Littérature scientifique sur le sujet « Kamal Ahmed »

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Articles de revues sur le sujet "Kamal Ahmed"

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Shankaraiah, Nagula. « A tribute to Professor Ahmed Kamal ». Arkivoc 2023, no 6 (2 octobre 2022) : 1–9. http://dx.doi.org/10.24820/ark.5550190.p001.494.

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‫القبيسي‬, ‫بهجت‬. « ‫أحمد باشا كمال فقيه الهيروغليفية العربي المصري‬ (Ahmed Kamal Pasha The Philologist of Egyption Hieroglyphs) ». Abgadiyat 6, no 1 (2011) : 33–43. http://dx.doi.org/10.1163/22138609-90000002.

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Ahmed Kamal Pasha is the clerk who wrote a lexicon which has not seen light because of the tendentious (unfair) orientalists. Ahmed Kamal Pasha is the first Arabic philologist who ascribed the Egyptian dialects to the Arabs throughout [Mystification (Slang)] and [philology]. This research displays the efforts of Ahmed Kamal Pasha and his ideology as philologist, and not as a linguist. This research explains the effect of [Orientale] on the Arab history; some were fair, others were tendentious and another group collected the important information for us. However, the destiny of the clerk, the Egyptian people and Arabs is that Dictionary fell in the unfair hands of Virth (British), Laco (French), and Reisner (American). Some rejected to publish and to print this Dictionary over the past 90 years. This Dictionary has recently returned to meet phenomenal attention by Arabs who know the classical Arabic language to reveal [Hieroglyphic] writings. (please note that this article is in Arabic)
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Electrical Engineering and Computer Science, Periodica Polytechnica. « Corrigendum ». Periodica Polytechnica Electrical Engineering and Computer Science 65, no 3 (20 juillet 2021) : 280. http://dx.doi.org/10.3311/ppee.18968.

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Hanaa Elsherbiny, Mohamed Kamal Ahmed, Mahmoud A. Elwany "Comparative Evaluation for Torque Control Strategies of Interior Permanent Magnet Synchronous Motor for Electric Vehicles", 65(3), pp. 244–261, 2021. (in this issue)https://doi.org/10.3311/PPee.16672When the above article was first published online Fig. 13 was missing. This has now been corrected in the online version.The correct version of Fig. 13 is published here.
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‫الشرقاوي‬, ‫باسم سمير‬. « ‫(دراسة تأريخية – إحصائية) ومعجمه للغة المصرية القديمة (م1851-1923) "أحمد باشا كمال : "صعود السلم‬ (Ahmed Kamal Pasha (1851-1923) Steps to his Ancient Egyptian Dictionary (Chronological-Statistical Study)) ». Abgadiyat 6, no 1 (2011) : 44–70. http://dx.doi.org/10.1163/22138609-90000003.

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A few people wrote about Ahmed Kamal Pasha (1851-1923) or mentioned some of his works, but no one paid real attention to his huge effort, his dictionary Manuscrit Lexique de la langue Égyptienne Ancienne since 2002 when SCA started publishing its 23 volumes, except what is published by me separately, or together with the team of the ‘Studying, Indexing and Verifying the Ahmed Kamal Pasha ’s Ancient Egyptian Dictionary Project (KDP)’. The present study aims to record, in historical order, the total of Ancient Egyptian words in each study of Kamal’s works, since his first book on Ancient Egyptian History (1883) until his death in 1923, including his final (Ancient Egyptian Dictionary). The researcher records 504 words (Table 1) in Kamal’s second book on Hieroglyphic Grammar (1885/6); then his Arabic book with French title Vocabulaire hiéroglyphique comprenant les noms des plantes (1889/90) contains 790 words (Table 2), but in his book Ancient Egyptian Civilization Boghiyat al Talebeen… (1891/92 – 1894/95) includes ‘Four Dictionaries’ with a total of 1389 words (Tables 3 and 4), three of them (1021 words) are in Hieroglyphic and Demotic: the first concerns deities (578 words), the second deals with metals and stones (89 words), the third is related to animals and their parts (354), while the fourth Dictionary (Table 4) contains the Arabic names of Planets (368 words). He mentioned a few words in his book about ‘Heliopolis’ (1896): names of geographical sites and some deities relating to this great ancient city. Between 1914 and 1917, Kamal climbed towards the top, collecting extra specific words in various small studies, comparing with the ancient Egyptian words with the Arabic words. At the end, the researcher records 12.730 ± 994 words (Table 5) in Kamal’s biggest work Manuscrit Lexique de la langue Égyptienne Ancienne (since 2002 to present), also compares his results with the others, H. Brugsch, E.A.W. Budge, and the Berliner Wörterbuch (Tables 5 and 6). Finally, the author compiles all results together (Table 7) to evaluate Kamal’s efforts during his long lifetime, the total words of each sign or sound in each study. (Please note that this article is in Arabic)
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Kamal, Ahmed. « Editorial [ Hot Topic :Recent Developments in the Discovery of Anticancer Agents (Guest Editors : Ahmed Kamal and Y.V.D.Nageswar)] ». Letters in Drug Design & ; Discovery 9, no 3 (1 mars 2012) : 225. http://dx.doi.org/10.2174/157018012799129855.

