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Articles de revues sur le sujet « Journalism in art »

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Auteur : Grafiati
Publié le 25 juillet 2024

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1

Jang, Jennifer. « Why Art Journalism Is Important in Connecting Traditional Art and Entertainment with The Media ». Proceedings of The World Conference on Social Sciences 2, no 1 (26 décembre 2023) : 70–86. http://dx.doi.org/10.33422/worldcss.v2i1.103.

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Due to an increase in pop culture consumption and social media use, traditional art forms such as classical music, pottery, and painting are not covered enough in modern journalism. Today traditional art forms, such as classical music, sculpture, and painting, are still seen in a very linear way, even though there are opportunities for this medium to be represented in media. Art journalism would not only help music to be utilized in various ways but also enhance society by exposing more people to art. Art journalists act as an amplifier for many artists by giving them a platform to promote their work and also allowing them to draw connections with each other. Additionally, art journalism promotes cultural appreciation because it often covers cultural events, music, and artwork with artistic aspects. Furthermore, providing these artists with an outlet to popularize their work allows people to discover certain cultures that they might not have otherwise. In all, given that classical forms of art are declining in popularity and the younger generation is becoming increasingly less exposed to traditional art, art journalism can be an effective way to maintain traditions and ensure that art forms such as classical music do not die out completely. The purpose of this research is to study how a decline in art journalism and journalism overall will impact our society and today’s youth, as well as study the statistical trends of artistic journalism. The research design will consist of quantitative research on the exact statistics of arts journalism and qualitative research concerning the effects of these factors and will be used to present the argument that art journalism is necessary for our society. The findings from quotes, graphs, and charts will be analyzed to do so, and summarized in the conclusion.
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Khibadullina, A. S. « Art journalism : film art in the socio-cultural paradigm ». Bulletin of L.N. Gumilyov Eurasian National University. JOURNALISM Series 142, no 1 (2023) : 112–20. http://dx.doi.org/10.32523/2616-7174-2023-142-1-112-120.

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The article talks about one of the new directions in the development of modern journalism - art journalism, as well as about the place and development of "film journalism" in providing information within this direction, cinema. Today's film production is available not only in cinemas, but also on TV, tablets and the Internet. Therefore, it is important to take into account the development of modern film production and different methods of studying the film genre, as well as the function of cinema art in the socio-cultural space. The influence of modern technologies on film production is recognized as an urgent issue. In society in general, no one can limit a person's inner spiritual need and taste. As demand grows, the requirements and tasks for teleworking grow. Television equipment is also being developed taking into account the requirements. Since it is impossible to separate the history of television from cinematography, there is a need to consider film journalism from a theoretical and practical point of view. Therefore, it is necessary to know the theoretical foundations of working with information in the development of art journalism as one of the directions of industry journalism, the development of cinematography. It is known that speech in cinema and on television forms the culture of speech in society, so it is important from a practical point of view to pay attention to the use of the possibilities of cinema, theater and new media and consider the way of a comprehensive study of screen culture
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Ponomareva, O. B. « ANTHROPOCENTRIC FEATURES OF ART JOURNALISM ». Kognitivnye Issledovaniya Yazyka 27 (2016) : 69–76. http://dx.doi.org/10.20916/2071-9639-2016-27-69-76.

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Eberhard, Wallace B. « Journalism : State of the Art ». American Journalism 7, no 4 (octobre 1990) : 284–85. http://dx.doi.org/10.1080/08821127.1990.10731314.

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Mpofu, Shepherd. « Art as Journalism in Zimbabwe ». Journalism Studies 20, no 1 (11 août 2017) : 60–78. http://dx.doi.org/10.1080/1461670x.2017.1358652.

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Balakireva, A. Y., et L. P. Gogina. « Communicative tools of art journalism ». Communicology 11, no 2 (29 juin 2023) : 76–89. http://dx.doi.org/10.21453/2311-3065-2023-11-2-76-89.

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The development of convergent journalism and new media formats has changed the journalistic content dedicated to the promotion of the high art. The paper represents an overview of the recent works devoted to the research subject. The authors consider such communicative tools for promoting the art and museum-exhibition direction in journalism as performative communications, PR technologies, digital innovations in the use of VR, and the art discourse. The authors’ overview lead to the conclusion that the art direction in journalism is attempting new techniques and methods of contact with the target audience (users), which generally has a positive effect on the practices of cultural media consumption.
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Ohar, Emiliya. « The Ukrainian book journalism : institutional prerequisites of functioning ». Proceedings of Research and Scientific Institute for Periodicals, no 10(28) (janvier 2020) : 264–78. http://dx.doi.org/10.37222/2524-0331-2020-10(28)-19.

