Thèses sur le sujet « Lays – history and criticism »
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Kacou, Gisèle Virginie. « Camara Laye et la tradition africaine ». Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=66191.
Texte intégralChapman, Christopher Adam 1964. « Regional traditions of Lao vocal music : lam siphandon and khap ngeum ». Monash University, School of Music-Conservatorium, 2002. http://arrow.monash.edu.au/hdl/1959.1/7867.
Texte intégralElgue, de Martini Cristina. « La re-escritura de la historia en las ficciones argentina y quebequense contemporáneas ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0002/NQ43067.pdf.
Texte intégralDesrochers, Arnald. « Los cruces genéricos en las cantigas gallego-portuguesas medievales ». Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59627.
Texte intégralBecause they were in touch with all sorts of cantigas, the poets included in their poems characteristics which blended from one genre to another. This may or may not have been done intentionally. Critics later studied these cantigas. They found that cantigas of one genre shared peculiarities common to cantigas of other genres, but they did not explore further into this trait. This study analyzes characteristics found commonly in one genre of cantiga and, as well, by placing together those cantigas with related attributes, it establishes the overlapping that takes place between the cantigas of different genres.
Lauzière, Carole. « El monólogo en el teatro español desde los años setenta : un estudio sobre las funciones del lenguaje en un "nuevo" género dramático ». Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=40379.
Texte intégralSpecifically, in considering the function of expression I reflect both upon the coherent discourse that derives from the (exterior) verbalization of (interior) thought and emotion, and upon the objectives and consequences of such expressions of the mental and emotional states of the individual. Secondly, I focus attention on the same verbal discourse inasmuch as it reflects the complex function of communication manifested in both an immanent and in a transcendental form. Such complexity derives from the fact that, if verbal discourse here is enunciated either in isolation or before an interiorized addressee (a fictional being), it is always emitted in the "presence" of an external addressee (the theatre audience/or reader). Finally, my study of the function of persuasion underscores the idea of empowerment: the authority of the word that is wielded by the monologist upon his/her addressee(s), a verbal manipulation that takes place both within the fictional world and beyond.
In short, this thesis seeks to show how the monologue as a fictional dramatic genre questions the viability of interpersonal relationships.
Perwak, Lindsay H. « Gritos en el Desierto : Denuncia y Resistencia en las Obras de las Escritoras Wayuu Estercilia Simanca Pushaina y Vicenta María Siosi Pino ». PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3001.
Texte intégralRyu, Hanpil. « A Conductor's Guide to Un-Yung La's Choral Music as Reflected in Easter Cantata ». Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862841/.
Texte intégralByington, Danielle. « Transmutations of Ophelia's "Melodious Lay" ». Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etd/3203.
Texte intégralPérez, López Ana María. « El discurso amoroso en la novela de la Restauración : las novelas de Benito Pérez Galdós ». Doctoral thesis, Universidad de Murcia, 2006. http://hdl.handle.net/10803/10954.
Texte intégralThe aim of this Doctoral Thesis has been the study of the amorous conceptions which are present in the spanish novel of the Restoration period (taking Benito Pérez Galdós works as a point of reference), especially regarding an idealistic point of view, and considering the following two aspects:1.The importance of amorous speech for the structural and thematic constitution of these works, since it is an essential component in the sentimental, moral, and intellectual configuration of their protagonists.2.The underlying ideologies which can be discovered through the exegesis and the analysis of the relevant texts in their relation to amorous conceptions of the authors of that time. We have focused on the influence of the most important schools of thought at the end of the XIX th. century (Idealism, Positivism, Pragmatism and Spirituality), and on their reflection and development in the Spanish novel in the Restoration period.
Beire, Vinicius Muhleethaler. « Cognoscer todas y tan infinitas naciones : uma analise sobre as fontes e a composição da Apologetica Historia Sumaria de Bartolome de Las Casas : (1522-1559) ». [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278668.
