Littérature scientifique sur le sujet « Mary, Virgin, in literature, Polish »

Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres

Choisissez une source :

Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Mary, Virgin, in literature, Polish ».

À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.

Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.

Articles de revues sur le sujet "Mary, Virgin, in literature, Polish"

1

Giżka, Ewelina. « Motywy maryjne w twórczości Zygmunta Szczęsnego Felińskiego ». Prace Literackie 56 (29 juin 2017) : 51–69. http://dx.doi.org/10.19195/0079-4767.56.4.

Texte intégral
Résumé :
Marian themes in works of Zygmunt Szczęsny FelińskiThe purpose of this article is to present the Marian motifs appearing in works of Zygmunt Szczęsny Feliński 1822–1895 — son of exiled to Siberia mother, astudent of mathematics in Mos­cow, archbishop of Warsaw, a patriot. On the basis of analysis of: Nowy wianuszek majowy z tajem­nic życia Maryi przez arcybiskupa Szczęsnego Felińskiego na Jej cześć uwity, poems published in magazines Prośba o natchnienie, Miesiąc maj, Tęcza, Oskar and Wanda and Prakseda, which content alludes to romantic poetic novel, the following ideas of Feliński are highlighted and dis­cussed as follows: verse life of the Virgin Mary, the legend of the miraculous defense of Poczajów, painter creating his artistic work with the figure of Mary, pictures which operates in the ,,presented world” of the individual works with the image of the Virgin Mary, the symbolism of blessed flowers lily, rose, violet, person playing the lyre proclaiming the honor of the Mother of God, Queen of Polish, prayer of heroes, the praise of the month of May combining an idyllic descriptions of nature with religious values and admiring the sculptures. This article describes creative output of Feliński dedicated to the Virgin Mary. It reveals personal piety of archbishop and emphasizes enormous con­tribution of the achievements of the author in the development of Marian issue in Polish literature.
Styles APA, Harvard, Vancouver, ISO, etc.
2

RUMYANTSEVA, O. S. « MOTIVES OF NATURE AS A MEANS OF NOMINATION AND CHARACTERISTICS OF THE MOTHER OF GOD IN THE WORKS OF POLISH LITERATURE ». Lomonosov Journal of Philology, no 6, 2023 (17 décembre 2023) : 93–101. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-06-8.

Texte intégral
Résumé :
In many works of fiction, the connection of the Mother of God with the natural world is pointed out, which is due to the influence of the mythological worldview on traditional religious ideas about the Virgin Mary. The article demonstrates how the indicated peculiarity reveals itself in the choice of the names of the Blessed Virgin, and studies the role of the nature motifs in creating Her image in Polish literature. Folk legends (The Queen of Heaven. Folk legends about the Mother of God edited by M. Gawalewicz and P. Stachiewicz), works of medieval religious literature (apocrypha of the 15th century The Przemyśl Meditation and the Marian hymns) and fiction created in different periods (poetry books Songs Sung to Oneself by K. Benisławska, Song of My Christ and Marian Hymns by R. Brandstaetter, poetry by M. Sęp Szarzyński, T. Lenartowicz, W. Gomulicki, C.K. Norwid, K.K. Baczyński) are analyzed in detail. The names related to the natural world are classified according to the standard of comparison: Saint Mary is compared with flowers and trees, celestial bodies, precious stones, and birds. The article explores how the choice of names reveals the author’s intention. Thus, flowers are designed to illustrate Her beauty, nobility, and purity, trees - majesty and power, birds - chastity and simplicity, the sun and the moon - uniqueness and inaccessibility, and the morning star - hope for salvation. It shows how the ancient and biblical symbolism is actualized in the names and how the original names give the image a national flavor. Based on the material, a conclusion is made about the continuity of the tradition of perceiving the Mother of God as part of the natural world.
Styles APA, Harvard, Vancouver, ISO, etc.
3

Packalén, Malgorzata Anna. « Tradition och provokation. Kvinnlighetens röst i modern polsk litteratur ». Tidskrift för genusvetenskap 24, no 3-4 (15 juin 2022) : 128–40. http://dx.doi.org/10.55870/tgv.v24i3-4.4144.