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The article describes the basic prerequisites for functioning of a phenomenon of the Ukrainian book journalism as a kind of cultural journalism. At present an increased attention to the cultural journalism from scholars and media experts is caused by the activation in sphere of the Ukrainian cultural management supported by long-term EUEastern Partnership Programme Culture and Creativity (2010―2018s). The subject of the study are both actual infrastructure of media (web portal, TV and broadcast media, blogs and vlogs) generating relevant content, as well as media workers (critics, bloggers, experts) working in this field. The generalized semantics of the terms «book journalism» and its derivatives ― «book mass media», «book journalist», have been justified. The main attention is paid to communicative efficiency of media specializing in topics related to the events and facts of the cultural life of society, especially literature and publishing (LitAzkent, Bukvoyid, Chytomo, BaraBuka, Space of Ukrainian Children’s Literature, UA: Ukrainske Radio, UA:Pershyi, UA: Kultura, Culturoprostir.ua, and so on). The most «painful points» of the Ukrainian cultural journalism, specifically those of the book journalism, have been outlined. Those are a lack of creative human resources, unwillingness/inability of journalists to communicate meaningfully and accessibly to a wide audience, as well as unpopularity of this type of journalism among media professionals. The specific criteria for assessing the professionalism of a book journalist are described, among them deep knowledge in the field of literature, book business, media; involvement in cultural processes, developed literary and art taste, rhetorical skills in popularizing special knowledge, ability to stable and regular work and so on. Prospects for the development of book journalism depend on the changing attitudes of society to culture, as well as a growth of popularity of book topics in non-mainstream media Keywords: сultural journalism, book media, book topic, literary criticism, book journalist.
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Davies, Kayt. « REVIEW : An important book for young journalism academics ». Pacific Journalism Review 23, no 1 (21 juillet 2017) : 263. http://dx.doi.org/10.24135/pjr.v23i1.318.

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What is Journalism? The Art and Politics of a rupture, by Chris Nash. London: Palgrave Macmillan. 2016. 247 pages. ISBN 978-1-137-39933-5CHRIS NASH wrestles with ideas with rare intensity. His new book What is Journalism takes something so familiar to us, journalism, and peels back layer after layer of assumptions about what makes it singular and distinctive and what gives it parity with the other academic disciplines. More importantly though this book is a how-to guide for best-practice journalists and journalism academics looking for a lexicon to describe journalism work in a methodological way.
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Fateeva, I. A. « ON THE FIRST ATTEMPT TO COMMEMORATE THE SCIENTIFIC AND RESEARCH ACHIEVEMENTS OF THE STATE JOURNALISM INSTITUTE AS A CENTER OF NEWSPAPER STUDIES ». Memoirs of NovSU, no 1 (2024) : 20–32. http://dx.doi.org/10.34680/2411-7951.2023.1(52).20-32.

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In the article, the author describes, analyzes and interprets documents related to the earliest attempt at professional and academic commemoration of the scientific research practices of newspaper scientists at the State Journalism Institute (SJI). This is primarily the correspondence (1964–1967, Russian State Archive of Literature and Art) of two active participants in the life of the first domestic educational institution for journalists of the 1920s: Tomsk journalist V. A. Kuzmichev (1903–1994), graduate of the post-graduate school of SJI, and his former supervisor M.S. Gus (1900–1984). On the basis of commenting on the correspondents’ personal letters introduced into scientific circulation, the author shows how toxic the topic of the formation and existence of the first scientific journalism school was, even three and a half decades after its liquidation.
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Weichert, Stephan. « Digital Journalism –Das neue Masterprogramm an der Hamburg Media School ». MedienWirtschaft 10, no 2 (2013) : 53–55. http://dx.doi.org/10.15358/1613-0669-2013-2-53.

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Medientrends verstehen, den digitalen Wandel aktiv mitgestalten und publizistische Angebote erfolgreich weiterentwickeln: Dies sind die Hauptziele des neuen Studiengangs „Digital Journalism“ (Executive Master of Art in Journalism) an der Hamburg Media School. Er richtet sich an Redakteure und freie Journalisten aller Medienbereiche. Das berufsbegleitende Master-Programm startet im Oktober 2013 und vermittelt die zukünftig relevanten Inhalte aus den Bereichen Journalismus und Management.
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Heravi, Bahareh R., et Mirko Lorenz. « Data Journalism Practices Globally : Skills, Education, Opportunities, and Values ». Journalism and Media 1, no 1 (22 octobre 2020) : 26–40. http://dx.doi.org/10.3390/journalmedia1010003.

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Despite the growing interest in data journalism in newsrooms and its more recent emergence as an academic discipline, there is a need for systematic research on the state-of-the-art and current data journalism-related practices in newsrooms. The Global Data Journalism survey was an attempt to address this gap by studying the data journalism practices in newsrooms across the world. This study provides a descriptive view of the results of this study and discusses the findings on several aspects of data journalism practice, characteristics of data journalists and data teams, and their skills and educational requirements. We further provide insight into the values associated with journalistic work and analyse the ways in which the community believes data journalism has improved or undermined these values.
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Thi Vi, Phuong, Sabahudin Hadžialić et Adamkolo Mohammed Ibrahim. « Vietnam’s Online Newspaper Development Trend in the Context of Social Media ». Studia i Analizy Nauk o Polityce, no 1 (27 juin 2023) : 57–82. http://dx.doi.org/10.31743/sanp.14663.

