Thèses sur le sujet « Letteratura italiana XVIII secolo »
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Xhyheri, Hedie <1971>. « Presenze albanesi nella cultura veneta tra XV e XVIII secolo : editoria e teatro. Scanderbeg tra commedia dell’arte e genere tragico ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18549.
Texte intégralBenassi, Alessandro. « «L'ultima meta de’ simboli» : poetica e retorica delle imprese nel XVI secolo in Italia ». Doctoral thesis, Scuola Normale Superiore, 2016. http://hdl.handle.net/11384/86104.
Texte intégralPinzoni, Enrico <1996>. « Critica dantesca contemporanea. Dieci studi per mezzo secolo (1970-2020) ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19697.
Texte intégralSTRAZZI, FRANCESCA. « Il veicolo a due ruote nell'immaginario letterario italiano del XX secolo ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/295.
Texte intégralSpeaking about the influence of modern means of transport (in particular about the motorcycle) in literature, fixes a new way of studying culture, because today we have to cope with more and more powerful and technologically advanced vehicles. Intellectuals acknowledge motorcycles an important role to describing society. Thanks to the motorcycle man exploits a new strength that enables him to overcome his limits. He feels a sort of divinity embodying the same peculiarities as his vehicle. In the past the horse was the most widespread means of transport while today, in an age of airplanes, ships and trains, it has been replaced by the motorcycle, both for the rider's posture and for his contact with the environment and its expressions: rain, sun and wind as well as the perfumes of the Earth. Just like the horse's motion was in the past a way to express narrative processes, the motorcycle has inherited this task today, therefore conditioning the contemporary way of living and thinking.
STRAZZI, FRANCESCA. « Il veicolo a due ruote nell'immaginario letterario italiano del XX secolo ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2008. http://hdl.handle.net/10280/295.
Texte intégralSpeaking about the influence of modern means of transport (in particular about the motorcycle) in literature, fixes a new way of studying culture, because today we have to cope with more and more powerful and technologically advanced vehicles. Intellectuals acknowledge motorcycles an important role to describing society. Thanks to the motorcycle man exploits a new strength that enables him to overcome his limits. He feels a sort of divinity embodying the same peculiarities as his vehicle. In the past the horse was the most widespread means of transport while today, in an age of airplanes, ships and trains, it has been replaced by the motorcycle, both for the rider's posture and for his contact with the environment and its expressions: rain, sun and wind as well as the perfumes of the Earth. Just like the horse's motion was in the past a way to express narrative processes, the motorcycle has inherited this task today, therefore conditioning the contemporary way of living and thinking.
AVELLANO, VANIA. « Notizie biografiche su Dante nei commenti alla commedia del 14. secolo ». Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2014. http://hdl.handle.net/2108/201889.
Texte intégralSchembari, Andrea. « Un lungo secolo "sentimentale". Sondaggi su Sciascia e il Settecento ». Thesis, Universita' degli Studi di Catania, 2011. http://hdl.handle.net/10761/318.
Texte intégralThe analysis of the relationships that bring together the work of Leonardo Sciascia and the history, ideas and protagonists of Europe in the 18th century, is too often concentrated on the values of the Enlightenment that the work expressed. Beginning with the consideration that that century for Sciascia is above all a metahistoric category of the interpretation of the world, this study in three parts and nine essays articulates some possible elaborations on the subject. The first part analyses the essay headed "Il secolo educatore", the most importantant text dedicated by the writer to the 18th century and its authors; therefore it was chosen to propose two further examinations of the value of Sciascia's affection for the figures of Denis Diderot and Paul-Louis Courier. The second part, thematic, confronts the evolution of the practice and nature of the "conversazione", pointing out the presence of the French model and 18th century in the prose and essays of the author. The third, is dedicated to a new reading of the two works by Sciascia set in the XVIII century, "Il Consiglio d'Egitto" e "Recitazione della controversia liparitana, dedicata ad A.D.", preceded by a preface on the narrative implications of rewriting history. Keeping the three sections together, is the rich semantics/polysemy gained - in the 1700s - by the word "sentimento", that provides a convincing key to understanding the bond between the Sicilian author and the "long" 18th century.
