative entertainment part since the 10s of the nineteenth century and the politicization of social consciousness during the great French Revolution, the calendar as a truly national medium of information has been undergone literarization, having lost its original meaning. Calendar stories have formed an independent literary genre which had received the name «Kalendergeschichte» in German tradition.
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Rensmann, L. « Holocaust Memory and Mass Media in Contemporary Germany : Reflections on the Goldhagen Debate ». Patterns of Prejudice 33, no 1 (janvier 1999) : 59–76. http://dx.doi.org/10.1080/003132299128810498.

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Griebel, Tim, et Erik Vollmann. « We can(’t) do this ». Journal of Language and Politics 18, no 5 (2 août 2019) : 671–97. http://dx.doi.org/10.1075/jlp.19006.gri.

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Abstract Migration has been a defining topic in the discourse in Germany since the so-called “refugee crisis” in 2015. This corpus-assisted critical discourse analysis systematically reconstructs the discourse about migration in two influential German newspapers, thereby emphasizing the construction of different subject positions for people migrating to Germany. Mass media are an important arena for the fight for hegemony between discursive coalitions of culturalization regimes that are based on openness and closure respectively. The discursive space of the German discourse about migration offers multiple opportunities in this regard. In the left-leaning taz, we detect a general trend to support an open society although some (but often contested) elements of closure are detected in this medium as well. Die Welt leans much more towards closure and the problematization of migration although it also offers a diverse array of interpellations that depend on the usefulness or threating character of people coming to Germany.
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van Waarden, Betto. « A Colonial Celebrity in the New Attention Economy : Cecil Rhodes’s Cape-to-Cairo Telegraph and Railway Negotiations in 1899 ». English Historical Review 136, no 582 (1 octobre 2021) : 1193–223. http://dx.doi.org/10.1093/ehr/ceab327.

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Abstract In 1899, the British colonialist Cecil Rhodes went to Berlin to negotiate about his fantastical ‘Cape-to-Cairo’ telegraph and railway scheme with his former nemesis, the German emperor Wilhelm II. Why did this initiative of Rhodes, who was held responsible for the disastrous Jameson Raid and no longer occupied any official position, receive so much coverage and legitimacy in the international press? Despite the vast scholarship on Rhodes, there is strikingly little analysis of these negotiations, considering that they were hailed as marking the rehabilitation of Rhodes and the troubled Anglo-German relationship, signalled that Germany would not support the Boers in their conflict with Britain, and led to Germany’s inclusion in the prestigious Rhodes Scholarships scheme. This article analyses the reporting of the negotiations and shows that Rhodes overshadowed other political figures in the competitive ‘attention economy’ of the emerging mass press. Building on the notion of ‘celebrity politics’, it argues that the press attention for him resulted from three interconnected logics: a political logic of agenda-setting and ideological loyalties, a journalistic logic in which scarce access to Rhodes fostered his mythologising, and a mass media logic that increasingly superseded ideological divides. This mass media logic dictated a focus on Rhodes’s personal narrative (infused with literary and colonial themes), personifying politics, and performing these politics in a novel business-like style. This press attention gained Rhodes informal power and shows how, by the end of the nineteenth century, successful politics required the new ability of political figures to attract and leverage media attention. Moreover, it constituted the precondition for the growing cult of Rhodes in the twentieth century, and the subsequent criticism of this cult and its representation of racism in recent times.
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Thèses sur le sujet "Mass media – Germany – History"

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Wolnik, Gordon. « Mittelalter und NS-Propaganda Mittelalterbilder in den Print-, Ton- und Bildmedien des Dritten Reiches / ». Münster : Lit, 2004. http://books.google.com/books?id=ZABoAAAAMAAJ.

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Hiller, Katlin M. « The Wall Still Stands... Or Does It ? Collective Memory of the Berlin Wall as Represented in American and German Newspapers ». Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1533211779787264.

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Humphreys, Peter James. « Pluralism and the mass media : media policy controversies in the Federal Republic of Germany ». Thesis, University of Bradford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305642.

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Tabbara, Tarik. « Electronic mass media and freedom of expression in Germany, the United States and Canada ». Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27467.

