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Bibliographies thématiques / Letter writing – Fiction; Invalids – Fiction

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Littérature scientifique sur le sujet « Letter writing – Fiction; Invalids – Fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 31 juillet 2024

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Articles de revues sur le sujet "Letter writing – Fiction; Invalids – Fiction"

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Nabutanyi, Edgar Fred. "Language, fiction, and heteropatriarchal critique in selected recent Ugandan short fiction." Sociolinguistic Studies 17, no. 1-3 (2023): 141–58. http://dx.doi.org/10.1558/sols.23998.

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There is an emerging Ugandan queer writing tradition that adopts an activist stance to imagine an alternative Ugandan queer subjecthood beyond popular and polarising perspectives of this subjectivity that were instantiated by the Anti-Homosexuality Act of 2014. This emerging archive of Ugandan writing, often deploying the short fiction genre, weaves intricate tales of queer Uganda that sidestep the censorship of an ostracised sexuality deemed sinful, dangerous, and unUgandan to claim the agency and humanity of Ugandan homosexuals. While this archive of Ugandan queer short fiction has attracted

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King, Don. "The Early Writings of Joy Davidman." Journal of Inklings Studies 1, no. 1 (2011): 47–67. http://dx.doi.org/10.3366/ink.2011.1.1.6.

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Joy Davidman’s place in the canon of twentieth century American literature deserves more attention than it has heretofore received. For instance, in her role in the late 1930’s as poetry editor for New Masses (the weekly voice of the Communist Party of the United States of America), Davidman published poets such as Langston Hughes, Margaret Walker, Alexander Bergman, and Aaron Kramer. At the same time, her poems in Letter to a Comrade (1938) touting a Communist agenda, while clearly written in the tradition of “proletarian literature,” are nonetheless well done; although a political agenda dri

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Bray, Joe. "The Letter‐Writing Manual and the Epistolary Novel." Journal for Eighteenth-Century Studies 47, no. 1 (2024): 15–29. http://dx.doi.org/10.1111/1754-0208.12930.

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AbstractThe relationship between real and fictional letters in the late seventeenth and early eighteenth centuries has been the source of much critical debate. Disagreement surrounds the extent to which the increasingly popular genre of the epistolary novel drew on the practices and techniques of actual correspondence. On the one hand are those who see epistolary fiction as developing out of real‐life letters, with some literary‐stylistic additions. On the other hand are those who reject this teleological approach in favour of one that emphasizes the functional versatility of the letter in the

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Bell, Erin. "Happy objects and cruel optimism in Carson McCullers’ story ‘Correspondence’." Short Fiction in Theory & Practice 9, no. 2 (2019): 117–27. http://dx.doi.org/10.1386/fict_00005_1.

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This article discusses American author Carson McCullers’ 1942 short story titled ‘Correspondence’, in order to consider how the unique form of the epistolary short story amplifies themes of alienation and absence. Drawing upon contemporary affect theory as well as a close reading of the story, I consider how the letters in the text can be understood as what Sara Ahmed describes as ‘happy objects’, as well as how the process of letter writing becomes exemplary of Lauren Berlant’s theorization of cruel optimism. Based on her own disappointment with letters and letter writing, McCullers’ short te

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Ngom, Ousmane. "Conjuring Trauma with (Self)Derision: The African and African-American Epistolary Fiction." European Scientific Journal, ESJ 14, no. 2 (2018): 1. http://dx.doi.org/10.19044/esj.2018.v14n2p1.

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All the female narrators of the three stories examined here – So Long a Letter, The Color Purple, and Letters from France – suffer serious traumas attributable to their male counterparts. Thus as a healing process, letter-writing is an exercise in trust that traverses the distances between the addresser and the addressee. Blurring the lines in such a way results in an intimate narration of trauma that reads as a stream of consciousness, devoid of fear of judgment or retribution. This paper studies the literary device of derision coupled with a psycho-feminist analysis to retrace the thorny, ca

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Venegas, José Luis. "Postal Insurgency: Letter Writing and the Limits of Mexican Nationalism in Gustavo Sainz’s Fiction." Hispanic Review 80, no. 2 (2012): 267–88. http://dx.doi.org/10.1353/hir.2012.0026.

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Albanese, Laurie Lico. "Note: The 1832 Cholera Epidemic and the Book Nathaniel Hawthorne Never Wrote." Nathaniel Hawthorne Review 47, no. 1 (2021): 167–70. http://dx.doi.org/10.5325/nathhawtrevi.47.1.0167.

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Abstract On June 28, 1832, Nathaniel Hawthorne penned a letter to Franklin Pierce describing plans for a Northern tour through New York into Canada, a trip that he was forced to postpone due to the 1832 cholera outbreak in Montreal. Hawthorne intended to gather tales for The Story Teller on this ill-timed trip, but the trip was never made and the collection of interlinked traveling tales never published. The author of this note paper considers the cholera epidemic's impact on Hawthorne's writing life and how it reverberates through her own writing of historical fiction during the 2020 coronavi

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Oliveira, Viviane Cristina. "“Não precisas tirar a máscara” – Notas sobre a carta no jornal e o jornal na carta." O Eixo e a Roda: Revista de Literatura Brasileira 27, no. 1 (2018): 153–79. http://dx.doi.org/10.17851/2358-9787.27.1.153-179.

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Resumo: Este artigo visa apresentar algumas reflexões sobre as relações entre a escrita epistolar, a ficção e o jornal instauradas em textos publicados por Aluísio Azevedo, Lúcio de Mendonça e Júlio Ribeiro em fins do século XIX no Brasil. A partir da leitura de suas obras Mattos, Malta ou Matta?, O marido da adúltera e Cartas sertanejas, respectivamente, busca-se tecer aproximações entre a carta e o jornal, de forma a destacar as confluências que marcam estes suportes de escrita cotidiana, bem como evidenciar certo diálogo instaurado por estes autores com os anônimos leitores das folhas diári

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Roger, Patricia M. "Taking a Perspective: Hawthorne's Concept of Language and Nineteenth-Century Language Theory." Nineteenth-Century Literature 51, no. 4 (1997): 433–54. http://dx.doi.org/10.2307/2933854.

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This essay examines Hathorne's concept of language and the characteristic indeterminacy of his writing in the context of nieteenth-century language study. Recently, two opposing theoretical postionss have emerged to account for this indeterminacy-the deconstructionist view as exemplified by J. Hillis Miller's analysis of "The Minister's Black Veil" and the more historical and political view that Jonathan Arac Takes in "The Politics of The Scarlet Letter." I argue that although Hawthorne's indeterminacy may invite a deconstructionist analysis, it is a product of his historical context, not ours

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Cheira, Alexandra. "“Mocking Eternities”: Writing Beyond the Ending of Possession, or A.S. Byatt’s Intersections between Academia, Literary Criticism, and Fiction." American, British and Canadian Studies 40, no. 1 (2023): 80–103. http://dx.doi.org/10.2478/abcsj-2023-0008.

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Abstract In 1995, a two-page-long letter signed by Professor Maud Michell-Bailey – which furthermore enclosed two original poems by Christabel LaMotte – prefaced a special edition on women poets in the academic journal Victorian Poetry. The letter and poems invite a critical return to Possession, since they are a complex game in which made-up characters come to life and actual people are fictionalized. They also raise significant theoretical issues while appearing to break free from the limitations imposed by what Victorian Poetry editor Linda Hughes has correctly described as “overdetermined

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