Thèses sur le sujet « Literature fiction poetry criticism »
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Graves, Jesse, Thomas Alan Holmes et Ernest Lee. « Jeff Daniel Marion : Poet on the Holston ». Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1621901998.
Texte intégralhttps://dc.etsu.edu/etsu_books/1020/thumbnail.jpg
Pereira, Fellipe Ramos 1988. « Erotismo e crueldade em Coxas - sex fiction & ; delírios de Roberto Piva ». [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270070.
Texte intégralDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-27T21:59:09Z (GMT). No. of bitstreams: 1 Pereira_FellipeRamos_M.pdf: 992086 bytes, checksum: 35d2346ea14779e6bf9fb3879bf1860b (MD5) Previous issue date: 2015
Resumo: O presente trabalho tem por objetivo desenvolver um estudo sobre a obra Coxas ¿ sex fiction & delírios de Roberto Piva. Buscar-se-á analisar os pontos de contato entre a crueldade e o erotismo no interior desta obra. Cabe assinalar que Coxas é uma obra erótica, que tem por tema o erotismo, e não uma obra com passagens eróticas. Por isso o que se busca fundamentalmente neste trabalho é analisar como erotismo e a crueldade são trabalhados pelo poeta. Para isso se desenvolveu dois pontos principais na pesquisa. O primeiro é exatamente o que diz respeito ao erotismo, porque a crueldade que se busca analisar provém deste aspecto e ele se mostra bastante relevante na obra em questão. O segundo é uma análise formal, pois há nitidamente em Coxas certa hibridização dos gêneros poesia e prosa. Para cumprir estas tarefas buscou-se primeiramente compreender como se compunha o quadro poético da época em que Roberto Piva inicia sua trajetória nas letras e como se configura o erotismo em sua obra. Em seguida se procurou alguns parâmetros especulativos que servissem de apoio à análises da obra nos aspectos apontados, por fim o problema formal se mostrou também de grande relevância, por isso há um capítulo destinado a expor os traços formais de Coxas
Abstract: This dissertation aims to develop a study about the book "Coxas" ¿ sex fiction & delirious, by Roberto Piva. We intend to analyze the points of contact between cruelty and eroticism within this work. It is worth highlighting that "Coxas" is an erotic literary work, whose theme is eroticism, and not an erotic passages book. That is why we seek primarily to investigate how eroticism and cruelty were used by the poet. In this regard we had developed two main points in the research. The first is exactly what concerns the eroticism, because the idea of cruelty that we seek to analyze comes from this aspect and it shows high relevance in the mentioned work. The second one is a formal analysis because it is possible to notice that there is poetry and prose genre hybridization into "Coxas". In order to accomplish this goal we sought to understand firstly on how the poetic scenario was composed from the time that Roberto Piva had begun his career in the poetic world and how eroticism had been configured in his work. And then, we tried some speculative parameters that work in order to give us support in the work analysis on what concerns the highlighted aspects. Finally, the formal point had also been showed highly relevant, so there is a chapter that intends to expose the formal features in "Coxas"
Mestrado
Teoria e Critica Literaria
Mestre em Teoria e História Literária
Nicholson, Michelle A. « “To be men, not destroyers” : Developing Dabrowskian Personalities in Ezra Pound’s The Cantos and Neil Gaiman’s American Gods ». ScholarWorks@UNO, 2019. https://scholarworks.uno.edu/td/2628.
Texte intégralFlavell, Helen. « Writing-between : Australian and Canadian ficto-criticism / ». Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051222.114143.
Texte intégralPellis, Vivien C., et mikewood@deakin edu au. « Inspiration and Mimesis in Plato's criticism of poetry ». Deakin University. School of Social Inquiry, 2001. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.124541.
Texte intégralSkelley, Steven J. « Yeats, Bloom and the dialectics of theory, criticism and poetry ». Thesis, University of Nottingham, 1992. http://eprints.nottingham.ac.uk/13628/.
Texte intégralHart, Christopher. « 'Fiction is the mask of history' : contextual readings of Byron's poetry ». Thesis, University of Cambridge, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243001.