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This thesis examines the constitutional guarantee of freedom of expression as applied to electronic mass media. It compares the different approaches adopted in Germany, the United States and Canada. After an overview of freedom of expression doctrine in general and the main features of the regulation of electronic mass media the rationalization of this regulation in freedom of expression doctrine is analyzed.
The focus of this analysis is how electronic mass media have changed the traditional understanding of fundamental rights and freedoms as purely negative individual guarantees. This change occasions and necessitates a closer look at governmental regulation and the role of the state, and the different conceptions of freedom of expression that can be used to justify it.
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Baker, Kenneth Rex III. « Lights, Camera, Creating Heroes in Action : Claus von Stauffenberg and the July 20th Conspirators in German and American Filmic Representations of the July 20th Plot ». Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1241204154.

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Tabbara, Tarik. « Electronic mass media and freedom of expression in Germany, the United States and Canada ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29842.pdf.

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Borrowman, Shane Christopher. « Making history : Rhetoric, historiography, and the television news media ». Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/290635.

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Drawing on work in communications, media studies, and history, I argue that the historiographical methods of rhetoric and composition need to move beyond written discourse to consider the use of visual historical representations of the past. To explicate my argument, I analyze multiple examples of local and national television news coverage of the Vietnam War, the Gulf War, and the recent fighting in Kosovo. Based upon these examples, I argue that the television news media work within a dysfunctional, narrative-driven genre that is entirely inadequate in its attempts to analyze current world events, particularly warfare, because of heavy reliance upon culturally recognizable images of the past drawn from both fictional and non-fictional sources. Ultimately, my argument demonstrates the need for a critical methodology in rhetoric and composition for examining texts that are visual--such as photographs, video tapes, and multimedia documents on the Web. I begin with an examination of the history and historiography of rhetoric and composition. Using Susan Jarratt's Rereading the Sophists as an extended example, I analyze how history is both written and critiqued in this field--drawing heavily on such sources as Rhetoric Review's Octalogs and the work of James Berlin, Thomas P. Miller, and Robert J. Connors. To move the historiographical methods into the analysis of visual history, I draw on the work of a wide range of scholars in communications, media studies, and history: Walter Lippmann, Thomas E. Patterson, W. Lance Bennett, Noam Chomsky, Jean Baudrillard, H. Bruce Franklin, and others. After applying the methodology I develop to several texts--from both television and the Web--I extend my arguments beyond historiography to American culture. I argue that the ways in which the past is constructed have direct consequences for the ways in which Americans understand the past and present. Specifically, superficial constructions of history limit the ability of viewers/readers to think critically about the past and thus limit the complexity of arguments on which decisions in the present can be based. In this sense, visual history is an example of deliberative rhetoric limited by the constraints under which forensic rhetoric is constructed.
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Wilkinson, T. M. O. « Transmedial cathedrals : architectural history in and between new media in Germany, 1900-1945 ». Thesis, University College London (University of London), 2016. http://discovery.ucl.ac.uk/1503865/.

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Architectural history was produced via a number of new media practices in early twentieth-century Germany; this thesis asks why, how, and for whom - and what kinds of knowledge resulted. Existing studies in this area are monographic, focusing on individual media, actors, or objects, whereas this work examines several communication technologies, as well as both avant-garde and conservative protagonists. It is divided into three chapters. The first considers the production of photobooks by figures such as Paul Schultze-Naumburg, Karl Robert Langewiesche, Sigfried Giedion, and Adolf Behne. The second concerns films about Gothic architecture, both fictional (such as Der Golem) and documentary. The final chapter is devoted to radio broadcasts about architectural history, especially those of Walter Benjamin and Wilhelm Pinder. This synoptic inquiry reveals the changes wrought by media during the period, as the parameters of art-historical discourse were reconfigured and new publics were produced. At the same time, by means of this comparative approach, the boundaries of individual media are opened up to investigate a more fluid zone of intermediality in which the image of the building was unsettled and opened to new uses. In the course of such transmediations, the media were hybridised and the knowledge of history was modernised, undermining the attempts of more reactionary authors to reinforce medial boundaries and to redeem the present by reintroducing it to historical architecture using technological means. Others used the media in more productive ways, critically harnessing their qualities or refunctioning them to suit their purposes. However, they too ran up against the obstinacy of the media, which rendered the quest for an oppositional public around art quixotic at best. This situation presents striking parallels to the present day, and this study concludes by considering the ramifications of architectural history's past engagement with new media for an age of smartphones.
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Jahn, Daniel. « Electromobility in the News Media : A Qualitative Analysis of News Magazines in Germany and the U.S ». Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1532054865128719.

