Littérature scientifique sur le sujet « Li-Chin »
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Articles de revues sur le sujet "Li-Chin"
Chu, Chang, Yejie Lin et Shuqiang Li. « New genera and new species of Hahniidae (Araneae) from China, Laos, Myanmar, and Vietnam ». ZooKeys 1187 (20 décembre 2023) : 91–134. http://dx.doi.org/10.3897/zookeys.1187.112936.
Texte intégralSmith, Wendy. « Reviewer Acknowledgements for International Journal of Statistics and Probability, Vol. 3, No. 4 ». International Journal of Statistics and Probability 3, no 4 (31 octobre 2014) : 86. http://dx.doi.org/10.5539/ijsp.v3n4p86.
Texte intégralBarrett, T. H. « Towards a date for the Chin-so liu-chu yin ». Bulletin of the School of Oriental and African Studies 53, no 2 (juin 1990) : 292–94. http://dx.doi.org/10.1017/s0041977x00026094.
Texte intégralCarmichael, Stephen W., et Nita J. Maihle. « Directly Reading The Genome ». Microscopy Today 9, no 2 (mars 2001) : 3–7. http://dx.doi.org/10.1017/s1551929500056388.
Texte intégralSlowik, M. « Beyond Lot's Wife : The Immigration Poems of Marilyn Chin, Garrett Hongo, Li-Young Lee, and David Mura ». MELUS : Multi-Ethnic Literature of the United States 25, no 3-4 (1 septembre 2000) : 221–42. http://dx.doi.org/10.2307/468244.
Texte intégralJones, Arlene. « Eurytrema cladorchis Chin, Li & ; Wei, 1965 (Trematoda : Dicrocoeliidae), a little known species from China and Nepal ». Systematic Parasitology 7, no 1 (avril 1985) : 43–45. http://dx.doi.org/10.1007/bf00010160.
Texte intégralMusielak, Janina. « Procesy restrukturyzacji w przemyśle okrętowym (na przykładzie Stoczni Szczecińskiej S.A.) ». Studies of the Industrial Geography Commission of the Polish Geographical Society 3 (1 janvier 2002) : 155–66. http://dx.doi.org/10.24917/20801653.3.14.
Texte intégralPostelnicu, T. « Li, Chung Chin : Analysis of unbalanced data : a pre-program introduction. Cambridge University Press 1982, 165 pp., £ 12.95 ». Biometrical Journal 28, no 3 (1986) : 384. http://dx.doi.org/10.1002/bimj.4710280318.
Texte intégralKuhn, Ninoslava Šarac, et Ronnie B. Wilbur. « Interrogative structures in Croatian Sign Language : Polar and content questions ». Sign Language and Linguistics 9, no 1-2 (2006) : 151–67. http://dx.doi.org/10.1075/sll.9.1-2.09kuh.
Texte intégralKuhn, Ninoslava Šarac, et Ronnie B. Wilbur. « Interrogative structures in Croatian Sign Language ». Investigating Understudied Sign Languages - Croatian SL and Austrian SL, with comparison to American SL 9, no 1-2 (31 décembre 2006) : 151–67. http://dx.doi.org/10.1075/sll.9.1.09kuh.
Texte intégralThèses sur le sujet "Li-Chin"
Price, Joan Elliott. « Ch'i wu Shan chin a Li-Kuo revival piece of the Chin dynasty / ». 1986. http://catalog.hathitrust.org/api/volumes/oclc/15582893.html.
Texte intégralTypescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 103-104).
Lu, I.-Fang, et 呂宜芳. « A Comparative Study of Ci Poetry Between Chin-Guan and Li-Chin-Zhao ». Thesis, 2011. http://ndltd.ncl.edu.tw/handle/97879572703147893325.
