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1
PAGLIARULO, CARLA. « I. Giordani, uomo di lettere e di cultura, e l'ideale di un «cristianesimo integrale» : alcuni carteggi indediti ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1795.
Texte intégralRésumé :
La tesi ha lo scopo di inquadrare Giordani nel contesto del mondo culturale cattolico tra le due guerre e di approfondire la sua proposta di «cristianesimo integrale» come soluzione alla crisi che negli anni Venti e Trenta viziò il mondo economico, il sistema politico e lo scenario culturale, a livello di principi fondamentali, di valori. Per questo si è dato assoluto rilievo ai rapporti di Giordani con molti intellettuali suoi contemporanei e con varie istituzioni culturali cattoliche.
Il testo segue dapprima un indirizzo biografico, che permette di ripercorrere la vita di Giordani dalla giovinezza, segnata dalla guerra e dall’esperienza al fronte, alla sua serena fine, nel 1980. Si tratta di una testimonianza di come la sua conseguenzialità tra fede e opere abbia inciso negli ambienti che lo hanno visto protagonista, tanto che è stato avviato per lui il processo di beatificazione.
La ricerca è stata condotta tenendo conto degli scritti di Giordani e della storiografia precedente, ma soprattutto utilizzando numerosi materiali d’archivio. In particolare i carteggi privati aiutano a ricostruire l’operato di Giordani a favore dell’impegno degli intellettuali cattolici negli anni oscuri del fascismo e la sua indefessa attività per la realizzazione di un nuovo umanesimo.
Altro spazio è stato riservato ai rapporti maturati da Giordani con due esponenti del mondo cattolico italiano di quel periodo, ovvero Giovanni Papini e Piero Bargellini.This dissertation aims at setting Igino Giordani within the broader framework of the catholic cultural environment between the two world wars. It focuses on his proposal of an «integral Christianity» as a solution to the recession which threatened the fundamental values and principles of the economy, politics and culture during the 1920's and 1930's. This is the reason why the relationships between Giordani and many of his colleagues and cultural catholic institutions have been studied in depth. The work starts with a biography, underlining how Giordani's youth has been affected by the war and the experience as a soldier, up to his peaceful death, in 1980. His life shows how the consistency of his actions with his faith made him an influent personality in his working environments, to the point that the beatification process has begun. The research is based on Giordani's writings and on the previous historiography, but the most important source is constituted by a large number of archive documents. Particularly, Giordani's private correspondence has been very useful in understanding how he acted in order to support the engagement of the catholic intellectuals during the dark fascist age and his endless activity in order to build a new humanism. The work also focuses on the relationships between Giordani and two members of the Italian catholic world of the time: Giovanni Papini and Piero Bargellini.
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PAGLIARULO, CARLA. « I. Giordani, uomo di lettere e di cultura, e l'ideale di un «cristianesimo integrale» : alcuni carteggi indediti ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1795.
Texte intégralRésumé :
La tesi ha lo scopo di inquadrare Giordani nel contesto del mondo culturale cattolico tra le due guerre e di approfondire la sua proposta di «cristianesimo integrale» come soluzione alla crisi che negli anni Venti e Trenta viziò il mondo economico, il sistema politico e lo scenario culturale, a livello di principi fondamentali, di valori. Per questo si è dato assoluto rilievo ai rapporti di Giordani con molti intellettuali suoi contemporanei e con varie istituzioni culturali cattoliche.
Il testo segue dapprima un indirizzo biografico, che permette di ripercorrere la vita di Giordani dalla giovinezza, segnata dalla guerra e dall’esperienza al fronte, alla sua serena fine, nel 1980. Si tratta di una testimonianza di come la sua conseguenzialità tra fede e opere abbia inciso negli ambienti che lo hanno visto protagonista, tanto che è stato avviato per lui il processo di beatificazione.
La ricerca è stata condotta tenendo conto degli scritti di Giordani e della storiografia precedente, ma soprattutto utilizzando numerosi materiali d’archivio. In particolare i carteggi privati aiutano a ricostruire l’operato di Giordani a favore dell’impegno degli intellettuali cattolici negli anni oscuri del fascismo e la sua indefessa attività per la realizzazione di un nuovo umanesimo.