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Marafi, Nasser A., Kamal A. Ahmed, Dawn E. Lehman et Laura N. Lowes. « Erratum for “Variability in Seismic Collapse Probabilities of Solid- and Coupled-Wall Buildings” by Nasser A. Marafi, Kamal A. Ahmed, Dawn E. Lehman, and Laura N. Lowes ». Journal of Structural Engineering 147, no 5 (mai 2021) : 08221003. http://dx.doi.org/10.1061/(asce)st.1943-541x.0003002.

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Kamarudin, Kamariah. « Revolusi Yang Ditangguhkan Karya Shahnon Ahmad Berdasarkan Perspektif Takmilah ». Malay Literature 29, no 2 (1 décembre 2016) : 233–49. http://dx.doi.org/10.37052/ml.29(2)no6.

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Kajian ini meneliti karya semi ilmiah Shahnon Ahmad, Revolusi Yang Ditangguhkan (2011) berdasarkan perspektif teori takmilah. Kajian ini merungkai sejauh mana tujuh prinsip takmilah yang digagaskan Shafie Abu Bakar, iaitu (1) prinsip ketuhanan yang bersifat kamal (sempurna), (2) prinsip kerasulan sebagai insan kamil (sempurna), (3) prinsip keislaman yang bersifat yang bersifat akmal (sempurna), (4) prinsip ilmu dengan sastera yang bersifat takmilah (sempurna), (5) prinsip sastera sendiri yang berciri estetik dan bersifat takmilah (sempurna dan menyempurnakan), 6) prinsip pada pengkarya yang seharusnya mengistikmalkan diri (menyempurnakan) dan (7) prinsip khalayak bertujuan memupuk mereka ke arah insan kamil (sempurna) diajukan pengarang dalam karyanya. Kajian ini memperlihatkan peri pentingnya hubungan karya – pengkarya – khalayak dalam menyampaikan perutusan yang bermanfaat kepada masyarakat demi kemaslahatan ummah jagat raya. Kata kunci: Revolusi yang Ditangguhkan , Shahnon Ahmad, perspektif takmilah Abstract This study looks at Shahnon Ahmad’s Revolusi Yang Ditangguhkan (2011) using the perspective of the takmilah theory. The study aims to uncover the extent to which the writer, in this work, observes the seven principles of takmilah outlined by Shafie Abu Bakar: (1) the principle of godliness as being kamal (perfect), (2) the principle of prophethood as a kamil (perfect) creation, (3) the principle that Islam is akmal (more perfect), (4) the principle of knowledge and literature as being takmilah (perfected), (5) the principle of literature itself as being aesthetic in nature as well as takmilah (perfect and perfecting), (6) the principle that the writer should continually practice istikmal (perfecting) of the self, and (7) the principle that readers should be encouraged to aim for becoming insan kamil (perfect beings). This study reveals the importance of the work–writer–audience relationship in conveying a message to society that is beneficial, for the betterment of the universal ummah. Keywords: Revolusi yang Ditangguhkan , Shahnon Ahmad, takmilah perspective
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Gandolfo, Sergio, Monica Pentenero, Anna Demurtas et Roberto Navone. « Comment on “The flow cytometric analysis of premalignant and malignant lesions in head and neck squamous cell carcinoma” [Kamal-Eldin Ahmed Abou-Elhamd and Tito Naeem Habib. Oral Oncol 2007;43(4):366–72] ». Oral Oncology 44, no 1 (janvier 2008) : 100–101. http://dx.doi.org/10.1016/j.oraloncology.2007.05.006.

