Bibliographies thématiques / Literary postmodernism

Littérature scientifique sur le sujet « Literary postmodernism »

Auteur : Grafiati
Publié le 11 mars 2023

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Articles de revues sur le sujet "Literary postmodernism"

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Lushnikova, Galina I., et Tatiana Yu Osadchaia. « CONTAMINATION OF POSTMODERNIST AND POST-POSTMODERNIST TENDENCIES IN THE WORKS BY J. FRANZEN ». Philological Class 26, no 2 (2021) : 200–211. http://dx.doi.org/10.51762/1fk-2021-26-02-17.

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The study focuses on the manifestation of the main literary trends – postmodernism and post-postmodernism – in the novels of the contemporary American writer J. Franzen, which has determined the purpose of the paper – to identify, characterize and analyze the leading features of the new literary tendencies that have obtained original interpretation in the writer’s literary creative activity. The article gives a brief overview of philosophical, cultural and literary criticism studies of both home and foreign scholars, which describe the vectors of development of the literary process at the present stage, pose various hypotheses with reference to the definition of these vectors, characterize them and suggest new terms for their nomination. The postmodernist and post-postmodernist tendencies are explored on the concrete material of the novels The Corrections and Purity by J. Franzen, in which they receive original interpretation and serve the purpose of impersonating the author’s ideas, unfolding the main themes, creating the characters and expressing the narration modality. The key method of research used in this paper is the method of interpretive analysis, which involves identifying content and semantic dominants and interpreting a work of fiction within a certain literary context, determining the inclusion of this work in the system of current literary movements and trends. The interpretive analysis of the works under investigation revealed various tendencies typical for the literary process of the post-postmodern era on the whole, the most important of which are the following: no clear distinction between postmodernism and post-postmodernism; realization and sophisticated interaction of elements of such new trends as metamodernism, cosmodernism, digimodernism, and automodernism. The results of the study can be used in literary analysis of modern fiction, and specifically in research works of different levels and in teaching at philological faculties of universities. The study argues that the novels by J. Franzen demonstrate the specific features of postmodernism and post-postmodernism, which reject the postmodernist principles and at the same time follow them, return to the realistic traditions and actualize new literary tendencies.
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Lushnikova, Galina I., et Tatiana Yu Osadchaia. « Metamodernism in contemporary literature (On Dave Eggers' novel “The CIRCLE”) ». Slovo.ru : Baltic accent 13, no 3 (2022) : 124–41. http://dx.doi.org/10.5922/2225-5346-2022-3-7.

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Currently, the literary process is witnessing the emergence of a new trend — post-postmodernism, developing along several lines. The article offers a review of theoretical works of Russian and foreign authors, devoted to the study of post-postmodernism, its main charac­teristics, and terminology. On the basis of the novel "The Circle" (2013), written by the American writer Dave Eggers, which has not yet become the subject of study in Russian liter­ary criticism,the authors explore the main features of metamodernism as one of the directions of post-postmodernism. The methodology of the study is based on the principles of interpretive analysis and comparative historical observation. The analysis of several contemporary Eng­lish-language novels suggests that post-postmodernism attempts to reconstruct what has been deconstructed in postmodernism while retaining some of its attitudes. A detailed examination of Eggers' novel shows that it exhibits both postmodernist (a complex combination of genre forms) and metamodernist characteristics. A closer look at Eggers' text shows that it exhibits both postmodernist (a complex combination of genre forms) and metamodernist features (re­jection of the postulate of ' the death of the author' and explication of the authorial position, post irony, neorealism, an appeal to ‘new sincerity’). The results of this study may be used in further research in this field, as well as in the development of teaching material for philologi­cal disciplines at universities.
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Farzali Rahmanova, Irada. « The literary trend “postmodernizm” and its self-expression in modern Azerbayjani literature ». SCIENTIFIC WORK 56, no 07 (4 août 2020) : 51–54. http://dx.doi.org/10.36719/2663-4619/56/51-54.