Texte intégralDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-10T07:59:16Z (GMT). No. of bitstreams: 1 Beire_ViniciusMuhleethaler_M.pdf: 1065855 bytes, checksum: 29395d74c0a3ec148bb9d06391bf2344 (MD5) Previous issue date: 2008
Resumo: Esta pesquisa é uma análise sobre a Apologética Historia Sumaria, de Bartolomé de Las Casas, um tratado sobre continente e seus respectivos habitantes, finalizado na década de 1550. O enfoque e as fontes utilizadas para sua elaboração foram o nosso objeto de estudo principal. Visamos especificar a sistematização de seu discurso, responsável por uma representação do indígena, complementar à concepção de gentes inocentes da Brevísima Relación de Destrucción de las Indias, seu trabalho mais conhecido. Dentre os aspectos destacados nesta nossa análise, poderíamos citar a relação entre natureza e seus habitantes para justificar sua retórica de defesa do indígena; o uso de outros cronistas como fontes selecionadas pelo frade dominicano; o conceito das ¿repúblicas indígenas¿ como ponto de equivalência entre europeus e americanos; e as controvérsias religiosas. Portanto, discutimos esses pontos encontrados na Apologética para tentar compreender este desdobramento do objetivo lascasiano de apresentar mais argumentos em defesa do indígena
Abstract: This study is an analysis on Dominican Bartolomé de Las Casas¿ Apologética Historia Sumaria. It is a thesis about the American continent and its natives, finished in 1550¿s. His approaches and the wellspring of information that had been used by the friar were our first object. We decided to specify his written essay, which was responsible for other representation of the indigenes that supplements the ingenuous people¿s notion of the Brevísima Relación de Desctrucción de las Indias, his best known work. The main topics that we considered were: the analogy between nature and habitant to justify his rhetoric Indian support; the historical documents selected; the ¿Indian republics¿ concept, which was used to put on the same level American and European people; and the religious controversies. Therefore, we discussed those points of the Apologética, to try to comprehend the development of the Las Casas¿ purpose
Mestrado
Historia Cultural
Mestre em História
Englund, Karin. « Eldsjälar, svartfötter och byråkrater : En undersökning av konflikten kring Tensta Konsthall ». Thesis, Södertörn University College, The School of Culture and Communication, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-282.
Texte intégralThe purpose of this essay was to overview the conflicts regarding the exhibition space (Kunsthalle) Tensta Konsthall during 2003 and 2004, in order to gain an understanding of the following: why the conflict started, if anyone exceeded their authority, how the case has been reviewed in the press, what kind of value judgements lay behind the actions and why this case has received so much attention. By studying mainly press material and political documents it has been made clear that Tensta Konsthall’s location in an ill reputed suburb of Stockholm has been the cause for its exposure to different demands and expectations compared to other similar exhibition spaces. Further the essay deals with questions raised by the conflict in the intersection of culture and politics.
Simpson, Nigel. « Post-structuralism and history ». Thesis, University of Sussex, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282616.
Texte intégralBork, Debora J. « History and criticism of photographically illustrated children's books / ». Online version of thesis, 1988. http://hdl.handle.net/1850/11490.
Texte intégralRiding, Christopher John Livsey. « The art criticism and history of Michael Fried ». Thesis, University of Leeds, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.272737.
Texte intégralAmley, Hollis Marie. « The Evolution of Criticism on Jean-François Millet ». NCSU, 2005. http://www.lib.ncsu.edu/theses/available/etd-03282005-154529/.
Texte intégralCallahan, Sarah Francis. « A Wonder Whose Origin is not Known : The Importance of the Orphan Hero in Otherworldly Film ». Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3694/.
Texte intégralRyan, Matthew. « Self, nation and novel in contemporary Irish writing ». Monash University, Centre for Comparative Literature and Cultural Studies, 2004. http://arrow.monash.edu.au/hdl/1959.1/5421.
Texte intégralRam, Deepak. « A portfolio of original compositions exploring syncretism between Indian and western music ». Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002320.
Texte intégralKokotailo, Philip 1955. « Appreciating the present : Smith, Sutherland, Frye, and Pacey as historians of English-Canadian poetry ». Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39772.
Texte intégralSchillinger, Stephen. « Common representations : Jack Straw and literary history as cultural history on the early modern stage / ». Thesis, Connect to this title online ; UW restricted, 2005. http://hdl.handle.net/1773/9363.
Texte intégralWallis, Lesley Ann. « History, politics and tradition : a study of the history workshop 1956-1979 ». Thesis, University of Birmingham, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.369414.
Texte intégral何倬榮 et Cheuk-wing Ho. « Engendering children : from folk tales to fairy tales ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31227363.
Texte intégralHaddad, Ziyad Salem. « The Jordanian contemporary art criticism : a methodological analysis of critical practices / ». The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487588939088645.
