Bibliographies thématiques / Man-woman relationships – Novela

Littérature scientifique sur le sujet « Man-woman relationships – Novela »

Auteur : Grafiati
Publié le 26 juillet 2024

Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres

Choisissez une source :

Sommaire

Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Man-woman relationships – Novela ».

À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.

Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.

Articles de revues sur le sujet "Man-woman relationships – Novela"

1

NASCIMENTO, WASHINGTON SANTOS. « O casamento do preto Marajá com a branca Arlete : relações amorosas e racismo em ”Os discursos do Mestre Tamoda” de Uanhenga Xitu ». Outros Tempos : Pesquisa em Foco - História 16, no 27 (11 mars 2019) : 26–41. http://dx.doi.org/10.18817/ot.v16i27.649.

Texte intégral
Résumé :
A partir do diálogo entre história e literatura debatemos sobre relações amorosas inter-raciais, racismo e a discriminação em Luanda, capital de Angola, através da análise do relato sobre o ”casamento” do homem ”preto” e do ”mato” angolano, Marajá, e da mulher portuguesa e branca, Arlete, presente no romance ”Os discursos do mestre Tamoda” do escritor angolano Uanhenga Xitu.Palavras-chave: Luanda. Casamentos inter-raciais.Uanhenga Xitu.THE MARRIAGE BETWEEN BLACK MAN MARAJá AND WHITE WOMAN ARLETE: relationships and racism in "The Speeches of Master Tamoda" by Uanhenga XituAbstract: From the dialogue between history and literature, we discussed interracial love relationships, racism and discrimination in Luanda, the capital of Angola, through the analysis of the report on the "marriage" of the black man and from the Angolan "jungle", Marajá, and the Portuguese and white woman Arlete, present in the novel "The speeches of master Tamoda", written by Angolan writer Uanhenga Xitu.Keywords: Luanda. Interracial marriages. Uanhenga Xitu. LA BODA DEL NEGRO MARAJá CON LA BLANCA ARLETE: relaciones amorosas y racismo en "Los discursos del Maestro Tamoda" de Uanhenga XituResumen: A partir del diálogo entre historia y literatura discutimos sobre relaciones amorosas interraciales, racismo y discriminación en Luanda, capital de Angola, a través del análisis del relato sobre la "boda" del hombre "negro" y del "mato" angoleño, Marajá, y de la mujer portuguesa y blanca, Arlete, presente en la novela "Los discursos del maestro Tamoda" del escritor angoleño Uanhenga Xitu.Palabras clave: Luanda. Boda inter-racial. Uanhenga Xitu.
Styles APA, Harvard, Vancouver, ISO, etc.
2

Neha, Neha. « The Image of Man’s Relationship to Other Man in D. H. Lawrence’s Novels ‘Woman In Love’ and ‘Aaron’s Rod ». Indian Journal of Applied Research 3, no 8 (1 octobre 2011) : 369–70. http://dx.doi.org/10.15373/2249555x/aug2013/119.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
3

Sharma, Ms Shikha. « Doris Lessing’s Science Fiction ». SMART MOVES JOURNAL IJELLH 8, no 7 (27 juillet 2020) : 167–76. http://dx.doi.org/10.24113/ijellh.v8i7.10673.

Texte intégral
Résumé :
Doris Lessing, the Nobel Laureate (1919-2007), a British novelist, poet, a writer of epic scope, playwright, librettist, biographer and short story writer. She was the “most fearless woman novelist in the world, unabashed ex-communist and uncompromising feminist”. Doris has earned the great reputation as a distinguished and outstanding writer. She raised local and private problems of England in post-war period with emphasis on man-woman relationship, feminist movement, welfare state, socio-economic and political ethos, population explosion, terrorism and social conflicts in her novels.
Styles APA, Harvard, Vancouver, ISO, etc.
4

Nagarjuna, P., et Dr K. Rekha. « Women Identity : The Study of Characterization of Women in the select works of Manohar Malgonkar ». International Journal of English Literature and Social Sciences 9, no 1 (2024) : 293–97. http://dx.doi.org/10.22161/ijels.91.39.

