Articles de revues : « Margaret's »

1

Lewan, Richard B. « Margaret's Treasure ». Journal of Palliative Medicine 4, n^o 3 (septembre 2001) : 381–83. http://dx.doi.org/10.1089/109662101753124011.

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Andrews, Brian. « Margaret's Medal ». Ballarat Naturalist (2000:Mar) (mars 2000) : 6–7. http://dx.doi.org/10.5962/p.384542.

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3

Juster, A. M. « Leaving Saint Margaret's ». JAMA : The Journal of the American Medical Association 271, n^o 10 (9 mars 1994) : 728b. http://dx.doi.org/10.1001/jama.1994.03510340008002.

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Kurent, Tine T. « Maxo Vanka's collage "World War II" is a brilliant gematrical composition ». Acta Neophilologica 32 (1 décembre 1999) : 111–17. http://dx.doi.org/10.4312/an.32.0.111-117.

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The American-Croatian painter Maksimilian Vanka, 1 1889-1963, or Maxo for his friends, composed together with his American wife Margaret, her father dr. Stetten DeWitt and his friends Louis and Stella Adamic, his most enigmatic work, the "WORLD WAR II" collage. The collage originated at the reunion of Maxo Vanka, his wife Margaret, his friends Louis and Stella Adamic, with Margaret's father Dr. Stetten DeWitt, after his return from Europe at war. The party was exhilarated with Dr. Stetten's safe escape from Korcula (Dalmatia) to Paris, Le Havre and on board of the French liner lie de France to New York, and preoccupied with the imminent World War.

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Kurent, Tine T. « Maxo Vanka's collage "World War II" is a brilliant gematrical composition ». Acta Neophilologica 32 (1 décembre 1999) : 111–17. http://dx.doi.org/10.4312/an.32.1.111-117.

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The American-Croatian painter Maksimilian Vanka, 1 1889-1963, or Maxo for his friends, composed together with his American wife Margaret, her father dr. Stetten DeWitt and his friends Louis and Stella Adamic, his most enigmatic work, the "WORLD WAR II" collage. The collage originated at the reunion of Maxo Vanka, his wife Margaret, his friends Louis and Stella Adamic, with Margaret's father Dr. Stetten DeWitt, after his return from Europe at war. The party was exhilarated with Dr. Stetten's safe escape from Korcula (Dalmatia) to Paris, Le Havre and on board of the French liner lie de France to New York, and preoccupied with the imminent World War.

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6

O'Dowd, Mary. « Margaret MacCurtain (1929–2020) : an appreciation ». Irish Historical Studies 46, n^o 170 (novembre 2022) : 217–23. http://dx.doi.org/10.1017/ihs.2022.49.

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‘Wisdom it was I loved and searched for her from my youth. I resolved to have her as my companion. I fell in love with her beauty ….’At the funeral mass for Margaret MacCurtain, her grandnephew, Michael, read the first reading from the Book of Wisdom, a moving and appropriate text with which to begin a celebration of Margaret's life. The words carried an added significance as Michael's reading emphasised that wisdom was represented in the biblical verse as female.

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Murray, Aífe. « Miss Margaret's Emily Dickinson ». Signs : Journal of Women in Culture and Society 24, n^o 3 (avril 1999) : 697–732. http://dx.doi.org/10.1086/495370.

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Wilkinson, Louise. « Pawn and Political Player : Observations on the Life of a Thirteenth-Century Countess ». Historical Research 73, n^o 181 (1 juin 2000) : 105–23. http://dx.doi.org/10.1111/1468-2281.00098.

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Abstract This article explores the transformation of Margaret de Lacy, countess of Lincoln (d. 1266), from a young and vulnerable heiress into one of the most important and wealthy noble widows of her day, whose friendship was courted by Henry III's queen. Hitherto Margaret's career has been dogged by misconceptions about her father's identity and her marriages. A fresh consideration of the evidence affords a unique window on to the social and political factors that influenced the arrangement of noble marriages in the thirteenth century and might later allow an aristocratic widow to carve out a distinctive role for herself.

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9

McDermott, John. « Margaret's Minions : The Ur‐text ». Socialism and Democracy 8, n^o 1 (janvier 1992) : 131–39. http://dx.doi.org/10.1080/08854309208428125.

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Shewring, Margaret. « Margaret's Contribution to Festivals Research ». Dance Research 40, n^o 2 (novembre 2022) : 248–51. http://dx.doi.org/10.3366/drs.2022.0376.

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GROGAN, MARIE SCHILLING. « BAPTISMS BY BLOOD, FIRE, AND WATER A TYPOLOGICAL REREADING OF THEPASSIO S. MARGARETAE ». Traditio 72 (2017) : 377–409. http://dx.doi.org/10.1017/tdo.2017.1.

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A typological reading allows us to see that Margaret's early-medieval Latinpassio, the Mombritius version upon which most later vernacular versions of her popular legend ultimately drew, is a tightly structured figural meditation on the theme of baptism and the sacraments of initiation. Examination of the prayers, the liturgically allusive gestures, and the symbolic elements of the whole narrative reveals a powerful female figure who “presides” over her own ordeal and with her prayers transforms the instruments of torture into baptisms by blood, fire, and water. This narrative's deep structure may offer further insight into Margaret's appeal as a patroness of childbirth.