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Vancheshwar, Vijay. « Book Review : Kamal Siddiqui, Jamshed Ahmed, Kaniz Siddique, Sayeedul Huq, Abul Hossain, Shah Nazimud-Doula and Nahid Rezawana (Eds), Social Formation in Dhaka, 1985–2005 : A Longitudinal Study of Society in a Third World Megacity ». Global Business Review 13, no 3 (octobre 2012) : 515–17. http://dx.doi.org/10.1177/097215091201300313.

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KREIBICH, VOLKER. « Kamal Siddiqui, Jamshed Ahmed, Kaniz Siddique, Sayeedul Huq, Abul Hossain, Shah Nazimud-Doula and Nahid Rezawana 2010 : Social Formation in Dhaka, 1985-2005. A Longitudinal Study of Society in a Third World Megacity. Farnham, Surrey : Ashgate. Shahadat Hoss ». International Journal of Urban and Regional Research 36, no 6 (29 octobre 2012) : 1349–53. http://dx.doi.org/10.1111/j.1468-2427.2012.01216.x.

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Thèses sur le sujet "Kamal Ahmed"

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Ahmed, Kamal Khaled Ebeid [Verfasser]. « Effect of changes in sintering parameters on physical properties of monolithic translucent zirconia / Kamal Khaled Ebeid Ahmed ». Kiel : Universitätsbibliothek Kiel, 2016. http://d-nb.info/1120409675/34.

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Kamal, Ahmed [Verfasser], et Rolf W. [Akademischer Betreuer] Hartmann. « From Small Organic Molecules to Peptides As Tools For Anti-infectives Drug Discovery / Ahmed Kamal ; Betreuer : Rolf W. Hartmann ». Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2017. http://d-nb.info/1152095374/34.

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Kamal, Ahmed Verfasser], et Rolf W. [Akademischer Betreuer] [Hartmann. « From Small Organic Molecules to Peptides As Tools For Anti-infectives Drug Discovery / Ahmed Kamal ; Betreuer : Rolf W. Hartmann ». Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2017. http://d-nb.info/1152095374/34.

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Aly, Ahmed Mohamed Kamal Abdelaal [Verfasser], Ahmed [Gutachter] Abou-Salha et H. H. [Gutachter] Jesch. « Regeneration selektierter adulter Pyrus-Wildformen von Trockenstandorten und Prüfung ausgewählter Klone auf Salztoleranz für die Verwendung als Unterlage in ariden Gebieten / Ahmed Mohamed Kamal Abdelaal Aly ; Gutachter : Ahmed Abou-Salha, H. H. Jesch ». Berlin : Humboldt-Universität zu Berlin, 2004. http://d-nb.info/1207659789/34.

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Nasir, Ahmad Kamal [Verfasser]. « Cooperative simultaneous localization and mapping framework / Ahmad Kamal Nasir ». Siegen : Universitätsbibliothek der Universität Siegen, 2014. http://d-nb.info/1048470091/34.

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Wanyonyi, Mukhata Chrispinus. « Ishara na uashiriaji kama nyenzo ya mtindo, maana na kiwakilishi cha itikadi katika riwaya ya Nyuso za Mwanamke ». Universitätsbibliothek Leipzig, 2016. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-199703.

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Makala haya yanachanganua ishara na uashiriaji kama mbinu ya kimtindo ya kuwasilisha maana na kukuza uhusika na maudhui katika riwaya ya Nyuso za Mwanamke (2010) ya Said Ahmed Mohamed. Nimechanganua aina tatu za ishara ambazo ni ishara bia, ishara za kaida na ishara za kifasihi kama zinavyoainishwa na Frye na wenzake (1985). Lengo kuu ni kuchanganua na kubainisha jinsi ishara zinavyowasilisha maana na itikadi za jamii katika matini husika. Ishara hizi pia husaidia kukuza maudhui, ploti na kuongeza ujumi katika matini za kifasihi
This article analyses symbols and symbolism as stylistic devices of communicating meaning and as a technique of characterisation and theme development in Nyuso za Mwanamke (The Faces of a Woman, 2010) written by Said Ahmed Mohamed. I analysed three types of symbols which are natural symbols, conventional symbols and literary symbols following Frye et al. (1985). This study aims at showing how symbols are used in literary works to communicate meaning and the ideology of the society depicted in the text. Symbols also help to build the theme, the plot and adding aesthetic value in literary texts
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Wanyonyi, Mukhata Chrispinus. « Ishara na uashiriaji kama nyenzo ya mtindo, maana na kiwakilishi cha itikadi katika riwaya ya Nyuso za Mwanamke ». Swahili Forum 22 (2015), S. 104-118, 2015. https://ul.qucosa.de/id/qucosa%3A14608.

