Thèses sur le sujet « L fiction »
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Miskimmin, Esme. « Detective fiction, religion, and Dorothy L. Sayers ». Thesis, University of Liverpool, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406822.
Texte intégralZelman, Brett L. « Brett L Zelman's Master Thesis ». Cleveland State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=csu1463150312.
Texte intégralRedfern, Rachel Yvette. « Layering the March : E. L. Doctorow's Historical Fiction ». BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2229.
Texte intégralPerna, Sandro Maria <1981>. « Science (in) fiction. Un CLIL de science à travers... la science (fiction) ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15543.
Texte intégralSaltyte, Migle <1990>. « Climate Change in Fiction ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15838.
Texte intégralMotlhamme, Moitheki Zephorah. « Tlhotlhomisi ya dintshontsho tsa lorato : L. D. Raditladi ». Pretoria : [s. n.], 2005. http://upetd.up.ac.za/thesis/available/etd-11062007-115555.
Texte intégralCoban, Osman. « Reading choices and the effects of reading fiction : the responses of adolescent readers in Turkey to fiction and e-fiction ». Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30686/.
Texte intégralMartellotta, Alessandra <1986>. « Letters in the Fiction of Eliza Haywood ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4390.
Texte intégralXausa, Chiara <1991>. « Feminist environmental humanities : intertwining theory and speculative fiction ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2022. http://amsdottorato.unibo.it/10435/1/XAUSA_CHIARA_TESI.pdf.
Texte intégralSteinmetz, Thomas. « Fictions de la connaissance, connaissance de la fiction : aspects du Néofantastique de J.-L. Borges à David Lynch ». Paris 7, 2008. http://www.theses.fr/2008PA070046.
Texte intégral. This study is about fantasy’s major transformation in the XXth century. In the course of XIXth century. A main form of fantasy fiction developped. Which aim was to give rise to fear in the lector's mind, by confronting supernatural events to a representation of reality. In the XXth century, new types of fantasy fiction appear, and since the end of the 1930s, themes and narrative techniques were largely renewed. Latin-american "neofantasy fiction is a striking example of this renewal. This transformation is characterized by the intellectualization of the genre ; the supernatural part of the story tends to be internalized, many tales relate an adventure of the mind. In this case, fantasy fiction is not about strange or impossible events: it is about aconception of realitv
Fudge, Heather Lynn. « L' autobiographie et le personnage de fiction chez Simone de Beauvoir ». Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22587.
Texte intégralA memoir is not simply the reconstruction of the author's past, but a personal interpretation of this past which often includes discrepancies between the narrative and the reality of his or her life. The autobiographer's primary objective is not to deliver the historical facts of his or her existence, but to show a self beneath the person that appears to the world. In our research, we have found that the value and truth of Simone de Beauvoir's autobiography arise from her creation of a character she sees as embodying her own distinct personality.
Antoniolli, Claudia <1992>. « Questions of Sexual Identity and Female Empowerment in Fan Fiction ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/11539.
Texte intégralSgarbossa, Hilary <1996>. « Victorian love and sentimentality in postmodern fiction : Fowles, Byatt and Waters ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20759.
Texte intégralDurey, Virginie. « L' Amérindienne dans la fiction hollywoodienne : entre vérité historique et prisme cinématographique ». Angers, 2011. http://www.theses.fr/2011ANGE0014.
Texte intégralThis doctoral dissertation deals with several research subjects, such as Cultural Studies, American history and cinema. In Hollywood cinema, and especially in westerns from 1895 until 2010, the representation of the American Indian woman tends to follow the American sociocultural changes during the twentieth century. However, American ideology, norms, conventions, ideals and values are dictating the eternal same portraits of American Indian women. Miscegenation is always forbidden, as evidenced in the death of most heroines at the end of westerns. Moreover, film directors standardize the "Pocahontas image" by universalizing exoticism and adding entertainement, thus confronting historical truth with cinematic distortion
Bilik, Rebeka <1995>. « Defying Conventions : A Survey of First-Wave Feminism in Modernist Fiction ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16670.