Altro spazio è stato riservato ai rapporti maturati da Giordani con due esponenti del mondo cattolico italiano di quel periodo, ovvero Giovanni Papini e Piero Bargellini.This dissertation aims at setting Igino Giordani within the broader framework of the catholic cultural environment between the two world wars. It focuses on his proposal of an «integral Christianity» as a solution to the recession which threatened the fundamental values and principles of the economy, politics and culture during the 1920's and 1930's. This is the reason why the relationships between Giordani and many of his colleagues and cultural catholic institutions have been studied in depth. The work starts with a biography, underlining how Giordani's youth has been affected by the war and the experience as a soldier, up to his peaceful death, in 1980. His life shows how the consistency of his actions with his faith made him an influent personality in his working environments, to the point that the beatification process has begun. The research is based on Giordani's writings and on the previous historiography, but the most important source is constituted by a large number of archive documents. Particularly, Giordani's private correspondence has been very useful in understanding how he acted in order to support the engagement of the catholic intellectuals during the dark fascist age and his endless activity in order to build a new humanism. The work also focuses on the relationships between Giordani and two members of the Italian catholic world of the time: Giovanni Papini and Piero Bargellini.
3
Maxson, Brian Jeffrey. « The Private, the Public, and the Letters of Fifteenth-Century Florentine Chancellors ». Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5460.
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Lied, Justina Inês Faccini. « Emily Dickinson in her private bubble : poems, letters and the condition of presence ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2008. http://hdl.handle.net/10183/15307.
Texte intégralRésumé :
The aim of this thesis is to show that Emily Dickinson was not concerned with the publication of her poems and she herself decided to withdraw from the outside world, a decisive event which contributed to the original production of her almost eighteen hundred poems and over eleven hundred letters. Emily Dickinson withdrew into her untouched private world – which here is called “the bubble” – and developed the contemplation process based on the approach of apprehending perceptions which resulted in the instant captions that have enchanted readers. Since her withdrawal was as a result of her own free choice and own writing and living conventions, she was able to be the craftsperson that enjoyed living and writing. Her perception of nature by taking instant captions of the observable natural objects is perfected by the process of contemplation developed in some of her poems. The theoretical and methodological basis of the study comes from the analysis of the complete edition of poems edited by Thomas H. Johnson, the letters edited by Mabel Loomis Todd, and the concept of Nature by Hans Georg Schenk. For the analyses of different issues related to Dickinson’s verses, withdrawal, and apprehension of perceptions, the works of the biographer Richard Benson Sewall and critics such as Albert Gelpi, Barton Levi Armand, Karl Keller, Sharon Cameron, among others, were consulted. This study aims to demonstrate that Emily Dickinson was not concerned with publication and her withdrawal within her bubble was a positive event for her life and poetry. Such conclusion might contribute to enlighten the knowledge about the life and work of such an amazing personage of American Literature and American society as Emily Dickinson has been so far.
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Dalton, Susan. « Engendering the republic of letters, reconnecting public and private spheres in eighteenth-century Europe ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0019/NQ47603.pdf.
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Chase, Ted Hunter. « A Description of the American College Fraternity System at Selective, Private Colleges and Universities in the Northeast as Depicted by the Primary Administrative Contact, 1990-1991 ». Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332653/.
Texte intégralRésumé :
The purpose of the study was to gather sufficient data from a campus questionnaire and subsequent follow-up interview with the primary college administrators within the target population to accurately describe conditions of the fraternity systems on those campuses. The population for this study consisted of selective, small, private colleges and universities in the Northeast and Middle Atlantic region of the country. The target population of twenty-six colleges and universities was identified from the respondents to the campus questionnaire and included schools from the states of Maine, New Hampshire, New York, Massachusetts, Connecticut, and Pennsylvania.
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KE, LINGXIANG. « Virginia Woolf’s Letters : Writing in the Making ». Doctoral thesis, Università degli studi di Bergamo, 2015. http://hdl.handle.net/10446/61857.
Texte intégralRésumé :
This dissertation means to explore the aesthetics of Woolf’s epistolary writing. For
Woolf, letters become a vast field, a free space for experimenting her original theories
of writing, developing her unique techniques and perfecting her style of modern
writing. They also provide a space for finding her authorial voice, position and self.
Delving into the six volumes of Woolf’s private letters, we first explore how they
depict the author’s daily life, its wealth and intensity. Through her exchanges with her
numerous addressees, Woolf redefines the epistolary genre: apart from their
informative function, letters offer artistic descriptions of life and people, which are
composed by Woolf in a specific manner, often fuelled by various other
arts—painting, cinema, music, or drama. Such a representation transforms the most
private epistolary genre into a public, dialogical and inter-medial genre. Intimacy and
self-protectiveness, together with a desire for self-exposure stimulate Woolf to
develop a style of “central transparency”—her figurative or suggestive method that
enables her to express emotion and represent herself.
