Littérature scientifique sur le sujet « Kaija »
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Articles de revues sur le sujet "Kaija"
Gray, Mary W. « Émilie by Kaija Saariaho ». Mathematical Intelligencer 38, no 4 (19 octobre 2016) : 84–85. http://dx.doi.org/10.1007/s00283-016-9642-5.
Texte intégralMunk, J. « Kaija Saariaho. By Pirkko Moisala. » Music and Letters 92, no 1 (1 février 2011) : 174–76. http://dx.doi.org/10.1093/ml/gcq096.
Texte intégralJärvensivu, Anu. « Näkökulmia työhön ja oppimiseen yksien kansien sisällä ». Aikuiskasvatus 29, no 1 (15 février 2009) : 71–72. http://dx.doi.org/10.33336/aik.94176.
Texte intégralOjala, Hanna. « Avauksia toimijuuteen aikuiskasvatuksessa ». Aikuiskasvatus 31, no 3 (15 septembre 2011) : 220–21. http://dx.doi.org/10.33336/aik.93945.
Texte intégralKaija, Sandra. « Izmeklēšanas noslēpums procesā par noziedzīgi iegūtu mantu ». SOCRATES. Rīgas Stradiņa universitātes Juridiskās fakultātes elektroniskais juridisko zinātnisko rakstu žurnāls / SOCRATES. Rīga Stradiņš University Faculty of Law Electronic Scientific Journal of Law 2, no 8 (2017) : 14–24. http://dx.doi.org/10.25143/socr.08.2017.2.14-24.
Texte intégralSternburg, Judith von. « Requiem für ein Genie ». Opernwelt 65, no 7 (2024) : 14–15. http://dx.doi.org/10.5771/0030-3690-2024-7-014.
Texte intégralPepper, Kaija. « kraftfelder ». tanz 14, no 2 (2023) : 22–27. http://dx.doi.org/10.5771/1869-7720-2023-2-022.
Texte intégralTsaregradskaya, Tatiana V. « Kaija Saariaho and Her Laterna Magica ». Vestnik of Saint Petersburg University. Arts 11, no 4 (2021) : 607–35. http://dx.doi.org/10.21638/spbu15.2021.403.
Texte intégralPasanen, Heikki. « Keskustelunavaus yli koulukuntarajojen ». Aikuiskasvatus 31, no 2 (15 mai 2011) : 150–51. http://dx.doi.org/10.33336/aik.93929.
Texte intégralPepper, Kaija. « krimifieber ». tanz 15, no 5 (2024) : 4–7. http://dx.doi.org/10.5771/1869-7720-2024-5-004.
Texte intégralThèses sur le sujet "Kaija"
Oskala, Anni Katariina. « The voice in Kaija Saariaho's Music 1977-2000 ». Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491077.
Texte intégralKaunisaho, Kaija Veronika [Verfasser]. « Volumenänderung der Beckenkammaugmentate nach Transplantation im menschlichen Kiefer / Kaija Veronika Kaunisaho ». Köln : Deutsche Zentralbibliothek für Medizin, 2013. http://d-nb.info/1034343920/34.
Texte intégralDebus, Kaija [Verfasser], et Ralf [Akademischer Betreuer] Bialek. « Importierte Parasitosen bei Kindern in Deutschland / Kaija Debus ; Betreuer : Ralf Bialek ». Tübingen : Universitätsbibliothek Tübingen, 2011. http://d-nb.info/1161464646/34.
Texte intégralZerbinatti, Camila Durães. « Sept Papillons, de Kaija Saariaho : análise musical e aspectos da performance ». Universidade do Estado de Santa Catarina, 2015. http://tede.udesc.br/handle/handle/1561.