Texte intégral
Résumé :
There is a basic understanding of attitude towards women's themes in Polish literature and culture that derives from a traditional view on the roles of men and women. Especially the idea that womanliness is inborn and that the main purpose of a woman is to be a wife and mother, is today characteristic of women's role and position in Poland. This position is of course strongly influenced by the religious codes in Polish society. Here the strong reverence for the Virgin Mary Mother of God assumes a special position as one of the most distinctive national symbols. It is against this background of historical, cultural and religious expectations that one must see the picture of women in Polish literature, both earlier and today. This picture, however, has been noticeably affected by the political and social events of recent decades both in Poland and in all of Eastern and Central Europé. Even the picture of women in modern Polish literature is in the process of redefining itself. Especially the picture of women that is put forward by young women writers such as Izabela Filipiak, Manuella Gretkowska, Olga Tokarczuk and others, hardly has any counterpart, seen from a traditional point of view, in earlier Polish literary history. In the artide I take up and exemplify some of the most characteristic aspects of these writers' novels, with an emphasis on the discrepancy between old expectations and new roles for women and "womanliness" in modern Polish literature.
Styles APA, Harvard, Vancouver, ISO, etc.
4

Classen, Albrecht. « Miracles of the Virgin in Middle English, ed. and trans. by Adrienne Williams Boyarin. A Broadview Anthology of British Literature. Peterborough, Ont., 2015, 164 pp., 12 b/w ill. » Mediaevistik 31, no 1 (1 janvier 2018) : 291. http://dx.doi.org/10.3726/med012018_291.

Texte intégral
Résumé :
The admiration and worship of the Virgin Mary in the Middle Ages was simply paramount, both in clerical and in secular literature, in the visual arts, and in music. Mary <?page nr="292"?>appears countless times in legendary literature, and so also in Middle English. She might produce miracles and help miserable people in need if they pray hard enough. Those stories were ubiquitous all over medieval Europe, as Williams Boyarin comments, referring to Latin, French, Anglo-Norman, Provençal, Italian, Spanish, Castilian, Arabic, and Ethiopean (10). I wonder, however, what the difference between Spanish and Castilian might be, and why German, French (Gautier de Coincy) or Swedish, Polish or Czech texts are missing entirely in this list. Nevertheless, the focus of the present book rests on Middle English examples, such as those contained in The South English Legendary, in the Vernon Manuscript, and in the collection produced by the printer Wynken de Worde in 1496.
Styles APA, Harvard, Vancouver, ISO, etc.
5

Nastalska-Wiśnicka, Joanna. « Staropolskie piśmiennictwo sanktuaryjne jako źródło do badań nad kultem maryjnym na ziemiach Rzeczypospolitej ». Textus et Studia, no 4(4) (9 mai 2017) : 47–70. http://dx.doi.org/10.15633/tes.01403.

Texte intégral
Résumé :
The article features the wealth of forms and contents of prints conventionally called “sanctuary prints”. These include compendia which are the guides to sacred places of the Polish Republic, peregrination literature, occasional prints (e.g. published on the occasion of the coronation of a miraculous image), homiletic forms (texts of sermons preached during the Marian holidays, image translation or coronation), the stories of sacred places and legends related to them, collections of miracles and graces, prayer books and texts of songs intended for the pilgrims. Interpretation possibilities of this type of texts were indicated. The presence of the Virgin Mary in a notional sphere of elites and masses identified clearly and permanently her place in Polish religiosity and the Marian cult has found particular expression in growing from the half of the 16th century, the adoration of the Marian images. Important from this perspective studies tend to portray multiple cultural phenomena available through the external manifestations of worship presented in the source material.
Styles APA, Harvard, Vancouver, ISO, etc.
6

Jakóbczyk-Gola, Aleksandra. « The Akathist Hymn to the Blessed Virgin Mary and Polish Marian Songs in Context of Performative Practices in Litany Tradition ». Roczniki Humanistyczne 67, no 1 (4 juillet 2019) : 145. http://dx.doi.org/10.18290/rh.2019.67.1-10.