Simonato, Andrea <1981>. « Una memorabile visione. La divulgazione dell'opera di Dante nel XXI secolo ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2398.
Texte intégralFurlan, Cristiana. « "Travel to encounter" viaggi e alterità nella letteratura italiana sull'Africa tra diciannovesimo e ventesimo secolo ». Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86602.
Texte intégralBuilding on travel as a privileged moment to acquire knowledge, this dissertation focuses on how physical displacement to non-familiar places and the encounter with a different civilization can change the mental structures and cultural categories of the traveler. Particular attention is devoted to the relationship between the traveler and the Other, in this specific case the populations of Africa.
My discussion takes into consideration the writings of three Italian authors who traveled to Africa at three very different but equally important moments in African history. Gaetano Casati was an explorer and witnessed the first phases of European colonization in North Africa. Alberto Moravia visited Africa after the sixties and witnessed the decolonization process. Finally, Gianni Celati traveled to the continent at the end of the 20th century and experienced the profound contradictions besetting contemporary post-colonial and neo-colonial Africa.
Although the historical context is necessary to understand the relational dynamics into play, the main argument of this thesis, i.e., the encounter with the Other, is explored within the post-colonial and cultural studies framework. This approach sheds new light on the texts, making new and different critical interpretations possible. Within this distinctive perspective, travel becomes the moment in which the encounter with the Other takes place. This framework, along with the phenomenological approach developed by Emmanuel Lévinas, has allowed me to emphasize the dialectical relationship between the Self and the Other.
A very contradictory reality has emerged, which continues to be problematic in recent years in spite of the fact that today people can travel more often and faster. In the final analysis, the nature of the traveler's relationship with the Other emerges ever more clearly as the result of a fundamental ethical choice.
Le voyage est, depuis toujours, une des plus importantes activités auxquelles l'humain s'adonne: qu'il s'agisse d'exploration, de découverte, de conquête, d'une recherche de l'inconnu ou d'une quête d'identité, les fonctions symboliques et métaphoriques du voyage ont fait déjà l'objet de nombreuses études. Ces dernières se sont d'ailleurs toutes attardées à un aspect primordial: le voyage ne signifie pas seulement un déplacement physique, il est avant tout un moment cognitif.
La présente thèse se penche précisément sur cet aspect pour en mieux faire ressortir les différents enjeux. Partant de la prémisse que le voyage constitue un moment propice à l'acquisition de nouvelles connaissances, nous démontrons comment le déplacement physique vers et à l'intérieur de lieux étrangers ainsi que la rencontre avec l'Autre - dans le cas qui nous préoccupe ici, les différentes populations de l'Afrique - influencent et modifient les structures culturelles du voyageur.
Le corpus analysé est formé des récits de voyage de trois auteurs qui ont visité l'Afrique à trois moments historiques différents mais tous aussi significatifs: l'exploration et la colonisation, la décolonisation, et enfin l'Afrique contemporaine aux prises avec la néo-colonisation et la pauvreté. Bien qu'une mise en contexte historique s'avère importante pour comprendre les récits de Gaetano Casati, Alberto Moravia et Gianni Celati, l'axe principal autour duquel tourne la présente thèse - la relation à l'Autre - sera abordé à partir d'un cadre théorique inspiré de la critique post-coloniale et des études culturelles. Ces approches combinées nous permettent de lire ces textes d'un point de vue différent et, par conséquent, d'en livrer une nouvelle interprétation.
Ce cadre critique, uni à l'approche phénoménologique d'Emmanuel Lévinas, nous permet ainsi de considérer la rencontre avec l'Autre qui émerge de l'expérience du voyage comme un moment charnière de la relation entre le soi et l'autre, une relation dont la réalité vécue s'avère hautement complexe et contradictoire, dans toutes les époques prises en considérations, et donc aussi dans la contemporanéité. En effet, bien que les voyages soient beaucoup plus fréquents aujourd'hui, et bien que les possibilités de rencontre avec l'Autre s'en trouvent multipliées, cette relation reste encore difficile à définir. Les termes à partir desquels la relation à l'Autre se développe demeurent, ultimement, le choix éthique du voyageur.