Texte intégralCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
This dissertation presents a musical analysis and discusses some interpretative aspects of the piece Sept Papillons (2000) for solo cello, by the Finnish composer Kaija Saariaho (1952). A broad contextualization is presented in which we approached the composer s history, its main compositional characteristics, its aesthetic influences, the inter-relations between subjectivity and music making in her work, her gendered position in music and the importance of personal collaborations on the developing of her cello work. Musical analysis is preceded by the context of the piece, its situation on the cello repertoire, its influences and main characteristics. Due to the predominant use of natural harmonics a transcription of the original score is displayed. Musical analysis is then presented through the approach of formal and structural aspects. Research on the pitch, rhythmic, texture, timbral, gestures, instrumental and visual (metaphorical) dimensions of the piece is presented. Relations are established between the Sept Papillons building and Saariaho´s compositional processes. Technical and interpretative aspects of Sept Papillons performance and practice are addressed in dialogue with texts by performers and musicologists that work with her works and also through five interviews with cellists who have been played Sept Papillons in high level performances and recordings. It is observed the place of the body in music performance, on the sophisticated coordination on instrumental actions necessary for the performance. It is seen that Saariaho expands both the cello technique and the cello writing. Our work is justified by the contributions made to the field of knowledge on Kaija Saariaho, on analysis and performance of the contemporary repertoire, and on cello technique and cello music.
Esta dissertação apresenta uma análise musical e aborda alguns aspectos interpretativos da peça Sept Papillons (2000) para violoncelo solo, da compositora finlandesa Kaija Saariaho (1952). É apresentada uma ampla contextualização da compositora na qual abordamos sua trajetória, suas principais características composicionais, suas influências estéticas, as inter-relações entre subjetividade e fazer musical em sua obra, sua condição de gênero na música e a importância de colaborações pessoais no desenvolvimento de sua obra para violoncelo. A análise musical é precedida pela contextualização da peça, sua localização no repertório violoncelístico, suas influências e principais características. Por conta do predominante uso de harmônicos naturais uma transcrição da partitura original é apresentada. A análise musical é então realizada através da abordagem de aspectos formais e estruturais da investigação da dimensão das alturas, das dimensões rítmica, textural, tímbrica, gestual, instrumental e imagética (metafórica). São estabelecidas relações entre a construção de Sept Papillons e os processos composicionais de Saariaho. Aspectos técnicos e interpretativos da performance de Sept Papillons são abordados, em diálogo com textos de intérpretes e musicólogos (as) que trabalham com as obras da compositora e também através de cinco entrevistas realizadas com intérpretes que já apresentaram Sept Papillons em performances e gravações de alta qualidade. É observado o lugar do corpo na performance, na coordenação de sofisticadas ações instrumentais necessárias e também de que forma Saariaho expande a técnica e a escrita violoncelística. Nosso trabalho se justifica pelas contribuições oferecidas ao campo de conhecimento sobre Kaija Saariaho, sobre análise e performance do repertório contemporâneo e sobre técnica e interpretação do violoncelo.
Chou, Chao-Chiun. « Giacinto Scelsi, Gérard Grisey et Kaija Saariaho : Trois esthétiques à partir du son ». Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080005.
Texte intégralThis thesis studies three composers connected around the "spectral music" andwhose thoughts and works are strongly marked at first by the awareness of the"dynamic" nature of sound: Giacinto Scelsi, Gérard Grisey and Kaija Saariaho, threecomposers representing three different periods in the history of the spectral current. Intheir works and their theoretical writings, several questions arise or derive from the"energetic" conception of the material and go beyond the framework of the material:perception, form, musical time, expressivity, relation to the tradition, etc. Moregenerally, an essential question arises: what exists beyond the sound, beyond theenergy within the sound?To answer this question, this research analyses several works by the threecomposers while keeping in mind the adornian conception of material whichquestions the "naturalist" idea of material and the idea of an isolated sound as selfsufficient.Several categories, such as "mediation", "articulation", "tradition","history", "culture / nature" come into play. Thus, this study has managed to highlightthree different "aesthetics" that develop from a common base of "sound energy" as thebearer of musical form — the aesthetics of sound energy, the aesthetics of process,and the aesthetics of expression, three aesthetics that seem to show an evolutiontowards an "interpenetration of the energetics and the semiotics"
Chou, Chao-Chiun. « Giacinto Scelsi, Gérard Grisey et Kaija Saariaho : Trois esthétiques à partir du son ». Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080005.