Texte intégral
Résumé :
The article analyses Akatyst ku czci Bogurodzicy [Akathist to the Mother of God], which, together with the accompanying icon, was one of the important components of the Marian Orthodox cult, whose influence went beyond the Orthodox Church, affecting among others also Polish lands. The aim of the article is not to develop a monograph on this phenomenon, but, focusing on the recognition of its complex media characteristics, to study various forms of its performance and to pay special attention to the performativity aspect. The purpose of this characterization is to bring out the complex functions that the Akathist performed, serving the purposes of memory – having also a heterogeneous character, realised in various ways and playing different roles. The analysis encompasses selected research fields – history of literature, religion and culture from the perspective of changes in the media of words, as well as art history.The second part of the article shows analogous phenomena in the Polish Marian song and traces its relations to the Akhatist to the Mother of God. In particular, the analysis focuses on the song O przenasławniejsza panno czysta... The structure of the akhatist icon was reflected in the Gothic altar stands in Lesser Poland, in which the image of the Virgin Mary of the type of Madonna Piekarska was centrally placed, surrounded by other representations.The key concept for the article is the litany tradition, which is understood here broadly, i.e. including specific language formulas, the communication strategy, issues of presence, mnemonic formulas, the ideas of spatial relations, movement and performance. In conclusion, the article attempts to define the multi-aspectual character of this phenomenon, with particular focus on the dynamics of this tradition, the need to act and recall using memory.
Styles APA, Harvard, Vancouver, ISO, etc.
7

Karkocha, Małgorzata. « Dzwony kościelne utracone w czasie II wojny światowej z terenu diecezji kieleckiej. Przyczynek do zagadnienia ». Przegląd Nauk Historycznych 13, no 2 (1 janvier 2014) : 93–117. http://dx.doi.org/10.18778/1644-857x.13.02.05.

Texte intégral
Résumé :
The aims of the article is to discuss the losses sustained by the Diocese of Kielce in relation to the sacral bells during the Second World War. This issue was not so far discussed in detail in historical literature. On the basis of available sources (materials stored in the Archive of the Diocese in Kielce) it should be noted, that during the last war the diocese of Kielce lost more than 160 church bells because of the German military requisition and at least a few as a result of the warfare. The highest intensity of the action of confiscation bells by the Nazis were recorded in 1941–1942, after that time it took place only very occasionally. Among the confiscated bells were 43 antique ones, cast before 1900. The most historical bells, as many as five, lost the Parish of Gnojno. The oldest bell, looted by the Germans from the Church dedicated to the Nativity of the Blessed Virgin Mary in Książ Mały, was cast in 1500. The most of the bells made before 1900 was the work of unknown artists. Only a few of them bear the signature of the craftsman. Bells funded in the interwar period came mostly from the three Polish foundries, that is factories of Felczyński Brothers in Kalush (Kałusz) and Przemyśl, workshop of Karl Gustav Schwabe in Biała near Bielsko and the „Bells Foundry Francis Lott, Michael Dziarski and Company” („Odlewnia Dzwonów Franciszek Lott, Michał Dziarski i Spółka”), located in Pustelnik near Warsaw.
Styles APA, Harvard, Vancouver, ISO, etc.
8

Kochaniewicz, Bogusław. « Początki kultu maryjnego na ziemiach polskich ». Poznańskie Studia Teologiczne, no 33 (11 décembre 2019) : 7–22. http://dx.doi.org/10.14746/pst.2018.33.01.

Texte intégral
Résumé :
This article is an attempt to reconstruct the devotion to the Blessed Virgin Mary at the beginning of the Polish state. Based on the liturgical books and the calendars from the 9th–11th centuries preserved in Polish archives, the form of the Marian devotion in the Poznań diocese was sought. Despite the lack of preserved monuments representing the oldest Polish diocese, it was established that the service to the Blessed Virgin Mary had a liturgical character. The four main feasts in hon- or of the Mother of God, celebrated in the Western Church, were celebrated in Poznań, too. An analysis of the oldest liturgical formularies preserved in Polish and Western archives did not yield satisfactory results. Based on the available monuments, it is not possible to determine the content of the formularies destined for Marian feasts celebrated in Poznań.
Styles APA, Harvard, Vancouver, ISO, etc.
9

Shoemaker, Stephen J. « The Virgin Mary in the Ministry of Jesus and the Early Church according to the Earliest Life of the Virgin ». Harvard Theological Review 98, no 4 (octobre 2005) : 441–67. http://dx.doi.org/10.1017/s0017816005001057.