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Cakars, Janis Kent. « Media, revolution, and the fall of communism Latvia, 1986-1991 / ». [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3330779.

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Thesis (Ph.D.)--Indiana University, School of Journalism, 2008.
Title from home page (viewed on Jul 20, 2009). Source: Dissertation Abstracts International, Volume: 69-10, Section: A, page: 3789. Adviser: Owen V. Johnson.
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Livres sur le sujet "Mass media – Germany – History"

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Humphreys, Peter. Media and media policy in Germany : The press and broadcasting since 1945. 2e éd. Oxford, UK : Berg, 1994.

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Christian, Führer Karl, et Ross Corey 1969-, dir. Mass media, culture and society in twentieth-century Germany. Basingstoke [England] : Palgrave Macmillan, 2006.

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Ross, Corey. Media and the making of modern Germany : Mass communications, society, and politics from the Empire to the Third Reich. Oxford : Oxford University Press, 2008.

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Mass media and historical change : Germany in international perspective, 1400 to the present. New York : Berghahn, 2015.

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Klaus, Schoenbach, dir. Germany's unity election : Voters and the media. Cresskill, N.J : Hampton Press, 1994.

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1940-, Williams Arthur, Parkes K. Stuart 1943- et Preece Julian, dir. Literature, markets and media in Germany and Austria today. Oxford : P. Lang, 2000.

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Müller, Christoph Hendrik. West Germans against the West : Anti-Americanism in media and public opinion in the Federal Republic of Germany. New York : Palgrave Macmillan, 2010.

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The history of U.S. information control in post-war Germany : The past imperfect. Newcastle upon Tyne, UK : Cambridge Scholars Publishing, 2016.

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1950-, Wodak Ruth, dir. Die Sprachen der Vergangenheiten : Öffentliches Gedenken in östereichischen und deutschen Medien. Frankfurt am Main : Suhrkamp, 1994.

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An den Ursprüngen populärer Serialität : Das Familienblatt Die Gartenlaube. Göttingen : Wallstein Verlag, 2018.

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Chapitres de livres sur le sujet "Mass media – Germany – History"

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Cassidy, Margaret M. « The Mass Press ». Dans Children, Media, and American History, 12–43. New York : Routledge, 2018. : Routledge, 2017. http://dx.doi.org/10.4324/9781315725116-2.

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Giles, David. « History of the mass media ». Dans Psychology of the Media, 5–13. London : Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-05904-8_1.

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Kawatake, Kazuo, et Meiko Sugiyama. « Images of Foreigners in Mass Media ». Dans Quantitative Social Research in Germany and Japan, 313–33. Wiesbaden : VS Verlag für Sozialwissenschaften, 1996. http://dx.doi.org/10.1007/978-3-322-95919-5_15.

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Kurgat, Kibiwott, et Caren Jerop. « The Mass Media and Cultural Change ». Dans The Palgrave Handbook of Kenyan History, 177–85. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-09487-3_15.

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Plock, Vike Martina. « Inhaling English : Listeners in Germany ». Dans Palgrave Studies in the History of the Media, 237–62. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74092-4_10.

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Gagliardi, Alessio. « “To Educate” or to Entertain ? Propaganda, Mass Media, and Mass Culture1 ». Dans Rethinking the History of Italian Fascism, 245–68. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003092933-12.

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Tonnemacher, Jan. « Future Trends of the Electronic Textmedia in West-Germany ». Dans Electronic Mass Media in Europe. Prospects and Developments, 199–215. Dordrecht : Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3949-3_7.

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Gumbert, Heather. « Split Screens ? Television in East Germany, 1952–89 ». Dans Mass Media, Culture and Society in Twentieth-Century Germany, 146–64. London : Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230800939_9.

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Cassidy, Margaret M. « The Rise of Mass Media and Youth Culture in the Twentieth Century ». Dans Children, Media, and American History, 58–74. New York : Routledge, 2018. : Routledge, 2017. http://dx.doi.org/10.4324/9781315725116-4.

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Lange, B.-P. « The Evolution of Media Infrastructure in the Federal Republic of Germany ». Dans Electronic Mass Media in Europe. Prospects and Developments, 183–98. Dordrecht : Springer Netherlands, 1987. http://dx.doi.org/10.1007/978-94-009-3949-3_6.