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Telfer, Robert Thomas Currie. « Forum shopping and the private enforcement of EU competition law : is forum shopping a dead letter ? » Thesis, University of Glasgow, 2017. http://theses.gla.ac.uk/8002/.
Texte intégralRésumé :
This thesis examines the relationship between the private enforcement of EU competition law and forum shopping with a particular focus on cross-border collective end-consumer redress. There is no coherent framework across the EU for these types of cases. This lack of uniformity has the potential to create recourse to different national courts. Lawyers may engage in forum shopping when filing lawsuits on behalf of the victims of mass torts. Such practices can provide Member States with incentives to amend their laws to attract collective proceedings and create competition between national judicial systems. However, forum shopping is not the only concern. There appears to be a paucity of cross-border collective claims. This is coupled with an apparent lack of motivation for end-consumers to seek a remedy, particularly if the only choice is to litigate outside their own legal regime. Addressing this situation is vital given that end-consumers regularly suffer harm in the form of higher prices, lower output, reduced quality and limited innovation as a result of antitrust infringements but they are rarely compensated due to legal and practical obstacles. To each end-consumer the harm may indeed be de minimis. However, the aggregate harm can amount to a considerable sum. In the absence of effective redress procedures, infringing undertakings retain the spoils of their unlawful conduct. Against this background, this thesis examines the extent to which the conflicts-of-laws rules encourage forum shopping and considers the appropriate forum and the appropriate procedural measures that need to be adopted in order to facilitate effective and equal access to justice for end-consumer victims of EU competition law violations.
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Nelson, Angelica A. « The Crafting of the Self in Private Letters and the Epistolary Novel : El hilo que une, Un verano en Bornos, Ifigenia, Querido Diego, te abraza Quiela, and Cartas apócrifas ». FIU Digital Commons, 2016. http://digitalcommons.fiu.edu/etd/2975.
Texte intégralRésumé :
The inherent flexibility of the letter form or epistolary mode of writing frees the writer within the framework of salutations and closings to use vocabulary and language to create, to omit or to invert conventional constraints imposed on women by a patriarchal society. The letter begins as a blank page but becomes the space for writing one’s personal thoughts and emotions to the absent other in a communicative effort to minimize the separation.
This dissertation examines the female narrator in actual letters written during the Spanish emigration to the New World in the sixteenth century and four epistolary novels written by female authors during the nineteenth- and twentieth centuries. The female “I” emerges in the selected texts and attests to the writer’s ability to inhabit her own writing space. By applying Mikhail Bakhtin’s theory of dialogism and Janet Altman’s formal approach to the epistolary novel, the epistolary and literary textual creations by women writers challenge the silence and traditional anonymity generally assigned to women. I explore the cultural enculturation of the transgressive female who loses her “self”, her very being because of her inability to conform to societal norms as outlined by Barbara Creed and Elaine Showalter. In addition, I apply ideas from Linda Kauffman’s study on the transformation of the female writer who metamorphoses from victim to artist through the use of pen and paper. The female ‘self’ crafted by each of the letter writers is studied as they narrate their space, exercise agency, and negotiate the conflicts and contradictions of their domestic and public space.
The epistolary, whether actual or fictional, becomes a textual creation challenging the silence and traditional anonymity assigned to women. The letter, when used as a literary device, is the perfect vehicle to create a narrator who controls his or her own life’s narrative. The writer constructs an implicit recipient linking the addressee and engages the reader in an absorbing story.
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Sifferlen, Gwenaelle. « Édition critique de la correspondance de Juliette Drouet à Victor Hugo. Année 1841 ». Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040004.