Bernardi, Veronica <1991>. « I cronisti di Ezzelino : fonti, intrecci, strutture narrative nella cronachistica padana del XIII e del XIV secolo ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2020. http://amsdottorato.unibo.it/9329/1/Bernardi_Veronica_tesi.pdf.
Texte intégralThis thesis focuses on Medieval historiography, in particular the Marca Trevigiana commentators in the age of Ezzelino III da Romano (Gerardo Maurisio, Rolandino da Padova, the author of the Chronicon Marchiae Tarvisinae et Lombardiae, Paride da Cerea, Niccolò Smereglo, and Antonio Godi) in order to analyze the character of Ezzelino and his damnatio memoriae through XIII and XIV centuries writing. This group of citizens’ chronicles represents an intermediate landmark between the old universal chronicles and the new humanistic historiography. In this commentators’ opinion, after the perturbing experience of Ezzelino’s tyranny, it became impossible to reintroduce the canonic and traditional recording of events year by year. Hero or tyrant, Ezzelino had forced chroniclers to look at history from a different perspective. The research starts from the historical sources, in order to cover and examine the narrative techniques of these works. At a later stage, I relate my studies of these chronicles to the historiography of Dante’s life and highlight the connections to the Divine Comedy.
VILLA, VIVIANA FRANCESCA. « SULLE ORME DEL 'CORTEGIANO'. IL 'SAVIO IN CORTE' NELLA TRATTATISTICA DEI SECOLI XVI-XVII ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/39110.
Texte intégralBaldassarre Castiglione’s "Libro del Cortegiano", printed in 1528, represents the archetype of a flourishing written tradition: refuting or corroborating the model drafted in the sixteenth-century masterpiece, many essays and dialogues published after 1528 have focused on qualities and prerogatives required at court. The present thesis aims at sifting through Castiglione’s heritage, selecting themes and topics from some works printed in Italian between 1528 and 1640; the authors of the books examined are Pelegro de Grimaldi, Lucio Paolo Rosello, Giovanni Francesco Commendone, Agostino Nifo (his essay, first published in Latin, was translated by Francesco Baldelli), Giovanni Andrea Gilio, Giovan Battista Giraldi, Lorenzo Ducci, Sigismondo Sigismondi, Pietro Andrea Canonieri, Giovanni Capponi, Bernardino Castori, Camillo Baldi, Matteo Peregrini, Giovanni Battista Manzini and Agostino Mascardi, not forgetting the more famous Stefano Guazzo, Giovanni Della Casa, Torquato Tasso. These authors’ proposals have been compared with Castiglione’s ideas in the first three chapters of the thesis, which is completed by an appendix that reproduces and analyzes Camillo Baldi’s "Dialogo di quello che deve fare un servitore di corte per acquistare la grazia del suo signore e farsi amare da tutto il resto della corte", an unpublished work located at the Biblioteca Classense of Ravenna.
VILLA, VIVIANA FRANCESCA. « SULLE ORME DEL 'CORTEGIANO'. IL 'SAVIO IN CORTE' NELLA TRATTATISTICA DEI SECOLI XVI-XVII ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/39110.