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The article deals with such a literary trend as postmodernism and its self-expression in modern Azerbaijani literature. The article contains the review of the different scientists’, philosophers’ and writers’ views related to the postmodernism, forms of its manifestation and its impact on Azerbaijani literature. Many Azerbaijani writers created their works under the influence of European literature in the postmodernist style during the period of independence. Their works are analyzed on the basis of the concrete facts. It is noted that while encompassing a wide variety of approaches, postmodernism is generally defined by an attitude of skepticism, irony, or rejection toward the meta-narratives and ideologies of modernism, often calling into question various assumptions of Enlightenment rationality. Consequently, common targets of postmodern critique include universalist notions of objective reality, morality, truth, human nature, reason, language, and social progress. Keywords:postmodernism, globalization, fiction, literary trend, symbols
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Damaris, Hagbe Edwige, et Mforteh Stephen Ambe. « Language Use in Alobwed’epie’s The Death Certificate : A Postmodernist Analysis ». Global Academic Journal of Linguistics and Literature 4, no 6 (30 décembre 2022) : 205–13. http://dx.doi.org/10.36348/gajll.2022.v04i06.004.

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This paper addresses language use in Alobwed’epie’s the Death Certificate from a postmodernist perspective. It seeks to show that the author of the selected novel, like many postcolonial African writers, attempts to assert his culture through some sort of indigenisation and intentional flouting of old canons of literature. Given that the present paper is anchored on postmodernism, the postmodernist theory the author’s is used to explain Alobwed’Epie’s perception of life and literature to assert his cultural identity through some sort of linguistic revolution. As a matter of fact, language is used in a very carefree and innovative way in order to escape the idealistic dictum of literary norms. Indigenisation is then regarded as a postmodernist technique, which aims at valorising the African identity and rejecting all the metanarratives of how a work of art should be produced. Obviously, in the present article postmodernism are both a theoretical framework and an object of study. The use of local languages and other languages like Pidgin in the novel under study has demonstrated that the then marginalised languages have moved from the margin towards the Centre and become established languages of African literature. The paper briefly discusses the emergence of postmodernism and shows how the traditional conventions have been deconstructed and substituted for new ideologies that have revolutionised the African literary landscape. It equally reviews selected previous works on language in African novels as well as on postmodernism that came up in the late 1950s as revolutionary responses to preceding movements. The paper ends with an account of the linguistic features of postmodernism used in the novel.
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Kolesnikov, A. Y. « Postmodernism is dead, and I’m not quite yet ». Voprosy literatury, no 2 (27 mai 2019) : 42–49. http://dx.doi.org/10.31425/0042-8795-2019-2-42-49.

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The article polemicizes about the state of Russian Postmodernist culture in general and the country’s Postmodernist literature, in particular. The author finds that contemporary culture exists at the intersection of two paradigms: a dwindling Postmodernism and a nascent Metamodernism, giving rise to new literary vectors and phenomena. Mass culture appropriates Postmodernist methods and techniques: irony, intertextuality, and play-mode rethinking of classical subjects and ideas. The author observes a transformation of Postmodernism into an assembly line for mass production and consumption. At the same time, Metamodernism inevitably becomes an alternative cultural paradigm. Analyzing the cultural situation, the author references works by the writer V. Pelevin (his novels Generation P, iPhuck 10), rapper poet Oxxxymiron (M. Fyodorov), and other prominent figures of modern Russian culture. The article’s major focus is on Postmodernist irony.
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Sarsembayeva, Symbat, et Saulesh Aituganova. « POETICS OF THE LITERARY SIMULACRUM ». Bulletin of the Eurasian Humanities Institute, Philology Series, no 4 (15 décembre 2022) : 180–86. http://dx.doi.org/10.55808/1999-4214.2022-4.19.