Texte intégral
Résumé :
In 1986, Michel van Esbroeck published a remarkable new Life of the Virgin that not only is among the most profound and eloquent Mariological writings of early Byzantium but also presents a useful compendium of early apocryphal traditions about Mary. Some of the Life's episodes are already well known from their original sources, such as the Protevangelium of James and the early dormition apocrypha, but many other extrabiblical traditions appearing in this Life of the Virgin are not otherwise attested in early Christian literature. This is true especially of the section that overlaps with the gospels, where the Life expands the canonical narratives in ways unprecedented (to my knowledge) in Christian apocryphal literature. By writing Mary into the story at key points and augmenting several of her more minor appearances, the Life portrays Mary as a central figure in her son's ministry and also as a leader of the nascent church. The result is a veritable “Gospel of Mary” in the section of the Life that emphasizes Mary's essential contributions to her son's earthly mission and her leadership of the apostles in the early Christian community: the Life gives a brief account of the same events recorded in the canonical gospels, but with the Virgin Mary brought to the fore at nearly every instance. The origins of these traditions are not entirely clear, and while they may be the work of the Life's author, it is equally possible that they reflect now lost apocryphal traditions about Mary that once circulated in late antiquity. In any case, the attention that this earliest Life of the Virgin lavishes on the activities of Mary and other women as important leaders in the formation of Christianity is rather striking and quite exceptional among the literature of Christian late antiquity. In its emphasis on the roles played by these women it represents a surprising ancient predecessor to much of the recent work in New Testament scholarship to recover the importance of women in the early Christian movement.
Styles APA, Harvard, Vancouver, ISO, etc.
10

Brundin, Abigail. « Vittoria Colonna and the Virgin Mary ». Modern Language Review 96, no 1 (janvier 2001) : 61. http://dx.doi.org/10.2307/3735716.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.

Thèses sur le sujet "Mary, Virgin, in literature, Polish"

1

Pierce, Bethany M. « Courting the Virgin Mary ». Miami University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=miami1154462978.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

Mulhern, Kathleen Ann. « Saint Bernard, the Virgin, and women twelfth century womanhood in history and literature / ». Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
3

Scammell, Jennifer F. « Domesticating the Virgin : vernacular depictions of Mary and their reception in late medieval society ». Thesis, University of Glasgow, 2010. http://theses.gla.ac.uk/1894/.

Texte intégral
Résumé :
This thesis is concerned with the didactic function of fourteenth- and fifteenth-century vernacular religious literature and art in contemporary medieval English society, and particularly the ways in which texts and images participate in emergent lay religious culture and inform social practices of the time. The focus is on apocryphal and legendary depictions of episodes in the Life of the Virgin Mary in vernacular works of the later Middle Ages and special consideration is given to the ways in which certain female audiences in England may have received and responded to Mary narratives. An introductory chapter outlines the process and means by which biblical and extra-biblical knowledge was disseminated to the late medieval laity via the range of literary and pictorial material brought into comparison in this thesis. Additionally, the introductory chapter surveys existing research on the socio-economic and spiritual circumstances that made accounts of Mary’s life particularly useful to ‘merchant-class’ wives whose way of life, it is argued, is emblematic of change in the period. Five central chapters each provide interpretations of common motifs in a key event in Christian history involving Mary and assess their engagement with the experiences and aspirations of lay unlearned audiences, primarily (though not exclusively) domesticated bourgeois women. The events referred to and discussed in chronological order in this thesis are the Annunciation, Nativity, Passion of Christ, and the Death, Assumption and Coronation of Mary. The material analysed comprises biblical drama, sermons, poetry, lyrics, wall-paintings, manuscript illustrations, and tapestries. A number of core works are referred to throughout and, as detailed in the introduction, include texts such as the four extant mystery cycle plays, Nicholas Love’s Mirror, John Mirk’s Festial, the Cursor Mundi, and art works such as contained in the Biblia Pauperum, and books of hours.
Styles APA, Harvard, Vancouver, ISO, etc.
4

Niebrzydowski, Sue. « Verry matrymony : representations of the Virgin Mary and her mother, Saint Anne, as wives in medieval England, 1200-1540 ». Thesis, University of Warwick, 1998. http://wrap.warwick.ac.uk/4305/.

