Littérature scientifique sur le sujet « L'anthropologie théâtrale »
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Articles de revues sur le sujet "L'anthropologie théâtrale"
Schwimmer, Eric. « Le discours politique d'une communauté papoue ». Anthropologie et Sociétés 10, no 3 (10 septembre 2003) : 137–58. http://dx.doi.org/10.7202/006369ar.
Texte intégralMüller, Bernard. « Du Terrain Ethnographique à la Dramaturgie : une enquête sur les afro-brésiliens du Togo, aujourd'hui ». Revista Brasileira de Estudos da Presença 6, no 1 (avril 2016) : 94–109. http://dx.doi.org/10.1590/2237-266055026.
Texte intégralThèses sur le sujet "L'anthropologie théâtrale"
Ho, Ai-Cheng. « Application du Taiji quan au jeu de l’acteur : conception et mise en pratique d’un training créatif ». Electronic Thesis or Diss., Bourgogne Franche-Comté, 2022. http://www.theses.fr/2022UBFCC033.
Texte intégralMy PhD research explores how Taiji quan can be applied as a valued tool to enhance the actor’s “creative self-awareness” and integrate it into the actor’s training. Taiji quan, a prominent practice in Chinese culture that fuses external exercise and internal technique, aims to coordinate and unify body and mind. Specially, I examine how the psychophysical technique of Taiji quan allows the actor to transfer his body-and-mind status to a higher level to increase his “scenic presence”, to maintain a “gap” between himself and his role to create universal emotions, and develop his perception with the outer world. In this way, I present how the actor elevates his consciousness to superior levels during the acting process and how the corporeal training of Taiji quan facilitates this transformation.The study aims to explore the diverse technique of Taiji quan in cultivating the actor’s consciousness through in-depth interviews, analysis of performances, the researcher’s practical experiences in theatre and Taiji quan, and experimental research with actors and theatre students. The study also endeavors to introduce this traditional practice into the domain of modern psychophysical acting, to develop a method that fuses Eastern and Western performance methodologies and enables actors to apply the technique to improve acting
Scarlat, Alina-Mihaela. « L'arrivée des enfants sur scène : une entrée dans l'histoire : épistémologies comparatives des pédagogies et des pratiques théâtrales enfantines en Europe : Alecsandru Dumitra-Şerbǎnescu (1940- ), Peter Slade (1912-2004), Léon Chancerel (1886-1965) ». Paris, EHESS, 2016. http://www.theses.fr/2016EHES0694.
Texte intégralConceived and written as a comparative monographic study, referring tio children's theater and the anthropology of childhood, this thesis recounts the creation paths of three european drama and theater stage directors, Alecsandru Dumitra-Şerbǎnescu (1940-), Peter Slade (1912-2004), et Léon Chancerel (1886-1965). The ethnography of Children Theater The one thousand and one. . . Masks, situated in the north of Romania, carried out in the past five years, has been completed by a research of the Peter Slade Collection, at the John Rylands Library, in Manchester, and by the archives Léon Chancerel, available at société d'Histoire du Théâtre, in Paris. The purpose of this study is to understand how the idea of "childhood" presents itself as a dasein of creation and portrayal for several institutions established by the directors mentioned above. From different angles, they questioned this process: educatiiing, writing, making children play by following childhood acts, which drives us on the path of historical and aesthetic paradigm of their initiation on the stage. This thesis allows a set up of multiple references of epistemological archaeology and praxeology (writing and thetaer science) on the play-writing and theatrical activities mentioned above. A phenomenological approach is privileged in order to set up the context of these two main identity structures (children's play - actor's play) and their reference status following how the "creation" (a childhood dramaturgy associated to its stage set up) engages the children - theaterdirector relationship. Through a semiological analysis of directors notes, live performances, theater journals, we aim to understand how this experimental worl is building its own epistemic unities. Children's self awareness, the theater that plays and creates itself and it's being performed, experienced, thereafter staged, and on the other side, a second epistemic stage, the anthropological one, that will grasp this introduction of children in the history of theater. From this perspective, one of the cross-disciplinary interrogations has been the following: how this kind of practivce and a project - the theater performance for/with children - can become the setting of an insightful epistemology of how better practise and write anthropology?
Livres sur le sujet "L'anthropologie théâtrale"
Université de Paris IV : Paris-Sorbonne et Instytut im Jerzego Grotowskiego, dir. L'anthropologie théâtrale selon Jerzy Grotowski. Paris : Éditions de l'Amandier, 2013.
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