Texte intégral
Résumé :
The portrayal of women in Indian English novels is a complicated and changing component of literature that has changed with time. It is critical to remember that Indian English literature is immensely diverse and that women are not portrayed uniformly throughout. The portrayal of women in Indian English literature does share certain common themes. The portrayal of women frequently reflects India’s immense cultural diversity. The depiction of female characters varies depending on the cultures, groups and customs present. Traditional roles for women in the novels of Manohar Malgonkar include wives; mothers and daughters frequently take on the role of carers and are required to respect traditional family and social norms. Women characters were neglected and men played an important role in his novels. The present study will concentrate on comprehensive portrayal of man-woman relationship in his selected novels. It also depicts the characterization of women in his selected novels.
Styles APA, Harvard, Vancouver, ISO, etc.
5

Bollobás, Enikő. « Versions of Triangular Desire in Hungarian Literature : Reading Sándor Márai and Péter Nádas ». Hungarian Cultural Studies 11 (6 août 2018) : 48–56. http://dx.doi.org/10.5195/ahea.2018.321.

Texte intégral
Résumé :
Two Hungarian authors, Sándor Márai and Péter Nádas, seem to have one thing in common: their attraction to triangular relationships. Written between 1935 and 1942 and portraying human relations in pre-World War II Hungary, Márai’s two novels and one drama all turn on a very specific triangular structure between two close friends and the woman whom they both love(d). Now they conduct a painful tête-à-tête to decide on the final ownership (or simply fate) of the woman. Written in 1979 and portraying human relations in communist Hungary, Nádas’s play has only two actors on stage, a woman of aristocratic descent and a young man, the son of a high-ranking communist official, the woman’s long dead lover. This exchange between the two characters opens into an encounter of three, where the woman and the young man each use the other as a mediator to reach the third, the lover/father. Bollobás argues that the triangles displayed by the two authors represent two distinct types: the former is informed by fixed, hierarchical, subject-object power relations, while the latter by fluid, non-hierarchical, subject-subject relations.
Styles APA, Harvard, Vancouver, ISO, etc.
6

Gaidash, Anna, et Monika Denk. « “The New Woman” In Short Prose by Olga Kobylanska and Edith Wharton ». Studia Philologica, no 22 (2024) : 243–57. http://dx.doi.org/10.28925/2412-2491.2024.2217.

Texte intégral
Résumé :
The notion of the “new woman”, which emerged as a feminist ideal in Western consciousness during the late 19th century, resonates throughout both European and US-American literature. The main character in Olga Kobylanska’s novella “Eine Unzivilisierte” (1898) embodies the theme of female liberation in Ukrainian literature of the era. Similarly, the central female figures in Edith Wharton’s short stories, “The Other Two” (1902) and “The Mission of Jane” (1904), highlight the heightened role of women within the patriarchal society of the United States during that period. Applying close reading, block method and typological approach for the study of diachronic aspects of literary relationships the article analyzes the literary embodiment of the concept of “new woman” in short prose of Ukrainian and US-American women authors. In “Eine Unzivilisierte”, the protagonist Paraska actively opposes marrying a man chosen by others and is decisive in her own choice of partners; she does not feel any obligation to be a typical “housewife”, or to correspond to the typical picture of a woman, with all the activity connoted as typically “feminine”. Independent of her husband, the “new woman” at the turn of the centuries, Paraska proudly appeals to her right and ability to find another partner at any given moment. In contrast to Kobylanska’s novella Wharton’s short stories demonstrate rather submissive behavior of their central female characters, both named Alice. Maternity enables both Alices to subvert the established hierarchy achieving some freedom of “new woman”. In Kobylanska’s novella, the rural setting contrasts with the urban backdrop of Edith Wharton’s short stories, symbolizing the societal constraints faced by the “new woman”.
Styles APA, Harvard, Vancouver, ISO, etc.
7

Suma, Salma Parvin. « Impact of Motherly Affection in Chokher Bali and Sons and Lovers : A Comparative Study ». American International Journal of Humanities, Arts and Social Sciences 1, no 2 (29 août 2019) : 58–62. http://dx.doi.org/10.46545/aijhass.v1i2.102.

Texte intégral
Résumé :
Rabindranath Tagore’s Chokher Bali and D.H Lawrence’s Sons and Lovers are two famous novels in the early 20th century from two different social culture. Both these novels have particular important issues in them to be discussed. As in Chokher Bali we find Tagore has presented his idea in feminism, man-woman relationship, woeful condition of widow in his contemporary society etc. In the same way in Sons and Lovers Lawrence has talked about critical mother-son relationship, social bondage among the characters, description of nature, problems in the lives of working class etc. Though Chokher Bali and Sons and Lovers are from different social context but they can be compared through the commonly discussed issue in them that is complex mother-son relationship and the impact of motherhood to the sons. This paper is going to discuss the impact of excessive motherly affection to the life of son, similarities and dissimilarities in mother-son relationship in Chokher Bali and Sons and Lovers. DOI: https://doi.org/10.5281/zenodo.3381310
Styles APA, Harvard, Vancouver, ISO, etc.
8

Gadylshin, Timur R. « “The war between the sexes” in the works of F. Norris (The novels “Moran of the Lady Letty” and “A Man’s Woman”) ». Izvestiya of Saratov University. Philology. Journalism 22, no 4 (23 novembre 2022) : 421–27. http://dx.doi.org/10.18500/1817-7115-2022-22-4-421-427.