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12

MASON, SHIRLEY CARR. « QUEEN MARGARET'S CHRISTIAN WORK OF CONSCIENCE ». Notes and Queries 41, n^o 1 (1 mars 1994) : 32–33. http://dx.doi.org/10.1093/nq/41-1-32.

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13

Klug Om, Aaron. « Address given at the Service of Thanksgiving for the life of George Porter OM FRS ». Notes and Records of the Royal Society of London 57, n^o 2 (22 mai 2003) : 261–64. http://dx.doi.org/10.1098/rsnr.2003.0210.

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14

MacGregor, Martin, et Caroline Wilkinson. « In search of Robert Bruce, part III : medieval royal burial at Dunfermline and the tomb investigations of 1818–19 ». Innes Review 70, n^o 2 (novembre 2019) : 171–201. http://dx.doi.org/10.3366/inr.2019.0227.

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This article challenges two orthodoxies concerning Dunfermline's medieval church and abbey. It argues that David I and Malcolm IV were buried not with Robert Bruce, his queen, and Alexander III, but with Queen Margaret (died 1093), her husband, three of David's brothers, and Alexander III's first wife, as the earliest royal burial cluster. This argument dovetails with a reappraisal of the evolution of the medieval abbey. It is concluded that when dedicated in 1150, David's abbey was largely coextensive with his mother's church, only achieving cruciform status by 1180 and Queen Margaret's first translation. Reassigning David I and Malcom IV to another burial cluster strengthens the case for identifying the incumbent of the tomb discovered and excavated at Dunfermline in 1818–19 as Robert Bruce, as also argued for in the two other articles in this series.

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15

Janzen, Jean. « The Wittenberg Backdoor Bar, and : Margaret's Rose ». Prairie Schooner 86, n^o 2 (2012) : 30–31. http://dx.doi.org/10.1353/psg.2012.0063.

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Anson, Patrick. « Rebecca West's ‘Seamed Red Hand’ ». Modernist Cultures 16, n^o 2 (mai 2021) : 139–63. http://dx.doi.org/10.3366/mod.2021.0326.

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The political commitments of Rebecca West's The Return of the Soldier (1918) have proven hard to define. More subdued in its tone and telos than her volleys against patriarchal capitalism in publications such as The Freewoman and The Clarion, some argue that Return undermines West's socialist-feminist pronouncements, while others contend that the novel engages subtler modes of critique. Deepening and extending the latter vein of scholarship, this essay reveals uncharted lines of connection between West's early fiction and nonfiction by performing a ‘palm reading’ of Return: an examination of the work of hands in the text – particularly Margaret's ‘seamed red hand’, which ties her to the women workers West extols in her ‘Hands That War’ article-series (1916). Although West's foreclosure of Margaret's disruptive potential at the end of Return might seem ideologically suspect, I argue that this manoeuvre, rather than betray quietism, indexes West's burgeoning recognition of the difficulty of achieving the kind of social change she called for in her nonfiction.

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17

Tupper, M., et R. G. Boutilier. « Effects of habitat on settlement, growth, and postsettlement survival of Atlantic cod (Gadus morhua) ». Canadian Journal of Fisheries and Aquatic Sciences 52, n^o 9 (1 septembre 1995) : 1834–41. http://dx.doi.org/10.1139/f95-176.

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Settlement and growth of age 0+ cod were monitored using snorkel and self-contained underwater breathing apparatus (SCUBA) in four distinct habitat types (sand, seagrass, cobble, and rock reef) in St. Margaret's Bay, Nova Scotia. Newly settled cod were marked with acrylic dye, allowing repeated visual length estimates of individual fish. Settlement of cod did not differ between habitat types, but postsettlement survival and subsequent juvenile densities were higher in more structurally complex habitats. These differences appear to be due to increased shelter availability and decreased predator efficiency in structurally complex habitats. Growth rate was highest in seagrass beds, while the efficiency of cod predators was lowest and cod survival was highest on rocky reefs and cobble bottoms. Thus, trade-offs occur between energy gain and predation risk. In St. Margaret's Bay, the population structure of Atlantic cod may be less influenced by patterns of larval supply than by postsettlement processes such as habitat-specific growth and mortality.

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18

Afandi, Mujad Didien, Tatik Muflihah et Novi Rahmania Aquariza. « ANXIETY AND DEFENESE MECHANISMS PORTRAYED IN “CAT ON A HOT TIN ROOF” ». EXPOSURE : JURNAL PENDIDIKAN BAHASA INGGRIS 11, n^o 2 (30 novembre 2022) : 331–50. http://dx.doi.org/10.26618/exposure.v11i2.8721.

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Born and raised in a poor family, a childless woman named Margaret who is a wife of an alcoholic, has an ambition for wealth which eventually causes her to live with anxiety. To suppress the anxiety, she uses defense mechanisms. Therefore, this study was conducted to analyze the anxiety and defense mechanisms portrayed through Margaret in the drama, entitled “Cat on a Hot Tin Roof”. This qualitative study analyzed the anxiety and defense mechanisms portrayed in one of the canonical drama of Tennessee Williams using psychological lens. The data describing Margaret's anxiety and defense mechanisms collected from this drama were revealed and interpreted descriptively in order to provide detailed explanation and deep understanding. This study identified that the anxiety experienced by Margaret was resulted from her ambition to inherit the wealth of her father-in-law. Poverty in her past life has led her to become ambitious to pursue her dreams of wealth. Besides, she got anxious about her inability to give a child to her husband. In consequence, her childlessness caused her to have anxiety. To cope with the anxiety, she used three types of defense mechanisms: (1) reaction formation, (2) displacement, and (3) denial. The female major character experiences anxiety about wealth and childlessness. To protect herself from the anxiety, she uses reaction formation, displacement, and denial as defense mechanisms.