Texte intégral淡江大學
中國文學系碩士在職專班
99
Chin-Guan and Li-Chin-Zhao were both representative of Wanyue ci poetry, poems of delicate restraint. Their ci poetry was notably admired and praised by later generations and left an indelible imprint in history. The former inherited the past and ushered in the future, making ci poetry at this point change, while the latter created the Yi-An Style by herself and was dubbed “queen of ci poetry.” This thesis chooses Chin-Guan and Li-Chin-Zhao as the objects of study and makes use of statistics, induction, and analyses to compare the creation content and artistic styles of their works according to their life experiences, personalities and political backdrop and to contrast Chin-Guan’s femininity and Li-Chin-Zhao’s masculinity. With comparative methods, the thesis will first introduce the influences the ci poets’ historical background and individual experiences have on their creation. Then, the thesis will present the themes, techniques and style characteristics of these two ci poets. Next, the thesis will refer to Lidai cihua, ci poetry of all of the past dynasties, and numerous scholars’ research results and compare the difference and sameness of the two ci poets of the Wanyue School. Chapter 1 expounds the research motive and research purpose. Chapter 2 introduces their creation backgrounds, life experiences, personalities, literary circles’ established practices and political environments. Chapter 3 respectively describes their topics and content, investigates the thoughts and emotions the two ci poets wanted to express and consults different opinions of scholars on Huaihai Ci Poetry and Zhuyu Ci Poetry over the past years to interpret their emotional shifts. Chapter 3, therefore, attempts to have a comprehensive horizontal analysis of ci poets’ preference for subject matter content and to make a vertical inquiry through ci poets’ life experiences, temperament, and self-restraint. Chin-Guan’s and Li-Chin-Zhao’s ci poetry have been highly lauded by men of letters and refined scholars for the past dynasties. Their superb skilled artistry is worthy of research. Chapter 4 delves into artistic performance skills and analyzes wording, techniques of writing, allusion, imagery, discourse structures in detail. Why they both were masters of the Wanyue School and how they expressed the feminine delicacy of ci poetry are discussed. Furthermore, their respective strengths and successful qualities, the artistic ideation and the appearance ci poetry revealed are all examined in hopes of finding the two ci poets’ similarities and dissimilarities. In terms of promoting the development of ci poetry, Chin-Guan and Li-Chin-Zhao have built an immortal milestone. Chapter 5 discusses the status and influence of these two ci poets who had inherited from predecessors and inspired those who came later. Additionally, I will wrap up the above chapters and draw a conclusion according to Li-Chin-Zhao’s Ci Poetry Theory, where she commented on the gain and loss as well as the self-creation practice of Chin-Guan’s ci poetry.
Jhuang, Li-Ching, et 莊麗卿. « Research on "Zhi Jian Li" in Pri-Chin Dynasty ». Thesis, 2007. http://ndltd.ncl.edu.tw/handle/54213619801678019177.
Texte intégral國立中興大學
中國文學系所
95
Research on "Zhi Jian Li" in Pre-Chin Dynasty Abstraction The main focus of this thesis is Zhi Jian Li in Pre-Chin Dynasty. "Zhi Jian Li" is the gift must be given in social occasions regardless of social statuses. The nobles use it as political tools and the peasants give it to others in social activities. "Zhi Jian Li" includes Porter, jade, silk, fowls (birds), charques, Arm guard, finger tabs,fanying, bows and arrows, etc. It can be given in the following occasions like worshiping, sacrifice, visiting the emperor, inquiring, marriage, memorial service, celebrations, given as gifts, and a token of friendship, etc. All social status, ranging from the Emperor to the peasants, has each own special item used as "Zhi Jian Li"according to bien seance This rule could not be broken unless for special reason. In this strictly feudal society, the social status and the gifts exchanged are totally related. There are nine chapters in this thesis: First, Introduction. We narrate that our main focus is on the resemblance of moral loftiness of Zhi Jian Li. We also discuss the usefulness of Zhi Jian Li in Pre-Chin Dynasty. Second, Summary of Zhi Jian Li. A thorough discussion of the meaning and shape of this Chinese word “Zhi”. Then is the discussion about the phrase “Zhi Jian Li” on how it has evolved through time, how many categories we have, how are they related to the social status, and how they are implemented in different hierarchy level of society. After this. We discuss on where and how it is given and received At the end of this chapter, we discuss the function and origin of Zhi Jian Li. From the Third to the eighth chapter, we discuss on different categories ranging from Porters, Jades, Leather skin and silks, fowls and animals, fruits and dried meat, war craft and natural gifts. We investigate their name and their functionality in Pre-Chin Dynasty. In the ninth chapter, we put our conclusion of the thesis: There are five main points about the "Zhi Jian Li" in pre-Chin dynasty: 1. A resemblance to ones social status.2. A culture passed down from hunting and gathering society. 3. Use natural stuff. 4. A resemblance to ones moral loftiness 5. Useful in daily life.
