Thèses sur le sujet « Landscapes in art – exhibitions »
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Stretch, Eleanor Eunice, et mikewood@deakin edu au. « Using site as the medium of image-making at Tower Hill ». Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.144857.
Texte intégralBriggs, Susan H. « Landscape as metaphor : artist as metaphier ». Thesis, Curtin University, 2002. http://hdl.handle.net/20.500.11937/1470.
Texte intégralBriggs, Susan H. « Landscape as metaphor : artist as metaphier / ». Curtin University of Technology, School of Art, 2002. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=14292.
Texte intégralLi, Vivian Yan. « Art negotiations : Chinese international art exhibitions in the 1930s ». Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209143379.
Texte intégralForstrom, Melissa. « Interpretation and visitors in two Islamic art exhibitions ». Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q3610/interpretation-and-visitors-in-two-islamic-art-exhibitions.
Texte intégralMcGirr, Diana Rosemary. « Legitimate landscapes : repositioning regional art production ». Thesis, Curtin University, 2016. http://hdl.handle.net/20.500.11937/48488.
Texte intégralHatcher, Lynn A. « Exhibition in the curriculum preparing students to complete the artistic cycle / ». Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/art_design_theses/49/.
Texte intégralTitle from title page (Digital Archive@GSU, viewed July 13, 2010) Melanie Davenport, committee chair; Kevin Hsieh, Melody Milbrandt, committee members. Includes bibliographical references (p. 45-46).
Fuller, Michele. « Reviewing medium : paint as flesh ». Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008590.
Texte intégralJordan, Benjamin Thomas. « Synthetic Landscapes ». VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4303.
Texte intégralAsquith, Wendy. « Haiti and art : curating the nation for international exhibitions ». Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2027099/.
Texte intégralKamata, Mayumi. « Chinese art exhibitions in Japan, ca 1900 to 1931 ». Connect to resource, 2001. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1233600845.
Texte intégral이윤영 et Yoon Yung Lee. « The Joseon Fine Art Exhibition under Japanese colonial rule ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.
Texte intégralpublished_or_final_version
Fine Arts
Master
Master of Philosophy
Zhang, Linzhi. « Contemporary art and the exhibitionary system : China as a case study ». Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289428.
Texte intégralCook, Shashi Chailey. « "Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" / ». Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.
Texte intégralFrears, Lucy. « Unlocking landscapes using locative media ». Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/13330/.
Texte intégralPalmer, Daniel. « Exhibiting practice : retrospective survey exhibitions of conceptual art, 1989-2000 ». Thesis, Kingston University, 2007. http://eprints.kingston.ac.uk/20221/.
Texte intégralBorchardt-Hume, Achim. « The history of the Esposizione Quadriennale d'Arte Nazionale 1927-1943 : sixteen years of aesthetic pluralism under Facist patronage ». Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248636.
Texte intégralMorrison, Ann Katherine 1929. « Canadian art and cultural appropriation : Emily Carr and the 1927 exhibition of Canadian West Coast Art - Native and Modern ». Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31244.
Texte intégralArts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
Price, Brandi. « Aural Landscapes ». VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2451.
Texte intégralHolland, Nicole Murphy. « Worlds on view visual art exhibitions and state identity in the late Cold War / ». Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p3397171.
Texte intégralTitle from first page of PDF file (viewed March 30, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
Smith, Matthew. « Unpresentable landscapes and the art of the index ». Thesis, University of Newcastle Upon Tyne, 2012. http://hdl.handle.net/10443/1913.
Texte intégralPontelli, Elena. « Landscapes before the landscape in ancient Etruscan art ». Thesis, IMT Alti Studi Lucca, 2022. http://e-theses.imtlucca.it/347/1/Pontelli_phdthesis.pdf.
Texte intégralMcMasters, Neil G., et neilgmcmasters@mac com. « Impressions from Virtual Landscapes ». RMIT University. Art and Culture, 2003. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090715.142840.
Texte intégralTurner, Sarah Elizabeth. « Constructing landscapes : art in Neolithic and modern southern Brittany ». Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1446864/.
Texte intégralPetty, Nancy. « African Art in Western Museums : Issues and Perspectives ». Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/992.
Texte intégralBachelors
Arts and Sciences
Art History
Floe, Hilary Tyndall. « The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.
Texte intégralLindqvist, Ursula Anna Linnea. « The politics of form : imagination and ideology in 1930s transnational exhibitions and socially engaged poetry / ». view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3190531.