Texte intégralSchuppert, Guillaume. « Le "faire-semblant" en procès : examen et défense de la philosophie de Kendall L. Walton ». Thesis, Université de Lorraine, 2019. http://www.theses.fr/2019LORR0036.
Texte intégralThe ordinary concept of fiction raises ontological, epistemological, logical and aesthetical questions. Kendall Walton's Mimesis as Make-Believe (1990) introduced a groundbreaking theory on fiction and representation. According to his main claim, the practice of appreciating representational works of art shares significant similarities with the practice of playing games of make-believe. According to Walton, both activities rely on the concept of fictionality, the fact of being true in the fiction, which is understood in terms of prescriptions to imagine. My dissertation consists of an introduction to Walton's philosophy, a commentary of Mimesis' theory of make-believe and a defense against their critics. The first part provides a presentation of Walton's philosophical methodology and discusses one of his most famous articles, "Categories of Art" (1970). The second part provides a detailled commentary of Mimesis, based on a confrontation between Nelson Goodman's theory of representation and Walton's one. The third part is dedicated to analyse the criticisms that are encountered by the theory. A first set of criticisms comes from philosophers admitting the fundamental principles of the theory : those are Gregory Currie (1990), Peter Lamarque and Stein Olsen (1994), or Jerrold Levinson (1993). I argue that those objections are groundless. Another set of criticisms comes from philosophers attempting to undermine the fundamental principles of the theory : those are Stacie Friend (2008), Derek Matravers (2014), or even Walton himself (2015). According to me, those objections are on the right tracks if correctly understood, but fall short from being decisive. Nevertheless, I argue they should lead us to develop a research on the semiotic aspects of fictionality
Gallicchio, Teresa <1996>. « Linguaggio Maschile Giapponese : Comparazione tra Fiction e Realtà ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19145.
Texte intégralHan, BongKyu. « L' émergence d'un nouveau territoire pour la littérature : étude de la fiction hypertextuelle ». Limoges, 2009. http://www.theses.fr/2009LIMO2004.
Texte intégralHarrington, Bridget. « Detective fiction and modernity a study of Dorothy L. Sayers and Christopher Caudwell / ». Connect to Electronic Thesis (CONTENTdm), 2008. http://worldcat.org/oclc/441821263/viewonline.
Texte intégralÅhmansson, Gabriella. « A life and its mirrors : a feminist reading of L. M. Montgomery's fiction / ». Stockholm : Almqvist och Wiksell, 1991. http://catalogue.bnf.fr/ark:/12148/cb35519755h.
Texte intégralDrage, Eleanor Guistina Prudence <1991>. « Utopia/Dystopia, Race, Gender, and New Forms of Humanism in Women's Science Fiction ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amsdottorato.unibo.it/8828/1/Eleanor%20Drage%20-%20Thesis%20-Cotutela%20.pdf.
Texte intégralMorossi, Martina <1992>. « L’autore è sempre un bugiardo ? – Emmanuel Carrère, dalla fiction all'autofiction ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/20923.
Texte intégralGolding, Page Julie Rae. « Kindred to the spirit a Christian perspective on the imagination as portrayed in L.M. Montgomery's 'Anne of Green Gables' series / ». Online full text .pdf document, available to Fuller patrons only, 1999. http://www.tren.com.
Texte intégralTamborrino, Elettra <1980>. « The fiction of reconciliation : il paradigma della rivelazione in cinque romanzi sudafricani post-apartheid ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3856/1/tamborrino_elettra_tesi.pdf.
Texte intégralTamborrino, Elettra <1980>. « The fiction of reconciliation : il paradigma della rivelazione in cinque romanzi sudafricani post-apartheid ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3856/.
Texte intégralErnzen, Billey Annik. « L 'Image de la Révolution française dans les oeuvres de fiction de Barbey d'Aurevilly ». Caen, 1992. http://www.theses.fr/1992CAEN1094.