Hsu, Hsiu-ju, et 徐秀如. « Chin-An Li and the Research on His Taiwanese Poetry ». Thesis, 2007. http://ndltd.ncl.edu.tw/handle/79797047948162722745.
Texte intégral國立臺南大學
國語文學系
95
Taking Chin-An’s published Taiwanese poetry as the research text of this thesis, this author, on one hand, focused on the social and historic environment of Taiwan to investigate its influence on Li’s consciousness and writing spirit.One the other hand, this author deconstructed the text to present the spiritual and writing characteristics of Li’s poetry.Structurally, this thesis was divided into six chapters. Chapter One：introduction Chapter Two：Li’s background; the influence of social activities on his literary creation Chapter Three：the three directions of Li’s Taiwanese language movement, language policy reform, the integration of phonetic transcription systems, and literary creation Chapter Four：the analysis of the spiritual characteristics of Li’s poetry in four aspects, politics, literature, society, and emotion Chapter Five：the analysis of the writing characteristics of Li’s poetry in language, phonemics, simile, contrast, irony, and symbolism Chapter Six：conclusion; an integrated criticism on Li’s poetry
Hsiu-Kung, Yang, et 楊秀宮. « The Evolution and Development of Propriety (Li) and Laws in Pre-Chin Confucianism ». Thesis, 1999. http://ndltd.ncl.edu.tw/handle/00887594825800378381.
Texte intégralWei, Liu Cheng, et 劉振維. « On the Humanistic Spirit of Li (禮) in Pre-Chin(pre-qin/先秦) Confucian philosophy ». Thesis, 2002. http://ndltd.ncl.edu.tw/handle/76989505434707694571.
Texte intégral國立臺灣大學
哲學研究所
90
This thesis gives an in depth analysis of the role of Li (the rites, the ritual) in pre-Chin Confucian philosophy. It focuses on the humanistic spirit underlying the discussion of Li in primary sources such as the Analects of Confucius (《論語》), the Mencius(《孟子》), the works of Hsüntze(Xunzi/《荀子》) and the Book of Rites (Li-Ji/《禮記》). At the heart of the discussion of Li in these sources is the transformation of the individual and society according to certain values, which are embodied in a set of standards and rules. Li thus is conceived a system of values and rules, which are made a posteriori for society, relying entirely on human effort for its conception and implementation. On a broad basis of evidence the commonly held view of Li as a priori to human society and effort is thus refuted. The thesis starts out with an analysis of the character Li on the etymological, historical and philosophical level. After a short review of the different views on Li in the non confucian texts of the pre-Chin era, the thesis gives a detailed analysis of the concept of Li in the four confucian texts mentioned above. Whereas the non confucian texts view Li as a set of rules governing the outward behavior, the confucian texts shift the emphasis on the humanistic spirit underlying the Li. In the Analects of Confucius uses the concept of jen (ren/仁) to bring back a government through Li as he sees embodied in the rule of the Chou(Zhou/周). Mencius focuses on the possibilities of the human heart to strengthen its positive abilities in order to bring about a state of the heart, which is filled with positive qualities. Li is one of thoses crucial qualities. For Hsüntze, Li is a way of satisfying human desires by ways of transformation. By adopting certain standards of behavior man is saved from his own destructive forces. The Book of Rites gives many concrete standards for behavior, but at the same time it reflects on the origin of Li. Social change, religious emotional need and the example of the heavenly way are three aspects building the basis for Li. As the other three texts the Book of Rites stresses the importance of education in government. The humanistic spirit as seen in the care for human needs, the believe in the possibilities of human character and society for self-transformation through sound governance and education thus permeates the pre-Chin confucian discussion of the Li. As such it offers possibilities still worth contemplating in the modern context.
Chin, Chen Li, et 陳麗琴. « New Images of Grottos along the Silk Road—Statements on Water Ink Paintings by Chen Li Chin ». Thesis, 2008. http://ndltd.ncl.edu.tw/handle/zj2934.