Texte intégralTypescript. Includes vita and abstract. Includes bibliographical references (leaves 295-305). Also available for download via the World Wide Web; free to University of Oregon users.
Avgita, Louisa. « The remaking of the Balkans in contemporary art exhibitions : a critical view ». Thesis, City University London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580612.
Texte intégralGhidini, Marialaura. « Curating Web-based art exhibitions : mapping online and offline formats of display ». Thesis, University of Sunderland, 2015. http://sure.sunderland.ac.uk/6088/.
Texte intégralAllison, Martha. « On the Beginning of Contemporary Tibetan Art : The Exhibitions, Dealers, and Artists ». VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1751.
Texte intégralSutherland, Ann. « Art exhibitions in the national interest : Australian cultural diplomacy, 1918 to 1941 ». Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29656.
Texte intégralRoberts, Judith. « Drawing the Artesian : Extracting Methods to Visualise Unseen Landscapes ». Thesis, Griffith University, 2015. http://hdl.handle.net/10072/366164.
Texte intégralThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Arts, Education and Law
Full Text
Haydon, Kirsten, et kirsten haydon@rmit edu a. « Antarctic landscapes in the souvenir and jewellery ». RMIT University. Art, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090227.115157.
Texte intégralSousa, Luis. « Between monument and memorial : the design of the Korean War veterans memorial ». Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23012.
Texte intégralThorne, Jessica Louise. « The choreography of display : experiential exhibitions in the context of museum practice and theory ». Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/22063.
Texte intégralIn this project I examine curatorial processes and the experience of constructing and viewing museum exhibitions. Specifically I have been interested in the way in which certain exhibits facilitate powerful emotional responses from their viewers. I suggest that the curators of these kinds of exhibitions employ strategies which not only choreograph the displays but the viewers' bodies themselves as they move through them. As a case study of an experiential exhibition I focus on the District Six Museum where I have been part of its curatorial team since 1999. The work of curatorship that I have done at the Museum during the period of my registration for this degree constitutes part of this submission.
Manasseh, Cyrus. « The problematic of video art in the museum (1968-1990) ». University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0004.
Texte intégralSmith, George Wilson. « Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art ». Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/11771.
Texte intégralBrown, Carol. « "Museum spaces in post-apartheid South Africa" : the Durban Art Gallery as a case study ». Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.
Texte intégralBarlow, John. « Experiences of travel and northern rural landscapes in contemporary art ». Thesis, University of Brighton, 2017. https://research.brighton.ac.uk/en/studentTheses/c1e76a25-99b3-4fa0-9a0e-33966a589882.
Texte intégralHögström-Schnee, Linn. « Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm ». Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547.
Texte intégralBunn, Leanne. « Changing landscapes : Norman Cornish and North East regional identity ». Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/3677/.
Texte intégralHogarth, Jan. « 'Dislocated landscapes' : a sculptors response to contemporary issues within the British landscape ». Thesis, University of Sunderland, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268041.
Texte intégralSchoeber, Felix. « Modernity, nationalism and global marginalisation : representing the nation in contemporary Taiwanese art exhibitions ». Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/8yv7y/modernity-nationalism-and-global-marginalisation-representing-the-nation-in-contemporary-taiwanese-art-exhibitions.
Texte intégralLiu-Devereux, Pauline Carol. « Galleries and drift : mapping undermined landscapes ». Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3283.
Texte intégralZhu, Chenlu (Cindy). « Searching For A Graspable Past : Landscapes, Nostalgia, And Chinese Contemporary Art ». Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1311.
Texte intégralHoward, Courtney L. « Special Exhibitions, Media Outreach, and Press Coverage at the Metropolitan Museum of Art, the Chicago Art Institute, and the National Gallery of Art ». Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276542794.
Texte intégralLinton, Jerry. « Chance images ». Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9862.
Texte intégralGrunenberg, Christoph. « The politics of presentation : museums, galleries and exhibitions in New York, 1929-1947 ». Thesis, Courtauld Institute of Art (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283893.
Texte intégralRapp, Karen M. « "Not the romantic west" : site-specific art, globalization, and contemporary landscapes / ». May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Texte intégralChasse, Sarah Noble. « "A Certain Kinship" : The First Exhibitions of American Folk Art, New York, 1924-1932 ». W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539626675.
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