Texte intégralCharlesworth, J. J. « Art criticism : the mediation of art in Britain 1968-76 ». Thesis, Royal College of Art, 2016. http://researchonline.rca.ac.uk/1803/.
Texte intégralHart, Sally. « Derrida and postmodernity : at the end(s) of history ». Thesis, University of Chichester, 2007. http://eprints.chi.ac.uk/836/.
Texte intégralSiviter, Clare. « Rewriting history through the performance of tragedy, 1799-1815 ». Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/87637/.
Texte intégralFairley, Ian. « Criticism in history : the work of György Lukacs, 1902-1914 ». Thesis, University of York, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333708.
Texte intégralPelletier, Valérie. « Etude sur l'entremêlement des concepts d'histoire et de fiction dans la littérature historique et fantastique en Chine ». Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79969.
Texte intégralTurner, Seth. « Revelation 11:1-13 : history of interpretation ». Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:57efe3b3-7c61-412f-9001-5269860a896d.
Texte intégralChapin, Charles Nicholas. « The turn to reading in twentieth-century literary criticism ». Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609859.
Texte intégralOrth, Michael D. « Mirages Solidified : Myth, Beautification, and Tourism In The Creation of Santa Barbara’s El Pueblo Viejo Landmark District ». DigitalCommons@CalPoly, 2011. https://digitalcommons.calpoly.edu/theses/615.
Texte intégralRockhill, Paul Hunter. « The Reception Theory of Hans Robert Jauss : Theory and Application ». PDXScholar, 1996. https://pdxscholar.library.pdx.edu/open_access_etds/5153.
Texte intégralOhm, Andrew Taehang. « Two faces of Manasseh : a comparative reading of 2 Kings 21:1-18 and 2 Chronicles 33:1-20 ». Thesis, Available from the University of Aberdeen Library and Historic Collections Digital Resources. Online version available for University member only until Dec 1, 2013, 2008. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?application=DIGITOOL-3&owner=resourcediscovery&custom_att_2=simple_viewer&pid=25472.
Texte intégralKing, Edward Carlos Richard. « Mapping the control society : science fiction tropes and digital technologies in contemporary Argentine and Brazilian narrative ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610135.
Texte intégralChau, Ka-wah Anna, et 周嘉華. « Imaginary spaces in children's fantasy fiction : a psychoanalytic reading of Lewis Carroll's Alice Booksand Philip Pullman's His Dark Materials Trilogy ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31364986.
Texte intégralMoeketsi, Solomon Monare. « Space and characterization in Sesotho novels ». Thesis, Stellenbosch : Stellenbosch University, 2002. http://hdl.handle.net/10019.1/53060.
Texte intégralENGLISH ABSTRACT: This study examines space and characterization in Sesotho novels focussing on three main categories such as the space of travelling characters; the space of migrating characters; and the space as an abstraction. CHAPTER 1 introduces the aims of study as well as the theoretical framework which forms the basis on which the study is analysed. The notions of space and character are discussed within the theoretical framework of structuralism, and the focus is placed on narratology. CHAPTER 2 studies the travelling characters, focus is on Mofolo's novels, Moeti wa botjhabe/a and Pitseng which depict two types of space where one space is presented as traditional, and the other as a westernized space. The traditional and westernized spaces are symbolized by means of bad and good characters respectively. The good characters are depicted as angels, and the bad characters as monsters. CHAPTER 3 examines the space of migrating characters that leave their rural spaces for the urban spaces. Their characters are shown by means of changes that they experience at different spaces. In most of the novels examined, characters are motivated by certain desires to act in a particular way, and the change in them is the result of a crucial situation in life, hence we say characterization and space in those novels are reconciled in an appropriate way. CHAPTER 4 deals with the space as an abstraction which shows how the characters' personalities are affected by the political, psychological and socio-economic factors. Characterization in these novels is good except in Makappa's novel, Thatohatsi. In CHAPTER 5 we look as to whether the novels are good or bad in terms of literary appreciation and conclusion is drawn to the effect that it is not heredity that makes up a character, but the social environment. This is achieved through the literary aspects such as the way conflict is handled, types of characters and the portrayal of the space in which the characters live.