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19

Walker, Diane A. « The Bute Mausoleum at St Margaret's Church, Roath ». Archaeological Journal 150, n^o 1 (janvier 1993) : 482–97. http://dx.doi.org/10.1080/00665983.1993.11078063.

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20

Wordsworth, Mel, et Carly Burke. « Blocks can be anything… ». Early Years Educator 23, n^o 16 (2 novembre 2022) : S4—S5. http://dx.doi.org/10.12968/eyed.2022.23.16.s4.

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This months' case study is from St. Margaret's Nursery, a maintained nursery school which is part of BEYA (Barnet Early Years Alliance.) It follows an example of how a group of children interact with an open-ended block play setup which is often seen in early years settings as part of their continuous provision.

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21

Blakeway, Amy. « The attempted divorce of James Hamilton, earl of Arran, Governor of Scotland ». Innes Review 61, n^o 1 (mai 2010) : 1–23. http://dx.doi.org/10.3366/inr.2010.0001.

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This article examines the little-known 1544 attempt by James Hamilton, earl of Arran and then Governor of Scotland (future duke of Châtelherault) to divorce his wife, Margaret Douglas, eldest daughter of James Douglas, earl of Morton. It is concluded that Arran's failed divorce does not provide an explanation for his ‘godly fit’ of 1543, and that his actions were not motivated by the desire for an heir. Rather, Arran sought to maintain his children's legitimacy whilst gaining the freedom to take a new wife. The article explores the possibility that in this context, Margaret Douglas's poor mental health may have been a motivating factor behind the divorce attempt. Taking the failed divorce attempt as a starting point, the article moves on to re-consider the subsequent relationship between Arran and his wife's kin. It is argued that the marriage of Margaret's youngest sister, Elizabeth, to James Douglas, the nephew of the earl of Angus and future regent Morton, placed Arran and his brother-in-law in a position of heightened competition. This rivalry over landed interests underscored and exacerbated political tensions between the two men, serving to fuel one of the most potent noble rivalries in sixteenth-century Scotland.

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22

MARKOVITS, STEFANIE. « NORTH AND SOUTH, EAST AND WEST ». Nineteenth-Century Literature 59, n^o 4 (1 mars 2005) : 463–93. http://dx.doi.org/10.1525/ncl.2005.59.4.463.

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Elizabeth Gaskell's North and South was composed from the Nightingale family residence even as the war being fought in the Crimea (from 1854 to 1856) was making Florence Nightingale into a national heroine. Reading the novel in the context of the Crimean War and of Gaskell's involvement with Nightingale helps both to historicize the book more precisely and to illuminate the moment of its production. North and South occludes the foreign con�ict even as it takes advantage of aspects of that con�ict in order to tell its story of the "civil wars" at home: those between North and South, masters and men, past and present, and men and women. The reading culminates in an analysis of the relationship between Margaret Hale and Florence Nightingale. To consider the "thread of dark-red blood" that trickles down Margaret's face in the climactic riot scene of North and South as a replacement for the "thin red line" made famous as a symbol of heroism at Balaclava is to recognize the Crimean War as a part of the Condition of England.

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McDermott, John. « Margaret's minions, or the normalization of middle class politics ». Socialism and Democracy 7, n^o 3 (décembre 1991) : 57–82. http://dx.doi.org/10.1080/08854309108428107.

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24

Hepburn, Frederick. « The Portraiture of Lady Margaret Beaufort ». Antiquaries Journal 72 (mars 1992) : 118–40. http://dx.doi.org/10.1017/s0003581500071213.

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Lady Margaret Beaufort (1443–1509), Countess of Richmond and Derby, was one of the most remarkable women of her time. A wealthy heiress, she was married early, and was already widowed at the age of thirteen, shortly before the birth of her son, who was to become King Henry VII. During the Wars of the Roses she learned to survive through political astuteness, though she showed that she was willing to risk all for her son when, during Richard III's reign, she conspired to bring Henry to the throne. Her devotion to Henry, together with her outstanding personal qualities, meant that when he became king in 1485, Lady Margaret remained his most trusted supporter and adviser. Accorded semi-regal status, she administered her vast estates with exemplary efficiency and fairness, showing a concern for individuals which sprang from her own religious humility. She is best known today for her patronage of learning, particularly at Cambridge, where in addition to providing endowments for individual religious scholars, she was the foundress of Christ's and St John's Colleges. In view of Lady Margaret's achievements it seems entirely appropriate, not only that she is buried in Henry VII's Chapel in Westminster Abbey, but also that her epitaph was written by Erasmus and that her splendid gilt bronze tomb-effigy (fig. 1) is the masterpiece of another man of the Renaissance, the Florentine sculptor Pietro Torrigiano.