Texte intégralSchubert, Layla A. Olin 1975. « Material literature in Anglo-Saxon poetry ». Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10909.
Texte intégralThe scattered instances depicting material literature in Anglo-Saxon poetry should be regarded as a group. This phenomenon occurs in Beowulf, The Dream of the Rood, and The Husband's Message. Comparative examples of material literature can be found on the Ruthwell Cross and the Franks Casket. This study examines material literature in these three poems, comparing their depictions of material literature to actual examples. Poems depicting material literature bring the relationship between man and object into dramatic play, using the object's point of view to bear witness to the truth of distant or intensely personal events. Material literature is depicted in a love poem, The Husband's Message, when a prosopopoeic runestick vouches for the sincerity of its master, in the heroic epic Beowulf when an ancient, inscribed sword is the impetus to give an account of the biblical flood, and is also implied in the devotional poem The Dream of the Rood, as two crosses both pre-and-post dating the poem bear texts similar to portions of the poem. The study concludes by examining the relationship between material anxiety and the character of Weland in Beowulf, Deor, Alfred's Consolation of Philosophy, and Waldere A & B. Concern with materiality in Anglo-Saxon poetry manifests in myriad ways: prosopopoeic riddles, both heroic and devotional passages directly assailing the value of the material, personification of objects, and in depictions of material literature. This concern manifests as a material anxiety. Weland tames the material and twists and shapes it, re-affirming the supremacy of mankind in a material world.
Committee in charge: Martha Bayless, Chairperson, English; James Earl, Member, English; Daniel Wojcik, Member, English; Aletta Biersack, Outside Member, Anthropology
HSIAO, CHING-SONG GENE. « SEMIOTIC INTERPRETATION OF CHINESE POETRY : TU MU'S POETRY AS EXAMPLE (CRITICISM) ». Diss., The University of Arizona, 1985. http://hdl.handle.net/10150/188120.
Texte intégralMathews, Peter David 1975. « Strategies of realism : realist fiction and postmodern theory ». Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8656.
Texte intégralStratton, Sarah Louise. « More than throw-away fiction : investigating lesbian pulp fiction through the lens of a lesbian textual community ». Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8245/.
Texte intégralTowsey, David Jonathan. « Criticism as poetry in the later writings of Paul de Man ». Thesis, University of Sussex, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390817.
Texte intégralTravis, Molly Abel. « Subject on Trial : The Displacement of the Reader in Modern and Post-modern Fiction ». The Ohio State University, 1989. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392805130.
Texte intégralKensky, Eitan Lev. « Facing the Limits of Fiction : Self-Consciousness in Jewish American Literature ». Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:10716.
Texte intégralNear Eastern Languages and Civilizations
Chan, Wai-ying, et 陳惠英. « Chinese lyrical fiction in the period 1919-1989 ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212864.
Texte intégralAllen, Elizabeth. « The dislocated mind : the fiction of Raymond Williams ». Thesis, Liverpool John Moores University, 2007. http://researchonline.ljmu.ac.uk/5857/.
Texte intégralDarroch, Fiona Jane. « Memory and myth : postcolonial religion in contemporary Guyanese fiction and poetry ». Thesis, University of Stirling, 2005. http://hdl.handle.net/1893/2618.
Texte intégralSaggers, Emma Louise. « Carnivalesque inversion : the subversive fiction of Kurt Vonnegut ». Thesis, University of Essex, 2016. http://repository.essex.ac.uk/19697/.
Texte intégralMoxham, Jeffrey. « Interfering values : a study of nineteenth-century fiction and the ethics of criticism ». Thesis, Lancaster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302419.
Texte intégralWilliams, Kirsty. « Structures of belonging : the poetry of Seamus Heaney ». Thesis, University of Glasgow, 2003. http://theses.gla.ac.uk/1748/.
Texte intégralPeyrouse, Anne. « La fiction poétique, précédée par Corps-floraison et En filigrane ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0027/NQ31504.pdf.