Texte intégralThis thesis studies three composers connected around the "spectral music" andwhose thoughts and works are strongly marked at first by the awareness of the"dynamic" nature of sound: Giacinto Scelsi, Gérard Grisey and Kaija Saariaho, threecomposers representing three different periods in the history of the spectral current. Intheir works and their theoretical writings, several questions arise or derive from the"energetic" conception of the material and go beyond the framework of the material:perception, form, musical time, expressivity, relation to the tradition, etc. Moregenerally, an essential question arises: what exists beyond the sound, beyond theenergy within the sound?To answer this question, this research analyses several works by the threecomposers while keeping in mind the adornian conception of material whichquestions the "naturalist" idea of material and the idea of an isolated sound as selfsufficient.Several categories, such as "mediation", "articulation", "tradition","history", "culture / nature" come into play. Thus, this study has managed to highlightthree different "aesthetics" that develop from a common base of "sound energy" as thebearer of musical form — the aesthetics of sound energy, the aesthetics of process,and the aesthetics of expression, three aesthetics that seem to show an evolutiontowards an "interpenetration of the energetics and the semiotics"
Nable, Frederico Arantes. « Sept Papillons de Kaija Saariaho : uma an?lise dos elementos t?cnico-interpretativos ». Universidade Federal do Rio Grande do Norte, 2015. http://repositorio.ufrn.br/handle/123456789/20199.
Texte intégralApproved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2016-04-07T00:07:52Z (GMT) No. of bitstreams: 1 FredericoArantesNable_DISSERT.pdf: 898485 bytes, checksum: 6e98b154b756c77b06de731a02976916 (MD5)
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A pe?a Sept Papillons de Kaija Saariaho ? considerada uma obra de destaque na produ??o atual para violoncelo. O presente trabalho busca contextualiz?-la e oferecer reflex?es sobre as dificuldades t?cnicas encontradas em seu estudo, discorrendo tamb?m sobre conceitos importantes para a interpreta??o. Como procedimento metodol?gico foram estudados autores como MOISALA (2009) e VICTORIO (2015) que d?o fundamenta??o ao entendimento do processo composicional e ? an?lise dos gestos propostos pela compositora. Em um segundo momento foi realizada uma entrevista com Natasha Farny, uma violoncelista reconhecida por sua performance da obra, a qual utilizamos como refer?ncia junto ? performance da coreana Seung Ri Jung e a grava??o do violoncelista Anssi Karttunen, a quem foi dedicada a pe?a. Concomitantemente ao estudo do material bibliogr?fico e realiza??o das entrevistas, a pe?a foi trabalhada e apresentada no ?mbito do PPGMUS-UFRN. A experi?ncia obtida pelos recitais e pela pesquisa da obra resultou em sugest?es para violoncelistas interessados no estudo e na performance da mesma.
Sept Papillons by Kaija Saariaho is a relevant piece in the contemporary cello repertoire. This research aims to study the context of the piece and approaches the technical and musical challenges presented in the work. As a methodological procedure, authors like MOISALA (2009) and VICTORIO (2015) were studied, giving basis to the understanding of the compositional process and to the analysis of the gestures proposed by the composer. Following, an interview was carried out with Natasha Farny, a cellist recognized for her performance of the work and utilized as reference, together with the Korean cellist Seung Ri Jung?s performance and the recording of Anssi Karttunen, to whom the piece was dedicated. Whilst the research of the bibliographical material and the interviews were taking place, the piece was studied and performed at the Masters of Music Program at UFRN. The experience obtained by the recitals and the research resulted in suggestions for cellists interested in its study and performance.
Diaz, Garcia Maria Mercedes. « The Shaping of Time in Kaija Saariaho's Émilie : a Performer's Perspective ». Bowling Green State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1579431479557928.
Texte intégralMadar, Armaan. « Kaija Saariaho’s Quatre Instants from a pianist’s point of view : an interpretation of the song cycle ». Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3630.
Texte intégralThe sounding part of the work consists of the following recording: ljud. The Corona virus situation spring semester 2020 has caused limitations in the recording possibilities. The recording is archived and may be supplemented.