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Actes de conférences sur le sujet "Mass media – Germany – History"

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Mitani, Fumie. « Media Frame Analysis on Japanese History Textbook Controversy in 1982 From a Perspective of Foreign Policy and Media ». Dans Annual International Conference on Journalism & Mass Communications. Global Science & Technology Forum (GSTF), 2012. http://dx.doi.org/10.5176/2301-3729_jmcomm12.52.

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Markasov, Maksim Yu, et Olga A. Markasova. « Personosphere of modern media : Mayakovsky through the eyes of “Post-Science” and mass culture ». Dans Communication and Cultural Studies : History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-295-300.

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Platt, N. A. « Optical Mass Production In A First Generation Manufacturing Base. Potentials and Limitations ! » Dans Optical Fabrication and Testing. Washington, D.C. : Optica Publishing Group, 1990. http://dx.doi.org/10.1364/oft.1980.fwa4.

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The fabrication of Optical Elements began as an Art rather than a Science and has tended to remain so throughout its history. With demands of high quantity and quality, the fabrication procedures are under constant standardisation to approve upon yet cost-effective material, machinery and manpower. Rollei Singapore (Pte) Ltd. (RS), a subsidiary of Rollei, Franke & Heidecke, West Germany, has grown into a mass manufacturer of high precision optical, optomechanical and photographic components/equipment in Singa­pore since 1970 with the majority of designs licensed by Carl Zeiss, West Germany. The author projects Singapore's industrial structure and economic policies. He spot-lights RS for history, general policies, scope, spread and its versatility in a first generation manufacturing base. The effect of major features, to that effect, viz., machinery and equipment used, technologies applied and control techniques observed are dilated. Particular stress is laid on applied modem cost-effective techniques of manufacturing processes ensuring reproduceability and reliability through the State of Art.
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Грицкевич, Юлия, et Светлана Лукьянова. « Образ современной Германии в региональном массмедийном пространстве ». Dans Россия — Германия в образовательном, научном и культурном диалоге. Конкорд, 2021. http://dx.doi.org/10.37490/de2021/009.

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The article defines the features of the formation of the image of modern Germany and the perception of relations between Russia and Germany in the regional mass media space. The authors of the study note such a characteristic feature of the regional mass media discourse as the concentration of attention on the place and role of the region in relations with Germany or its cities, which is explained both by the long-term interaction of the inhabitants of the Pskov region and Germany, and by the peculiarities of the perception of the surrounding reality by the author and the mass addressee of such a discourse. The research was carried out on the material of news texts of the media of the Pskov region.
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Edlichko, Anzhela I. « CODIFICATION OF THE ORTHOEPIC NORMS OF THE GERMAN LANGUAGE : HISTORY AND CURRENT SITUATION ». Dans 49th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2022. http://dx.doi.org/10.21638/11701/9785288062353.07.

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The article discusses the development of the lexicographic codification of pronunciation norms of German. It gives an overview of the orthoepic norm, its varieties and inherent features, relations between the norm and standard of pronunciation. Pronouncing dictionaries since the end of the 19th century have been studied as primary sources, some phonetic phenomena are also illustrated with the explanatory dictionaries of earlier periods. The lexicographic codification of the pronunciation norms in historical retrospect is briefly analyzed: from exaggerated articulation of actors in Germany to actual sound phenomena using in the pronunciation of professional radio and television announcers, which includes the pronouncing features of authentic oral media communication. Special attention is paid to the problem of codification of the orthoepic standard in different types of dictionaries in light of the pluricentricity of German, due to lack of empirical analyses. The article also represents the current orthoepic dictionaries, which include information about the sounds of three standards of German in Germany, Austria and Switzerland. Study of their structure and content features made it possible to identify some advantages and disadvantages. As a result of the study, the author concludes with changing approaches to the codification of pronunciation norms, such as transformation of the metalanguage, expansion of the empirical base, use of contemporary sociophonetic methods in its analysis, some structural and content changes in the dictionaries. These modifications are shown to be connected with the change of the lexicographic paradigm and the turn from monocentricity to pluricentricity due to sociocultural and sociolinguistic factors. Refs 24.
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Seprina, Dina, Adelina Fitri et M. Dody Izhar. « Relationship amoung Body Mass Index, History of Maternal Menarche and Exposure of Pornographic Media with Menarche Age in Elementary School Students, Jambi ». Dans The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.03.46.