Texte intégralThe heir of a generation that witnessed the french revolution, barbey d'aurevilly, as a young man, makes an effort to adapt to the times, to be able to play a role. He is relatively enthusiastic in february 1848, but his brief political career only lasts one month. He thereafter puts all his energy into his writing and dreams history in his works of fiction, where it is possible to find a picture of the french revolution (as seen from the chouan or anti-revolutionary side). Barbey draws this picture from his family heritage and the oral tradition he remembers from his childhood. By means of a crossreference structural system used in his different novels, barbey re-creates for the reader his own personal experience of a special and unique relationship with history. In this scheme, the novel entitled "l'ensorcelee" occupies a special because it is the only book by barbey in which the internal structure is organized around history, taking the french revolution as its time-setting. In this fashion, the novel takes on a mythical dimension, and using other documents, the author sketches the evolution of the french peasantry in the first half of the 19th century. Comparison with the chouan novels of balzac and hugo allows us to better indicate the originality of barbey and to understand that his work is not a nostalgic song of the past, but is definitely involved in the struggles of the nineteenth century. The revolution of 1830 and specially that of 1848 and the commune of 1871 were particularly responsible for this pictorial writing of the great revolution of 1789
Morini, Emanuela <1961>. « Dalle ambivalenze della Storia alla “cosmopolitical fiction” : la rappresentazione dell'alterità nel romanzo di Anita Desai ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5496/1/Morini_Emanuela_Tesi.pdf.
Texte intégralCrossing the frontiers of history through the personal histories of her characters has always fascinated the creative sensibility of Anita Desai. Her novels can indeed be regarded as an accomplished example of contact zone literature, which successfully portrays, with peculiar elegance and great sensibility, the most ferocious forms of marginalization. The lyrical exploration of the interaction between power and resistance in her narrative work builds through a problematized gaze, which provincializes India and the world not only across borders, but most importantly from within. From the representation of the Other without, that is the ambivalent relationship with the British, to the representation of the problematics with the Other within, that is the uneasy and contradictory question of ethnicity in the subcontinent, Desai finally tells stories of ambivalent historical processes of exclusion produced by different cultural worlds such as Nazi Germany or the Huichol Indians in far-away Mexico. By presenting peripheral individuals at grips with the dynamics of history and its ambivalences, Desai’s novels dig up liminal voices very often neglected by postcoloniality itself, which, in turn, deconstruct monolithic officialdom. This enables the author to celebrate, through literature, the obliteration of cultural and spatial frontiers and in so doing, to express her “well-tempered-humanism”. Desai’s commitment to contrast the cruel processes of history in her novels undoubtedly places her as a major representative of cosmopolitical fiction in the global and transnational panorama of contemporary literary production in English.
Morini, Emanuela <1961>. « Dalle ambivalenze della Storia alla “cosmopolitical fiction” : la rappresentazione dell'alterità nel romanzo di Anita Desai ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5496/.
Texte intégralCrossing the frontiers of history through the personal histories of her characters has always fascinated the creative sensibility of Anita Desai. Her novels can indeed be regarded as an accomplished example of contact zone literature, which successfully portrays, with peculiar elegance and great sensibility, the most ferocious forms of marginalization. The lyrical exploration of the interaction between power and resistance in her narrative work builds through a problematized gaze, which provincializes India and the world not only across borders, but most importantly from within. From the representation of the Other without, that is the ambivalent relationship with the British, to the representation of the problematics with the Other within, that is the uneasy and contradictory question of ethnicity in the subcontinent, Desai finally tells stories of ambivalent historical processes of exclusion produced by different cultural worlds such as Nazi Germany or the Huichol Indians in far-away Mexico. By presenting peripheral individuals at grips with the dynamics of history and its ambivalences, Desai’s novels dig up liminal voices very often neglected by postcoloniality itself, which, in turn, deconstruct monolithic officialdom. This enables the author to celebrate, through literature, the obliteration of cultural and spatial frontiers and in so doing, to express her “well-tempered-humanism”. Desai’s commitment to contrast the cruel processes of history in her novels undoubtedly places her as a major representative of cosmopolitical fiction in the global and transnational panorama of contemporary literary production in English.
Faienza, Lucia <1984>. « Il paradigma poliziesco nel romanzo di non-fiction : continuità stilistiche, tematiche e narrative ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amsdottorato.unibo.it/8005/1/TesiFaienza%20%281%29.pdf.