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Makala haya yanachanganua ishara na uashiriaji kama mbinu ya kimtindo ya kuwasilisha maana na kukuza uhusika na maudhui katika riwaya ya Nyuso za Mwanamke (2010) ya Said Ahmed Mohamed. Nimechanganua aina tatu za ishara ambazo ni ishara bia, ishara za kaida na ishara za kifasihi kama zinavyoainishwa na Frye na wenzake (1985). Lengo kuu ni kuchanganua na kubainisha jinsi ishara zinavyowasilisha maana na itikadi za jamii katika matini husika. Ishara hizi pia husaidia kukuza maudhui, ploti na kuongeza ujumi katika matini za kifasihi.
This article analyses symbols and symbolism as stylistic devices of communicating meaning and as a technique of characterisation and theme development in Nyuso za Mwanamke (The Faces of a Woman, 2010) written by Said Ahmed Mohamed. I analysed three types of symbols which are natural symbols, conventional symbols and literary symbols following Frye et al. (1985). This study aims at showing how symbols are used in literary works to communicate meaning and the ideology of the society depicted in the text. Symbols also help to build the theme, the plot and adding aesthetic value in literary texts.
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Jado, Ahmed Hamdy Kamel Abdelsalam [Verfasser], Tetyana [Akademischer Betreuer] Morozyuk, Tetyana [Gutachter] Morozyuk et Predrag [Gutachter] Raskovic. « Evaluation and improvement of energy management in industrial baking ovens / Ahmed Hamdy Kamel Abdelsalam Jado ; Gutachter : Tetyana Morozyuk, Predrag Raskovic ; Betreuer : Tetyana Morozyuk ». Berlin : Technische Universität Berlin, 2019. http://d-nb.info/118613030X/34.

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Youssef, Mohamed Ahmed Moustafa Kamal [Verfasser]. « Systematic studies to correlate microcalorimetry with stability studies on liquid formulations of various protein drugs / vorgelegt von Ahmed Moustafa Kamal Youssef Mohamed ». 2010. http://d-nb.info/1005069050/34.

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Aly, Ahmed Mohamed Kamal Abdelaal [Verfasser]. « Regeneration selektierter adulter Pyrus-Wildformen von Trockenstandorten und Prüfung ausgewählter Klone auf Salztoleranz für die Verwendung als Unterlage in ariden Gebieten / von Ahmed Mohamed Kamal Abdelaal Aly ». 2004. http://d-nb.info/972546332/34.

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Livres sur le sujet "Kamal Ahmed"

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Kâmil, Hocazâde Ahmed. XIX. yy. Nakşibendî şeyhlerinden Hocazade Ahmed Kamil divanı. Eminönü-Fatih, İstanbul : Kriter, 2018.

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The ushebtis from early excavations in the necropolis of Asyut, mainly by David George Hogarth and Ahmed Bey Kamal : With remarks on ushebti iconography and related burial practices in Asyut from the New Kingdom to the Ptolemaic Period. Wiesbaden : Harrassowitz, 2013.

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Semangat Chandan : Journeys contemporary artists from the land of grace : Abu Bakar Idris, Ahmad Zuraimi Abdul Rahim, Choong Kam Kow, Daud Abdul Rahim, Fauzin Mustafa, Ham Rabeah Kamarun, Hasanul Isyraf Idris, Hasnul Jamal Saidon, Husin Hourmain, Juhari Said, Kamal Sabran, Dato' Dr. Mohd. Nor bin Khalid (Lat), Nasir Baharuddin, Nur Hanim Khairuddin, Raja Azhar Idris, Raja Shahriman Raja Aziddin, Ramlan Abdullah, Saiful Razman Kassim, Shafee Ramli, Wong Seng Tong. Kuala Lumpur : Three Hundred Sixty Sdn. Bhd., 2011.