Texte intégral
Résumé :
This interdisciplinary study of devotional literature, drama and the visual arts examines the representation of Mary and her mother, Saint Anne, as wives in England between 1200 and 1540, and women's responses to these images. The thesis addresses a lacuna in modem Marian and Anne scholarship which has, hitherto, paid little attention to the fact of both saints' representation as wives in this period, and reclaims the meaning, function and reception of these forgotten images. The thesis commences with a synopsis of Marian and Anne devotion up until the central Middle Ages in order that English awareness of Mary and Anne as wives might be contextualised. Chapter Two presents evidence of this awareness; a chronological catalogue of medieval English representations of Mary and Anne as wives, in a variety of media. Chapter Three presents an historical account of the social context of medieval marriage; it examines the legal, social and canonical definition of marriage and demonstrates how this instruction reached the laity for whom it was intended. Chapter Four articulates how the representations of Mary and Anne as wives fitted into both contemporary marital discourse and its social practice. Chapter Five returns to the representations and interrogates their meaning and function, using medieval ars memorativa as the critical tool with which to do so, and demonstrates how real women responded to these images. The thesis concludes that Mary and Anne's wifely status was invoked by some theologians, canon lawyers and clerics to serve as an aide memoire and marital exemplar : of the Church's ideal wedding ceremony and of desired wifely behaviour(s) but that women's responses to these representations were less and other than that which their producers might have intended : generally they were met with silence.
Styles APA, Harvard, Vancouver, ISO, etc.
5

Deeter, Elizabeth M. « An Analysis of the Literary Manifestations of the Cult of the Virgin Mary in Gonzalo de Berceo's Milagros de Nuestra Senora ». PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5249.

Texte intégral
Résumé :
The cult of the Virgin Mary reached its climactic point in Europe during the Middle Ages, and was particularly strong in Spain. Literature became a concrete expression of Marianism because it reflected the beliefs of the populace. Gonzalo de Berceo, a Castilian monk, greatly influenced by the ever-growing Marian piety, wrote a collection of poems in which the activity of the Blessed Mother in everyday human life is documented. I propose to do a detailed miracle-by-miracle analysis of Mary's interactions with others by focusing on Berceo's characterization of her in her principal role as a mother. In addition, I will analyze the characters to whom Mary renders assistance since they are representative of Berceo's audience and are people to whom the common people were able to relate. Finally, I will consider the visions of Mary that occur during the miracles, particularly whether or not she appears, to whom she appears, and why. Through this study of the Milagros, it will become apparent that while Berceo incorporates elements of the predominating theology into his miracles, the stories are primarily a reflection of the popular belief. Berceo demonstrates the influence of theology by depicting in his miracles all of the maternal qualities Mary embodied that appealed to people looking for a motherly figure to turn to in time of need. In addition, the role of Mary as an all-powerful intercessor who decides on her own who receives miracles, and who does not, reflects the common faith of the people living in the Middle Ages.
Styles APA, Harvard, Vancouver, ISO, etc.
6

Valerio, Miguel A. « "Kings of the Kongo, Slaves of the Virgin Mary : Black Religious Confraternities Performing Cultural Agency in the Early Modern Iberian Atlantic" ». The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1500220110065696.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
7

Mastrolia, Arthur J. « Uncovering a Marian attitude in the works of C.S. Lewis ». IMRI - Marian Library / OhioLINK, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1430401559.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
8

Blake, Thomas Hughes Jr. « Royal materials : the object of queens in Late Medieval English romance ». Diss., University of Iowa, 2014. https://ir.uiowa.edu/etd/5717.