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According to statistics from the Ministry of Information and Communications, as of December 2022, the whole country has 127 news agencies; 670 journal agencies (there are 327 journals of political theory and science, 72 journals of literature and art); 72 radio and television agencies. Personnel operating in the field of journalism are about 41,000 people, of which the radio and television sector is approximately 16,500 people. Compared with 2021, personnel is relatively stable and the number of personnel granted journalist cards increases significantly. There have been 19,356 cases of being granted journalist cards. It is easy for the public to check the names of long-term online newspapers and major readers such as “VnExpress,” “Dan Tri,” “Vietnamplus,” “VietNamNet,” etc. The emergence of multimedia journalism is an important step towards shaping the new type of digital storytelling and the future of journalism. In the process of renovation, the Vietnamese press is also gradually transforming and approaching new media products (Long-form/E-Magazine/Megastory) that show long, in-depth stories and multi-purpose writing, photos, audio, video, photographers, etc. According to “Vietnamplus” – a press agency leading this trend, when you first bring this type of work to the public, it is unexpected that these works are received more strongly than other types of media. We use questionnaires to build public perceptions and observations as journalists working for five major online newspapers in Vietnam. The data is taken from in-depth interviews with journalists, editors, editorial staff, and editors-in-chief of five major online newspapers in Vietnam. We choose the sample according to the sampling method of the case. In the context of social media, Vietnam’s online newspapers have developed and changed significantly. These findings will enrich and have a typical impact by clarifying two main contradictions that exist in Vietnam’s online newspapers. Those are conflicts between news products, regular articles and media products, e-magazines, megastory and conflicts in organizations producing online newspapers. From there, the article looks at how Vietnam’s online newspaper is going to grow, how it uses visual reporting, and how excited journalists and press managers are about it.
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Skilbeck, Ruth. « Art journalism and the impact of ‘globalisation’ : New fugal modalities of storytelling in Austral-Asian writing ». Pacific Journalism Review : Te Koakoa 14, no 2 (1 septembre 2008) : 141–61. http://dx.doi.org/10.24135/pjr.v14i2.949.

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The writing of art journalism has played a key yet little acknowledged role in the ongoing expansion of the international contemporary art world, and the multi-billion dollar global art economy. This article discusses some contradictory impacts of globalisation on art journalism—from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent journalistic art writing. This article discusses some contradictory impacts of gobalisation on art journalism— from extremes of sensationalist record-breaking art market reporting in the global mass media to the emergence of innovative modalities of story-telling in Australian independent art writing.
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Valentinova, Olga. « Word Image as a Cultural Sign in Language, art and Intellectual Journalism (on «Ontology of the Poetic Word Art and Ostrannenye» by M.L. Novikova) ». Theoretical and Practical Issues of Journalism 9, no 2 (27 mai 2020) : 379–86. http://dx.doi.org/10.17150/2308-6203.2020.9(2).379-386.

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With the development of information technology, the influence of mass-media on the active processes in the language and society is steadily increasing. In this context, the problem of forming high professional culture of journalistic community, which involves working knowledge of information culture, linguistic culture and creative potential of the native language, is essential. Unlike an artist who does not invent images, but thinks in them, a journalist uses language imagery rationally, but not only a means of persuasion aimed mainly at manipulation. Intelligent journalism uses the image as an economical tool of expressing a complex idea, especially when logical thinking is ineffective. The monograph «Ontology of the Poetic Word Art and Ostrannenye» by M.L. Novikova explores imagery as a universal creative principle that enables one to see essential things, previously unnoticed, while conceptualizing the reality. This principle of creation, which features one mechanism, but different functions, works in the language, in the Arts - in oral lore, plastic and synthetic arts, and in intellectual journalism. The book will be of great interest for journalists. It allows readers to see the mechanism of forming the imagery and evaluate and master the creative word as both a tool for constructing new meanings that de-automatize perception, and a conductor of public attitudes, the latter being a special form of peoples interaction, a conceptual space that reflects the world view of a person and society in a particular period of time.
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Badji, Yakoub, et Yahya Takieddine. « Violations in Professional Journalism Practice in Algeria. Opportunities and Obstacles ». Scientific notes of the Institute of Journalism, no 1 (76) (2020) : 170–79. http://dx.doi.org/10.17721/2522-1272.2020.76.14.

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There are regulations and guidelines for every practice in the world. The absence will lead to anarchy and violations of law in any society. Journalism without professional standards cannot be realised. The art of gathering and dissemination of news can be done by anybody but the key role of the professional can be fulfilled only by people with particular training, skills, and judgment. This paper intends to look at the practice of professional journalism from the Algerian perspective, highlighting the ethical elements and standards that make journalists professional. By exposing the unprofessional behaviors and violations in media sphere, the extent of compliance with the ethics in Algeria was reflected. The results of the study prove that the journalists do not reach the professional level as a result of the violations of journalistic standards in Algerian media. The survey showed that the media sphere suffers from a low level of academic standards for journalist practitioners and the lack of training courses. Some articles in media Codes, established by the Algerian political system, are ineffective.
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Jones, Chelsea, Nadine Changfoot et Kirsty Johnston. « Representing Disability, D/deaf, and Mad Artists and Art in Journalism : Identifying Ableist Fault Lines and Promising Crip Practices of Representation ». Studies in Social Justice 15, no 2 (7 mars 2021) : 307–33. http://dx.doi.org/10.26522/ssj.v15i2.2433.