Texte intégral
Résumé :
The article seeks to explore the concepts of masculinity and androgyny in the works of the American writer Frank Norris (1870- 1902). Based on two novels, “Moran of the Lady Letty” and “A Man’s Woman”, the study examines the peculiarity of male and female images. The interaction of the sexes often grows irreconcilable, and the theme of emancipation becomes one of the key ones in the writer’s work. Norris creates a new model of female behavior, unusual for the literary tradition of the past: women in his works demonstrate great fortitude and are able to play unexpected roles. In the novel “Moran of the Lady Litty”, Moran Sternersen who has been sailing the seas since childhood, is able to take control of the ship’s crew, consisting entirely of men. At the same time, she sets an example for her lover, Ross Wilbur, who at the beginning of the novel is presented as a pampered young man. Raised in an aristocratic environment, Ross feels a lack of masculine qualities and unexpectedly discovers them in Moran. In his relationship with the girl the man seeks to adopt definite traits and skills from her, such as firmness in interpersonal relationships, the ability to fight, to take quick decisions, etc. Lloyd Searight from the novel “A Man’s Woman” revives the waning will of her husband, Ward Bennett, a polar explorer, demoralized by the failure of his last expedition to the North Pole. Lloyd, who works in the hospital as a nurse, quits her profession in order to help her husband to recover. Having been healed, Bennett realizes that his wife has suffered just as much, and decides to make a new attempt to conquer the Arctic. Thus, Norris demonstrates the obsolescence of sexual prejudice in a rapidly changing America of 1890–1900s and offers an original interpretation of the ideas of masculinity and androgyny.
Styles APA, Harvard, Vancouver, ISO, etc.
9

صالح عباد, منجد رمضان. « The Female Narration in Shahd Al-Rawi’s “Baghdad Clock” ». JOURNAL OF LANGUAGE STUDIES 5, no 4, 2 (15 octobre 2022) : 269–89. http://dx.doi.org/10.25130/jls.5.4.2.18.

Texte intégral
Résumé :
The novel responds to the female presence more than other literary genres, as its narrative elements contribute to receiving the female discourse and supplying it by expressing their thoughts, emotions, and gentle voices, and exploring their subconscious spaces by expressing their value. Women’s issues, and for this reason feminist writings rose to establish glory for women in parallel with what the man wrote, in addition to the importance of the central female presence in building the narrative space and her presence on the narration scene because the female narrator differs from the male narrator who dominated the scene by presenting the relationships of women through masks, and here this cry achieves a revolution Against the adoption of masculinity all the joints of life. The appearance of a woman and her call to live her world and express herself without feeling the dominance of the family (father/brother) was shaped when she observed perspectives that feed into her literary production through her relationship with her body or with the man, because writing about herself makes her more honest than the man, as this appeared through Feminist creativity in literary practice, so it seemed active and productive, and had a speciality with its awareness, language, independence of speech and thinking. The spontaneous dreaming child with a scene conveying the development of the life stages of women and the places mentioned in them and the relationships with family and friends, passing through the primary school stage and then university, which witnessed the great shift in her life, her ideas and her relations with others, as well as the transformation of the narrative language from its spontaneity to its maturity in proportion to age, and the novel showed Techniques in presentation and qualitative transitions transcended the linear narration in classic novels, mixing with imagination and activating the senses effectively and in a language that sought to sharpen The feminine atmosphere by conducting the tale obtained on the current real woman issue, because Shahd Al-Rawi is the character of the novel.
Styles APA, Harvard, Vancouver, ISO, etc.
10

Karavaeva, Ekaterina. « Love as a Liberation in Anchee Min’s "Wild Ginger" ». Philology & ; Human, no 1 (17 février 2021) : 185–92. http://dx.doi.org/10.14258/filichel(2021)1-14.