Texte intégralThe dissertation examines the model of the detective and crime novel in contemporary Italian literature focusing on non-fiction novels, their style, and their market reasons and value. The main goal of the reasearch is to determine the existence of a so to speak detective way of writing that would be able to organize the narrative structure according to its fashion and regardless of the presence of the main criminal element. The study is then based on the analysis of multiple texts – both fictional and non fictional – published in Italy in the last twenty years and provides the reader with a preliminary history of the detective and crime fiction in Italy and its peculiarities. The wide range of writers and subjects taken into account allows to see the emergence of a pattern that links noir and detective novels to non-fiction novels and that is grounded in feature suchs as the individual research of truth, the lack of closure, a pessimistic view on reality.
Damo, Elettra <1994>. « Glossopoeia and myth-making : The importance of linguistic creation in J.R.R. Tolkien's fiction ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19478.
Texte intégralDa, Re Sara <1996>. « The Trauma of Loss in American Fiction about the Spanish Flu ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/19242.
Texte intégralChazal, Benoît. « La rhétorique du blâme dans l'"Histoire Auguste" ». Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA151.
Texte intégralRhetoric of Condemnation in the 'Historia Augusta' intends to study the collection of imperial biographies known as Historia Augusta as a literary object. The biographies were officially written by six authors at the end of the 3rd Century A.D. and at the beginning of the 4th Century A.D., but they were actually produced through the imagination of a single writer who lived at the end of the 4th Century A.D. according to the 19th Century thesis of the German historian Hermann Dessau. Through analysing a text that intricately mixes reality and fiction, this thesis will examine the different strategies intended to depict the sombre images of both legitimate and usurping emperors throughout the historical period that begins with Hadrian's reign and ends with the fall of Carin (2nd to 3rd Centuries A.D.). Observing the lexical, stylistic, thematic and structural methods reveals the importance of utilizing epideictic rhetoric as well as numerous intertextuality phenomena, particularly based on Suetonius's Vitae XII Caesarum, which is the main model of the collection. This inquiry drives to widen the thought interested by the target of the critic. If, behind the figures of bad princes, the writer tries to castigate the principate system that enables princely transgressions, he also tries to enhance his own writing. The writer tries to be different from other historiographers in a style that grants a large place to fantasy, self-mockery and raillery. This thesis endeavours, therefore, to study the representation of historical characters and events while underlining articulations between poetics and rhetoric in a major text of late Antiquity Latin literature
Finch, Edward F. Holsinger M. Paul. « An hour or two using naval fiction in the United States history course / ». Normal, Ill. Illinois State University, 1999. http://wwwlib.umi.com/cr/ilstu/fullcit?p9960413.
Texte intégralTitle from title page screen, viewed July 26, 2006. Dissertation Committee: M. Paul Holsinger (chair), Lawrence W. McBride, John B. Freed, Steven E. Kagle. Includes bibliographical references (leaves 225-239) and abstract. Also available in print.
Paalberg, Anna Grete. « The World of ‘S’ and the World of ‘L’ : Lesbian Influences on Class S Fiction ». Thesis, Högskolan Dalarna, Japanska, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:du-29820.
Texte intégralMarquette, Caroline. « L' écriture du corps dans la fiction de Joyce Carol Oates : une dynamique des fluides ». Bordeaux 3, 2009. http://www.theses.fr/2011BOR30045.
Texte intégralThis dissertation combines a stylistic and narratological approach with feminist theory to analyze the representation of the body in the main novels of Joyce Carol Oates. The body has a paradoxical status in so far as it represents both a straightjacket and a vehicle of emancipation for the individual. The biological body is first characterized as an uncanny double for the subject, who is constantly reminded of his forthcoming death by his own flesh. Such gothic esthetics relate to specifically feminine fears of being objectified and reduced to a strictly biological destiny in a society which tends to regulate the body into civilized docility – especially female bodies, always suspected of hysteria. But a study of the monstrous and unbridled body of the text and of Oates’s pulsating writing reveals the emergence of another figure of the body in her novels, a more elastic and malleable figure which is quite similar to Deleuze’s Body without Organs. The assaulted, torn and porous body may then be considered as a positive opportunity to recreate the self, as opposed to a negative sign of nihilism. This study suggests that the violence of Oates’s fictional universe can be rethought in the light of her will to convert the body that patriarchy had turned into a prison of flesh to a model of opening, connection and becoming. The free play of bodily fluids is central to this enterprise as it endows the body with the subversive power of the grotesque, which can overthrow social order according to Bakhtine, and the specifically feminine ability to leak and overflow boundaries
Andrade, Roberto Carlos de. « Rites of passage in Richard Wright's fiction : from chaos to a new wor (l) d ». reponame:Repositório Institucional da UFSC, 1994. https://repositorio.ufsc.br/xmlui/handle/123456789/157871.