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Womack, Elizabeth Coggin. « Anticipated Ends, Atonement, and the Serialization of Gaskell's North and South ». Dickens Studies Annual 48, n^o 1 (1 septembre 2017) : 231–52. http://dx.doi.org/10.5325/dickstudannu.48.2017.0231.

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Abstract Scholars addressing the conflict between Elizabeth Gaskell and her editor Charles Dickens during the serialization of North and South tend to focus on her resistance to his heavy editorial hand or his chagrin at her less suspenseful style. This essay turns instead to their shared tendency to refer to fictional works-in-progress as alive yet mortal—a guiding metaphor that shapes the novel's morbid concluding themes. Dickens, as editor, understood what he called the “vitality” of Gaskell's fiction in terms of sustained readership, while Gaskell sensed that “Margaret”—both her protagonist and her eponymously named manuscript—lived in some way, and could therefore die should the novel fail artistically. These themes color the novel's conclusion, where we find not only the flaws that prompted Gaskell's fears of failure, but also a series of morbid meditations as the protagonist anticipates deathbed retrospection and regret. This study of Dickens and Gaskell's joint investment in the “life” and “death” of fiction, together with Margaret's morbid meditations and desire for atonement, allows us to read in North and South a collaborative yet contested meditation on the anticipated ends of serial fiction.

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Womack, Elizabeth Coggin. « Anticipated Ends, Atonement, and the Serialization of Gaskell's North and South ». Dickens Studies Annual 48, n^o 1 (1 septembre 2017) : 231–52. http://dx.doi.org/10.5325/dickstudannu.48.1.0231.

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Abstract Scholars addressing the conflict between Elizabeth Gaskell and her editor Charles Dickens during the serialization of North and South tend to focus on her resistance to his heavy editorial hand or his chagrin at her less suspenseful style. This essay turns instead to their shared tendency to refer to fictional works-in-progress as alive yet mortal—a guiding metaphor that shapes the novel's morbid concluding themes. Dickens, as editor, understood what he called the “vitality” of Gaskell's fiction in terms of sustained readership, while Gaskell sensed that “Margaret”—both her protagonist and her eponymously named manuscript—lived in some way, and could therefore die should the novel fail artistically. These themes color the novel's conclusion, where we find not only the flaws that prompted Gaskell's fears of failure, but also a series of morbid meditations as the protagonist anticipates deathbed retrospection and regret. This study of Dickens and Gaskell's joint investment in the “life” and “death” of fiction, together with Margaret's morbid meditations and desire for atonement, allows us to read in North and South a collaborative yet contested meditation on the anticipated ends of serial fiction.

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27

Underwood, Malcolm G. « Politics and Piety in the Household of Lady Margaret Beaufort ». Journal of Ecclesiastical History 38, n^o 1 (janvier 1987) : 39–52. http://dx.doi.org/10.1017/s0022046900022508.

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The sermon which John Fisher preached at the month's mind of Lady Margaret Beaufort, on 29 July 1509, compared her with Martha, traditionally the woman of action and counterpart of Mary, the woman of contemplation. The virtues he stressed, in addition to nobility of character and lineage, were those of good order: the disciplining of Lady Margaret's body and manner of life through prayer and abstinence, her hospitality and charitable dealings with her neigh-bours. The bishop saw discipline also as the mark of her household: statutes for its government were read four times a year, her servants well cared for, her almsfolk regularly supported. Whenever factions arose among her servants she applied herself with great skill to keeping the peace and finding a solution to controversy. Fisher's account has recently been compared by Retha Warnicke with other memories of her household recorded by Henry Parker, Lord Morley. The same elements are found in both descriptions, but Morley complements Fisher's portrait of charity and able household management with a spectacle of splendid conviviality worthy of the great ladies of the past, Queen Elfleda and Matilda, wife of Henry 1. Morley's memories of the household he entered in the early 1490s are not all contemporary with Fisher's who did not become Lady Margaret's confessor until 1498 or later, and the bishop allocates more of her day to religious observance. But whether her piety grew more exacting and intense in her last decade, or was simply more closely observed by her confessor, she remained until her death the centre of a network of patronage and influence in which she took an active part. Her household was a society with many facets, defined not merely by the austere and charitable practices of its head, but by her importance as a tenant-in-chief of the Crown and mother of the king. It was the combination of all these elements that placed her so high in contemporary estimation. This article explores the life of her household not only as the home of works of charity and a pattern of worship whose special feature was devotion to the Name of Jesus, but also as a centre of justice and regional influence and as a source of support for the activities of the Crown.

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White, George S. J. « A Lantern Clock Signed ‘Thomas Knifton at the [Crossed Keys] in Lothbury Fecit’ and its Context ». Antiquaries Journal 67, n^o 2 (septembre 1987) : 324–37. http://dx.doi.org/10.1017/s0003581500025439.

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The seventeenth-century lantern clock in the possession of the Society of Antiquaries of London is shown to be one of the products of the post-Civil War boom in London domestic clockmaking. Its maker Thomas Knifton is found to be one of a close-knit group of house clockmakers working in the Parish of St Margaret's, Lothbury. His relationship with both the Clothworkers' and the Clockmakers' Company is explored. The clock is described, its founder's marks and unique dial-plate noted. The construction of its movement and subsequent alterations are explained in simple terms.