Texte intégralRésumé :
Julienne Gauvain, dite Juliette Drouet, est principalement connue pour avoir été, pendant cinquante ans, la compagne de Victor Hugo. Mais elle fut aussi, et surtout, une prodigue épistolière qui écrivit, dès 1833 et jusqu’à sa mort en 1883, plus de 22 000 lettres ‒ qu’elle appelait « ses restitus ‒ à son cher poète. Précieusement conservées par l’amant qui les confia, à la mort de Juliette, au neveu de cette dernière, Louis Koch, elles sont aujourd’hui progressivement publiées dans une édition en ligne, afin de mettre à la disposition du public et des chercheurs l’intégralité de cette formidable correspondance. L'édition critique et scientifique ‒ comprenant transcriptions, annotations savantes et manuscriptologiques, notices explicatives, index, glossaire ‒ de 568 lettres de 1841, alors que le couple célèbre ses huit ans d’amour, en montre les intérêts biographique, documentaire et littéraire. En effet, ces restitus permettent d’étudier au jour le jour l’existence de Juliette Drouet, fraîchement retirée de la vie théâtrale et publique pour se consacrer pleinement à son amour, et de Victor Hugo qui, élu à l’Académie française le 7 janvier et en pleine rédaction du Rhin, fait face à des procès littéraires et familiaux, prend ses premières notes sur les temps présents et encadre les reprises d’Hernani, Ruy Blas et Angelo, tyran de Padoue. Ces lettres sont par ailleurs des témoignages précis sur la condition féminine, les liens sentimentaux, les mœurs, les petits détails de la vie quotidienne du XIXe siècle et elles fournissent des renseignements précieux sur le contexte historique, politique, médical, scientifique, social et artistique de la monarchie de Juillet et du règne de Louis-Philippe. Enfin, cette véritable masse textuelle, outre sa valeur stylistique et littéraire propre, suscite une réflexion générique de par son statut hybride de journal épistolaireJulienne Gauvain, alias Juliette Drouet, is mainly well-known for her fifty-year relationship with Victor Hugo. But first and foremost, she was a lavish letter writer who wrote more than 22,000 letters to her dear poet – calling them her ‘restitus’- from 1833 until she died in 1883. They were safely kept by her lover, who entrusted them to Louis Koch – Juliette Drouet’s nephew – after she died. Today, they are gradually published online so as to provide the general public, as well as researchers, with this complete astounding correspondence. The critical and scientific edition – including transcriptions, scholar and manuscript-related annotations, explanatory notes, index, glossary – of 568 letters dating from 1841 (8th anniversary of the couple’s love story) highlights their biographical, documentary and literary interests. Indeed these ‘restitus’ allow a day-to-day study of the life of Juliette Drouet, who had just withdrawn from theatrical and public life in order to fully devote herself to her love, and of Victor Hugo who, freshly elected to the Académie française on January 7th and in the process of writing Le Rhin, had to face literary and family trials, started taking his first notes on the present times and was supervising the revivals of Hernani, Ruy Blas and Angelo, tyran de Padoue. These letters also account for an accurate testimony on the status of women, the sentimental ties, the customs and all sorts of small details of the 19th century daily life. As well, they supply precious information concerning the historical, political, medical, scientific, social and artistic context of the July Monarchy and the reign of Louis-Philippe. Finally, apart from its own stylistic and literary value, this true mass of text arouses a generic reflection given its hybrid status of epistolary diary
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Mawby, Gillian Fay. « Some Contemporary Responses to John Ruskin's Death : a selective examination of the public and private letters, literature, architecture, music and poetry that became an apotheosis for Ruskin from 1890s to 1908 ». Thesis, Lancaster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.525293.
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Jubilato, Manoella Neres. « Edição e estudo de cartas inéditas escritas por Dom Pedro II ». Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-05042013-094101/.
Texte intégralRésumé :
A presente dissertação tem como objetivo editar 49 (quarenta e nove) cartas inéditas de caráter pessoal, político, econômico e cotidiano, manuscritas em suporte de papel pelo então Imperador do Brasil, Dom Pedro II (1825-1891), remetidos à sua irmã Januária (1822-1901), entre os anos de 1860 e 1864. Acompanham a esta edição apontamentos paleográficos, codicológicos e históricos, obtidos a partir da leitura e pesquisa dos acontecimentos relatados no corpus, tendo como base de estudo autores como Cambraia (2005), no campo filológico, Barman (1999) e Schwarcz (2004), nos aspectos históricos, entre outros. Tendo como base o estudo proposto por Spina (1977), evidenciando a função transcendente da filologia e a utilização do texto manuscrito como objeto e método crítico, esta dissertação, além de provar que o corpus é escrito pelo punho de Dom Pedro II, busca os fatos e as circunstâncias descritas nas cartas, como fonte não só de análises linguísticas futuras, mas também aparato para o estudo da história do Império brasileiro. Com os resultados apresentados nesta dissertação, é possível identificar peculiaridades intrínsecas ao Brasil Império do início da segunda metade do século XIX.This essay aims at editing 49 (forty nine) unpublished personal, political, economical and everyday letters handwritten in paper by the Brazilian Emperor, Dom Pedro II (1825-1891), and sent to his sister Januária (1822-1901) between the years 1860 and 1864. This publication has also paleographic, codicological and historical notes provided by the reading and searching of the reported events in the corpus using as the basis of study writers like Cambraia (2005), in a philological view, Barman (1999) e Schwarcz (2004), in a historical aspect, et al. Regarding the study proposed by Spina (1977), which demonstrates the transcendent function of philology and the use of the handwritten document as an object and a critical method, this essay not only proves that the corpus was handwritten by Dom Pedro II, but also searches for the facts and the described contexts in the letters as the source of future and linguistics analyse and also the basis of the historical study of Brazilian Empire. It is possible to identify specific details related to Brazil Empire at the beginning of the second half of the nineteenth century with the presented results in this essay.