Texte intégralMade available in DSpace on 2016-01-08T18:58:05Z (GMT). No. of bitstreams: 1 96386.pdf: 2415079 bytes, checksum: f1e5937c13325d8bd7e54b3141e88254 (MD5) Previous issue date: 1994
Baseada numa literatura densa de The Rites of Passage, de Arnold Van Gennep, esta análise investiga a forte relação entre o padrão tripartido dos ritos de passagem de acordo com Van Gennep e as vidas de dois protagonistas de Richard Wright: Bigger Thomas (Native Son) e Cross Damon (The Outsider). As peculiaridades das vidas de ambos os protagonistas foram estudadas, também, de acordo com a teoria de Houston Baker, Jr. dos "ritos do buraco /todo negro", a qual enfatiza a impossibilidade para o negro consciente de ser reincorporado à sociedade com um novo status, ou com uma nova consciência sobre a sua própria condição na vida. Os três estágios dos ritos de passagem foram também comparativamente estudados lado a lado com a teoria do ciclo do herói de Joseph Campbell.
Cannata, Alice <1986>. « Tra verità e fiction. Il Giappone contemporaneo dalla realtà ai dorama ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/5473.
Texte intégralJones, Russell. « Green Dress Whose Girl is Sleeping and Broken Wor(l)ds : Edwin Morgan's science fiction poems ». Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9458.
Texte intégralRossetti, Elena <1984>. « Reading and writing fan fiction in English as a foreign language : a survey study ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4382.
Texte intégralColangelo, Enrico <1992>. « Climate Fiction : Emotions, Language, and Climate Change in The Road, Oryx and Crake, and The Hungry Tide ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14468.
Texte intégralBertoli, Giuditta <1995>. « La flash fiction di Walis Nokan : proposta di traduzione e commento traduttologico ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/16959.
Texte intégralVentrucci, Virginia. « Translating and Analyzing Contemporary Italian Dystopian Fiction : Leonardo Patrignani's "Tu Non Esisti" ». Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017.
Trouver le texte intégralCalderon, Sandoval Orianna Aketzalli <1987>. « Visualising In/Equalities through Contemporary Documentary Cinema. A Diffractive Reading of Feminist Practices in Spanish and Italian Non-Fiction Films ». Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amsdottorato.unibo.it/9087/1/Calderon_Orianna_Tesi.pdf.
Texte intégralSELIGARDI, Beatrice. « Shaping the University Imaginary. Configurations and Refigurations in British Fiction ». Doctoral thesis, Università degli studi di Bergamo, 2014. http://hdl.handle.net/10446/30772.
Texte intégralArnautou, Charlotte. « Les paradoxes de la fiction cognitive de G. K. Chesterton (1901-1910) ». Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL160.