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This paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals how arts and culture coverage contributes to the cultivation of disability, D/deaf, and mad art. Given that the relationship between journalism and disability communities continues to be fractured in Canada, speakers were invited to reflect on journalism and disability arts in relation to their own engagement with media as subjects, authors, and critics of disability arts reviews. The methods for presentation were cripped in multiple ways to provide the fullest access possible. The panel concluded with examples of ableist fault lines in representation practices where the disabled figure is an absent “ghost” in journalistic representation, warnings against journalistic reliance on traditional and objective narratives, and a call for artists to claim and write their own stories. Ultimately, disabled, D/deaf, and mad artists need both control over artistic endeavours and output and influence over representation. This article reconnects journalism and disability communities, ultimately demonstrating that representation is a critical, co-constitutive process that can become more aesthetically and politically oriented toward social justice in its focus on disability, D/deaf, and mad arts.
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Listopadov, I. U., et E. U. Kolomiytseva. « RELATIONSHIP OF SCIENCE WITH ART AND JOURNALISM ». Vestnik Volzhskogo universiteta im V N Tatishcheva 2, no 2 (2023) : 175–81. http://dx.doi.org/10.51965/2076-7919_2023_2_2_175.

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Cass, Philip. « REVIEW : Multiple voices shed new light on New Zealand Wars ». Pacific Journalism Review : Te Koakoa 28, no 1 & 2 (31 juillet 2022) : 241–42. http://dx.doi.org/10.24135/pjr.v28i1and2.1259.

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Voices from the New Zealand Wars. He Reo nō ngā pakanga o Aotearoa, by Vincent O’Malley. Wellington, NZ: Bridget Williams Books. 2021, 420 pages. ISBN 9781988587790. HISTORY and journalism are two very closely linked art forms. Journalism has often been described as the first draft of history, especially war, although veteran BBC journalist John Simpson is credited with saying that it is more like some rough notes scribbled on the back of a napkin that is then thrown out of the window while the restaurant is under fire.
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Diamantopoulos, Mitch. « The art of agitation : The nineteenth-century press activism of George Jacob Holyoake ». Journal of Alternative & ; Community Media 7, no 1 (1 avril 2022) : 23–44. http://dx.doi.org/10.1386/jacm_00103_1.

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This interdisciplinary study reconsiders nineteenth-century English newspaper editor George Jacob Holyoake’s paradoxical legacy. Drawing on Gramscian cultural hegemony theory, the study demonstrates Holyoake’s use of press activism to win liberal reforms, culturally empower the working class and articulate Owenist-socialism’s evolving counter-hegemony. In particular, it shows that his editorial agitations laid important discursive foundations for secularism, freedom of the radical press and the co-operative movement. Although Holyoake is frequently celebrated by secularists and co-operators alike for his leading role in their movements’ historic take-off, this article argues his alternative journalism decisively underwrote those campaigns. Against clerical, capitalist and repressive state power, his editorial labour thereby shaped the emergent, oppositional culture that transformed a pre-democratic Britain. Although Holyoake’s multiplex legacy has overshadowed his alternative journalism’s importance, this article thus illuminates his neglected role as an ‘organic intellectual’ of the English working class, an ‘integral journalist’ and an alternative media pioneer.
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Wolfsfeld, Gadi. « Journalism, publicity and the lost art of argument ». Political Communication 10, no 3 (janvier 1993) : 325–26. http://dx.doi.org/10.1080/10584609.1993.9962993.

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Tavares, Frederico De Mello Brandão. « Journalism and the Art of Sensitive Knowing (Being) ». Matrizes 2, no 2 (15 juin 2009) : 276. http://dx.doi.org/10.11606/issn.1982-8160.v2i2p276-281.

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Barnhurst, Kevin G. « A review of : Journalism Monographs : News as Art. » Journal of Visual Literacy 13, no 1 (janvier 1993) : 91–94. http://dx.doi.org/10.1080/23796529.1993.11674481.

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Palwanova, Gulmira Aralbaevna. « ART JOURNALISM AS AN OBJECT OF MODERN MASSMEDIA. » Theoretical & ; Applied Science 118, no 02 (28 février 2023) : 462–65. http://dx.doi.org/10.15863/tas.2023.02.118.33.

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Madolimov, Hasanboy Shuhratovich. « FUNCTION OF INFORMATIONAL PUBLICIISTICS AND IMAGE (INFORMATION) ». Journal of Central Asian Social Studies 02, no 03 (31 mai 2021) : 84–90. http://dx.doi.org/10.37547/jcass/volume02issue03-a12.

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It is well known that journalism is a unique way of covering social life and is widely used in the press. Journalism is divided into a number of types to cover all aspects of public life. These include socio-political journalism, economic-industrial journalism, journalism reflecting the cultural and spiritual life (there are a number of subtypes, such as scientific journalism, literary journalism, sports journalism, art journalism). There is also a peculiar way of social life, albeit from a socio-political point of view - comic journalism, which illuminates it in a humorous way. In terms of its structure, journalism is divided into informational, analytical and artistic journalism, which depends on how it covers life.
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Luhova, Tetiana. « JOURNALISM EDUCATION BASED ON SERIOUS GAMES ». OPEN EDUCATIONAL E-ENVIRONMENT OF MODERN UNIVERSITY, no 11 (2021) : 92–105. http://dx.doi.org/10.28925/2414-0325.2021.118.