Texte intégralBaldassarre Castiglione’s "Libro del Cortegiano", printed in 1528, represents the archetype of a flourishing written tradition: refuting or corroborating the model drafted in the sixteenth-century masterpiece, many essays and dialogues published after 1528 have focused on qualities and prerogatives required at court. The present thesis aims at sifting through Castiglione’s heritage, selecting themes and topics from some works printed in Italian between 1528 and 1640; the authors of the books examined are Pelegro de Grimaldi, Lucio Paolo Rosello, Giovanni Francesco Commendone, Agostino Nifo (his essay, first published in Latin, was translated by Francesco Baldelli), Giovanni Andrea Gilio, Giovan Battista Giraldi, Lorenzo Ducci, Sigismondo Sigismondi, Pietro Andrea Canonieri, Giovanni Capponi, Bernardino Castori, Camillo Baldi, Matteo Peregrini, Giovanni Battista Manzini and Agostino Mascardi, not forgetting the more famous Stefano Guazzo, Giovanni Della Casa, Torquato Tasso. These authors’ proposals have been compared with Castiglione’s ideas in the first three chapters of the thesis, which is completed by an appendix that reproduces and analyzes Camillo Baldi’s "Dialogo di quello che deve fare un servitore di corte per acquistare la grazia del suo signore e farsi amare da tutto il resto della corte", an unpublished work located at the Biblioteca Classense of Ravenna.
Lo, Nostro Gabriele. « Genova e il gusto francese. La Letteratura odeporica d'oltralpe tra il XVII e il XVIII secolo ». Thesis, Paris 4, 2013. http://www.theses.fr/2013PA040140/document.
Texte intégralThis project aims to be a critical study on how the artistic heritage of the city of Genoa is perceived in French travel literature from the 17th and 18th centuries.To this date no study has examined in depth what was the French travelers view on the artistic work they encountered and how their view and taste was heavily influenced by the art literature conventions of the Royal Academy of Paris.This research is a comparison study between travel literature, art literature and local guides of the of the time. The purpose of the work is therefore to determine which were the wider cultural processes that influenced the taste and preferences of the travelers and, more specifically, to understand what was their view on the Genoese artistic production
Colosetti, Giulia <1987>. « Sul sito dell’Inferno di Dante Alighieri. Rappresentazioni e studi fra XV e XVI secolo ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15610.
Texte intégralVanelli, Coralli Rossana <1979>. « I sensi spirituali nel Liber di Angela da Foligno. La metafora del "gusto" nel Liber di Angela da Foligno e nella mistica femminile francescana tra XIII e XIV secolo ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/1954/1/vanellicoralli_rossana_tesi.pdf.
Texte intégralVanelli, Coralli Rossana <1979>. « I sensi spirituali nel Liber di Angela da Foligno. La metafora del "gusto" nel Liber di Angela da Foligno e nella mistica femminile francescana tra XIII e XIV secolo ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2009. http://amsdottorato.unibo.it/1954/.
Texte intégralDe, Palma Maria Teresa <1988>. « «Mi sono alzato, sono ricaduto / nel fondo dove il secolo è il minuto». Rêve et onirisme dans la littérature de témoignage (Primo Levi, Charlotte Delbo, Jorge Semprún) ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amsdottorato.unibo.it/7864/1/De_Palma_Maria_Teresa_tesi.pdf.
Texte intégralThis dissertation explores how the dream – as a literary theme – is conceived, illustrated and conveyed in testimonial literature, focusing on the works of Primo Levi, Charlotte Delbo and Jorge Semprún. While retracing the philosophical and literary history of the dream, we address this phenomenon in its textual specificity and various forms and functions. Two specific issues have been considered: 1) the use of the dream as a literary device for contrasting/reversing the conventional “realistic” framework of testimonial narrative; 2) the representation of the dream as a cornerstone, a sort of metadiscursive strategy for reinventing and reorganizing the narrative of the self and the writing of history. The oneiric process, as seen in the works examined, does not seem to be influenced by the usual, symbolic, Freudian hermeneutics; rather, it is suggestive of a more philosophical and morphological approach to writing/interpreting the dream, based on what Binswanger and Foucault referred to as an “affective” and “existential” experience of the self. Being at once a biographical experience, a literary artifice and a philosophical mark, the literary dream represented by the testimonial authors is never confined to a minor, sporadic, ornamental role, but has the qualities of a real microcosm: it reflects the entire universe of the work of art in which it originates, featuring its stylistic as well as semantic and ideological connotations in detail.
