Littérature scientifique sur le sujet « Kant`s critique of taste »
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Kant`s critique of taste ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Articles de revues sur le sujet "Kant`s critique of taste"
Grubor, Nebojsa. « Hermeneutics of taste Gadamer’s critique of Kant’s aesthetics in truth and method ». Theoria, Beograd 59, no 3 (2016) : 23–33. http://dx.doi.org/10.2298/theo1603023g.
Texte intégralPopovic, Una. « The problem of aesthetic judgment : Perspectives of aesthetics ». Filozofija i drustvo 24, no 3 (2013) : 5–22. http://dx.doi.org/10.2298/fid1303005p.
Texte intégralPereira, Geraldo Adriano Emery. « A LEITURA ARENDTIANA DA FACULDADE DO JUÍZO KANTIANA ». Síntese : Revista de Filosofia 38, no 121 (7 octobre 2011) : 183. http://dx.doi.org/10.20911/21769389v38n121p183-210/2011.
Texte intégralSweet, Kristi. « Reflection : Its Structure and Meaning in Kant's Judgements of Taste ». Kantian Review 14, no 1 (mars 2009) : 53–80. http://dx.doi.org/10.1017/s1369415400001345.
Texte intégralDumler-Winckler, Emily. « Romanticism as Modern Re-Enchantment : Burke, Kant, and Emerson on Religious Taste ». Journal for the History of Modern Theology / Zeitschrift für Neuere Theologiegeschichte 22, no 1 (1 janvier 2015) : 1–22. http://dx.doi.org/10.1515/znth-2015-1001.
Texte intégralRueger, Alexander. « Pleasure and Purpose in Kant’s Theory of Taste ». Kant-Studien 109, no 1 (8 mars 2018) : 101–23. http://dx.doi.org/10.1515/kant-2018-0003.
Texte intégralOtabe, Tanehisa. « An Iroquois in Paris and a Crusoe on a Desert Island : Kant’s Aesthetics and the Process of Civilization ». Culture and Dialogue 6, no 1 (7 septembre 2018) : 35–50. http://dx.doi.org/10.1163/24683949-12340040.
Texte intégralAllison, Henry E. « Beauty and Duty in Kant's Critique of Judgement ». Kantian Review 1 (mars 1997) : 53–81. http://dx.doi.org/10.1017/s1369415400000066.
Texte intégralHahmann, Andree. « Kant’s Critical Argument(s) for Immortality Reassessed ». Kant Yearbook 10, no 1 (4 octobre 2018) : 19–41. http://dx.doi.org/10.1515/kantyb-2018-0002.
Texte intégralRomo, Vicente De Haro. « Reseña de Kant´s Critique of Spinoza, de O. Boehm ». Tópicos, Revista de Filosofía, no 48 (8 juin 2015) : 265. http://dx.doi.org/10.21555/top.v0i48.683.
Texte intégralThèses sur le sujet "Kant`s critique of taste"
Bhattacharya, Roy Ratnabali. « Kant`s critique of taste : with special reference to the concept of disinterestedness and its bearings on recent Indian thought ». Thesis, University of North Bengal, 1992. http://hdl.handle.net/123456789/40.
Texte intégralGuo, Youle. « Kant's Conception of Life in the Critique of Judgment : Unity and Boundary ». Thesis, Boston College, 2020. http://hdl.handle.net/2345/bc-ir:108727.
Texte intégralThesis advisor: Nasser Behnegar
Kant’s conception of life is indispensable for understanding Kant’s aesthetics and could illustrate the underlying thread as well as the overall theme of the third Critique. Kant characterizes the principle of life with a power for self-action and self-determination, and this principle could be regarded as a special kind of causality or the third mode of determination. First, in Kant’s theory of the judgment of taste, his conception of life furnishes the judging subject’s transcendental aesthetic operation with a special internal causality, the causality, as Kant depicts, of lingering. Second, for Kant’s thoughts on beautiful art the notion of life, and its cognates as well, also bears those rich and concrete implications that would show how the principle of life, by which the mind is swinging, would manifest a basis for the unity of the self with the nature in the subjective condition of a creative artistic genius. Third, the judgment of the sublime as Kant develops runs into a moment of abruption of life, and by tracing the occurrence of this moment the light could thus be shed on the true condition of the unity, and the boundary as well, that is proper to the peculiar human way of living. By interpreting Kant’s conception and principle of life in such a way, I shall venture to show how the meaning of life, or indeed the meaning behind the peculiar condition of human life, is set out to show itself through the elaboration of the final completion of Kant’s critical enterprise
Thesis (MA) — Boston College, 2020
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: Political Science
MATTOSO, JÚLIA CASAMASSO. « REFLECTION AND FUNDAMENT : THE UNIVERSAL VALIDITY OF JUDGMENT OF TASTE IN KANT S AESTHETICS ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=18800@1.