AFRIKAANSE OPSOMMING: Die navorsing wat hierdie proefskrif gedoen is het die soeklig op ruimte en karakterisering in Sesotho novelles laat val. Klem is op drie hoof-kateqorie gele. uimte wat deur rondreisende karakters ingeneem word, die ruimte wat deur nomadiese of rondtrekkende karakters beslaan word, en ruimte as n bepaalde begrip. Hoofstuk 1 stel die leser voor aan die doelwitte van die navorsing, sowel as die teoretiese raamwerk wat die grondslag waarop die studie berus, vorm. Die begrippe 'ruimte' en 'karakter' word binne die teoretiese raamwerk van die strukturalisme bespreek en die fokus word in hierdie geval op die vertelkunde geplaas. Hoofstuk 2 Ie klem op rondreisende karakters en ondersoek Mofolo se novelles Moeti wa botjhabela en Pits eng waarin twee soorte ruimtes uitgebeeld word; naamlik, tradisionele ruimte en verwesterse ruimte. Tradisionele en verwesterse ruimtes word onderskeilik deur slegte en goeie karakters versinnebeeld. Die goeie karakters word as engele uitgebeeld, terwyl die slegte karakters as monsters voorgestel word. In Hoofstuk 3 word die ruimte van die nomadiese karakters wat hulle plattelandse ruimte vir 'n stedelike ruimte verruil, ondersoek. Hierdie karakters word deur middel van veranderinge wat in verskillende ruimtes plaasvind, voorgestel. In die meeste novelles wat ondersoek is, het die karakters op n sekere manier opgetree omdat hulle deur bepaalde begeertes daartoe gedryf is. Die verandering in die lewens van hierdie karakters as gevolg hiervan, kan dan beskou word as die direkte gevolg van sekere deurslaggewende gebeurtenisse. Karakteriseering en ruimte word dus in hierdie novelles op n geskikte wyse met mekaar verbind. Hoofstuk 4 neem die begrip 'ruimte' onder die loep om sodoende aan te dui hoe die karakters se persoonlikhede deur politieke, sielkundige en sosio-ekonomiese faktore beinvloed word. Karakterisering in hierdie novelles is geslaagd, behalwe in Makappa se novelle Thatohatsi. In Hoofstuk 5, word aandag geskenk aan die beoordeling van die novelles in terme van die hulle literere waarde en daar word tot die gevolgtrekking gekom dat dit nie oorerflike eienskappe is wat gestalte aan 'n bepaalde karakter gee nie, maar veel eercer sy omgewing. Oit word veral duidelik as gelet word op bepaalde literere aspekete soos die manier waarop konflik uitgebeeld word, asook die beskrywing van die ruimte waarin die karakters hulle bevind.
Van, Huyssteen Konstant. « Populêre vs. literêre grensverhale : twee beelde van die Angolese oorlog (1966-1989) ». Master's thesis, University of Cape Town, 1998. http://hdl.handle.net/11427/19512.
Texte intégralIn this dissertation, a study is made of two bodies of fiction documenting the South African soldier in Angola. The fiction was limited to Afrikaans short stories, as this genre is believed to best reflect the fragmentary, explosive experience of combat. This demarcation also served as a way of limiting the body of fiction for the study. A cut-off year of 1990 was taken. The rationale for this is that the late seventies and eighties was the golden age for the publication of border fiction, and that Southwest AfricaNamibia gained independence in 1990 with a SWAPO (South West Africa People's Organisation) government, thus largely defeating the purposes of South African military involvement in Namibia and Angola. The collections of short stories that were analyzed in this study, were divided into two categories. The stories published in popular family magazines such as Die Huisgenoot were considered to be popular fiction. These stories are overtly accepting of South Africa's involvement in Namibia and Angola, and are highly propagandistic. The collections Ses Wenverhale (1988) by Maretha Maartens and others, and Verby die wit brug (1978) by Johan Coetzee, were analyzed as examples of this category. In the category of literary short stories, Wie de hel het jou vertel? (1988) by Gawie Kellerman and 'n Wereld sonder grense (1984) by Alexander Strachan were analyzed. It is important to note that the texts were selected thematically i.e. the criterium was that they had to have the South African soldier in South West AfricaAngola as main theme. Analyses of the texts are based on the thesis formulated by H P van Coller in his article "Afrikaanse literatuur oor die gewapende konflik in Suider-Afrika sedert 1963 - 'n voorlopige verslag". In this report, Van Coller mentions that studies comparing the literary border fiction with the popular border fiction, have been left behind. The study aims at examining this unexplored territory and looks extensively at how these two bodies of fiction differ. It was found that two radically different images of the border war emerge from the two bodies of fiction: the popular fiction is uncritical, war is presented more as an exciting game in the popular fiction, whereas it is presented as deadly, yet addictive, in the literary fiction. The ideological backgrounds from which the stories are written, are fundamentally opposed: the popular fiction often sees the war as a continuation of the white man's struggle for survival on a violent continent, and God is assumed to be on the South African side. The literary fiction documents a loss of God and criticises the government, censorship and apartheid. The literary fiction also fulfills a function of reporting - that which has not been said in the media due to censorship by government. The scope of the popular fiction is much narrower than the literary fiction, ignoring issues such as homosexuality in the army, torture and atrocities. Finally, the conclusions differ, with a sentimental "all will be well" in the popular fiction, as opposed to the fundamental pessimism in the literary fiction.