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The article substantiates the use of serious games for training in the specialty 061 Journalism. Serious games are viewed as information and communication technologies for training journalists. Well-known serious games of journalistic direction are analyzed. The role of serious games in the courses «Internet Journalism», «Blogging», «International Journalism», «Fact-Checking», «Art Journalism», etc. is determined. The project of a serious game «J-chess» for journalists using the universal modeling language (UML) is described. It identified the benefits of serious games for learning journalists: work the principles of active- and problem-based learning, a pleasant and deep immersion in professional issues and educational topics. Serious games are also a basis for strengthening the interdisciplinary links between mandatory and selective disciplines of journalists’ professional training. The content and principles of serious games contribute to reaching learning outcomes defined in the Higher Education Standard in journalism. It confirmed this by the four-year results of students' surveys. Problematic issues for the practice of serious games in the educational process are shown: digital inequality, availability of video games, lack of integration of serious games with electronic learning systems, students’ readiness to play, the didactic impact of the game, and ethical dilemmas. Emphasis is placed on the need to create methodological aids for serious games, determine their role and place in the discipline’s structure, formulate the principles and algorithms for pedagogical support of serious games. Solving these problems will promote the academic and practical training of future journalists through serious games, intensify the development of serious games, bring together the gaming industry and education. Integrating serious games with online learning will be the basis for trans-media learning. And this will increase the quality of education and the level of satisfaction of graduates and stakeholders.
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Viktorovich, Vladimir. « The Effect of the Pushkin Speech in Russian Journalism ». Неизвестный Достоевский 8, no 2 (juillet 2021) : 122–56. http://dx.doi.org/10.15393/j10.art.2021.5362.

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The article presents a systematic analysis of the Russian press of 1880, which actively responded to Dostoevsky’s Pushkin Speech. The interpretive boom around his speech is of particular interest for the study of the formative processes of public and national consciousness in Russia. In the history of journalism, the debates that took place at that time can be equated with modern information wars. At the same time, this episode is one of the decisive ones for the ‘Dostoevsky problem’ in criticism and, more broadly, in the Russian public consciousness. The “Pushkin Speech” was obviously of a unifying nature, but it, and even more so the 1880 “A Writer’s Diary,” caused a severe split in journalism, which reflected the mindset of the Russian society. At first, there is a change of semantic accents in telegrams and correspondence, and then the key concept of "panhumanity" is presented exclusively as a “dream” in publications opposing Dostoevsky, one that is not only incompatible with reality, but also distracts from pressing socio-economic problems. There is also an expansion in meaning in the form of the notorious “messianism” of Dostoevsky. The most commonly used concept used by journalists that are hostile to the writer is mysticism as a euphemism for faith. In parallel, a different understanding of the Pushkin speech is being formed in some publications (Mysl’, Nedelya, Novoe Vremya, a little later — Rus’). It views it as a verbalization of the national idea in its focus on the panhuman as a feasible ideal. The dispute that ensued around Dostoevsky’s speech led to the self-determination of the leading trends of Russian thought.
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Karpov, Ernest Sergeevich, Aleksandr Anatol'evich Grabel'nikov, Natal'ya Sergeevna Gegelova et Ol'ga Viktorovna Murzina. « Concept of the journalist in online-media and its reflection in the newest V. Pelevin's prose ». Litera, no 5 (mai 2023) : 168–78. http://dx.doi.org/10.25136/2409-8698.2023.5.40875.

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Digitalization, the development of the Internet and media technologies lead to transformation not only of functions of journalism, but also to the analysis of the conceptual model of a journalist, which also gives a result in a literary text. Viktor Pelevin subtly captures emanations of this kind and, at least allegorically, but quite accurately represents them in postmodernist artistic text. In the article we will focus on the study of the image of a journalist as the author of a media text and his role in shaping reality, presented in Pelevin's works. The material of the study was the novels "The Sacred Book of the Werewolf" (2004) and "Empire V" (2006). The paper presents the results of the analysis of media space, implemented in the works of V. Pelevin, which is the subject of the study. The novelty of the work is due to the fact that for the first time the role of journalism in the formation of the chronotope of a postmodernist work is analyzed on the example of V. Pelevin's novels. A successful attempt has been made to apply the knowledge of online news journalism to media texts in the structure of a work of art. Cultural-historical, structural-typological methods and structural analysis were used. The article is devoted to the study of the media space, which is considered as a simulacrum of reality, in the structure of the artistic world of a postmodern work. It is proved that the media space created by journalists is mosaic, its boundaries are conditional, blurred or completely absent, in the organization of space at different levels we see a rhizomatic structure, the author often uses the mirror principle.
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Simons, Gary. « W. M. Thackeray's Art Exhibition Reviews : Art Criticism, Newspaper Journalism, and Social History ». Nineteenth Century Studies 28, no 1 (1 janvier 2014) : 43–56. http://dx.doi.org/10.5325/ninecentstud.28.2014.0043.

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Michail, M. Ryabiy. « Greatness of female images in lyrical prose and Eremey Aypin's journalism ». Yugra State University Bulletin 11, no 1 (15 décembre 2015) : 141–46. http://dx.doi.org/10.17816/byusu2015111141-146.

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This article is devoted to research of female images in lyrical prose and Aypin's journalism. Comparing heroines of lyrical prose and journalism, the author reveals features of his art manner in different genres.
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Bityutskaya, Valeria. « Soviet Journalism of the 1960s–1980s and Russian Journalism of the 1990s : Historical Myths and Real Correspondents Practice ». Theoretical and Practical Issues of Journalism 12, no 2 (23 juin 2023) : 248–62. http://dx.doi.org/10.17150/2308-6203.2023.12(2).248-262.