Texte intégral華梵大學
工業設計學系碩士班
96
The Silk Road in ancient times facilitated the economic development between China and the outside world. In the wake of the exchanges, Indian Buddhism was introduced into China. Assimilated and adapted to the Chinese culture, there arose the world renowned Chinese Buddhist arts. They are precious world cultural heritage. Along the Silk Road, many Buddhist grottos such as Dunhang Mogao Grotto and Tianshui Maijishan Grotto are still well preserved and sparking to date. In August 2006, I participated in a research tour led by Professor Bing-Lin Cheng (Lanzhou University, China) and Professor You-Meng Kuo (Wonkwang Buddhist Institute, Taiwan) to the grottos in Ganshu Province, and experienced the beauty by visiting Buddhist grottos along the Silk Road. The Buddhist Arts left deep impression on me. The Grotto Arts demonstrated not only the cultural contents of the 1000 years of history, but also exemplified the mercifulness of the Buddha spirit. It carried with it the style of Buddhist arts in each historical period. In all, they are vivid illustration of history and cultural heritage. To appreciate Buddhism arts is a kind of spiritual feast and a cultivation of Buddhism as well. One can only expound its styles and features by trying to implement through the painting brushes. Then, the scene and the imagery in mind can be harmony. The ultimate goal of the thesis is to express my observation and aspiration of the grotto arts, by traditional or innovate ways, in my works of painting brushes. In my serial works of New Images of the Silk Road Grottos, I tried to apply some merits of traditional techniques and materials. For more faithful expression of the reality, sentiment and the impression, it is natural that I also applied some new elements in my paintings, be it subject, composition or exercise of the brushes. For the better expression of ideas necessitate those innovations. The connotation of my works presents not only the Buddhism spirit of the Silk Road Grottos, but also my thoughts and inspirations.
Chen, Chi-Hung, et 陳祈宏. « The change of tongue diagnosis in patients with chronic viral hepatitis after treating with Chin-Lar Li-She-Si-In-Fa ». Thesis, 2003. http://ndltd.ncl.edu.tw/handle/09738170283252577805.
Texte intégral中國醫藥學院
中國醫學研究所
91
By observing different types of tongue diagnosis in relation to different stages of viral hepatitis patients, and changes of heath status and tongue diagnosis after the treatment of Chin-Lar-Li-She-Si-In-Fa, current study aimed to establish objective standards for tongue diagnosis in traditional Chinese medicine. There were 86 hepatitis patients agreed to participate in the study while 4 of them withdrew earlier, ending with 82 remained in the analyses including 55 male and 27 female. Among these 82 patients, 37 were infected with hepatitis B, 43 with hepatitis C and 2 with both. Under the condition of Si-Chn, there were 57 determined to be She-Lar (hot and damp) and 25 not She-Lar, while under simple tongue diagnosis, there were 65 She-Lar and 17 non-She-Lar. The treatment period was two months and questionnaire interviews were conducted before and after the treatment. Blood samples were collected and tongue photograph were performed during the study period. We found that those who were originally She-Lar turned non-She-Lar after the treatment and there was no significant difference between She-Lar and non-She-Lar in biochemical exams before treatment. Among those with She-Lar condition, their GOT, GPT and γ-GT decreased significantly after treatment. There were no virus conversion occurred for hepatitis B and C carriers with this treatment. It showed that before treatment, most of the tongue-coating was yellow and thicker and tongue tended to be red with spots which were traditionally considered She-Lar tongue-coating. But after use of the medicine, tongue coating is thicker and turned yellow for both She-Lar and non-She-Lar types of patients, showing that the treatment was not effective. The most important factor to determine whether the tongue was red was the numbers of red spots and the color of the tongue in tongue photograph. The way to determine tongue-coating depended on the blue and lightness.
Lu, Hsu-Hua, et 呂旭華. « Tainan Chegu Performance and Music : Case Study on”Tu-An Gong Zu-Ma Zhen”&” Chin-Shan Gong Niu-Li-Ge Zhen” ». Thesis, 2014. http://ndltd.ncl.edu.tw/handle/32862939265874501517.