Osinkina, Lyubov. « The textual history of Ecclesiastes in Church Slavonic ». Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:105639ae-dbd0-49bb-a7aa-f36bac2ee221.
Texte intégralzur, Loye Tobias Percival 1985. « History of a Natural History : Max Ernst's Histoire Naturelle, Frottage, and Surrealist Automatism ». Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10700.
Texte intégralWhen André Breton released his Manifesto of Surrealism in 1924, he established the pursuit of psychic automatism as Surrealism's principle objective, and a debate concerning the legitimacy or possibility of Surrealist visual art ensued. In response to this skepticism, Max Ernst embraced automatism and developed a new technique, which he called frottage , in an attempt to satisfy Breton's call for automatic activity, and in 1926, a collection of thirty-four frottages was published under the title Histoire Naturelle. This thesis provides a comprehensive analysis of Histoire Naturelle by situating it in the theoretical context of Surrealist automatism and addresses the means by which Ernst incorporated found objects from the natural world into the semi-automatic production of his frottages. All previous scholarship on the subject is consolidated and critically examined, and the development of frottage is traced from its earliest manifestations to its long-lasting influences.
Committee in Charge: Dr. Sherwin Simmons, Chair; Dr. Joyce Cheng; Dr. Charles Lachman
Neidorf, Leonard. « The Origins of Beowulf : Studies in Textual Criticism and Literary History ». Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11366.
Texte intégralSeymour, G. S. « History and aesthetics and in the development of English literary criticism ». Thesis, University of Essex, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381257.
Texte intégralParis, Lisa. « Visual arts history and visual arts criticism : Applications in middle schooling ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 1999. https://ro.ecu.edu.au/theses/1240.
Texte intégralWylde, Nanette. « A brief history... interactive multimedia art installation : discussion of process, media, content, and response ». The Ohio State University, 1996. http://rave.ohiolink.edu/etdc/view?acc_num=osu1384359452.
Texte intégral周業珍 et Yip-chun Rita Chau. « A study of Zhu Ziqing's (1898-1948) poetry and prose ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31212153.
Texte intégralDixon, Marzena M. « The structure and rhetoric of twentieth-century British children's fantasy ». Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/14858.
Texte intégralClavero, Dolores. « Génesis y evolución de los temas épicos nacionales del romancero viejo ». Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26974.
Texte intégralArts, Faculty of
French, Hispanic, and Italian Studies, Department of
Graduate
Rae, Lyn MacCrostie. « A study of the versification of the African carmina latina epigraphica ». Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31157.
Texte intégralArts, Faculty of
Classical, Near Eastern and Religious Studies, Department of
Graduate
Schofield, Dennis, et mikewood@deakin edu au. « The second person : A point of view ? The function of the second-persn pronoun in narrative prose fiction ». Deakin University, 1998. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20051110.150736.
Texte intégralBatson, Sandra. « "A profound edge" : the margin as a place of possibility and power, or, Revisioning the post-colonial margin in Caribbean-Canadian literature ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0001/MQ43832.pdf.
Texte intégralŞaim, Mirela. « La traversée du discours moderne par le dialogue / ». Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=70221.
Texte intégralThe first part focuses on the general discourse elements of modern dialogue, such as narrativity, rhetorical devices, character definition and function, paratextual structures, etc.
The second part includes a series of text analyses that proposes a study of ideological tendencies of modern social discourse through the most representative dialogues of the age.
Finally, the third part concentrates on the literary value and the build-up of dialogue as an aesthetic structure towards the end of the XIXth century and at the turn of the XXth century.