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ABSTRACT Background: Menstruation is the cyclic, orderly sloughing of the uterine lining, in response to the interactions of hormones produced by the hypothalamus, pituitary, and ovaries. Many factors influence the age of menarche, such as body mass index, history of maternal menarche and exposure to pornographic media. This study aimed to determine the relationship between body mass index, history of maternal and exposure to pornographic media with menarche age in elementary school students in Jambi City. Subject and Methods: This was a cross sectional study conducted at elementary school 207/ IV Jambi City, Indonesia. A sample of 74 students was purposively sampled. The dependent variable was age of menarche. The independent variables were body mass index (BMI), history of maternal menarche, and exposure to pornographic media. The data were collected by questionnaires, digital scales, and microtoise. Bivariate analysis was performed by Chi-Square. Results: Large body mass index (PR= 4.50; 95% CI= 0.40 to 51.29), history of early menarche (PR= 9.75; 95% CI= 3.35 to 28.36), and exposure to pornographic media (PR= 4.81; 95% CI= 1.74 to 13.29), accelerated age of menarche. Conclusion: Large body mass index, history of early menarche, and exposure to pornographic media, accelerate age of menarche. Keywords: Menarche, BMI, Pornography Media Correspondence: Adelina Fitri. Universitas Jambi. Jl. Lintas Jambi – Muara Bulian No. Km. 15, Mendalo Darat, Muaro Jambi Regency, Jambi, Indonesia. Email: adelinafitri@unja.ac.id. 081272030308. DOI: https://doi.org/10.26911/the7thicph.03.46
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Buse, Dorel. « ROMANIA DURING 1918-1919 AFTER 100 YEARS IN DIGITAL MEDIA ». Dans eLSE 2018. Carol I National Defence University Publishing House, 2018. http://dx.doi.org/10.12753/2066-026x-18-278.

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A page of history is now at 100 hundred years rewritten and the digital media and authors use it for promotion. The study has two parts, historical facts and a short analyse on the tools used to promote it. Historical context starts, on June 5, 1918, the Treaty of Peace imposed on Romania by the Central Powers was ratified by Parliament and forwarded to the King for promulgation; he postponed the signing of this treaty. As the French army began to cross the Danube, on November 10, at Giurgiu, Zimnicea, Turnu Magurele and other points, the Romanian army re-joined the war, Romania proving "de facto" that it is in the allied camp. In this setting, on 11 November 1918, the Compiegne Armistice, between Germany and the Allied Powers, was signed, acknowledging, among other things, the caducity of the Bucharest Peace Treaty. At the same time, the end of the war brought with it the completion of the process of unification of all the Romanian provinces under one standard. And as the complete unity of Romania could not have been made without the inhabitants of Transylvania, the "cradle of the formation of the Romanian nation" for which the Romanian army had crossed the Carpathians, on 18 November / 1 December 1918, the Great National Assembly in Alba Iulia voted "the unification of all the territories inhabited by the Romanians from the former Austro-Hungarian monarchy with Romania". The digital development of this page of history was approached by both historians and media. The study show that the papers has a 27% of the covering of the event, the rest being covert by various encyclopaedia, blogs and essays. By channel by far Facebook covers the news on that event followed by Youtube and What’s Up.
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Kieu Trung, Son. « The Phenomenon of Writing new Lyrics for Folk Songs to Broadcast on Mass Media in Vietnam ». Dans GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.5-3.

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The phenomenon of creating new lyrics for folk songs provides an interesting combination between the two fields of linguistics and ethnomusicology (or performing arts) and is highly applicable for life in Vietnam. This research aims at the meaning of choosing folk melodies to express language and to express an ideological content. Based on the thesis of linguistic anthropology, considering language to be a reflection of the human being, this study considers the choice of the way language is transmitted as part of that reflection. To conduct this study, we will look at the Voice of Vietnam Radio. From the material found, the number, content, purpose, context analysis and frequency of creating new lyrics for folk songs were broadcast during the history of anti-American war to teh preent date. The results of the study indicate that language has a number of ways of expressing each of its strengths and cultural and social meanings. This research refers to an innovation in the use of familiar folk melodies to express and promote language content in Vietnam that has been applied effectively in the mass media.
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Feinhals, J., A. Kelch et V. Kunze. « Removal : An Alternative to Clearance ». Dans The 11th International Conference on Environmental Remediation and Radioactive Waste Management. ASMEDC, 2007. http://dx.doi.org/10.1115/icem2007-7079.