Texte intégral
Résumé :
The article explores the motif of love in a totalitarian society in Anchee Min’s novel “Wild Ginger”. Though an American citizen, Anchee Min belongs to a group of modern Chinese-American writers whose interests focus around the past of her home country China. Childhood and teenage years which Min spent in Communist China provided her with a lot of material for her later novels. In Wild Ginger through a classic plot of love triangle the writer approaches the motif of love in the times of Cultural Revolution. The author examines love as a relationship between a man and a woman, and as a religious feeling and communist ideology. Grotesque becomes the main literary device. Over-exaggeration bordering on incredibility expresses the author’s rejection of the surrounding reality. Intertwining comical and tragical situations, the novels brings the reader to a conclusion that love is the only means of attainting personal freedom and maturity in a totalitarian society.
Styles APA, Harvard, Vancouver, ISO, etc.
Plus de sources

Thèses sur le sujet "Man-woman relationships – Novela"

1

Ailwood, Sarah Louise. « "What men ought to be" masculinities in Jane Austen's novels / ». Access electronically, 2008. http://ro.uow.edu.au/theses/124.

Texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

« Towards the gender balance : the struggle and survival in D.H. Lawrence's novels ». 2000. http://library.cuhk.edu.hk/record=b5895808.

Texte intégral
Résumé :
by Chung Ka Man Amy.
Thesis (M.Phil.)--Chinese University of Hong Kong, 2000.
Includes bibliographical references (leaves 108-113).
Abstracts in English and Chinese.
Abstract --- p.i
Acknowledgment --- p.iii
Abbreviations --- p.iv
Chapter Chapter I --- Introduction --- p.1
Chapter Chapter II --- Sons and Lovers (1913): The Release --- p.20
Chapter Chapter III --- The Rainbow (1915): Experiencing the State of Balance --- p.41
Chapter Chapter IV --- Women in Love (1920): Articulating the Idea of Balance --- p.60
Chapter Chapter V --- Lady Chatterley´ةs Lover (1929): Towards the Balance --- p.77
Chapter Chapter VI --- Conclusion --- p.91
End Notes --- p.102
Bibliography --- p.108
Appendix I --- p.114
Styles APA, Harvard, Vancouver, ISO, etc.

Livres sur le sujet "Man-woman relationships – Novela"

1

Gómez, Antonio Rojas. La mujer del jardinero : Novela. 2e éd. Providencia, Santiago-Chile : Editorial Forja, 2021.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
2

Fontanarrosa. Best seller : Novela. Buenos Aires, Argentina : Planeta, 2012.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
3

artist, Jiménez José Luis, Romero Romero, Neil David, editor et Rivera José Eustasio 1888-1928, dir. La vorágine : Novela gráfica. Bogotá, Colombia : Resplandor Editorial, 2017.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
4

Yunca, John. Líbrame la próxima semana : [novela]. [Lima, Perú] : Apogeo Editorial, 2016.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
5

Argüello, Pilar Triviño. Las mujeres del Tío Sam : Una novela. New York : C. A. Press, 2012.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
6

Jesús, Aida María de. Cloé : Novela policíaca. San Juan : Los Libros de la Iguana, 2020.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
7

Rigalt, Carmen. Mi corazón que baila con espigas. Barcelona, España : Planeta, 1997.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
8

Rigalt, Carmen. Mi corazón que baila con espigas. 2e éd. Barcelona : Planeta, 1999.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
9

asco, Rosa Pen. La sumisa insumisa : [una visio n actual sobre el deseo femenino]. [Me xico, D.F.] : Suma de letras, 2008.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
10

Escalante, Beatriz. Cómo ser mujer y no vivir en el infierno. México, D.F : Nueva Imagen, 2002.

Trouver le texte intégral
Styles APA, Harvard, Vancouver, ISO, etc.
Plus de sources

Chapitres de livres sur le sujet "Man-woman relationships – Novela"

1

Auspos, Patricia. « 3. Separate Careers, Separate Lives ». Dans Breaking Conventions, 175–258. Cambridge, UK : Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0318.03.