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In the article, the author attempts to rethink some aspects of the work of Soviet journalists. The need for such an analysis is caused by the growing controversy in Russian society about the situation in the Russian media environment. Quite often, the participants of the discussion and opinion leaders turn to the images of the «free 90s» that have become entrenched in the mass consciousness as a golden time for journalism in Russia, comparing them with the «Soviet propaganda» that existed earlier and did not give an opportunity to objectively cover events and life in the country. The romanticization of one era and the demonization of another distort the images of journalism and journalists in historical memory. At the same time, one of the fundamental rules of journalism is an objective reflection of events: coverage of different points of view, demonstration of pros and cons. The Soviet school of journalism has left a rich legacy. Soviet journalists often became writers, perfectly mastering the art of words. The essay, a complex, interesting and almost forgotten genre today, occupied leading positions in newspapers in the USSR. The TASS news agency was not inferior in quality to the world's news agencies. Journalists had the opportunity to write about the painful, to raise acute questions, to polemize, despite the rather strict censorship carried out by Glavlit. Newspapers developed and increased circulation even in the absence of a market economy. This study debunks some of the myths about the work of Soviet journalists on the example of editors and employees of allied publications, as well as correspondents of TASS — the leading information actor in the media system of the Soviet Union.
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de Luise, Alexandra, William C. Dawe et Janet L. Stanley. « SERIALS SIG : The New Art Examiner and Arts Journalism ». Art Documentation : Journal of the Art Libraries Society of North America 6, no 4 (décembre 1987) : 166–67. http://dx.doi.org/10.1086/adx.6.4.27947825.

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Stojanović Prelević, Ivana. « BLOG ETHICS - ETHICAL PRINCIPLES AND CODES ». MEDIA STUDIES AND APPLIED ETHICS 3, no 2 (29 novembre 2022) : 63–73. http://dx.doi.org/10.46630/msae.2.2022.05.

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Abstract. Technology development facilitates numerous changes in different areas - social, economic, scientific, etc. New kinds of journalism have appeared, along with numerous questions and ethical problems. Citizens become prosumers, and the need for media literacy is growing. The author explores ethical aspects of media literacy. This research primarily focuses on the ethical regulation of blogs as one of the most widespread forms of expressing opinions among people. Blogging is a tool of citizen journalism which impacts the public sphere; it requires a critical reflection and ethical regulation. The pioneer of blogging, Tim Dunlop (2003), points out that blogs revive the art of argumentation and the idea of public debates. By using descriptive methods, the author analyzes ethical values - credibility, authenticity, justice and objectivity. At the end of the paper, the author compares the ethical Codes for Bloggers with the ethical Codes for Journalism in Norway with the aim of finding commonalities and differences among principles. The conclusion is that it is useful to the welfare of societies to ethically regulate blogs, which has already been done in certain countries. It is important to disseminate knowledge about the importance of ethics for bloggers to young people and journalists because they belong to public spheres. The Blogging Codes are akin to Codes for Journalists, since in both Codes basic ethical values prevail. Keywords: media literacy, weblog, citizen journalism, ethical values, ethical codes
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Dang, Thi THAN. « INTRODUCTION OF CREDIT EDUCATION IN JOURNALISM EDUCATION IN VIETNAM ». Lifelong Education : the XXI century 38, no 2 (juin 2022) : 78–91. http://dx.doi.org/10.15393/j5.art.2022.7630.

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Deepwell, Katy. « Art Criticism and the State of Feminist Art Criticism ». Arts 9, no 1 (25 février 2020) : 28. http://dx.doi.org/10.3390/arts9010028.

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This essay is in four parts. The first offers a critique of James Elkins and Michael Newman’s book The State of Art Criticism (Routledge, 2008) for what it tells us about art criticism in academia and journalism and feminism; the second considers how a gendered analysis measures the “state” of art and art criticism as a feminist intervention; and the third, how neo-liberal mis-readings of Linda Nochlin and Laura Mulvey in the art world represent feminism in ideas about “greatness” and the “gaze”, whilst avoiding feminist arguments about women artists or their work, particularly on “motherhood”. In the fourth part, against the limits of the first three, the state of feminist art criticism across the last fifty years is reconsidered by highlighting the plurality of feminisms in transnational, transgenerational and progressive alliances.
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Ivanishcheva, O. N. « BOOK REVIEW : SAMSONOVA A.A. ART jOURNALISM. SPEECH TECHNIqUES FOR EVALUATING WORKS OF ART. Saint Petersburg : Aleteya, 2021. 118 p ». Siberian Philological Forum 21, no 4 (30 novembre 2022) : 73–76. http://dx.doi.org/10.25146/2587-7844-2022-21-4-139.

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The review is devoted to the monograph by a young St. Petersburg scientist A.A. Samsonova, who considers art journalism as a discourse formed in the process of evaluating works of art. The author mainly focuses on the innovative nature of the scientific concept proposed by the researcher.
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Steinberg, Monica. « Financial True Crime : Art, Para‐Journalism , and Data‐Driven Storytelling ». Art History 44, no 2 (avril 2021) : 256–84. http://dx.doi.org/10.1111/1467-8365.12571.

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Talvik, Merle. « Schools of Estonian Graphic Art in Journalism in the 1930s ». Folklore : Electronic Journal of Folklore 34 (2006) : 103–30. http://dx.doi.org/10.7592/fejf2006.34.talvik.