Il lavoro di tesi si prefigge come obiettivo l’analisi del tema del sogno nella letteratura testimoniale europea, con riferimento particolare alle opere di tre autori (Primo Levi, Charlotte Delbo, Jorge Semprún). Collocando il motivo onirico all’interno di una specifica tradizione filosofico-letteraria, di matrice per lo più europea, se ne indagano le diverse forme e declinazioni all’interno di un corpus vasto, multiforme e trans-generico. Due, in particolare, le problematiche emerse con maggiore evidenza: 1) l’uso del sogno come dispositivo discorsivo atto a ribaltare l’enunciazione classicamente mimetico-realista propria al testo testimoniale; e 2) la rappresentazione della visio notturna come grimaldello, cardine meta-discorsivo, attorno a cui ruota un profondo ripensamento della scrittura della storia e della narrazione del sé, secondo una prospettiva per lo più anti-psicologica, anti-simbolica e anti-fattualista. Nelle opere prese in esame, verrebbe dunque meno l’ipotesi freudiana, di un simbolismo intrinseco proprio al sogno, e emergerebbe piuttosto una caratura affettivo-esistenziale dell’episodio onirico: incubi e sogni presiedono dunque alla costruzione del testo testimoniale, alla sua ricalibratura su modi per lo più irrealistici, alla sua fondazione su un tipo di sapere altamente anti-positivo, e invece fatico, frammentario e corporale. Essendo a un tempo esperienza del biografico, artificio letterario e contrassegno filosofico, il sogno non si limita in questi testi a essere elemento episodico/decorativo, ma riflette invece – come in un microcosmo – i diversi livelli e le diverse problematiche insite nella scrittura.
Calvaresi, Laura <1988>. « Tra 'profitto' ed 'Industria' : traduzioni di termini economici e percorsi di ricezione sociale del 'De regimine principum' di Egidio Romano nel medioevo (XIII-XV secolo) ». Doctoral thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19528.
Texte intégralSideri, Cecilia <1992>. « Per la fortuna di Diodoro Siculo fra XV e XVI secolo : la traduzione latina di Poggio Bracciolini e i primi volgarizzamenti : con un saggio di edizione critica dei testi volgari ». Doctoral thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/17835.
Texte intégralBASSO, ALESSANDRO. « Girolamo Benivieni poeta spirituale : i testi religiosi e morali delle "Opere" ». Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1008862.
Texte intégralChieregato, Chiara. « Ángel Crespo y la cultura italiana ». Doctoral thesis, Universitat Pompeu Fabra, 2012. http://hdl.handle.net/10803/94195.
Texte intégralLa tesi che qui si presenta consiste in uno studio completo della relazione che si stabilì tra Ángel Crespo (1926-1995) e l’Italia. Al primo capitolo che funge da introduzione al tema seguono tre capitoli nei quali si studia la figura di Ángel Crespo: dapprima si traccia la sua biografia e lo si inserisce nel contesto culturale spagnolo dei suoi anni; successivamente, ci si sofferma sulla presenza di Ángel Crespo in Italia e su quella dell’Italia in Ángel Crespo. Nei due capitoli centrali, per presentare il tema, si commentano quei testi che meglio rappresentano tale dialogo; come appendici ne sono stati riportati altri che mostrano chiaramente il forte vincolo stabilitosi tra i due termini del nostro studio. Ci si riferisce inoltre a temi riguardanti la ricezione letteraria, la teoria della traduzione e la letteratura comparata mettendo in evidenza l’importanza dell’Italia per la comprensione della figura e dell’opera di Ángel Crespo.
Urbaniak, Martyna. « «Gente Grossa e Lacrimosa». Immagini e Rappresentazioni del Mondo Rurale nella Letteratura e negli Scritti Toscani del XIV e XV Secolo ». Doctoral thesis, Scuola Normale Superiore, 2006. http://hdl.handle.net/11384/86043.
Texte intégralForlesi, Simone. « Tra Londra e Firenze : diplomatici, letterati ed editori nel primo Settecento italiano ». Doctoral thesis, Scuola Normale Superiore, 2018. http://hdl.handle.net/11384/86105.