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The article describes the poetic features of one of the basic terms of postmodern literature - simulacrum. The global trend of postmodernism has brought many new changes to society. Naturally, when changing society, consciousness and literature, and requirements to them, and measures to present it, are updated. Modern scholars identify three dominant properties of postmodernism. These include dialogue, play, and intertextuality. However, among the characteristics listed, there is no core of governance to organize the unity of application. Thus, simulacrum is analyzed as a universal category of post-modernist aesthetics and as a key element of the poetry of the postmodernist text. That is, it will be one of the tools to study postmodernist works. Along with the history of the origin and establishment of the simulacrum category, the historical basis in the writings of Plato in the early centuries is differentiated, the interpretation as the main term of postmodern philosophy in the research of the French poststructuralists G. Bataille, P. Klassovski, J. Derrida in the following centuries. The concepts of J. Baudrillard «Simulacrum and simulation», representations of G. Deleuze about the connections between religion and simulacrum have been comprehensively analyzed. The works of the Russian literary scholar M. Bakhtin cover theories concerning the problems of the artistic text, the author and the hero. On the basis of the theory of «Author-hero» of the scientist, the interrelation of the problem of integrity of the author and the hero with the concept of simulacrum is examined.
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Detweiler, R. « Literary Echoes of Postmodernism ». Journal of the American Academy of Religion 66, no 4 (1 janvier 1998) : 737–46. http://dx.doi.org/10.1093/jaarel/66.4.737.

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Ershova, Iuliia. « The technique of postmodernist simulation game in the novel “Supernova : The Knight, The Princess, and The Falling Star” by Indonesian writer Dewi Lestari (2001) ». Litera, no 5 (mai 2021) : 88–96. http://dx.doi.org/10.25136/2409-8698.2021.5.35544.

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This article examines the modern Indonesian women’s prose and its interaction with the elements of postmodernist paradigm. The object of this research is the novelistic writing of the prominent Indonesian author Dewi Lestari on the example of the novel "“Supernova: The Knight, The Princess, and The Falling Star” (Supernova: Ksatria, Puteri, dan Bintang Jatuh, 2001), which is part of the series “Supernova” (2001-2016). Fiction, as the “median” field in literature, embraces various codes of language art. Relying on the tested patterns of popular literature, it can also appeal to postmodernism. In the latter case, the works are characterized by the presence of deconstructive and game (including simulation) principles. The example of application of the codes of fiction and postmodernism is the novel of under review. An important role in the research is played by the literary-theoretical, typological, and descriptive methods. The work of Dewi Lestari has not yet been considered from the perspective of postmodernist game technique and involvement of the concept of simulacrum. An attempt to do this on the example of her most famous works defines the novelty of this research, as well as the noticeable place of postmodernism in Eastern literatures makes relevant it analysis based on the original Indonesian literature. Reference to the poetics of postmodernism through borrowing the simulation game technique allowed Lestari to create a commercially successful product. The perception of the text by each reader in accordance with their worldview, and engagement in the game proposed by Lestari, correspond to the ideas of the postmodernist interpretation of the literary text, as well as to the laws of the market. This is why modern Indonesian writers refer to the postmodernist paradigm.
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Akinwumi, Sesan, Azeez. « Yoruba Folktales, the New Media and Postmodernism ». Khazar Journal of Humanities and Social Sciences 17, no 2 (juillet 2014) : 74–87. http://dx.doi.org/10.5782/2223-2621.2014.17.2.74.

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The Yoruba pristine orality in its entirety has been given new directions with the popularity of the postmodernist tenets as shown in the utilitarian use of the new media in literary production, dissemination and consumption. This paper seeks to examine how the postmodernist material and immaterial culture have influenced the literary and cultural values of Yoruba folktales. Data for this study are gathered through field investigations at Omi Adio, Aba Ebu ( Moniya) and Badeku, all in Oyo State, Nigeria. Archival documents on the subject matter are also consulted. It is observed that apart from affecting the physical and cultural landscapes of Africa, postmodernism/new media has also affected the literary landscape of the continent. It is concluded that Africa has not effectively utilized the resources of new media to promote the vitality of folktales. It is recommended that the teaching of Oral Literature should be made compulsory in the curricula of primary and secondary schools in Nigeria.
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Fokkema, Douwe W. « Literary History, Modernism, and Postmodernism ». Poetics Today 6, no 3 (1985) : 561. http://dx.doi.org/10.2307/1771921.

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Thèses sur le sujet "Literary postmodernism"

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Coughran, Christopher John. « Literary ecology and the fiction of American postmodernism / ». [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18752.pdf.

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Sutassi, Smuthkochorn Renner Stanley W. « Postmodernism and comparative mythology toward postimperialist English literary studies in the Thailand / ». Normal, Ill. Illinois State University, 1996. http://wwwlib.umi.com/cr/ilstu/fullcit?p9721398.