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Conboy, Martin. « What Is Journalism ? The Art and Politics of a Rupture ». European Journal of Communication 32, no 6 (décembre 2017) : 623–26. http://dx.doi.org/10.1177/0267323117739168.

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Mihaylova, Stefka. « Whose Performance Is It Anyway ? Performed Criticism as Feminist Strategy ». New Theatre Quarterly 25, no 3 (août 2009) : 255–73. http://dx.doi.org/10.1017/s0266464x09000438.

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By the 1990s, the feminist contention that gender norms inform the production and reception of art had become widely accepted in academia. Many theatre journalists, however, continued to insist on the possibility of writing about performance from an apolitical, gender-neutral position. This article examines the gendered history of this insistence from the early 1700s to the present, its effects on the production and reception of plays by women, and its implications for theatre scholarship. Focusing on Carolee Schneemann's critique of a masculine bias in art criticism in her performance Interior Scroll and the Guerrilla Girls' actions against gender discrimination in the art world, this article examines strategies adopted by female and feminist journalists in Britain and the US to counter women's inequitable status in art journalism and playwriting. By engaging with the gendered binaries mind–body and text–performance, Schneemann and the Guerrilla Girls help clarify how reviewing practices have informed critical thinking about femininity and performance. In doing so, these artists anticipate poststructuralist feminist critiques of visibility and the performing body. Stefka Mihaylova holds a PhD in Theatre Studies from Northwestern University. Her research focuses on performance theory, especially gender and racial aspects of spectatorship in contemporary American and British feminist and radical theatre and performance art.
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Conner, Thomas, et Steve Jones. « Art to Commerce : The Trajectory of Popular Music Criticism ». IASPM Journal 4, no 2 (31 décembre 2014) : 7–23. http://dx.doi.org/10.5429/ij.v4i2.671.

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This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business. In part, we believe such a shift to be due likely to increased awareness among journalists and fans of the industrial nature of popular music production, distribution and consumption, and to the disruption of the music industry that began in the late 1990s with the widespread use of the Internet for file sharing. Searching and sorting the Rock’s Backpages database of over 22,000 pieces of music journalism for keywords associated with the business, economics and commercial aspects of popular music, we found several periods during which popular music criticism’s focus on business-related concerns seemed to have increased. The article discusses possible reasons for the increases as well as methods for analyzing a large corpus of popular music criticism texts.
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Chertovskikh, Olga, et Matvey Chertovskikh. « Artificial Intelligence in Modern Journalism : History, Facts, Prospects for Development ». Theoretical and Practical Issues of Journalism 8, no 3 (16 juillet 2019) : 555–68. http://dx.doi.org/10.17150/2308-6203.2019.8(3).555-568.

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The article focuses on the issue of introduction of AI technology into the modern journalism. The topic proves to be of relevant importance as both mass media and press services reveal their direct dependence on the technological development level of the human society. It means that any new relevant technology can change the whole system. The objective of the article is to research the issue of Artificial Intelligence introduction into the modern journalism. The authors consider the history of the “smart machines” creation. Furthermore, they describe the current situation in the sphere of journalism, bring some specific examples of the existing and the projected systems and highlight the areas of possible practical application and the development prospects. They also obtain information on the main principles of the operation, the algorithms, the goals and the capabilities of the machines. In addition, the authors consider the advantages and the risks of this state-of-the-art technology, analyze the cultural and the psychological aspects of its mass introduction, make predictions concerning the prospects for the further development of this sphere, consider different scenarios of its development and identify the challenges and the advantages for the profession of a journalist. In conclusion, the authors state that despite the fact that AI in journalism is a mass phenomenon, all the projects of the introduction of Artificial Intelligence are not currently posing a direct threat to the profession. However, the fact that the mass media of different countries are starting to actively apply AI in journalism, emphasizes the relevance and the importance of further research in this sphere.
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Díaz Noci, Javier. « A history of journalism on the Internet : a state of the art and some methodological trends ». RIHC. Revista Internacional de Historia de la Comunicación 1, no 1 (2013) : 253–72. http://dx.doi.org/10.12795/rihc.2013.i01.12.

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Timakova, A. A. « Shakespearean Theatre in Criticism and Journalism of Petr Boborykin ». Nauchnyi dialog 13, no 4 (25 mai 2024) : 285–305. http://dx.doi.org/10.24224/2227-1295-2024-13-4-285-305.

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The aim of the study is to analyze the functions and forms of Boborykin’s references to Shakespeare’s dramatic heritage and determine the extent of Shakespearean theatre’s influence on the formation of the writer’s creative system. The material consists of feuilletons and articles by P. D. Boborykin for the journals “Library for Reading” (1861, 1862), “Case” (1871), “Word” (1878), publications in the newspapers “New Time” (1876), “Theatrical World” (1887), as well as the book “Theatrical Art” (1872) and the memoirs “For Half a Century” (1929, 1965). It is shown that in his feuilleton publicism, Boborykin turns to Shakespeare to criticize the contemporary theatre in all its manifestations — from the quality of plays, the choice of repertoire by theatre administration, acting, to the level of the audience. When evaluating A. N. Ostrovsky’s dramaturgy, the writer uses criteria developed by himself for analyzing Shakespearean theatre. Boborykin does not recognize historicism in artistic texts due to the author’s inability to be unbiased in reproducing the realities of the depicted era. In relation to Shakespeare’s plays, the writer introduces the term “universal human nature”, implying the reflection by the playwright of his contemporary reality in the settings of the chosen era. Boborykin reproaches A. N. Ostrovsky for an abundance of epic elements which, in his opinion, are unacceptable in dramaturgical art. Shakespeare’s works became the aesthetic, artistic, and philosophical foundation for the writer’s system of evaluating theatrical art.
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Tsvetova, N. « Contemporary Russian Art-Mediadiscourse : Communicative Status ». Scientific Research and Development. Modern Communication Studies 9, no 1 (4 février 2020) : 62–69. http://dx.doi.org/10.12737/2587-9103-2020-62-69.