Texte intégralDURETTO, IDA. « Memoria, imitazione e la costruzione del canone poetico tra Sette e Ottocento ». Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/90710.
Texte intégralMARINO, Laura. « «Quisquis ergo a natura humana corpus alienare vult, desipit» : la rappresentazione del problema corpo-anima in alcuni poemi allegorici tra XII e XIV secolo ». Doctoral thesis, Università degli studi di Cassino, 2023. https://hdl.handle.net/11580/95564.
Texte intégralLa tesi si prefigge l'obiettivo di analizzare e porre in comparazione alcuni poemi allegorico-didascalici composti in area europea tra il XII e il XIV secolo riguardo il tema della relazione tra corpo e anima all'interno dell'individuo umano. I quattro poemi esaminati (Architrenius di Giovanni di Altavilla, Anticlaudianus di Alano di Lilla, la Commedia di Dante, i Triumphi di Petrarca) hanno in comune la struttura ascensiva e il finale ricongiungimento dell'uomo con il divino: la tesi si occupa di osservare come questo percorso avvenga all'interno delle quattro narrazioni, attraverso quali modelli linguistici è definito, se ammetta o no la bontà della parte corporea insieme a quella spirituale, in generale se venga ammessa o negata la bontà della corporeità nel percorso di perfezionamento dell'individuo umano. Questa discussione teoretica si muove attraverso una costellazione di rimandi intertestuali tra le opere, a mostrare l'esistenza di un sostrato semantico comune che significhi un problema teologico condiviso che l'intellettuale medievale tenta di risolvere.
PINI, Carolina. « Estetica e poetica in Giovan Battista Gelli. Gli scritti sull’arte e su Dante ». Doctoral thesis, Scuola Normale Superiore, 2020. http://hdl.handle.net/11384/95188.
Texte intégralPAGLIARULO, CARLA. « I. Giordani, uomo di lettere e di cultura, e l'ideale di un «cristianesimo integrale» : alcuni carteggi indediti ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1795.
Texte intégralThis dissertation aims at setting Igino Giordani within the broader framework of the catholic cultural environment between the two world wars. It focuses on his proposal of an «integral Christianity» as a solution to the recession which threatened the fundamental values and principles of the economy, politics and culture during the 1920's and 1930's. This is the reason why the relationships between Giordani and many of his colleagues and cultural catholic institutions have been studied in depth. The work starts with a biography, underlining how Giordani's youth has been affected by the war and the experience as a soldier, up to his peaceful death, in 1980. His life shows how the consistency of his actions with his faith made him an influent personality in his working environments, to the point that the beatification process has begun. The research is based on Giordani's writings and on the previous historiography, but the most important source is constituted by a large number of archive documents. Particularly, Giordani's private correspondence has been very useful in understanding how he acted in order to support the engagement of the catholic intellectuals during the dark fascist age and his endless activity in order to build a new humanism. The work also focuses on the relationships between Giordani and two members of the Italian catholic world of the time: Giovanni Papini and Piero Bargellini.
PAGLIARULO, CARLA. « I. Giordani, uomo di lettere e di cultura, e l'ideale di un «cristianesimo integrale» : alcuni carteggi indediti ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1795.
Texte intégralThis dissertation aims at setting Igino Giordani within the broader framework of the catholic cultural environment between the two world wars. It focuses on his proposal of an «integral Christianity» as a solution to the recession which threatened the fundamental values and principles of the economy, politics and culture during the 1920's and 1930's. This is the reason why the relationships between Giordani and many of his colleagues and cultural catholic institutions have been studied in depth. The work starts with a biography, underlining how Giordani's youth has been affected by the war and the experience as a soldier, up to his peaceful death, in 1980. His life shows how the consistency of his actions with his faith made him an influent personality in his working environments, to the point that the beatification process has begun. The research is based on Giordani's writings and on the previous historiography, but the most important source is constituted by a large number of archive documents. Particularly, Giordani's private correspondence has been very useful in understanding how he acted in order to support the engagement of the catholic intellectuals during the dark fascist age and his endless activity in order to build a new humanism. The work also focuses on the relationships between Giordani and two members of the Italian catholic world of the time: Giovanni Papini and Piero Bargellini.