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Thesis (D.A.)--Illinois State University, 1996.
Title from title page screen, viewed May 26, 2006. Dissertation Committee: Stanley W. Renner (chair), Ronald Strickland, William W. Morgan, Jr. Includes bibliographical references (leaves 140-146) and abstract. Also available in print.
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Ferrari, Alessandro <1992&gt. « The undead phoenix. An insight into John Fowles’ literary postmodernism and its legacy ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/11646.

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The present paper will offer an insight into the meaning and legacy of the postmodernist phenomenon, with a strong stress and emphasis on its literary and cultural relevance. The first part will provide an analysis of the historical background preceding and shaping postmodernism, which will be counterbalanced by a two-chapter discussion about the philosophical stands in favour or against it. The core section will use Linda Hutcheon’s concept of narcissistic metafiction and John Fowles’ bestseller The French Lieutenant’s Woman as the basis for valuing the main characteristics and traits of postmodernist literature in the English-speaking environment. The final chapter of the paper will attempt an understanding of the modern-day relevance of postmodernism, especially in the light of the counter-theories developed to contrast it. The overall conclusion will state the ongoing importance of postmodernism in the literary field, in spite of its dismissal as an ideology.
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Carlisle, Allison L. « The Never-ending Quest : Possession as a Postmodern Literary Romance ». Oberlin College Honors Theses / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1245362753.

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Wong, Siu-lung Marcus, et 黃少龍. « Different perspectives on the decentredness of the human subject in novels by Carol Shields and Toni Morrison ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952458.

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Alvarez, Araceli. « The Media as an Image Maker/Breaker : The Case of Tina Modotti and Its Literary Representation ». Thesis, Virginia Tech, 2000. http://hdl.handle.net/10919/34427.

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This thesis examines the role the media played in shaping Tina Modotti's public image during the 1920s in Mexico and the representation of this image in the novel Tinísima by Elena Poniatowska. In Chapter I, the present study tackles also the issues behind the press attitude in relation to the Mexican political situation and the communist influence during the 1920s. Chapter II provides a review of the existing literature on Modotti's life and her involvement in the Mexican Communist Party. It also includes a brief summary of the Mexican Communist Party's origins and development, since the political environment affected the approach of the press upon Modotti.

Chapter III focuses on social research through content analysis of press articles about Tina Modotti, which were published by the Mexican newspaper Excélsior in January 1929. The purpose is to analyze the language employed in these accounts in order to uncover a possible bias behavior on the part of the press when covering Modotti's case. Chapter IV deals with the analysis of Poniatowska's novel Tinísima through a postmodern perspective. The connecting theme between this and the former chapter is based on the insertion of articles from Excélsior that function as latent and manifest intertexts in the novel. The objective is to study these insertions in order to interpret Modotti's public and private images within this literary framework. Postmodernism is a pertinent theory since it examines the transgressions of widely accepted views to uncover or demystify reality. Finally, the conclusion in Chapter V links the use of the media as an image breaker to the Mexican social and political context in the 1920s, and suggests political reasons behind Modotti's mistreatment by the press. In addition, the literary representation of Modotti in Tinísima and the analysis through postmodernism provides strong support to this conclusion and points at the role of this novel as an image maker.
Master of Arts

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Oxoby, Marc C. « American literary fiction in a televisual age / ». abstract and full text PDF (free order & ; download UNR users only), 2005. http://0-wwwlib.umi.com.innopac.library.unr.edu/dissertations/fullcit/3209131.

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Thesis (Ph. D.)--University of Nevada, Reno, 2005.
"August, 2005." Includes bibliographical references (leaves 217-227). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.
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Webb, Rebecca K. Strickland Ronald. « A conflict of paradigms social epistemology and the collapse of literary education / ». Normal, Ill. : Illinois State University, 2005. http://wwwlib.umi.com/cr/ilstu/fullcit?p3196657.