Texte intégral南華大學
民族音樂學系
102
Chegu is a traditional performance in Taiwanese civil society. Due to the development of Chegu has long history in Taiwan; there is an inseparable connection between Chegu and the common people. Chegu has been used in weddings, funerals, temple fairs, and art performances to convey the main ideas of the functions. The unique ways it performs and even the styles are combined with the civil life. Thus, Chegu is an important performance in Taiwan and is a topic that worthy to study. This article is going to discuss the“Tu-An Gong Zu-Ma Zhen”in Tuku, Xinying Dist., Tainan City and the ”Chin-Shan Gong Niu-Li-Ge Zhen” in Zhuqiao, Qigu Dist.. Then we will talk about the importance of Taiwanese traditional art. First, we are going to clean out the definition of Chegu and its historical background. Second, we will research the historical background of the “Tu-An Gong Zu-Ma Zhen”and then record and analyze the performing types, the music, social function, and its religious meaning. Third, we will discuss the”Chin-Shan Gong Niu-Li-Ge Zhen” in the same topics that are mentioned above, but we will talk more about its artist quality. At last, we will compare the differences between the two teams and also the situations they face now. Wish this article can bring positive effect to the“Tu-An Gong Zu-Ma Zhen” and the”Chin-Shan Gong Niu-Li-Ge Zhen” in the future. Through this research, hope it can help people who study Chegu. More, the recordings of the interview between the writer and the Chegu artists can be an useful information to the Chegu music adopters and the future researchers.
Lin, Ming-Tuzng, et 林明宗. « A Study of Residents'' Utilitation of and Attitudes toward Community Centers in Tainan City-with Special Reference to Chin-Hua, Li-Hsing and Hsi-Hsien Communities ». Thesis, 1999. http://ndltd.ncl.edu.tw/handle/85438746746165169117.
Texte intégral國立成功大學
都市計劃學系
87
The study is to investigate the use and residents'' exception of community centers in Tainan. In the using situation, starts in related theories and policies of the community center should be play and effect. Then, review and discuss using situations through investigations, and try to find factors that affect community centers'' using to provide suggestions for improvement. In the aspect of residents'' exception, sampling residents of chin-hua, li-hsing and hsi-hsien community to know their using situations, satisfac-tions, requirements, and opinions. Hope to profit for promoting the use that lean on understanding residents'' exceptions of community centers. The survey and statistic results of factors that affect community centers'' using according to physical and unphysical environment factors reveals: in the part of phy-sical factors have location(different districts) and roads forward; another part have mothers'' classroom set, administrator provide, and the members of community asso-ciation. In residents satisfaction, requirement and opinion for the community center, inves-tigations reveal: 1. Residents in different community, attitudes and exceptions toward community center are difference. Successive community participation or social intercourse aids the use of community center. When residents have more successive com-munity participation and closed neighbor relation, they satisfy with community center more. 2. After the community center setting, have obviously improvement in sanitary en-vironment, social intercourse, assembly provision, and community culture. The major using problems are low residents participation and lacking budgets. 3. If community centers with multi-use, residents welcome facilities of relaxation and social welfare like community library, gymnasium, youth activity center, nursery or kindergarten, and old-men'' education and entertainment center. 4. Residents satisfy with community center concentrating in outside or interior environ-ments, only few parts are management factors.
Livres sur le sujet "Li-Chin"
Li, Rui. "Ta yüeh chin" chʻin li chi. 8e éd. Hai-kʻou shih : Nan fang chʻu pan she, 1999.
Trouver le texte intégralZhang, Huiying. Chin Pʻing Mei li su nan tzʻu chieh. 8e éd. Pei-ching : She hui kʻo hsüeh wen hsien chʻu pan she, 1992.
Trouver le texte intégralRotella, Alexis. Harvesting stars : Sequences on Li Po and Chin Kuan. Morristown, NJ : Jade Mountain Press, 1985.
Trouver le texte intégralHan yü ta tzu tien tzu hsing tsu., dir. Chʻin Han Wai Chin chuan li tzu hsing piao. Ch'eng-tu : Ssu-ch'uan tz'u shu ch'u pan she, 1985.
Trouver le texte intégralYashida, Hiroshi. Chin li ssu yang fa : Pʻin chung hsüan tse, ssu yang kuan li. 8e éd. Tʻai-pei shih : Wu ling chʻu pan yu hsien kung ssu, 1995.
Trouver le texte intégralShindō, Sadakazu. Jen chin chʻi tsʻai : Ju ho huo yung jen li ti ching ying tsʻe lüeh. Tʻai-pei shih : Ting yüan wen hua shih yeh yu hsien kung ssu, 1990.
Trouver le texte intégralLee, Kam-To. Selections of Dr. Lee Kam To's works = : Li Chin-tʻao po shih Chung Ying wen chu tso hsüan. [Macao ? : English Tutorial Institute?], 1990.