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Tunková, Martina. « Městské lázně ». Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2010. http://www.nusl.cz/ntk/nusl-215713.
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Elen, Botros El Malek. « Sade : la menzogna del linguaggio e la quête della trasparenza ». Doctoral thesis, 2020. http://hdl.handle.net/2158/1186326.
Texte intégralRésumé :
Per esaminare l’influenza che gli eventi biografici possono aver avuto su un’opera marcata dalle intime pulsioni del suo autore, com’è nel caso di Sade, si è fatto ricorso sia a nozioni psicoanalitiche tecniche, sia a modelli biografici e di analisi testuale tributari della psicoanalisi. L’incarcerazione degli anni 1777-1790 è stata esaminata attraverso le missive private del periodo: in esse è emersa la problematica costituita dalla falsità del linguaggio altrui, e delineante un’impossibilità comunicativo-relazionale. Quest’ultima, d’altronde, già si era profilata negli anni infantili di Sade con la traumatica separazione dalla madre. Risultato dei due cruciali eventi biografici sarebbe (secondo un neologismo sadiano) l’“isolisme”, ovvero il rifiuto della comunicazione e della relazione con l’Altro. Tale rifiuto troverebbe espressione nell’opera nella negazione dei sentimenti altruisti, nel concomitante erotismo crudele e disumano perpetrato specie sulla figura femminile, e nell’impossibilità di conoscere appieno la “natura umana”. L’opera sarebbe allora la riarticolazione in simboli coscienti di quanto di sé e dell’altro, della dimensione erotica e comunicativo-relazione sfugge tendenzialmente alla coscienza e comprensione dell’autore. In tal senso, si può cogliere un’evoluzione dalla prima all’ultima delle opere prese in esame – Dialogue entre un prêtre et un moribond, Les 120 Journées de Sodome, Les Infortunes de la vertu, Histoire de Juliette: evoluzione che va nel senso di un allentamento dell’“isolisme”, di un’elevazione della donna da vittima a carnefice e di una maggiore conoscenza dell’essere umano. Concluderemmo allora che l’uomo Sade ha strutturato se stesso nell’opera, e viceversa che l’opera ha dato una nuova strutturazione all’esistenza di Sade.
In order to examine the influence that biographical events may have had on a work marked by the intimate drives of its author, as is the case with Sade, technical psychoanalytic notions, biographical models and textual analysis tributary to psychoanalysis have been used. The imprisonment of the years 1777-1790 was examined through the private missives of the period: in them emerged the problem constituted by the falsity of the language of others, and delineating a communicative-relational impossibility. The latter, on the other hand, had already emerged in Sade's childhood years with the traumatic separation from his mother. The result of the two crucial biographical events would be (according to a Sadian neologism) the "isolisme", that is the refusal of communication and relationship with the other. This refusal would find expression in the work in the denial of altruistic feelings, in the concomitant cruel and inhuman eroticism perpetrated especially on the female figure, and in the impossibility of fully knowing "human nature". The work would then be the rearticulation into conscious symbols of what, in the erotic and communicative-relationship dimensions, tends to escape the author's consciousness and understanding. In this sense, we can see an evolution from the first to the last of the works examined - Dialogue entre un prêtre et un moribond, Les 120 Journées de Sodome, Les Infortunes de la vertu, Histoire de Juliette: an evolution that goes in the sense of a loosening of the "isolisme", an elevation of the woman from victim to tormentor and a greater knowledge of the human being. We would conclude then that the man Sade has structured himself in the work, and vice versa that the work has given a new structure to Sade's existence.
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Yang, Hsiao-wei, et 楊曉薇. « An Analysis of Hu Shihs Expressions of Affection in His Private Letters to Ms. Edith Clifford Williams ». Thesis, 2018. http://ndltd.ncl.edu.tw/handle/r3np9z.