Texte intégralPROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
A presente dissertação é uma investigação acerca da validade universal do juízo do belo, tratado por Kant na Critica da faculdade do juízo. Tal investigação se faz necessária para esclarecer a proposta kantiana sobre um juízo que é singular, fundado no sentimento de prazer, mas que ergue uma pretensão à validade universal. Para dar conta da universalidade do juízo do belo, a dissertação lida com as duas Introduções, a primeira e a publicada, e com a Analítica do belo. Ela procura explicitar as razões pelas quais Kant fundamenta o juízo do belo no sentimento de prazer. Esse sentimento envolve as faculdades cognitivas da imaginação e do entendimento, faculdades que, no caso do juízo do belo, estão como que num jogo livre. Esse jogo livre é possível porque o juízo acerca do belo é um juízo reflexivo, que não parte de conceitos, mas do singular dado e vai procurar um conceito para esse singular. Nesse sentido, justificar a validade universal do juízo do belo é o desafio principal e o objetivo da dissertação.
This dissertation is an investigation about the universal validity of the judgment of the beautiful, as treated by Kant in his Critique of Judgment. Such investigation is needed to clarify the Kantian proposal for this judgment that is singular and grounded on the feeling of pleasure, which raises a claim for its universal validity as well. To be able to manage the universality of the judgment of the beautiful, this work deals with the two Introductions, the first and the published one, and with the Analytic of the Beautiful. It seeks to explain the terms in which Kant grounds the judgment of the beautiful over the feeling of pleasure. In the case of the judgment of the beautiful the cognitive faculties of imagination and understanding are in a free play. This free play is possible because the judgment of the beautiful is a reflective judgment, which doesn t come from concepts but it actually must seek a concept for the singular given. In this sense, to justify the universal validity of the judgment of the beautiful is the main challenge and purpose of this dissertation.
HINZ, KRISTINA. « CRITIQUE OF VIOLENCE, CRITIQUE OF PURE REASON : WALTER BENJAMIN S AND IMMANUEL KANT S CRITICAL ENTERPRISE IN COMPARISON ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2016. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=37088@1.
Texte intégralCOORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO
PROGRAMA DE EXCELENCIA ACADEMICA
Em 1921, Walter Benjamin publicou, com apenas 28 anos, seu controverso ensaio Da crítica da violência, representando um acerto com o modelo republicano de governança e desenvolvimento à luz da Primeira Guerra Mundial. Identificando uma relação intrínseca e necessária entre autoridade legal e violência física, Da crítica da violência tem se tornado um texto altamente influente para a discussão de violência na política, inspirando teóricos tão diferentes como Carl Schmitt, Herbert Marcuse, Jurgen Habermas, Jacques Derrida e Giorgio Agamben. Esta dissertação de mestrado propõe uma leitura do ensaio benjaminiano que o entende primeiramente como resposta à filosofia crítica e política de Immanuel Kant. Discutindo os conceitos de crítica, política vis-à-vis violência e história nas obras dos dois autores, essa dissertação visa esclarecer as divergências e também paralelas nos pensamentos dos dois autores, argumentando que ambos autores defendem uma visão que considera a violência como o único meio para alcançar a liberdade.
In 1921, Walter Benjamin published, at the age of only 28, his controversial essay Critique of violence, representing an account on the republican model of governance and development in the light of the First World War. Identifying an intrinsic and necessary relationship between legal authority and physical violence, Critique of violence has become a highly influential text for the discussion on the role of violence in politics, inspiring theorists as different as Carl Schmitt, Herbert Marcuse, Jurgen Habermas, Jacques Derrida and Giorgio Agamben. This master thesis proposes a reading of Benjamin s essay which it comprehends primarily as an answer to the critical and political philosophy of Immanuel Kant. Discussing the concepts of critique, politics vis-à-vis violence, and history in the works of both authors, this master thesis has the goal to clarify the divergences but also the parallels within the thought of both authors, arguing that both authors defend a position which considers violence as the only means for achieving freedom.
PEREIRA, DOUGLAS LUIZ. « IDEAS OF REASON, AESTHETIC IDEA AND BEAUTIFUL ART IN KANT`S CRITIQUE OF THE POWER OF JUDGEMENT ». PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2009. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=13948@1.
Texte intégralA partir da Crítica da Faculdade do Juízo, em especial da Crítica da faculdade de julgar estética, procuramos relacionar as idéias estéticas com as idéias da razão, propostas na Crítica da razão pura. Por meio da Crítica da razão pura procurou-se esclarecer o que Kant designou como idéia e, por meio da Crítica da faculdade do juízo, buscou-se esclarecer o elemento estético das idéias estéticas.
Based on the Critique of the Power of Judgement, especially the Critique of the Aesthetic Power of Judgement, I have tried to relate the aesthetic ideas to the ideas of reason, proposed in the Critique of Pure Reason. Through the Critique of Pure Reason, I have tried to clarify what Kant named as idea and, thorugh the Critique of the Power of Judgement, I have tried to clarify the aesthetic element of the aesthetic ideas.