Texte intégralAwwad, Abd al-Hussein M. « The theoretical bases of applied criticism of modern Arabic poetry : a comparative study ». Thesis, University of Exeter, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.280753.
Texte intégralGraves, Jesse, Paul Ruffin et William Wright. « Southern Poetry Anthology, VI : Tennessee ». Digital Commons @ East Tennessee State University, 2013. http://amzn.com/1937875458.
Texte intégralhttps://dc.etsu.edu/etsu_books/1088/thumbnail.jpg
Calderón, Jorge. « Configurations aporétiques, fiction de l'histoire et historicité de la fiction : Simone de Beauvoir, Albert Camus et Jean-Paul Sartre ». Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85134.
Texte intégralOn one hand I consider literature as an object which can be described by the methodologies of history. On the other hand I suggest an analysis of the historicity of the text that is constituted by the dynamic system generated by the interaction, the interdependence, and the correlation of the poetic and aesthetic parameters and the factors of the historical context. My aim is to set off the poetic and aesthetic mecanism of stability and of transformation of literary creation according to the dynamic relation between the vector of the project associated to realism and the one of the prototype associated to the novel. I think that late modernism produces paradoxical configurations of the novel because it is the period in which the project of realism becomes lapsed and the prototype of the realist novel becomes dilapidated.
Among the works that are exemplary of the tension between fiction and history and between project and prototype in the framework of the representation of reality and of the inscription of history in novels, I identified Albert Camus' La Peste, Simone de Beauvoir's Les Mandarins and Jean-Paul Sartre's Les Chemins de la liberte . I conclude that the enterprise of committed literature was an aporias because it was generated from the impoverishment of the project of realism and the obsolescence of the prototype of the novel. Later literature was extricated, firstly, by the radically and extremely metafictional writing of the Nouveau Roman and, secondly, it was changed by postmodern historiographic metafiction. The crisis of history and of the writing of history was solved by works in which there is the acknowledgement and the use of sophisticated mediations to evoke and inscribe history in different ways.
Lu, Lian. « Penelope Fitzgerald's fiction and literary career : form and context ». Thesis, University of Glasgow, 1999. http://theses.gla.ac.uk/1773/.
Texte intégralBuscall, Jon. « 'Being Helle', +, Creative writing at the nexus of fiction & ; theory : a case study analysis of the interaction between fiction & ; critical praxis ». Thesis, Liverpool John Moores University, 2004. http://researchonline.ljmu.ac.uk/5856/.
Texte intégralCastiglione, Davide. « Difficulty in Anglo-American poetry : a linguistic and empirical perspective ». Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33560/.
Texte intégralJorgensen, Darren J. « Science fiction and the sublime ». University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2005. http://theses.library.uwa.edu.au/adt-WU2005.0116.
Texte intégralFudge, Bruce G. « Islam and the fiction of Salman Rushdie ». Thesis, McGill University, 1994. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26268.
Texte intégralDavid, Alun Morris. « Christopher Smart and the Hebrew Bible : poetry and biblical criticism in England (1682-1771) ». Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321555.
Texte intégralTierney, John. « "Plunged Back with Redoubled Force" : An Analysis of Selected Fiction, Non-Fiction, and Poetry of the Korean War ». University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1396829149.
Texte intégralMacKenzie, Garry Ross. « Landscapes in modern poetry : gardens, forests, rivers, islands ». Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5910.
Texte intégralKokotailo, Philip 1955. « Appreciating the present : Smith, Sutherland, Frye, and Pacey as historians of English-Canadian poetry ». Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39772.
Texte intégralHutchison, Lorna. « Strategies of the grotesque in Canadian fiction ». Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100627.
Texte intégralAlthough I provide a concise definition of the term "grotesque," my focus is on feminist theoretical approaches to the grotesque. However, whereas feminist theory on the grotesque examines the binary opposition of woman to man, this study shows that the grotesque bypasses the "male/female" dichotomy in the representation of fictional characters. Instead, the sustained contradiction of the central opposition "woman/monster" works to undermine the notion of fictional characterization.