Texte intégralRésumé :
碩士國立臺北科技大學
應用英文系
106
Hu Shih (1891-1962), ‘the Father of the Chinese Renaissance’, played a remarkable role in every crucial aspect in twentieth-century China. Hu was a fully documented writer of all time and a prodigious correspondent. Among Hu’s contacts, Edith Clifford Williams, an American avant-garde artist, was his most special friend. She was the one that inspired Hu in many ways when he studied in the United States. This study examines and analyzes 172 letters written by Hu to Williams, which portrayed the unconventional friendship between them and carried a profound spiritual love that went on for almost half a century. The motivation of Hu to keep such a long-term corresponding is because all along Williams was a perfect confidant for Hu, in which Hu found only she was the right companion who matched his need – intellectually and emotionally. Hu expressed diverse emotions in the letters. The most unique ones are those ‘desire’ related. Analyzing desire discourses tells us the features of affection expressing in each period and Hu’s mindset had shifted in their relationship across stages. Discussing through discourses, these desires indicate transitional differences and the common point, also on the basis and process of how they lifted their affection to greatness; how their amour to each other sublimated into a perpetual friendship with Williams’ truthful devotion to Hu Shih.
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McGuire, John J. « The effect of deferring fraternity and sorority rush upon scholastic achievement, satisfaction, and quality and quantity of involvement among students at a small, private liberal arts university / ». 1993. http://hdl.handle.net/1957/13010.
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Meehan, Susan Eyster. « An introduction to letters written to Thomas Meehan during the mid-nineteenth century from the private collection of J. Franklin Meehan ». 2001. http://emp3.hbg.psu.edu/theses/available/etd-11132001-143144/.
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Balamosev, Konstantinos. « The language of early Byzantine epistolography in the light of unpublished letters from the Vienna papyrus collection (4th - 7th cent. AD) ». Doctoral thesis, 2019. https://depotuw.ceon.pl/handle/item/3200.
Texte intégralRésumé :
The doctoral thesis aims at presenting the language and style of early Byzantine epistolography, as well as the ideas and emotions that underlie it, seen through the prism of unpublished material from the collection of the Austrian National Library in Vienna. Its starting point is the examination of private letters written on papyri dated from the 4th to the 7th century AD. The dissertation processes a "raw" material, thanks to which we can get an immediate insight into linguistic and stylistic evolution, social networks developing in the Byzantine province of Egypt, people and their emotions.
This work consists of a catalog of the edited texts to help navigate through the material and the following parts:
A. The introductory part, divided into three sections: 1) Review of literature on the history of ancient Greek epistolography, and previous monographs, key articles and research; 2) A detailed description of the work methodology; 3) Language aspects and stylistics. Part 3 discusses the most interesting discoveries from the linguistic point of view and other observations made on the basis of the edited texts, of particular value for researchers in the field of history and other related fields.
B. Texts: edition of twenty-five letters made according to papyrological standards; accurate transcription; commentary on individual lines of text (analysis of the form and content of documents): grammar, phonetics, structural phenomena, prosopographic data, socio-historical analysis, paleographic comparisons with other texts.
C. Conclusions: summary of research results.
Finally, in the form of annexes, there appear full indexes of dates, names, professions and officials, terms related to religion and the Church, and a general index of Greek words. One of the annexes, illustrated with photos, is devoted to the abbreviations appearing in the texts. The annexes also contain a list of so-called nomina sacra, or abbreviations of a special form used to write names, proper names, and terms closely related to the Christian religionRozprawa doktorska ma za zadanie przedstawić język i stylistykę wczesnobizantyjskiej epistolografii, a także idee i emocje w niej obecne, widziane przez pryzmat niepublikowanego wcześniej materiału z kolekcji Biblioteki Narodowej Austrii w Wiedniu. Jej punktem wyjścia jest badanie listów prywatnych pisanych na papirusach, datowanych od IV do VII w.n.e. Rozprawa opracowuje „surowy” materiał, dzięki któremu możemy uzyskać natychmiastowy wgląd w ewolucję językową i stylistyczną, sieci społecznościowe rozwijające się w bizantyjskiej prowincji Egiptu, na ludzi i ich emocje. Niniejsza praca składa się z katalogu opracowanych tekstów ułatwiającego poruszanie się po materiale oraz następujących części: A. Część wstępna, podzielona na trzy sekcje: 1) Przegląd literatury omawiającej historię starożytnej greckiej epistolografii oraz dotychczasowych monografii, najważniejszych artykułów i badań; 2) Szczegółowy opis metodologii pracy; 3) Aspekty językowe i stylistyka. Część 3 omawia odkrycia najciekawsze z punktu widzenia języka oraz inne obserwacje poczynione na podstawie opracowanych tekstów i mające szczególną wartość dla badaczy reprezentujących dziedziny historyczne. B. Teksty: edycja dwudziestu pięciu listów wykonana wedle standardów papirologicznych; staranna transkrypcja; komentarz do poszczególnych linii tekstu (analiza formy i treści dokumentów): gramatyka, fonetyka, zjawiska strukturalne, dane prosopograficzne, analiza społeczno-historyczna, paleograficzne porównania z innymi tekstami. C. Konkluzje: podsumowanie wyników badań. Na koniec, w postaci aneksów, pojawiają się pełne indeksy dat, imion, zawodów i urzędników, terminów związanych z religią i Kościołem, oraz ogólny indeks słów greckich. Jeden z aneksów, ilustrowany zdjęciami, poświęcony jest skrótom występującym w tekstach. Aneksy zawierają także listę tzw. nomina sacra, czyli skrótów o szczególnej formie stosowanych do zapisu imion, nazw własnych i terminów ściśle powiązanych z religią chrześcijańską.