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Thesis (Ph. D.)--Illinois State University, 2005.
Title from title page screen, viewed September 27, 2006. Dissertation Committee: Ronald Strickland (chair), Victoria Harris, Janice Neuleib. Table of contents page gives incorrect page numbers. Includes bibliographical references (leaves 131-138) and abstract. Also available in print.
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Morrison, Jago. « Journeys around nostalgia : Jarrow, Ulysses and cultural elitism ». Thesis, University of Nottingham, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307713.

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Flavell, Helen. « Writing-between : Australian and Canadian ficto-criticism / ». Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20051222.114143.

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Livres sur le sujet "Literary postmodernism"

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Balsmeier, Pia. Postanthropocentric (post-)humanism : A theoretical and literary inquiry. Berlin : Logos Verlag Berlin, 2020.

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Willem, Bertens Johannes, et Fokkema Douwe Wessel 1931-, dir. International postmodernism : Theory and literary practice. Amsterdam : J. Benjamins, 1997.

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Signs and cities : Black literary postmodernism. Chicago : University of Chicago Press, 2003.

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Attie, De Lange, Fincham Gail, Hawthorn Jeremy et Lothe Jakob, dir. Literary landscapes : From modernism to postmodernism. New York : Palgrave Macmillan, 2008.

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Hundorova, T. I. Pisli͡achornobylʹsʹka biblioteka : Ukraïnsʹkyĭ literaturnyĭ postmodernizm = The Post-Chornobyl Library : Ukrainian literary postmodernism. Kyiv : Krytyka, 2013.

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The literary fantastic : From Gothic to postmodernism. New York : Harvester Wheatsheaf, 1990.

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1942-, Collier Peter, et Geyer-Ryan Helga, dir. Literary theory today. London : Polity, 1992.

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Stephan, Matthias. Defining Literary Postmodernism for the Twenty-First Century. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15693-0.

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Wendy, Larson, et Wedell-Wedellsborg Anne, dir. Inside out : Modernism and postmodernism in Chinese literary culture. Aarhus C., Denmark : Aarhus University Press, 1993.

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Lucy, Niall, dir. Postmodern literary theory : An anthology. Malden, MA : Blackwell Publishers, 2000.

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Chapitres de livres sur le sujet "Literary postmodernism"

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Green, Jeremy. « Late Postmodernism and the Literary Field ». Dans Late Postmodernism, 19–43. New York : Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403980403_2.

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Ryan, Michael. « Structuralism, Semiology, Postmodernism ». Dans A Complete Guide to Literary Analysis and Theory, 128–41. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003305422-8.

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Fekete, John. « Vampire Value, Infinitive Art, and Literary Theory : A Topographic Meditation ». Dans Life after Postmodernism, 64–85. London : Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19097-3_3.

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Lipovetsky, Mark. « Russian Literary Postmodernism in the 1990s ». Dans Late and Post-Soviet Russian Literature, sous la direction de Mark Lipovetsky et Lisa Wakamiya, 303–6. Boston, USA : Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618112231-034.

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Earnshaw, Steven. « Well and Truly Fact : Postmodernism and History1 ». Dans The Direction of Literary Theory, 59–81. London : Palgrave Macmillan UK, 1996. http://dx.doi.org/10.1057/9780230375727_4.

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Stephan, Matthias. « Mapping the Space of Postmodernism ». Dans Defining Literary Postmodernism for the Twenty-First Century, 53–77. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15693-0_4.

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Newton, K. M. « Fredric Jameson : ‘Postmodernism, or the Cultural Logic of Late Capitalism’ ». Dans Twentieth-Century Literary Theory, 267–75. London : Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25934-2_51.

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Kim, Sue J. « Analyzing the Real : Bessie Head’s Literary Psychosis ». Dans Critiquing Postmodernism in Contemporary Discourses of Race, 117–50. New York : Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230103962_5.

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Stephan, Matthias. « Introduction ». Dans Defining Literary Postmodernism for the Twenty-First Century, 1–10. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15693-0_1.

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Stephan, Matthias. « What Do the Theorists Say (and How Do They Fit) ? » Dans Defining Literary Postmodernism for the Twenty-First Century, 13–32. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15693-0_2.