Texte intégral
Résumé :
As historicist as it is materialist, my dissertation both reads the fictional queens portrayed in romance against the fraught positioning of historical queens such as Isabella of France, Anne of Bohemia and Margaret of Anjou, and traces the ambivalent function in late medieval English society of objects including the sacring-bell, the Lollard bible and the royal sword. Merging the traditionally historicist field queenship studies with typically postmodern fields like thing theory and sound theory, I investigate how queens in late medieval romances coopt, queer and reconfigure material objects of masculine power. Each chapter examines a literary queen typically dismissed by subject-oriented ontologies as insubstantial. Analyzing romances that include Richard Coer de Lyon, Chaucer's Man of Law's Tale, Malory's Morte D'Arthur and the Marian romance of "The Child Slain by Jews" from the Vernon Manuscript, I argue for the overlooked significance of literary queens as figures whose circulation illuminates the construction of medieval masculinities. Through contact with charged material objects that are pivotal to romance plots, queens query patriarchal materials, exposing their underlying "thingness" and malleability. Whether tracking the disturbing afterlife of a church bell used to exorcise the hero's queen mother in Richard Coer de Lyon, or analyzing links between the "Britoun book" that rescues Chaucer's Custance and Anne of Bohemia's vernacular books, my chapters tell a new story about the foreign queens of late medieval English romances by showing how they blur boundaries between male and female, subject and object, West and East, priest and parish, Christian and Jew, orthodox and heterodox, mother and child.
Styles APA, Harvard, Vancouver, ISO, etc.
9

Frederick, Julie Ann Parker. « The Conception of Irony with Continual Reference to Kierkegaard : An Examination of Ironic Play in Fear and Trembling ». Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2285.pdf.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
10

Dyer, Sarah James. « The Prince and the Priestess : Artistically Elevating Charles de Valois' Authority in Fifteenth-Century France ». BYU ScholarsArchive, 2016. https://scholarsarchive.byu.edu/etd/5860.

Texte intégral
Résumé :
Charles de Valois (1446-1472) was a prince in fifteenth-century France. During his short lifetime, Charles endeavored to gain more authority while in conflict with his brother Louis XI, who was king. Although a minor political character in French history, Charles did demonstrate his power in several artistic ways. One commission by the young royal was a manuscript now known as the Hours of Charles of France. Two pages of this text, the Annunciation to the Virgin, are decorated with rich imagery and iconography used to exhibit Charles' desire for greater authority. The manuscript has only been discussed stylistically, and therefore this thesis examines the content of these pages in terms of secular imagery, religious symbolism, and the prince's connection to the priestly Virgin Mary. These aspects all relate to Charles' display of authority. To fully understand Charles' propaganda, this thesis first examines secular imagery within the manuscript pages. The analysis of worldly symbols of power, such as knighthood, fashion, ornamentation, and architecture, present Charles' desire for greater wealth and power. In addition, this thesis discusses the Virgin Mary in connection with the prince's political imaging. By looking at religious imagery that supports Mary in her role as priestess, this thesis considers how Charles attaches himself to her heightened power. Through both secular and spiritual characteristics, Charles' authority was elevated during a period of political uncertainty and monarchical unrest.
Styles APA, Harvard, Vancouver, ISO, etc.

Livres sur le sujet "Mary, Virgin, in literature, Polish"

1

Reed, Teresa P. Shadows of Mary : Reading the Virgin Mary in medieval texts. Cardiff : University of Wales Press, 2003.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

McInerny, Ralph M. Dante and the Blessed Virgin. Notre Dame, Ind : University of Notre Dame Press, 2010.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
3

McInerny, Ralph M. Dante and the Blessed Virgin. Notre Dame, Ind : University of Notre Dame Press, 2010.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
4

McInerny, Ralph M. Dante and the Blessed Virgin. Notre Dame, Ind : University of Notre Dame Press, 2010.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
5

McInerny, Ralph M. Dante and the Blessed Virgin. Notre Dame, Ind : University of Notre Dame Press, 2010.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
6

Burkhart, Louise M. Before Guadalupe : The Virgin Mary in early colonial Nahuatl literature. Albany, NY : Institute for Mesoamerican Studies, University at Albany, 2001.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
7

Mackenzie, Carine. Martha and Mary : Friends of Jesus. Scotland : Christian Focus Publications, 1989.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
8

Orlandi, Tito. Coptic texts relating to the Virgin Mary : An overview. Roma : CIM, 2008.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
9

Albrecht, Roberta. The Virgin Mary as alchemical and Lullian reference in Donne. Selinsgrove : Susquehanna University Press, 2005.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
10

Tim, Ladwig, dir. Mary's first Christmas. Oxford : Lion Children's Books, 1999.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.