Trouver le texte intégralNorbert, Elias. Wen ming ti chin chʻeng : Wen ming ti she hui chʻi yüan ho hsin li chʻi yüan ti yen chiu. Pei-ching : Sheng huo tu shu hsin chih san lien shu tien, 1998.
Trouver le texte intégralJen-te, Lin, dir. Ni tsui kʻo neng te tao ti wen ming ping. : Ya li yü chia chuang hsien chi neng kʻang chin. 8e éd. Tʻai-pei shih : Tʻien hsia sheng huo ku fen yu hsien kung ssu, 1999.
Trouver le texte intégralChūgoku Kokusai Shinpojūmu (1995 Pei-ching ta hsüeh). Higashi Ajia ni okeru kindaika no shidōshatachi : Tung-Ya chin tai hua li chʻeng chung ti chieh chʻu jen wu. Kyōto-shi : Kokusai Nihon Bunka Kenkyū Sentā, 1997.
Trouver le texte intégralChapitres de livres sur le sujet "Li-Chin"
« 7. Duke Hsien of Chin and Lady Li ». Dans The Tso Chuan, 21–25. Columbia University Press, 1989. http://dx.doi.org/10.7312/deba94288-010.
Texte intégralStroh, Silke. « Shifting Grounds : Writers of Colour in Twenty-First-Century Scottish Literature ». Dans Scottish Writing After Devolution, sous la direction de Marie-Odile Pittin-Hedon, Camille Manfredi et Scott Hames, 104–22. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474486170.003.0006.
Texte intégral« Hearing a Startled Bird during Stayover at Chin-ch’ang Pavilion by Li Shang-yin ». Dans Chinese Poetry, 2nd ed., Revised, 220–21. Duke University Press, 1997. http://dx.doi.org/10.1215/9780822382096-071.
Texte intégral« Hearing a Startled Bird during Stayover at Chin-ch'ang Pavilion by Li Shang-yin ». Dans Chinese Poetry, 2nd ed., Revised, 221–22. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382096-077.
Texte intégral« CHAPTER 9. Hsi-men Ch’ing Conspires to Marry P’an Chin-lien ; Captain Wu Mistakenly Assaults Li Wai-ch’uan ». Dans The Plum in the Golden Vase or, Chin P'ing Mei, Volume One, 170–87. Princeton University Press, 1994. http://dx.doi.org/10.1515/9781400847631-018.
Texte intégral« Chapter 40. Holding her boy in her arms li p’ing-erh curries favor ; dressing up as a maidservant chin-lien courts affection ». Dans The Plum in the Golden Vase or, Chin P'ing Mei, sous la direction de David Tod Roy, 438–52. Princeton : Princeton University Press, 2001. http://dx.doi.org/10.1515/9781400847624-023.
Texte intégral« CHAPTER 11. P’an Chin-lien Instigates the Beating of Sun Hsüeh-o Hsi-men Ch’ing Decides to Deflower Li Kuei-chieh ». Dans The Plum in the Golden Vase or, Chin P'ing Mei, Volume One, 205–23. Princeton University Press, 1994. http://dx.doi.org/10.1515/9781400847631-020.
Texte intégral« CHAPTER 41. Hsi-men Ch’ing Forms a Marriage Alliance with Ch’iao Hung ; P’an Chin-lien Engages in a Quarrel with Li P’ing-erh ». Dans The Plum in the Golden Vase or, Chin P'ing Mei, sous la direction de David Tod Roy, 1–18. Princeton : Princeton University Press, 2011. http://dx.doi.org/10.1515/9781400837922.1.
Texte intégral« Chapter 27. Li P’ing-erh Communicates a Secret in the Kingfisher Pavilion ; P’an Chin-lien Engages in a Drunken Orgy under the Grape Arbor ». Dans The Plum in the Golden Vase or, Chin P'ing Mei, sous la direction de David Tod Roy, 127–49. Princeton : Princeton University Press, 2001. http://dx.doi.org/10.1515/9781400847624-010.
Texte intégral« Chapter 91. Meng Yü-lou Is Happy to Marry Li Kung-pi ; Li Kung-pi in a Fit of Rage Beats Yü-tsan ». Dans The Plum in the Golden Vase or, Chin P'ing Mei, sous la direction de David Tod Roy, 194–217. Princeton : Princeton University Press, 2013. http://dx.doi.org/10.1515/9781400848157-014.
Texte intégral