Texte intégralThis thesis explores the tension between fiction and reasoning in the Edwardian oeuvre of writer, journalist and polemicist G. K. Chesterton (1874-1936). Within the framework of fiction theory and the history of ideas, it is hypothesized that Chesterton diverts fiction from its most frequent use as a genre (a narrative in prose aiming at entertainment) to turn it into a mode. Used as a rhetorical figure, fiction is also devised as a cognitive vehicle that pushes back the frontiers of knowledge, a way of understanding the world and a conceptual modelling tool, which does not contradict but completes his reasoning. The second hypothesis of this work rests on the defining influence of the historical background on Chesterton’s imaginative use of fiction: the Edwardian intellectual world goes through an epistemological crisis while the ever-thickening stream of popular fiction turns the era into a Golden Age of storytelling. The era thus appears as a pivotal moment. Chesterton’s formative years and early career will be studied in the literary context of the time to set the scene for his theory of fiction and for an exploration, in practice, of Chesterton’s fictional modes in his articles, essays, literary studies but also in his romances and his detective fiction, as these genres of popular literature allow him to give shape to his reasoning and appeal to a wider audience. Defining Chesterton’s unusual fictional modes will allow us to place him within the wider movement of authors trying to foster a new relationship to fiction at the dawn of the 20th century
Miotto, Isabel <1985>. « I'm more than a piece in their Games Contemporary American Dystopian Fiction for Young Adults ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2013. http://hdl.handle.net/10579/2348.
Texte intégralSakouhi, Sihem. « L' emploi de la première personne de la poésie d'Horace : enquête sur l'écriture autobiographique et la fiction ». Strasbourg, 2010. http://www.theses.fr/2010STRA1055.
Texte intégralThe aim of our work was not so much, by leading an investigation on the autobiographical writing in the poetry of Horace, to know the latter's life through his work than to scrutinize his rhetoric and the strategies of his self-representation. When composing his poems, a single concern crosses the mind of our poet, from the Epodes to the fourth book of the Odes, through the Epistles: to touch upon the autobiographical possibility to then better give it up. Horace has a higher idea of the act of writing that he invests with aesthetic, rhetorical, ethical and even therapeutic finalities. He does not care about delivering the intimate detail in all its sincerity and accuracy, nor about writing continuously as in an autobiographical narrative. He seeks instead to fictionalize his final figure, to submit his character to the game of writing and the needs of each play, to form and transform himself by exploiting the resources of language. In the lyrical works, to the voice of the private poet attached to his memories and his feelings of love and friendship, succeeds that of the official poet worried about the fate of Rome and of the genius poet proud of his literary talent. But in the experience of the lyrical I, there is always a game on the aesthetic requirements inherited from the canonical lyrics of archaic and classical Greece. With the Epistles in particular, autobiographical writing coincides with the strong moment of self-concern. The letter echoes the anxiety of the being who is looking for the fixed point and the balance for his soul and his body. But the writing of oneself, though it mainly comprises an intrinsic informative function, also appears as a spiritual exercise. In other words, as M. Foucault points out in "The self’s writing", it is a work of soul-searching and a scriptural asceticism. Finally, the Satires immortalize the life of Horace in Roman society and mark the beginning of his relationship with Maecenas and Augustus. Their affinity with the theater world, however, allows him to play, like the orator and the rhetor, one or several characters in order to manage potential socio-political tensions and to convey the idea he has of himself or that he wants the audience to make of himself
Grootboom, Zoleka Faith. « An investigation of the themes and techniques in L.L. Sebe's "Ucamngco" = Uphando ngemixholo nesimo sokubhala esisetyenziswe kwincwadi ke L.L. Sebe "Ucamngco" ». Thesis, Nelson Mandela Metropolitan University, 2008. http://hdl.handle.net/10948/781.
Texte intégralGiacomelli, Chiara <1997>. « La flash fiction nella Cina continentale : proposta di traduzione e commento all'opera di Ling Dingnian ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2022. http://hdl.handle.net/10579/21023.
Texte intégralHousdon, Beth. « "The whole world in a book" : fact, fiction and the postmodern in Selected Works by E. L. Doctorow ». Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/10819.
Texte intégralThis dissertation considers the manner in which the thematic and stylistic interests displayed in E. L. Doctorow's fiction derive from the postmodern context in which he works. Encapsulating the spirit of subversion so typical of postmodernism, Doctorow not only questions established modes of perception, but reinvigorates cultural and social traditions through the reformulation of customarily unchallenged norms and values. Departing from the conventions of traditional narrative, he emphasises the need for a continual critical interrogation and revision of absolutist grand narratives in order to achieve a more complex understanding of human experience. He grapples with concepts relating to the fluidity of meaning and the constructed nature of texts, deftly experimenting with narrative form in order to destabilise conventional perceptions of history, reality and representation.