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Santos, Maria Teresa Negrão Ogando dos. « Essência ou marginalidade da carta na narrativa fílmica de Manoel de Oliveira ». Master's thesis, 2018. http://hdl.handle.net/10400.2/7526.
Texte intégralRésumé :
O presente projeto pretende evidenciar a importância que a carta tem na obra
cinematográfica do realizador Manoel de Oliveira (1908- 2015), a partir do estudo
de um corpus de cinco dos seus filmes mais marcantes sob o ponto de vista
epistolográfico. Vamos comparar os diferentes tipos de cartas que surgem nesses
filmes, e questionar a sua influência no espaço-tempo da narrativa fílmica.
Após convocar as características discursivas do texto epistolar e partindo do
pressuposto de que é um texto que, depois de retirado do envelope fechado,
espera ser desvendado, iremos mostrar como a carta, ao ser lida na narrativa
fílmica, implica a exibição desse sigilo a terceiros.
Adotando uma abordagem comparatista, evidenciamos os processos de
transcodificação da carta na narrativa fílmica, partindo do pressuposto da sua
dimensão relacional. Analisando os temas privilegiados e escamoteados e as
diversas tipologias epistolares presentes, focamo-nos num paradoxo do género
epistolar: por um lado, é um ato privado entre dois pólos, emissor e recetor; por
outro, no contexto da narrativa fílmica, as cartas privadas entram na esfera do
público ao serem, também, reveladas ao espetador.The purpose of this project is to emphasize the importance of the letter in the cinematographic work of director Manoel de Oliveira (1908-2015) by analysing of a corpus of five of his films, particularly significant from the epistolary point of view. We will compare the different types of letters present in those films, and determine the degree of its influence in the space-time of the film narrative. After summoning the discursive characteristics of the epistolary text, and assuming this is a text that, after being withdrawn from its sealed envelope, is expected to be unveiled, we will determine how the letter, when read within the film narrative, implies the disclosure of its secrecy to third parties. Adopting a comparative approach, we will make evident the transcoding processes of the letter into the film narrative, presupposing its relational dimension. Approaching the privileged and concealed themes as well as the several epistolary typologies present, we will focus on a paradox of the epistolary genre: on the one hand, it constitutes a private act between two poles, sender and receiver; on the other hand, in the context of the film narrative, private letters are made public, insofar as they are also revealed to the audience.
20
Micikowska, Natalia. « Obligačněprávní instituty zajišťování pohledávek v mezinárodním obchodním styku ». Doctoral thesis, 2018. http://www.nusl.cz/ntk/nusl-388308.
Texte intégralRésumé :
Obligational means of securing claims in the international trade Abstract The subject of this dissertation is obligational means of securing claims and their functioning in the commercial transactions with international coverage. The thesis is primarily concentrated upon the statutory securing instruments most often encountered in practice i.e. surety, financial (bank) demand guarantees, contractual assignment of receivables causa cavendi, letters of credit and letters of intent. The thesis is divided into four parts. The first part deals with the introduction into the subject of negotiable instruments of securing obligations, provides an overview of the historical development of selected instruments, endeavours to outline the difference between the securing instruments conceived as rights in rem and those seen as obligations and eventually raises the issue of methodology. Afterwards the analysis is carried out on two levels: in the second part the author focuses on the applicable approach in determining the governing law in accordance with international and national regulations and afterwards on the topic of the unified norms developed by the international organisations that may be relevant in the light of the thesis' subject-matter. In this regard the works of the International Chamber of Commerce in...