Allen, John Clay. « An Analysis of Du cristal…à la fumée by Kaija Saariaho and Axiom Unearthed, Original Composition ». Thesis, University of North Texas, 2015. https://digital.library.unt.edu/ark:/67531/metadc799510/.
Texte intégralLivres sur le sujet "Kaija"
1960-, Winterfeldt Susanne, dir. Kaija Saariaho. Berlin : Musikfrauen e.V., 1991.
Trouver le texte intégralHautala-Hirvioja, Tuija. Kaija Kiuru. Rovaniemi : Lapin yliopistokustannus, 2011.
Trouver le texte intégralRisto, Nieminen, et IRCAM (Research institute : France), dir. Kaija Saariaho. Paris : IRCAM-Centre Georges Pompidou, 1994.
Trouver le texte intégralKaija, Saariaho, dir. Elektronisia unelmia : Kirjoituksia Kaija Saariahon musiikista. Helsinki : Yliopistopaino, 2005.
Trouver le texte intégralHautsalo, Liisamaija. Kaukainen rakkaus : Saavuttamattomuuden semantiikka Kaija Saariahon oopperassa. Helsinki : Suomen Musiikkitieteellinen Seura, 2008.
Trouver le texte intégralSaariaho, Kaija, et Pekka Hako. Aistit, uni, rakkaus : Kaksitoista katsetta Kaija Saariahoon. Helsinki : Lurra Editions, 2012.
Trouver le texte intégralPakkanen, Kaija. Joka oksalla satu : Kaija Pakkasen satuja ja runoja. Helsinki : Metsälehti, 1999.
Trouver le texte intégralNascimento, Márcia, et Nuno Costa, dir. Käräjäkivet 08 : Lingonsö ‘Chapel’ : Heikki and Kaija Siren, Lingonsö - Finland, 1966-69. Barcelos, Portugal : Käräjäkivet, 2021.
Trouver le texte intégralAkutagawa Ryūnosuke : Kaiga, kaika, toshi, eiga. Tōkyō : Kanrin Shobō, 2006.
Trouver le texte intégralNamiki, Seishi. Kaiga no hen : Nihon bijutsu no kenrantaru kaika. Tōkyō : Chūō Kōronsha, 2009.
Trouver le texte intégralChapitres de livres sur le sujet "Kaija"
Stephan, Ilja. « Saariaho, Kaija ». Dans Komponisten Lexikon, 520–21. Stuttgart : J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_262.
Texte intégralEverett, Yayoi Uno. « Pianto as a topical signifier of grief in contemporary operas by John Adams, Thomas Adès, and Kaija Saariaho ». Dans The Routledge Handbook of Music Signification, 333–44. [1.] | New York : Routledge, 2020. : Routledge, 2020. http://dx.doi.org/10.4324/9781351237536-29.
Texte intégralDahlke, Birgit. « Lange-Müller, Katja ». Dans Metzler Autorinnen Lexikon, 285–86. Stuttgart : J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_200.
Texte intégralTeckentrup, Gabriele. « 3. Katja Leyrer ». Dans Frauen in der 68er Bewegung, 73–96. Bielefeld, Germany : transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839468104-015.
Texte intégralMüller, Katja, et Karoline Noack. « Einleitung : Digitalisierung ethnologischer Sammlungen - Herausforderungen und Chancen ». Dans Edition Museum, 11–30. Bielefeld, Germany : transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457900-002.
Texte intégralMüller, Katja. « Sammlungen online ». Dans Edition Museum, 285–98. Bielefeld, Germany : transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839457900-016.
Texte intégralSantro, Kaja. « Softwareentwicklerin (Unternehmen) : Kaja Santro ». Dans Geisteswissenschaften studieren - und dann ?, 177–82. Stuttgart : J.B. Metzler, 2021. http://dx.doi.org/10.1007/978-3-476-05746-4_24.
Texte intégralStruve, Ulrich. « Katja Lange-Müller (geb. 1951) ». Dans Der Findling Kaspar Hauser in der Literatur, 337–43. Stuttgart : J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03383-3_73.