Specifically, this study focuses on the grotesque as a narrative strategy and examines the use of the grotesque in the portrayal of female narrators. The prevalence of female grotesque characters in recent Canadian fiction combined with the rapid growth of interest in the critical concept of the "female grotesque" requires a theoretical analysis of the literature.
In the fiction I examine by Canadian authors Margaret Atwood, Lynn Coady, Barbara Gowdy, Alice Munro, and Miriam Toews, narrators are contradictory. As subjects, they have doubled identities. Authors situate identity ("subjectivity") in the realm of paradox, rather than in the realm of clarity and resolution. As a result, readers and critics must rely on ambiguity and subversion as guides when posing the ultimately irresolvable question "who is speaking?" Through analysis of this fiction, then, I argue for nothing short of a new conceptualization of subjectivity.
Oppelt, Riaan. « The valley trilogy : a reading of C. Loius Leipoldt's English-language fiction circa 1925-1935 ». Thesis, University of the Western Cape, 2007. http://etd.uwc.ac.za/index.php?module=etd&action=viewtitle&id=gen8Srv25Nme4_7246_1257247882.
Texte intégralC. Louis Leipoldt is known as a canonical figure in the history of Afrikaans poetry, He is customarily included in the pantheon of writers such as C.J. Langenhoven who not only established Afrikaans as a standardized national language in the early twentieth century, but also contributed to the idea of the Afrikaner Volk as a distinct nation within South Africa. The recent publication of Leipoldt's Valley Trilogy, three novels written in English in the 1930's now reveals Leipoldt in a very different light. Today, in a time of national transformation, Leipoldt's liberal ideas deserve to be given the broader scope he had intended for them.
Kocela, Christopher. « Fetishism as historical practice in postmodern American fiction ». Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38213.
Texte intégralFung, Kit-ting, et 馮潔婷. « Decolonizing fictions : the subversion of 19thcentury realist fiction ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31953001.
Texte intégralGrayson, Erik. « Towards a postmodern absurd : the fiction of Joseph Heller ». Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19693.
Texte intégralGraves, Jesse, Paul Ruffin et William Wright. « Southern Poetry Anthology, VII : North Carolina ». Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1937875873.
Texte intégralhttps://dc.etsu.edu/etsu_books/1019/thumbnail.jpg
Duggan, Lucy. « Reading the city : Prague in Czech and Czech-German narrative fiction since 1989 ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:3827cf9c-fa91-4fb5-aa7e-8942de885729.
Texte intégralNapier, Will. « The haunted house of memory in the fiction of Stephen King ». Thesis, University of Glasgow, 2008. http://theses.gla.ac.uk/516/.
Texte intégralLangston, Jessica. « Writing herself in : mother fiction and the female Künstlerroman ». Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79957.
Texte intégralBarry, Juli. « American families in fact and fiction : decentering a constrictive ideal / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9835407.
Texte intégralWaage, Fred. « This Mortal Earth : A Year of Beginnings and Ceasings ». Digital Commons @ East Tennessee State University, 2015. http://amzn.com/168114008X.
Texte intégralhttps://dc.etsu.edu/etsu_books/1010/thumbnail.jpg
Allen, Edward Joseph Frank. « Lyric technologies : the sound media of American modernist poetry ». Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708318.
Texte intégralNash, Andrew. « Kailyard, Scottish literary criticism, and the fiction of J.M. Barrie ». Thesis, University of St Andrews, 1998. http://hdl.handle.net/10023/15199.
Texte intégralMona, Godfrey Vulindlela. « Ideology, hegemony, and Xhosa written poetry, 1948-1990 ». Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002172.
Texte intégral齊曉楓 et Hsiao-feng Chi. « Patterns of husband selection in traditional Chinese fiction and drama ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.
Texte intégralChan, Kwok-kou Leonard, et 陳國球. « The reception of Tang poetry in the Ming neo-classical criticism ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1988. http://hub.hku.hk/bib/B31231081.
Texte intégral李仕芬 et Shi-fan Lee. « The male characters in the fiction of contemporary Taiwanese women writers ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1997. http://hub.hku.hk/bib/B31235979.
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