Kuen, Juang Jau, et 莊昭崑. « In kant''s aesthetic, the position of pleasure in the judgement of taste ». Thesis, 1995. http://ndltd.ncl.edu.tw/handle/00621112687682925986.
Texte intégralChung, Chen-Yu, et 鍾振宇. « A Study on the Concept of Thing in Itself in Kant''s "Critique of Pure Reason" ». Thesis, 1995. http://ndltd.ncl.edu.tw/handle/38449527074215897811.
Texte intégral« THE PROBLEM OF FREEDOM IN THE CONTEXT OF THE LAW OF CAUSALITY IN KANTS CRITIQUE OF PURE REASON ». Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606807/index.pdf.
Texte intégralAnctil, Laura. « Slowing senses of aesthetics, science and the study of politics through Plato, Kant and Nietzsche ». Thesis, 2014. http://hdl.handle.net/1828/5653.
Texte intégralGraduate
0615
0422
anctil.laura@gmail.com
Livres sur le sujet "Kant`s critique of taste"
Kant and the claims of taste. 2e éd. Cambridge : Cambridge University Press, 1997.
Trouver le texte intégralPaul, Guyer. Kant and the claims of taste. 2e éd. Cambridge : Cambridge University Press, 1997.
Trouver le texte intégralAllison, Henry E. Kant's theory of taste : A reading of the critique of aesthetic judgment. New York : Cambridge Univ Press, 2001.
Trouver le texte intégralAllison, Henry E. Kant's theory of taste : A reading of the Critique of aesthetic judgment. Cambridge : Cambridge University Press, 2001.
Trouver le texte intégralKant's theory of taste : A reading of the Critique of aesthetic judgment. Cambridge : Cambridge University Press, 2001.
Trouver le texte intégralMeredith, James Creed. Kant S Critique of Aesthetic Judgement. Creative Media Partners, LLC, 2018.
Trouver le texte intégralMeredith, James Creed. Kant S Critique of Aesthetic Judgement. Creative Media Partners, LLC, 2018.
Trouver le texte intégralMeredith, James Creed. Kant S Critique of Aesthetic Judgement. Creative Media Partners, LLC, 2018.
Trouver le texte intégralCompany, MacMillan and. Commentary to Kant S to Critique of Pure Reason. Creative Media Partners, LLC, 2022.
Trouver le texte intégralAllison, Henry E. Kant's Theory of Taste : A Reading of the Critique of Aesthetic Judgment. Cambridge University Press, 2001.
Trouver le texte intégralChapitres de livres sur le sujet "Kant`s critique of taste"
Crawford, Donald W. « Is There a Conflict Between Taste and Judgment in Kant’s Aesthetics ? » Dans Kant and Critique : New Essays in Honor of W.H. Werkmeister, 125–47. Dordrecht : Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-015-8179-0_6.
Texte intégralBanham, Gary. « The Deduction of Pure Aesthetic Judgments, Fine Art and the Antinomy of the Critique of Taste ». Dans Kant and the Ends of Aesthetics, 96–122. London : Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230287600_6.
Texte intégralRajiva, Suma. « Rationalizing Taste : A Dialectic of Critique ». Dans Kant und die Berliner Aufklärung, sous la direction de Volker Gerhardt, Rolf-Peter Horstmann et Ralph Schumacher. Berlin, Boston : DE GRUYTER, 2001. http://dx.doi.org/10.1515/9783110874129.1703.
Texte intégralDickie, George. « Taste and Purpose : Immanuel Kant ». Dans The Century of Taste, 85–122. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195096804.003.0005.
Texte intégralLéveillé, Laure. « Faire fond(s) ». Dans La Critique de la raison pure de Kant, 277–86. Collège de France, 2022. http://dx.doi.org/10.4000/books.cdf.14034.
Texte intégralStroud, Barry. « The Synthetic A Priori in Strawson ‘s Kantianism ». Dans Strawson and Kant, 109–25. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199252824.003.0007.
Texte intégralStern, Robert. « On Strawson ‘s Naturalistic Turn ». Dans Strawson and Kant, 219–33. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199252824.003.0014.
Texte intégralFörster, Eckart. « Strawson on Aesthetic Judgement in Kant ». Dans Strawson and Kant, 185–204. Oxford University PressOxford, 2003. http://dx.doi.org/10.1093/oso/9780199252824.003.0012.
Texte intégralRego, Pedro Costa. « 17 The Purposiveness of Taste : An Essay on the Role of Zweckmässigkeit in Kant’s Critique of Aesthetic Judgment ». Dans Kant in Brazil, 305–20. Boydell and Brewer, 2012. http://dx.doi.org/10.1515/9781580467728-020.
Texte intégralKohl, Markus. « Freedom of Imagination and the “Autonomy of Taste” ». Dans Kant on Freedom and Rational Agency, 339–74. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198873143.003.0011.
Texte intégral