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Al-Thr, Egypt Malaat. Livre des Perles Enfouies et du Mystère Précieux Au Sujet des Indications des Cachettes, des Trouvailles et des Trésors. Publié et Traduit Par Ahmed Bey Kamal. Creative Media Partners, LLC, 2022.

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Chapitres de livres sur le sujet "Kamal Ahmed"

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Landis, Winona. « Classroom Heroes ». Dans Ms. Marvel's America, 152–69. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827029.003.0010.

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This chapter explores the use of comics as pedagogical tools in interdisciplinary courses such as Gender Studies and Ethnic Studies. Specifically, the chapter investigates the ways in which the superhero comic Ms. Marvel is an important example of feminist and anti-racist pedagogy for these courses. By framing the textual analysis of the comic through gender and critical race theorists such as Sara Ahmed and Shireen Roshanravan, the chapter demonstrates the ways in which Kamala Khan, the protagonist, grapples with villains and difficulties that reflect the societal issues of sexism, racism, and Islamophobia. Kamala Khan’s battle against injustice resonates with many readers’ everyday experiences, and disrupts both genre-based and hegemonic structures of oppression and heroism. By teaching Ms. Marvel through the lens of gender studies and critical ethnic studies, this text enables students to gain a new perspective on race, justice, and “terror,” which allows them to be more just, empathetic learners.
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Reid, Donald Malcolm. « Representing Ancient Egypt at Imperial High Noon (1882–1922) ». Dans From Plunder to Preservation. British Academy, 2013. http://dx.doi.org/10.5871/bacad/9780197265413.003.0009.

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During the height of Western imperialism in Egypt from 1882 to 1922, the British ran the country and the French directed the Antiquities Service. Two contemporary artistic allegories expressed Western appropriation of the pharaonic heritage: the façade of Cairo's Egyptian Museum (1902) and Edwin Blashfield's painting Evolution of civilization in the dome of the Library of Congress (1896). The façade presents modern Egyptology as an exclusively European achievement, and Evolution presents ‘Western civilization’ as beginning in ancient Egypt and climaxing in contemporary America. The illustrated cover of an Arabic school magazine (1899) counters with an Egyptian nationalist claim to the pharaonic heritage. A woman shows children the sphinx and pyramids to inspire modern revival, and Khedive Abbas II and Egyptian educators, not European scholars, frame the scene. The careers of three Egyptologists — Gaston Maspero, E. A. W. Budge, and Ahmad Kamal Pasha — are explored to provide context for the allegories.
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Heshmat, Dina. « The Revolution on the Screen ». Dans Egypt 1919, 106–32. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474458351.003.0005.

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This chapter analyses Hasan al-Imam’s famous film adaptation of Naguib Mahfouz’s novel Bayn al-Qasrayn (Palace Walk,1964). Here I read cinema as a genre that further ‘defigurated’ the 1919 events by fitting it into the Free Officers’ ideological reframing of the nationalist movement. The trope of unity, central to the novel, is taken to another level, both in terms of form and content, through a number of compelling additions to the original plot presented in a melodramatic fashion. The chapter shows that al-Imam transformed Mahfouz’s liberal representation of the revolution into a Nasserist rhetoric. Fahmi turns from a nationalist student into an armed resistant fighter, the discourse about religious unity between Muslims and Copts is significantly radicalised, and women are granted a much more active role than in the novel –as they are placed at the centre of the film’s rhetoric about progress. Moreover, I show, through a detailed analysis of mise-en-scène elements – montage, style of acting, music (including songs by Sayyid Darwish), - how al-Imam efficiently exploited the genre of melodrama, playing with emotions of grief and joy in order to build a cathartic expression of unity. The chapter contains references to two other films of the period, Mustafa Kamil (1955) and Sayyid Darwish (1966) both directed by Ahmad Badrakhan, as well as elements of comparison with ‘Awdat al-Ruh, a television drama aired in 1977.
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Actes de conférences sur le sujet "Kamal Ahmed"

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KURT, Deniz, et Erdal KORKMAZ. « ASKERÎ ARŞİV BELGELERİ IŞIĞINDA SURİYE-FİLİSTİN CEPHESİ’NDEKİ NABLUS VE KATMA MUHAREBELERİ’NİN HARP PRENSİPLERİ AÇISINDAN ANALİZİ ». Dans 9. Uluslararası Atatürk Kongresi. Ankara : Atatürk Araştırma Merkezi Yayınları, 2021. http://dx.doi.org/10.51824/978-975-17-4794-5.18.