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29

Lingiah, Jason. « General Assembly of the Church of Scotland ». Ecclesiastical Law Journal 25, n^o 1 (janvier 2023) : 82–85. http://dx.doi.org/10.1017/s0956618x22000758.

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The General Assembly of the Church again met in a ‘blended’ form, based from the Assembly Hall. The Moderator of the General Assembly this year was the Rev'd Dr Iain Greenshields, BD PhD, Minister of Dunfermline St Margaret's, Presbytery of Fife. Last year's Moderator was an Elder, rather than a Minister: Lord Wallace of Tankerness, PC QC FRSE. Lord Hodge, Deputy President of the Supreme Court of the United Kingdom, was Her Late Majesty The Queen's personal representative to the Assembly as Lord High Commissioner. A brief synopsis of Assembly Business follows.

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Jevtić, Iva. « Izrekanje resnice v Ogledalu preprostih izničenih duš Margarete Porete ». Clotho 3, n^o 1 (7 septembre 2021) : 77–99. http://dx.doi.org/10.4312/clotho.3.1.77-99.

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Prispevek obravnava Margareto Porete in Ogledalo preprostih duš skozi prizmo Foucaultovih predavanj o ≫veridikciji≪ oziroma štirih prevladujočih načinih izrekanja resnice: prerokbi, modrosti, poučevanju in pareziji. Tudi v svojih hibridnih oblikah so bili ti načini še vedno vezani na posebne institucije izrekanja resnice, s specifičnimi udeleženci, področji nagovarjanja in načini izrekanja. Besedilo v tem okviru analizira Margaretin proces in osrednje ideje njenega dela ter prepozna mistično misel Margarete Porete kot poskus oblikovanja novega prostora v obstoječih režimih izrekanja resnice; pri tem je njeno orodje medij knjige oziroma strateško preoblikovanje odnosa med telesom in pisanjem.

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31

Andrew Becraft. « Things I Learned on St. Margaret's Bay, and : Bodies of Water ». Prairie Schooner 82, n^o 3 (2008) : 148–50. http://dx.doi.org/10.1353/psg.0.0104.

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32

French, K. L. « Rebuilding St. Margaret's : Parish Involvement and Community Action in Late Medieval Westminster ». Journal of Social History 45, n^o 1 (26 août 2011) : 148–71. http://dx.doi.org/10.1093/jsh/shr017.

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Cook, Daniel. « Walter Scott's Late Gothic Stories ». Gothic Studies 23, n^o 1 (mars 2021) : 43–59. http://dx.doi.org/10.3366/gothic.2021.0077.

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While ‘Wandering Willie's Tale’, above all of Walter Scott's shorter fictions, has often been included in Gothic anthologies and period surveys, the apparently disposable pieces that appeared in The Keepsake for 1829, renegades from the novelist's failed Chronicles of the Canongate series, have received far less attention. Read in the unlikely context of a plush Christmas gift book, ‘My Aunt Margaret's Mirror’ and ‘The Tapestried Chamber’ repay an audience familiar with the conventions of a supernatural short story. But to keep readers interested, The Author of Waverley, writing at the end of a long and celebrated career in fiction, would need to employ some new gimmicks. As we shall see, the late stories are not literary cast-offs but recastings finely attuned to a bespoke word-and-image forum.

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Pratiwi, Rahmawati Hana, Sufi Ikrima Sa'adah et Abu Fanani. « Margaret’s recovery way in Jacqueline Woodson’s Last Summer with Maizon : father death and writing opportunity ». Diglosia : Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 7, n^o 2 (3 juin 2024) : 327–34. http://dx.doi.org/10.30872/diglosia.v7i2.961.

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The study represents Margaret’s struggle to overcome the experience of grief in Last Summer with Maizon by Jacqueline Woodson. The study adopted a qualitative content analysis (QCA) approach to reveal the true meaning of the experience of grief, conveying a new interpretation of Margaret’s life, which is a way of recovering herself from grief. This approach also conducted the process of subjectivity by developing the quality of themes regarding Margaret’s grief struggle using the five phases of thematic analysis. The results of this study consist of discoveries and critical analysis regarding the issue of Margaret’s grief experience, which develops a sure way to get through it. The research findings section describes the initial signs leading up to the experience of grief faced by Margaret. Meanwhile, the critical analysis section describes the struggle to continue living without Margaret’s loved ones, the struggle to find a way to write creatively to express her grief, and unexpected happy experiences when Margaret uses writing as proof that she has overcome grief with all her might.

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Turnbull, Michael T. R. B. « 'Celestial Fireworks' – Father Malachy's Miracle (1931) ». Journal of Religious History, Literature and Culture 9, n^o 1 (15 juin 2023) : 125–55. http://dx.doi.org/10.16922/jrhlc.9.1.5.