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Actes de conférences sur le sujet "Literary postmodernism"

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Nicolau, Felix. « Academic confrontations at the end of high modernity ». Dans Conferinta stiintifica nationala cu participare internationala „Lecturi in memoriam acad. Silviu Berejan”. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/lecturi.2021.05.15.

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Academic novel is by definition a cultural enterprise, but it can properly surprise the hostility of an extremely hierarchical environment. Concepts, ideas and archetypes are preserved and melted in the literary substance even with the help of irony and pastiche. Or, better said, irony and pastiche are means of avoiding the hostility of a milieu blocked in stereotypes and snobbery. Kingsley Amis’s novel ”Lucky Jim” absorbs modernist cultural ingredients in order to demythologize them in a postmodern fashion. Anyway, it seems that the process of demythization implies the subsequent process of re-mythization. The cultural heritage is unavoidable in the last phase of postmodernism. In 1975 we can hardly speak about cultural aphasia. The individual with a postmodernist Weltanschauung plays the satirical role of the knight errant in search of falsified (dragonized) modernist mentalities and cultural options. This paper will analyse the risks and methods of demythization and the reverse process in an attempt to understand the cultural logic of antimodernist approaches.
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Munteanu-Iorga, Ionuta-Natalia. « Perspectives on a Philologic and Academic Cannon on Virgil Nemoianu’s Theories ». Dans Conferință științifică internațională "Filologia modernă : realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.07.

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The problem of the Literary Canon is stated by the Romanian theorist Virgil Nemoianu several times and from different critical perspectives of the time – each perspective is seeking to reflect an era and its influences, a certain cultural and artistic typology, the cultural projects and products of a canonical era, the spirituality and politics of the time, as well as the ideological disputes that re-establish from one century to another great canonical European literatures. Systematized thematically and through editorials published between 1967 and 2011, the Romanian professor’s concerns related to the canon are written with great precision – enlightening philological and historical details. Into the same unison with the educated voices of the great universities in Europe and America, Virgil Nemoianu will start the discussion about the phenomenology of the literary Canon by using the tools of referring to the European literary details and referring to the European cultural studies. As a framework, within his academic concerns, there is the idea of complexities and cultural continuities, which together with the ideas of aesthetic and moral emergences, both creates veritable encyclopedic studies that the Romanian theorist he dedicated to Minor European Romanticism, then to Structuralism, and finally to Postmodernism and cultural Globalism. By discussing the importance of the canonical lists, as well as by proposing provocative ideas supposed to aim at the correct understanding of the academic curriculum, Virgil Nemoianu initiates a debate that even gives us the opportunity to discuss the cultural phenomena that determine the modification of the canon. In particular, the Romanian professor gives interest to a canon in perpetual transformation – The Hospitable Canon – a hospitable canon, which involves transitions from a rigidity of the interpretation of literature – to an interpretive plurality. Therefore, these methodological filters have a catalytic role, becoming reagents that lead to a new interpretive synthesis. They also manage to lead to the theoretical core of Professor V. Nemoianu’s reflections: the canon and canonicity allow the observation of the secondary, the marginal, the interdependencies and the intertextualism within the canonical literatures – towards to redefine the social, art and spirituality.
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Ciugureanu, Adina. « INTERDISCIPLINARY APPROACHES TO CITYSPACE : FROM THE POSTMODERN TO THE GLOBAL CITY ». Dans GEOLINKS International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/geolinks2020/b2/v2/32.

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Cityspace has been the topic of urban and cultural studies for at least two decades and has opened a variety of ways to approach the city, from historical and cultural perspectives to socio-geographical, economic, religious, literary, postmodernist, post-colonial and, more recently, geo-critical ones. The article looks at the European and American city from the 1970s to the present through the lenses offered by the theoretical approaches by Edward Soja, David Harvey, Michel Foucault, Frederick Jameson, Bertrand Westphal, Manuel Castells, among others, while highlighting the specific characteristics of cityspace and citizenship, the use and misuse of living and imagined spaces in the period mentioned above. The shift from the modern city to the postmodern metropolis and global megalopolis has entailed essential changes in the views on cityspace both from the architectural perspective and from the city dweller’s perception of space in the city. How these changes have affected our lives and what the city of the future will look like are two core questions this article attempts to answer.
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