Chapitres de livres sur le sujet "Mary, Virgin, in literature, Polish"

1

Harol, Corrinne. « Virgin Idols and Verbal Devices : Pope’s Belinda and the Virgin Mary ». Dans Enlightened Virginity in Eighteenth-Century Literature, 111–29. New York : Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9781403983657_5.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

Rose, Mary Beth. « Milton and Maternal Authority : Why Is the Virgin Mary in Paradise Regained ? » Dans Plotting Motherhood in Medieval, Early Modern, and Modern Literature, 105–22. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-40454-7_5.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
3

Tieszen, Bozena. « Matka Polka (Mother Poland) and the Cult of the Virgin Mary : Linguistic Analysis of the Social Roles and Expectations of Polish Women ». Dans Language and Religious Identity, 220–28. London : Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230210943_11.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
4

Nativel, Colette. « Rubens and the Virgin Mary ». Dans Imago and Contemplatio in the Visual Arts and Literature (1400–1700), 186–215. BRILL, 2024. http://dx.doi.org/10.1163/9789004682641_011.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
5

« The Manikin, the Machine, and the Virgin Mary ». Dans The Literature of Labor and the Labors of Literature, 173–206. Cambridge University Press, 1995. http://dx.doi.org/10.1017/cbo9780511663598.006.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
6

Himmelfarb, Martha. « The Virgin Mary and Ancient Jewish Literature ». Dans The Early Middle Ages, 103–20. SBL Press, 2020. http://dx.doi.org/10.2307/j.ctv13xpqnt.10.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
7

« 51 The Virgin Mary Releases and Converts a Jewish Prisoner ». Dans Jews in East Norse Literature, 1091–92. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110775747-063.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
8

« Appendix : Peninsular Hymns to the Virgin ». Dans The Sacred Space of the Virgin Mary in Medieval Hispanic Literature, 385–428. Boydell and Brewer, 2019. http://dx.doi.org/10.1515/9781787443037-015.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
9

Ćwiertnia, Mieszko. « Paweł z Zatora in castro Cracoviensi praedicator praefulgentissimus. W 560 rocznicę śmierci ». Dans Studia z dziejów katedry na Wawelu, 43–80. Ksiegarnia Akademicka Publishing, 2023. http://dx.doi.org/10.12797/9788381389211.03.

Texte intégral
Résumé :
This article is an attempt to present the teachings about the Immaculate Conception ofthe Virgin Mary proclaimed by the medieval Church in Cracow during the Councilof Basel. It is based on five sermons by Paweł of Zator, a canon of the Cracow CathedralChapter in the 15th century, where he served as an economist. Cardinal ZbigniewOleśnicki entrusted him, as his close collaborator, with tasks including the vicar’sduties in spiritualibus. Paweł of Zator, being an outstanding professor and a decretistat the Cracow Academy, was also assigned responsibilities related to the office ofpreacher in Wawel Cathedral. It is within the framework of fulfilling these duties thatthe sermons on the Immaculate Conception of the Virgin Mary discussed here werewritten. Therefore, this article is devoted to the figure of Paweł of Zator, with particularemphasis on his preaching achievements, especially his presentation of the positionof the Cracow Church community regarding the declaration of the Council of Baselon the Immaculate Conception of the Virgin Mary, as well as the cult surroundingit throughout ages in the Polish lands. Master Paweł’s sermons are discussed here interms of his theological workshop, especially as a biblical scholar and patrologist.
Styles APA, Harvard, Vancouver, ISO, etc.
10

« Introduction : Sacred Spaces and Places : Constructing the Virgin Mary in Hispanic Literature ». Dans The Sacred Space of the Virgin Mary in Medieval Hispanic Literature, 1–32. Boydell and Brewer, 2019. http://dx.doi.org/10.1515/9781787443037-004.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.

Actes de conférences sur le sujet "Mary, Virgin, in literature, Polish"

1

Rumiantseva, Olga S. « The Blessed Virgin Mary and the World of Nature in Polish Folk Tales ». Dans Slavic World : Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/2619-0869.2021.2.11.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
Nous offrons des réductions sur tous les plans premium pour les auteurs dont les œuvres sont incluses dans des sélections littéraires thématiques. Contactez-nous pour obtenir un code promo unique!

Vers la bibliographie