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In his satirical novel, 'Father Malachy's Miracle' (1931), Bruce Marshall (24 June 1899–18 June 1987), the Edinburgh-born author of over forty books, presents the reader with an elderly Benedictine monk, Fr Malachy Murdoch, who has been sent from his monastery in the Scottish Highlands to improve the singing and the manners on the altar of St Margaret's Church in Edinburgh – like many of the episodes in the novel, Marshall's characters, thinly-disguised, are based on 'real' people – in spite of the author's protestations to the contrary.<br/> After a chance but testy meeting with a dapper Episcopalian clergyman who challenges the monk to prove that miracles can really happen. Malachy impulsively jettisons his brief and accepts the challenge, deciding to petition God to move an adjacent dancehall of ill repute (along with its clientele) onto the windy summit of the Bass Rock, a volcanic island some twenty miles away in East Lothian. Inexplicably, the displacement immediately becomes a tourist attraction – for which Malachy is roundly admonished by a cardinal newly-arrived from Rome.<br/> He begins to grasp the wider implications of what he has done. He regrets his hasty reaction and implores God to restore the seedy dancehall to its former site beside the Church of Saint Margaret of Scotland – he is left with an abiding sense of guilt and failure. Interviewed in Rome by the literary critic Luigi Silori in 1959, Marshall confided that 'the author should not preach. This is why the clergy generally does not understand me very well – because they expect me to preach, and I don't want to do this.'<br/> So why has this comic masterpiece been almost forgotten? Recently, new research into 'Father Malachy's Miracle' has revealed just how closely Marshall's deft fictionalisation imitated real life – the thin line between fact and Marshall's fiction.

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Wisniewski, Stephanie. « The Softer Side of Leadership ». Neonatal Network 20, n^o 2 (mars 2001) : 57–58. http://dx.doi.org/10.1891/0730-0832.20.2.57.

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MARGARET HOULIHAN, HEAD NURSE on the TV sitcom M*A*S*H*, is a perfect example of how nurse leaders used to be. Margaret is a dictator. When she faces a problem, she faces it alone, never involving her staff in finding a solution. Instead, Margaret sits up nights internalizing the problem, and later, she rudely barks her orders at the nursing staff. Margaret’s communications are unilateral; she gives orders and the staff listens. The staff nurses do not feel worthy enough to make suggestions or offer help because it is not Margaret’s style to listen. Kerfoot calls this type of leadership “command and control.”1 We can all probably name at least one controlling manager we have known. Many nurses today still prefer this structured style of leadership because accountability rests completely with the manager.

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Balch, Toby, Bruce G. Hatcher et Robert E. Scheibling. « A major settlement event associated with minor meteorologic and oceanographic fluctuations ». Canadian Journal of Zoology 77, n^o 10 (1 décembre 1999) : 1657–62. http://dx.doi.org/10.1139/z99-138.

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Settlement of ophiuroids (Ophiopholis aculeata, Ophiura spp.) was measured using artificial collectors at 3-day intervals during their annual 2-week settlement period in July-August 1993 in St. Margaret's Bay, Nova Scotia. Hydrographic (temperature, salinity, current velocity, wave height and period) and meteorologic conditions (atmospheric pressure and wind velocity) were recorded concurrently at the site or at nearby locations. A major settlement pulse occurred over one 3-day period, with declining settlement over the following 6 days. This pulse was associated with a shift in current direction and preceded by rapid temperature and salinity fluctuations. Similar changes in temperature occurred at a second site (4.5 km away), indicating at least bay-scale forcing. This period was characterised by the passage of weak atmospheric pressure gradients and a low-energy sea state. These meteorologic and oceanographic fluctuations were within the normal range for this time of year, indicating that major settlement events can occur at scales of days in association with minor fluctuations in the physical environment.

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Macquarrie, Alan. « An eleventh-century account of the foundation legend of Laurencekirk, and of Queen Margaret's pilgrimage there ». Innes Review 47, n^o 2 (décembre 1996) : 95–109. http://dx.doi.org/10.3366/inr.1996.47.2.95.

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Richard D. Oram. « St Margaret's Gospel-book : The Favourite Book of an Eleventh-Century Queen of Scots (review) ». Catholic Historical Review 94, n^o 4 (2008) : 794–95. http://dx.doi.org/10.1353/cat.0.0249.

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Chanter, Tina. « Abjection and the Constitutive Nature of Difference : Class Mourning in Margaret's Museum and Legitimating Myths of Innocence in Casablanca ». Hypatia 21, n^o 3 (2006) : 86–106. http://dx.doi.org/10.1111/j.1527-2001.2006.tb01115.x.

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This essay examines the connections between ignorance and abjection. Chanter relates Julia Kristeva's notion of abjection to the mechanisms of division found in feminist theory, race theory, film theory, and cultural theory. The neglect of the co-constitutive relationships among such categories as gender, race, and class produces abjection. If those categories are treated as separate parts of a persons identity that merely interlock or intermesh, they are rendered invisible and unknowable even in the very discourses about them. Race thus becomes gender's unthought other, just as gender becomes the excluded other of race. Via an exploration of Margaret's Museum and Casablanca, the author shows why the various sexual, racial, and nationalist dynamics of the two films cannot be reduced to class or commodity fetishism, following Karl Marx, or psychoanalytic fetishism, following Sigmund Freud and Jacques Lacan. Whether they are crystallized in Marxist or Lacanian terms, fetishistic currencies of exchange are haunted by an imaginary populated by unthought, abject figures. Ejected from the systems of exchange consecrated as symbolic, fragmented, dislocated, diseased body parts inform and constitute meaning.

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Jannah, Miftahul, et Ira Maisarah. « Psychological Conflict Reflected by Margaret as the Main Character on “Big Eyes” Movie : A Psychoanalytic Approach ». Journal of English for Specific Purposes in Indonesia 3, n^o 1 (31 janvier 2024) : 49–56. http://dx.doi.org/10.33369/espindonesia.v3i1.28042.