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Birinci Dünya Savaşı’nda Osmanlı Devleti’nin savaştığı cephelerden biri de Sina-Filistin-Suriye Cephesi’dir. Buradaki askerî harekâtlar; Birinci Kanal Seferi (28 Ocak-3 Şubat 1915), İkinci Kanal Seferi (27 Temmuz- 5 Ağustos 1916) ve Osmanlı ordusuna karşı gerçekleştirilen İngiliz genel karşı taarruzundan (31 Ekim 1917-30 Ekim 1918) meydana gelmektedir. Kanal harekâtı için komutanlığına Bahriye Nazırı Ahmed Cemal Paşa getirilen Suriye’deki 4’üncü Ordu görevlendirilmiştir. Gazze muharebelerinden kısa bir süre önce Bağdat’ın İngilizler tarafından işgali (11 Mart 1917), İngilizlerin etkilerini artırmalarını sağlamıştır. 31 Ekim 1917’de İngilizler Gazze-Birüssebi hattına taarruza geçmiş, Üçüncü Gazze Muharebesi (7 Kasım 1917) olarak anılan bu muharebede Türk mevzileri yarılmıştır. Türk birlikleri KudüsYafa hattına çekildiyse de İngiliz taarruzlarını durdurmak mümkün olmamıştır. 9 Aralık 1917’de Kudüs düşmüş, bunun üzerine Yıldırım Ordular Grubu Komutanı General Falkenhayn görevden alınarak yerine Liman von Sanders atanmıştır. Suriye-Filistin Cephesi’nde 19 Eylül 1918 tarihinde Osmanlı ordusuna karşı başlayan İngiliz “genel karşı taarruz”unun sonunda Türk ordusunun geri çekilmesi üç aşamada gerçekleşmiştir. Bu kapsamda Türk kuvvetleri; 21 Eylül 1918’de Dera’ya kadar birinci aşama, 1 Ekim 1918’de Şam’a kadar ikinci aşama, 25-26 Ekim 1918’de ise Halep’e kadar üçüncü aşama olarak ricat etmiştir. Şam’ın düşmesi sonucu “Askerî Karar Verme Süreci” neticesinde yapılan değerlendirme ile 7’nci Ordu Komutanı Mustafa Kemal Paşa’nın teklifi ile Yıldırım Orduları Grubu Komutanı Limon Von Sanders tarafından ana bağlı birliklere Halep civarında bir “stratejik savunma” yapılması direktifi verilmiştir. Katma Muharebesi “stratejik savunma” olarak icra edilmiştir. Buradaki harekâtın temel amacı 19 Eylül 1918 tarihinden itibaren devam eden İngiliz genel taarruzunun durdurulması olarak belirlenmiştir. Katma Muharebesi’ndeki askerî harekâtın planlama ve uygulamasında üç temel unsur belirleyici olmuştur. Bunlar; İtilafların ve Türk kuvvetlerinin durumu ile arazi şartlarıdır. Bu üç temel unsur arasındaki karşılıklı etkilerin ve zaman faktörünün değerlendirilmesi sonucunda nihai karara ulaşılmıştır. Bu unsurları iyi değerlendiren 7’nci Ordu Komutanı Mustafa Kemal Paşa, İngiliz askerî gücü ile mukayese edildiğinde silah, teçhizat, mühimmat ve personel açısından aleyhine olan şartlara rağmen harekâtın sevk ve idaresinde gösterdiği isabetli kararları neticesinde muharebenin sonucunu belirleyen kişi olmuştur. Mustafa Kemal Paşa’nın orduyu başarılı sevk-idaresi sonucu 19 Eylül 1918 tarihinde başlayan İngiliz taarruzu nihayet Katma’da durdurulmuştur. Bu askerî başarı, stratejik düzeyde İngilizlerin Halep’in kuzeyinden, İskenderun’a kadar uzanan Anadolu coğrafyasının işgal sürecini engellemiş ve Milli Mücadele döneminde Misak-ı Millî’nin doğal hudutlarının belirlenmesinde etkili olmuştur.
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