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This presentation shows the differences between the application of clearance and removal, both being procedures for materials leaving radiation protection areas permanently. The differentiation will be done on the basis of the German legislation but may be also applicable for other national legislation. For clearance in Germany two basic requirements must be given, i.e. that the materials are activated or contaminated and that they result from the licensed use or can be assigned to the scope of the license. Clearance needs not to be applied to objects in Germany which are to be removed only temporarily from controlled areas with the purpose of repair or reuse in other controlled areas. In these cases only the requirements of contamination control apply. In the case of removal it must either be proved by measurements that the relevant materials are neither activated nor contaminated or that the materials result from areas where activation or contamination is impossible due to the operational history considering operational procedures and events. If the material is considered neither activated nor contaminated there is no need for a clearance procedure. Therefore, these materials can be removed from radiation protection areas and the removal is in the responsibility of the licencee. Nevertheless, the removal procedure and the measuring techniques to be applied for the different types of materials need an agreement from the competent authority. In Germany a maximum value of 10% of the clearance values has been established in different licenses as a criterion for the application of removal. As approximately 2/3 of the total mass of a nuclear power plant is not expected to be contaminated or activated there is a need for such a procedure of removal for this non contaminated material without any regulatory control especially in the case of decommissioning. A remarkable example is NPP Stade where in the last three years more than 8600 Mg were disposed of by removal and only 315 Mg were released by clearance, even before the decommissioning licensing procedure was finished.
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Sîciov, Serghei. « Reflection in the media of the celebration of the new year by the russian urban community ». Dans Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.25.

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One of those holidays that unites the Russian urban community of the Republic of Moldova is the celebration of the New Year. Even more important for Russians is the celebration of the New Year in the old style, which according to the Julian calendar occurs from 13 to 14 January. Based on the materials of the newspaper “Russkoe slovo” and a number of online news sites, the elements of the celebration of this event were analyzed. Every year the main organizer is the Russian Community of the Republic of Moldova and the Russian Center for Science and Culture. According to the mass media, the New Year celebration was held in educational and cultural institutions in such cities as Chisinau, Balti, Tiraspol and Bender. As a result of the analysis of the news, it became obvious that the old New Year is of great interest as a cultural event. During the performance, the pupils demonstrated the tradition of celebrating the New year from pagan times to the present day. The reporters noted the educational nature of the holiday: the pupils were told about the history of the holiday and the customs of celebrating the Old New Year in Russia, which coincides with St. Basil’s Day.
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Rapports d'organisations sur le sujet "Mass media – Germany – History"

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS : MEMORIAL RECEPTION. Ivan Franko National University of Lviv, février 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary critic is multifaceted; taking into account the specifics of the memoir genre and with the involvement of the historical context, the turning points in the destiny of the author of memoirs are interpreted, revealing cooperation with Western Ukrainian magazines and newspapers. The publications ‘Zoria’, ‘Narod’, ‘Pravda’, ‘Bukovyna’, ‘Dzvinok’, are secretly got into sub-Russian Ukraine, became for S. Efremov a spiritual basis in understanding the specifics of the national (Ukrainian) mass media, ideas of education in culture of Ukraine at the end of XIX century, its territorial integrity, and state independence. Memoirs of S. Efremov on cooperation with the iconic Galician journals ‘Notes of the Scientific Society after the name Shevchenko’ and ‘Literary-Scientific Bulletin’, testify to an important stage in the formation of the author’s worldview, the expansion of the genre boundaries of his journalism, active development as a literary critic. S. Yefremov collaborated most fruitfully and for a long time with the Literary-Scientific Bulletin, and he was impressed by the democratic position of this publication. The author’s comments reveal a long-running controversy over the publication of a review of the new edition of Kobzar and thematically related discussions around his other literary criticism, in which the talent of the demanding critic was forged. S. Efremov steadfastly defended the main principles of literary criticism: objectivity and freedom of author’s thought. The names of the allies of the Ukrainian idea L. Skochkovskyi, O. Lototskyi, O. Konyskyi, P. Zhytskyi, M. Hrushevskyi in S. Efremov’s memoirs unfold in multifaceted portrait descriptions and function as historical and cultural facts that document the pages of the author’s biography, record his activities in space and time. The results of the study give grounds to characterize S. Efremov as the first professional Ukrainian-speaking journalist.
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