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Everybody can suffer psychological conflict, whether consciously or unconsciously. It usually happens when someone faces difficulties and finds it difficult to choose among several options. Psychological conflict can also arise when a person lacks strong guiding principles. Big Eyes movie tells about psychological conflicts experienced by Margaret the main actress as a painter. Margaret faced many struggles for hiding all of her husband’s untruth. This paper analyzed psychological conflict reflected by Margaret as the main character on Big Eyes movie and Margaret‘s personality in facing her psychological conflict. The theoritical framework of analysis was Psychoanalytic approach by Sigmud Freud. Based on the result of data analysis, it was found that there were two kinds of psychological conflicts faced by the main character, Margaret, they are pressure and unconfident. Margaret got pressures from her husband because she knew everything about her husband’s popularity and his untruth. Margaret felt unconfident because she had not rational thinking. She trusted her husband’s saying too much, so her husband dominated her easily.

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Dyches, Jeanne, et Brandon Sams. « “It’s Not Intentional” : Contradictions in Culturally Responsive Teaching ». Journal of Interdisciplinary Teacher Leadership 6, n^o 1 (14 décembre 2022) : 199–233. http://dx.doi.org/10.46767/kfp.2016-0042.

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Culturally responsive instruction scholarship often presents a binary standard that teachers either satisfy or do not, a determination largely based on perceptions of observed practice. Yet, conclusions about teachers’ cultural responsiveness are dubious when researchers do not account for teachers’ intent. Conceptualizing cultural responsiveness as a continuum of dispositions, knowledges, and skills, this study asks: are certain culturally responsive characteristics more easily embodied and acted upon than others, and what accounts for these incongruences? Drawing on five months of data collection, this case study follows Margaret, a decorated English language arts teacher, and uncovers her culturally responsive characteristics based on her articulated instructional intent. Analysis reveals that Margaret more readily embodied and enacted certain culturally responsive characteristics than others. Although she worked to promote student success and create a classroom environment embracing all students, Margaret insisted her provocative pedagogical choices–such as melding conversations of canonical literature with patriarchal critique–were not intended to foster students’ sociopolitical consciousness or reflect her commitment to modifying curricula for equity. Tensions between Margaret’s culturally responsive characteristics lie in her belief that “good” teachers assume ideological neutrality. Margaret’s case asks stakeholders to centralize teachers’ instructional intent and, in doing so, complicate culturally responsive teaching.

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Chanter, Tina. « Abjection and the Constitutive Nature of Difference : Class Mourning in Margaret's Museum and Legitimating Myths of Innocence in Casablanca ». Hypatia 21, n^o 3 (2006) : 86–106. http://dx.doi.org/10.1353/hyp.2006.0023.

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Barbour, R. James, R. E. Bailey et Jean A. Cook. « Evaluation of relative density, diameter growth, and stem form in a red spruce (Picearubens) stand 15 years after precommercial thinning ». Canadian Journal of Forest Research 22, n^o 2 (1 février 1992) : 229–38. http://dx.doi.org/10.1139/x92-030.

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Thirty red spruce (Picearubens Sarg.) trees were harvested from a precommercial thinning trial near St. Margaret's Bay, Nova Scotia. Total height was measured, and samples were removed from the following five stem heights: stump height, breast height, 25, 50, and 75% of total height. Relative density and growth rate were measured using X-ray densitometry, and taper was calculated for log and tree lengths. Growth rates were significantly greater on the treatment plot than on the control plot. No significant differences in relative density were found between trees from the treatment plot (2.4 × 2.4 m spacing) and trees from the unthinned control. The relative density of the treatment and control trees was also compared with the species average relative density for red spruce. No significant differences were found, except for the relative density at stump height in the after-treatment portion of the trees from the thinned plot. The difference was not considered great enough to cause a deterioration of the mechanical properties of lumber or the yield of pulp produced from this material. The taper factor was significantly different between the treatment and control plots, but the taper factor for the treatment trees was similar to that for the spruce resource currently being processed in eastern Canada.

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Keene, Katie. « Rebecca Rushforth, St. Margaret's Gospel Book : The Favorite Book of an Eleventh-Century Queen of Scots. The Bodleian Library, 2007 ». Medieval Feminist Forum 44, n^o 2 (décembre 2008) : 178–81. http://dx.doi.org/10.17077/1536-8742.1759.

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McSeveney, Angela. « Eight Poems : Potted Chrysanthemum ; Margaret's Trunk ; Paracetamol ; Signs and Wonders ; Summer Job ; The Astrakhan Coat ; The Stowaway ; The Three Graces ». Irish Review (1986-), n^o 28 (2001) : 91. http://dx.doi.org/10.2307/29736047.

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Shannon, Nathan. « A Strange Sadness : Margaret Baxter on the Trauma of Conversion ». Feminist Theology 30, n^o 2 (janvier 2022) : 143–52. http://dx.doi.org/10.1177/09667350211055458.

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This article seeks to recover a familiar but unappreciated female voice from English Puritanism of the seventeenth century, that of Margaret Baxter. Various challenges to such recovery are examined, most notably the nature of her relationship to her pastor and husband, Richard. Extant literature from Margaret’s hand focuses on the events surrounding her conversion and life-threatening illness shortly thereafter. The present analysis of these texts and their circumstances concludes that Margaret was a faithful but critical heir of the practical theology of her day, and that in her lived expression of that tradition one observes the enduring scars of the trauma of her conversion.