Texte intégral
Résumé :
Elsie Clews Parsons (1874-1941) and her husband Herbert Parsons (1869-1925) present a very different pattern of conflict and accommodation in a marriage shaped by the wife’s determination to work. Both Elsie and Herbert came from wealthy and prominent New York families. When they married in 1900, after a six-year courtship, Elsie was an atheist, a feminist, and a social rebel who openly challenged female stereotypes and traditional roles. A Ph.D. in sociology, she was teaching at Barnard College and insisted on keeping her job. Herbert, a deeply religious and rather staid man, was a successful lawyer and politician. Although Elsie and Herbert seemed mismatched, I argue, in contrast to other of Elsie’s biographers, that their marriage was a love match. Their troubles began after Herbert was elected to Congress in 1904. Elsie gave up her teaching job, moved to Washington with their two children, and had four more children (two died shortly after birth). When the controversial views she espoused in her first book set off a public furor that offended and embarrassed Herbert, she stopped publishing under her own name. A few years later, she was wracked with jealousy when she thought he had fallen in love with another woman. Elsie and Herbert did not divorce, but they led increasingly separate lives after they returned to New York in 1911. Elsie organized her personal and domestic life around two new careers. After establishing a foothold in the feminist, bohemian intellectual world in Greenwich Village, she became a sought-after, influential social critic, writing for The Masses and The New Republic. Then she connected with Franz Boas’s professional circle and became a highly respected anthropologist, studying indigenous peoples in the American Southwest, the Caribbean, and South America. Elsie had two lengthy love affairs, with the architect Grant LaFarge, and the novelist Robert Herrick. She deliberately chose lovers who – unlike Herbert – were adventurous, interested in her work, and eager to travel with her. In the late teens and twenties, her relationship with Herbert gradually improved, in part because he took on more responsibility for their four surviving children. His unexpected death in 1925, while she was involved with Herrick, was a blow for Elsie. Deeply in love with Elsie, Herrick wrote about her in several novels and short stories in the 1920s. Initially supportive of her work, he became increasingly jealous of her success and deeply angry at being reduced to what he thought was a subordinate role in her life. His last book about her, published in 1932, several years after their affair ended, cruelly disparaged her and her work. Elsie was repeatedly disappointed by the men in her life, but she never stopped trying to implement her feminist vision of a more equitable and intimate relationship grounded in work rather than domestic life.
Styles APA, Harvard, Vancouver, ISO, etc.
2

Carroll, Rachel. « Two Beings/One Body : Intersex Lives and Transsexual Narratives in Man into Woman (1931) and David Ebershoff’s The Danish Girl (2000) ». Dans Transgender and The Literary Imagination, 125–57. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474414661.003.0005.

Texte intégral
Résumé :
This chapter examines David Ebershoff’s novel The Danish Girl, a historical fiction based on the life of Lili Elbe (1882–1931), reputed to be one of the first people to undergo gender reassignment treatment. Genres of life writing have played a prominent role in the representation of transgender lives; the relationship between historical record, autobiography and historical fiction is complicated by the possibility that Elbe may have been an intersex person. This chapter examines the extent to which conventions of transsexual life writing obscure narratives of intersex existence, investigating the novel’s relationship to a formative source text, a generically hybrid auto/biography. The implications of the novel’s reliance on the binary categories of identity prevalent in Man into Woman will be explored in relation to categories of sex, gender (especially femininity) and sexuality (specifically male homosexuality).
Styles APA, Harvard, Vancouver, ISO, etc.
3

Styrnik, Nataliia. « POSTHUMANISM IDEAS IN D. H. LAWRENCE’S SHORT STORIES ». Dans Іншомовна комунікація : інноваційні та традиційні підходи, 198–211. Primedia eLaunch LLC, 2021. http://dx.doi.org/10.36074/ikitp.monograph-2021.09.

Texte intégral
Résumé :
This paper examines posthumanism concepts in D. H. Lawrence’s short stories written in the 1920s which refer to the late period of the writer’s oeuvre: The Border Line (1924), The Woman Who Rode Away (1925), Sun (1926) and In Love (1927). The study contemplates the coalescence of Lawrence’s protagonists with the natural environment in the aforementioned novellas. Environmental theme in Lawrence’s short stories is regarded in the context of posthumanism aspect. The writer’s perspective of a posthuman is studied as well. Scientific works by Jeff Wallace (D. H. Lawrence, Science and the Posthuman), Cary Wolfe (What is posthumanism?) and Donna Haraway’s essay (A Cyborg Manifesto) were scrutinied as a basic tool to evidentiate the relentless curiosity to D. H. Lawrence’s oeuvre nowadays. By means of the concept ‘natural environment’ Lawrence tells about true values: harmony with oneself, harmonious relationships and mutual understanding between man and woman. In the alliance with environment, Lawrence prophesies the birth of a new, emotionally renovated human being. Posthumanism ideas help Lawrentian protaginist find contentment and a state of happiness. A change in human being’s attitude to himself/herself as well as to the society when uniting with natural environment is evident in the writer’s short stories.
Styles APA, Harvard, Vancouver, ISO, etc.
Vous pouvez également être intéressé par les bibliographies sur le sujet « Man-woman relationships – Novela » pour d’autres types de sources :
Articles de revues Livres
Nous offrons des réductions sur tous les plans premium pour les auteurs dont les œuvres sont incluses dans des sélections littéraires thématiques. Contactez-nous pour obtenir un code promo unique!

Vers la bibliographie