Texte intégralBöhm, Stanislav, Marek Běhálek et Ondřej Garncarz. « Developing Parallel Applications Using Kaira ». Dans Digital Information Processing and Communications, 237–51. Berlin, Heidelberg : Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-22389-1_22.
Texte intégralKissler, Marie-Luise. « Personalchefin und Juristin : Katja Borghaus ». Dans 80 Menschen – 80 Storys, 75–80. Wiesbaden : Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-37905-6_12.
Texte intégralActes de conférences sur le sujet "Kaija"
Saamishvili, Natalia. « Some Features of Libretto and Musical Composition in “L’amour de loin” by Kaija Saariaho ». Dans Proceedings of the 2nd International Conference on Art Studies : Science, Experience, Education (ICASSEE 2018). Paris, France : Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.132.
Texte intégralPauloski, J. Gregory, Qi Huang, Lei Huang, Shivaram Venkataraman, Kyle Chard, Ian Foster et Zhao Zhang. « KAISA ». Dans SC '21 : The International Conference for High Performance Computing, Networking, Storage and Analysis. New York, NY, USA : ACM, 2021. http://dx.doi.org/10.1145/3458817.3476152.
Texte intégralShaftel, Ethan. « Kaiju Confidential ». Dans SIGGRAPH '19 : Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA : ACM, 2019. http://dx.doi.org/10.1145/3302502.3318146.
Texte intégralScrocca, Mario, Riccardo Tommasini, Alessandro Margara, Emanuele Della Valle et Sherif Sakr. « The Kaiju project ». Dans DEBS '20 : The 14th ACM International Conference on Distributed and Event-based Systems. New York, NY, USA : ACM, 2020. http://dx.doi.org/10.1145/3401025.3401740.
Texte intégralBöhm, Stanislav. « Implementation of collective communication in Kaira ». Dans PROCEEDINGS OF THE INTERNATIONAL CONFERENCE ON NUMERICAL ANALYSIS AND APPLIED MATHEMATICS 2014 (ICNAAM-2014). AIP Publishing LLC, 2015. http://dx.doi.org/10.1063/1.4913033.
Texte intégralKARALIŪNAS, Viktoras, et Darius JARMALAVIČIUS. « LIETUVOS BALTIJOS JŪROS KRANTO MORFOLOGIJOS KLAIPĖDOS UOSTO POVEIKIO ZONOJE KAITA IR STABILUMAS ». Dans Conference for Junior Researchers „Science – Future of Lithuania“. VGTU Technika, 2018. http://dx.doi.org/10.3846/aainz.2018.011.
Texte intégralAzman, Syafiq Bin Shamsul, et Albert Quek. « VR Kaiju game with growth enhancement mechanic ». Dans 3RD INTERNATIONAL CONFERENCE ON COMPUTER, INFORMATION TECHNOLOGY, AND INTELLIGENT COMPUTING (CITIC2023). AIP Publishing, 2024. http://dx.doi.org/10.1063/5.0217149.
Texte intégralBehalek, Marek, Stanislav Bohm, Pavel Kromer, Martin Surkovsky et Ondrej Meca. « Parallelization of ant colony optimization algorithm using Kaira ». Dans 2011 11th International Conference on Intelligent Systems Design and Applications (ISDA). IEEE, 2011. http://dx.doi.org/10.1109/isda.2011.6121707.
Texte intégralWuisang, Justien. « Contextual Approaches In Kaiwa Learning (Speaking) Japanese Language ». Dans Proceedings of the International Conference on Social Science 2019 (ICSS 2019). Paris, France : Atlantis Press, 2019. http://dx.doi.org/10.2991/icss-19.2019.60.
Texte intégralPaškevičienė, Justina, et Rima Tamošiūnienė. « FINANSINIŲ RODIKLIŲ RYŠYS SU LISTINGUOJAMOS ĮMONĖS AKCIJŲ KAINA NUSTATANT VERTĘ ». Dans Conference for Junior Researchers „Science – Future of Lithuania“. VGTU Technika, 2016. http://dx.doi.org/10.3846/mla.2015.899.
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