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Husien, Saddam. « MARGARET’S EMOTIONAL AND SOCIAL LONELINESS IN TENNESSEE WILLIAM’S “A CAT ON THE HOT TIN ROOF” ». ANAPHORA : Journal of Language, Literary and Cultural Studies 3, n^o 2 (7 février 2021) : 81–87. http://dx.doi.org/10.30996/anaphora.v3i2.3929.

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This study concentrates to analyze Margaret’s character about loneliness that experience by her in Tennessee William’s a Cat on the Hot Tin Roof. Loneliness is unpleasant situation that experience by someone when the one’s desire or ambition is not equivalent in social relationship. Furthermore, the source of the data is telling about someone who experiences loneliness which contains the type of loneliness, effect of loneliness and the effort to overcome from loneliness, consequently the theory of loneliness is chosen. Besides that, this study is qualitative design because the data are collected in the form of words. The data of this study are narrator’s explanations and the character’s utterances related to the loneliness experienced by Margaret and the writer has function as the key instrument in this research. According to the analysis of the drama, the writer has finds the answer of the research problem, that are types and effect of Margaret’s loneliness and Margaret’s effort to overcome or coping loneliness in Tennessee William a Cat on the Hot Tin Roof. There are two types of Margaret’s loneliness, they are emotional and social loneliness. Firstly, Margaret’s emotional loneliness is her unsatisfactory relation with Brick. She does not get intimate relation from Brick. Therefore, she cannot get unpleasant situation from Brick. Secondly, Margaret’s social loneliness, she as a part of Brick’s family is not respected and accepted in the family due to her childless and Brick’s addiction to liquor. Effects of Margaret’s loneliness. She transforms to be rude and frantic, she becomes talkative person, and the last effect is she has much power to be brave person. Margaret’s effort to overcome her loneliness, she tries to understand Brick’s situation and attitude to get attention and more communication with him.

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Liczbińska, Grażyna. « Diseases, health status, and mortality in urban and rural environments : The case of Catholics and Lutherans in 19th-century Greater Poland ». Anthropological Review 73, n^o 1 (1 janvier 2010) : 21–36. http://dx.doi.org/10.2478/v10044-008-0019-z.

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Diseases, health status, and mortality in urban and rural environments: The case of Catholics and Lutherans in 19th-century Greater PolandThe aim of the study is to show in the mortality measures calculated for Catholics and Lutherans from 19th-century Greater Poland: 1) stratification dependent on the size of place of residence, 2) stratification dependent on religious denomination in population centres of various size. The data on mortality are drawn from Catholic and Lutheran parish death registers: from Poznań (the poor Catholic St. Margaret's Parish, the wealthy St. Mary Magdalene's Parish, and the Lutheran Holy Cross Parish), small towns such as Leszno (the Lutheran Holy Cross Parish) and Kalisz (the Catholic St. Joseph's Parish) as well as the rural Lutheran parish of Trzebosz and the Catholic parish of Dziekanowice. Stratification in the causes of death and mortality measures among Catholics and Lutherans from 19th-century Greater Poland depends on the size of their places of residence and broadly understood ecological conditions. Smaller deleterious effects of the environment were observed in the rural areas and small towns and, therefore, a relationship between death rate values and religious denominations is more visible in these than in Poznań. The cultural benefits accruing to the Lutherans and Catholics living in 19th century Poznań were insufficient to reduce the high infant death rate.

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Casillo, Stephanie M., Anisha Venkatesh, Nallammai Muthiah, Michael M. McDowell et Nitin Agarwal. « First Female Neurosurgeon in the United States : Dorothy Klenke Nash, MD ». Neurosurgery 89, n^o 4 (22 juillet 2021) : E223—E228. http://dx.doi.org/10.1093/neuros/nyab246.

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Abstract Dr Dorothy Klenke Nash (1898-1976) became the first female neurosurgeon in the United States in 1928 and maintained her status as the country's only female neurosurgeon until 1960. She graduated with her medical degree from the Columbia College of Physicians and Surgeons in 1927 and then trained at the Neurologic Institute of New York under Dr Byron Stookey. During her training, she contributed to the advancement of neurosurgical practice through academic research. In 1931, she married Charles B. Nash, and together they had 2 children, George (1932) and Dorothy Patricia (1937). Dr Nash became a senior surgeon at St. Margaret's Hospital in Pittsburgh in 1942. Shortly thereafter, she joined the inaugural University of Pittsburgh Department of Neurosurgery led by Dr Stuart N. Rowe and became an instructor of neurosurgery at the University of Pittsburgh School of Medicine. In acknowledgment of her advocacy for public access to services for mental health and cerebral palsy, Dr Nash was recognized as a Distinguished Daughter of Pennsylvania (1953) and honored by Mercy Hospital (1957), Bryn Mawr College (1960), and Columbia University (1968). She retired from neurosurgical practice in 1965, at which time she devoted herself to her grandchildren and her Catholic faith. She died on March 5, 1976 at the age of 77. With unwavering tenacity, Dr Nash paved the way for all women in neurosurgery.

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