Ohlsson, Lena. « Oggetti e aiutanti magici nell´Orlando Furioso di Ludovico Ariosto ». Thesis, Högskolan Dalarna, Italienska, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:du-3837.
Texte intégralPirisino, Claudio. « Autour de la "regìa". La mise en scène en Italie : 1893-1943. Protagonistes, histoires, débats ». Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA153.
Texte intégralThis doctoral thesis challenges the simplistic doxa in theatre historiography that views genesis of theatre direction in Italy as a late phenomenon in comparison to other countries such as Germany, France, and Russia. This “delay” is thought to be due to the actor’s persistent self-referential tradition. According to the doxa, the Italian theatre system would have been resistant to the introduction of the new role of director, which was perceived as extraneous. This situation would have been caused in Italy by the popularity of wandering companies and the absence of a dominant theatrical focal point such as Paris was in France. The phenomenon of a strictly speaking regìa would have only emerged after the Second World War. This view has led to a series of misinterpretations and misunderstandings that oversimplify the phenomenon of the development of modern direction, favouring a teleological argument of qualitative progress. However, a number of studies carried out from the 2000’s encourage us to consider the direction as a complex aspect of the theatrical art. Concepts such as ‘proto-direction’ (Perrelli, 2005) and continuity/discontinuity (Sarrazac-Consolini, 2010), show the limits of an univocal definition of this art. In light of these studies, the Italian panorama appears as an uncharted territory. A recent study of the European directors’ tours in Italy for the years from the 1911 to 1940, has actually demonstrated the Italian system’s responsiveness (Schino, 2008).My research investigates the origin of the concept of “delay”, and the reasons by which theatre direction in Italy came to be considered by scholars as some sort of grail. I also highlight how direction in Italy emerges from the main source of the supposed delay itself: the actor. Indeed, the appearance of theatre direction is not abrupt; but rather a multifaceted art, which changes according to artists’ modus operandi and is dependent on the characteristics of the theatrical system
FEDERICO, LUCA. « L'apprendistato letterario di Raffaele La Capria ». Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1005664.
Texte intégralSCATIZZI, SIMONA SELENE. « L'altra fonte del neoclassicismo. La fortuna in Italia del Laocoonte di Lessing tra il 1750 e il 1850 ». Doctoral thesis, 2003. http://hdl.handle.net/2158/628261.
Texte intégralIACOLINA, DARIO. « Ricezione e fortuna di un pittore italiano in Francia : Giovanni Francesco Romanelli tra XVII e XVIII secolo ». Doctoral thesis, 2019. http://hdl.handle.net/11573/1306545.
Texte intégralLAROCCA, GIUSEPPINA. « L.V. Pumpjanskij (1891-1940) teorico della letteratura ». Doctoral thesis, 2011. http://hdl.handle.net/2158/981996.
Texte intégralROSSI, MICHELE. « Una sola moltitudine. Saggio sull'identità italiana. Culture e letteratura fra fine secolo e il decennio Duemila ». Doctoral thesis, 2011. http://hdl.handle.net/2158/595966.
Texte intégralGRITA, IRENE. « Riscatti e scambi di schiavi e captivi musulmani nel Mediterraneo tra XVI e XVIII secolo : il caso di Malta e l'operato del sultano del Marocco Sidi Muhammad ». Doctoral thesis, 2020. http://hdl.handle.net/11573/1382424.
Texte intégralGastaldi, Sciltian. « Pier Vittorio Tondelli : Letteratura Minore e Scrittura dell'Impegno Sociale ». Thesis, 2012. http://hdl.handle.net/1807/44076.
Texte intégralALESSANDRA, Campanari. « “IDENTITY ON THE MOVE” FOOD, SYMBOLISM AND AUTHENTICITY IN THE ITALIAN-AMERICAN MIGRATION PROCESS ». Doctoral thesis, 2018. http://hdl.handle.net/11393/251264.
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