21
Champagne, Cédric. « Le contrôle des guerres privées sous le règne de Philippe VI de Valois (1328-1350) ». Thèse, 2006. http://hdl.handle.net/1866/17922.
Texte intégral
22
SBARBATI, Claudia. « LE STRAGI E LO STATO. NARRAZIONI SU CARTA DELLO STRAGISMO ITALIANO:CRONACA, MEMORIA E STORIA ». Doctoral thesis, 2018. http://hdl.handle.net/11393/251127.
Texte intégralRésumé :
Oggetto del presente studio è la narrazione pubblica delle stragi degli anni Settanta, realizzata attraverso il filtro della carta stampata di ieri e di oggi. In particolare, le stragi delle quali è stato ricostruito il pubblico racconto sono quelle di Milano (12 dicembre 1969), di Brescia (28 maggio 1974) e di Bologna (2 agosto 1980).
L’interesse di ricerca è nato dalla percezione di un vuoto storiografico rispetto all’“impressione di realtà” - quindi all’immaginario - che nel corso dei decenni quotidiani e periodici nazionali hanno edificato riguardo allo stragismo neofascista.
In generale, l’eversione di destra – seppur oggetto di preziosi studi - è stata meno analizzata rispetto a quella di sinistra e quello che è divenuto il cosiddetto “caso Moro”, perché sovente stigmatizzata come subalterna allo Stato e quindi priva di una sua dimensione particolare.
È esattamente in questo spazio che la ricerca s’inserisce, guardando alla storia d’Italia attraverso l’interpretazione dello stragismo offerta dall’informazione a stampa.
La scelta della fonte giornalistica come fonte storica per analizzare le categorie interpretative e i quadri di riferimento messi a disposizione dell’opinione pubblica, ha richiesto di tenere in considerazione gli elementi distintivi del giornalismo italiano e i suoi rapporti con il contesto politico nazionale coevo alle stragi, con attenzione anche per i cambiamenti occorsi nel tempo nel mondo dell’informazione e nel panorama internazionale, definendo un arco temporale che dal 1969 giunge sino al 2017. Inoltre, gli scenari politici sovranazionali della Guerra Fredda sono costantemente richiamati in virtù dell’intima connessione fra eversione di destra, forze dell’ordine e servizi di sicurezza italiani da un lato, ed equilibri geopolitici internazionali dall’altro.
Si è scelto di attingere a numerose testate nazionali per dare conto delle diverse linee editoriali, delle molteplici caratterizzazioni politiche delle stesse, dei differenti stili comunicativi e della pluralità di lettori cui ogni quotidiano o periodico è destinato.
Fra gli archivi storici più attenzionati emergono quelli del “Corriere della Sera”, “La Stampa”,“la Repubblica”, “L’Unità”, “Il Giorno”, “La Notte”, “La Nazione”, “L’Avanti!”, “il Manifesto”, “Lotta Continua”, “Umanità Nova”, “Il Popolo”, “il Secolo d’Italia”, “Candido” e “il Borghese”.
A ogni strage è stato dedicato uno specifico capitolo in cui sono introdotti i fatti e gli esiti giudiziari, analizzate le prime reazioni della stampa, ricostruiti gli anni dei processi e la ricezione delle sentenze, sino a riproporre l’eco pubblica delle opere che nel corso dei decenni sono intervenute sul tema.
Gli articoli di cronaca e gli editoriali di approfondimento analizzati permettono di vagliare la riproposizione su carta delle versioni ufficiali delle forze dell’ordine, della magistratura e della politica; le memorie dei protagonisti degli eventi e l’analisi offerta dagli opinion makers che di volta in volta hanno raccontato le stragi dell’Italia repubblicana (giornalisti, storici, magistrati, scienziati sociali).
L’ultimo capitolo è stato invece dedicato al problema della Memoria e dei suoi rapporti con la Storia, analizzando la produzione memorialistica degli ex terroristi, delle vittime di prima, seconda e terza generazione, sino al tema della riconciliazione e della pacificazione.
Si è dunque ricostruito il dibattito sviluppatosi “a caldo” ed “ex post”, nella consapevolezza che l’informazione e la comunicazione pubblica della Storia sono fondamentali per la storicizzazione del passato traumatico della Nazione.