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The article analyzes the mediatexts that form the part of the modern Russian art media discourse, which traditionally correlated with cultural and educational journalism. The purpose of the analysis is to describe the key manifestations of the modernization of the communicative orientation of discourse — its communicative status. Using mainly analytical techniques developed by intentional stylistics, the author finds the blurring of segment boundaries within the discourse, which, first of all, manifests itself in the disappearance of the always existing watershed between cultural and educational, art journalism, art PR and advertising art text; changing the semantic structure of texts that format the “elite” segment of art media discourse associated with classical, high art-theater, music, the art of the word; dominance in today’s art media discourse of image-based business projects deployed in time, which are implemented using modern PR techniques. It is obvious that technologically the process of modernization of discourse is carried out under the influence of actualization of national, historical PR experience and assimilation, appropriation, adaptation of the experience of the world, first of all, еuropean. These observations lead to the conclusion that today in Russia the journalistic coverage of classical art is no longer dictated by informative or evaluative, but by incentive intentionality, which indicates the inclusion of the analyzed publications in the system of strategic communication and largely determines the speech form of different genres of media texts of this discursive affiliation.
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Tsereteli, Asmat. « Media as Art and Art as Media (Magazines : “Theatre”, “Aril”, “Art in America”, “ARTFORUM”) ». Works of Georgian Technical University, no 1(531) (22 mars 2024) : 29–38. http://dx.doi.org/10.36073/1512-0996-2024-1-29-38.

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Media and culture, two influential and important spheres of public life, have a long history of coexistence. There is no media art and no art without media. It is especially important to research the forms of impact on the formation of public consciousness in these areas, as well as the results. British media theorist Dennis McQuail in his work Journalism and Society notes that all theories that study the relationship between media, culture, and society, despite conceptual differences, agree that the media can serve to liberate and unify society, as well as to fragment and divide it – both development, advancement and retreat. Despite a kind of indeterminacy, the media, which shapes and reflects society, is the main message about society. (McQuail, 1992) Culture and art are a fundamental part of public life, which creates values, develops and strengthens public relations, together with the media, forms public consciousness. “Political confrontations and wars do not cause a cultural crisis, but, on the contrary, incompatibility, aggression and wars are the result of a cultural crisis” - this conclusion of European researchers is a kind of postulate, which says everything about the role of culture in the process of improving society.
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Prokofeva, Viktoriya Yurevna. « A System of Ethnojournalism Assignments for Students of “Folk Art Culture” Curriculum ». Ethnic Culture, no 1 (2) (20 mars 2020) : 45–48. http://dx.doi.org/10.31483/r-75009.

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The “Journalism in the Ethnocultural Sphere” discipline belongs in the basic part of “Folk Art Culture” higher educational field of study curriculum, which is in the process of theoretical development and search for methodological approaches to its teaching. The article represents a development of practical assignments in this discipline. Methods. Based on the author’s own pedagogical experience in the field of teaching ethno-journalism to students of this curriculum in FSBEI of HE “Saint Petersburg State University of Film and Television”, a system of practical exercises aimed at development of general cultural and professional competencies has been developed. The assignments are divided into five topics; the students are expected to work in the field of both ethnocultural studies and journalism. For each practical lesson there are two types of assignments: analytical, which are based on a theoretical understanding of ethnocultural material (discussion questions), as well as work with mass media data, and creative tasks, which include creating journalistic texts of different genres on ethnocultural topics. It can be concluded, that the results of preparatory and classroom work with the proposed tasks suggest a successful completion of the discipline by future specialists in the field of folk art culture, as well as demonstrate their interest in ethnocultural knowledge and ethnojournalistic activity.
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Pohrebniak, I. V. « BLOGGING AS A FORM OF MODERN NETWORK ART AND JOURNALISM GENRE ». Scientific notes of Taurida National V.I. Vernadsky University, series Philology. Social Communications, no 3 (2020) : 229. http://dx.doi.org/10.32838/2663-6069/2020.3-3/36.

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Willey, Susan. « Civic Journalism in Practice : Case Studies in the Art of Listening ». Newspaper Research Journal 19, no 1 (janvier 1998) : 16–29. http://dx.doi.org/10.1177/073953299801900102.

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Cadwallader, Robin L. « Rebecca Harding Davis : Preserving History through the Art of Literary Journalism ». Women's Studies 49, no 7 (2 octobre 2020) : 719–35. http://dx.doi.org/10.1080/00497878.2020.1804906.

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da Rimini, Francesca. « Reinscribing the City : Art, Occupation and Citizen Journalism in Hong Kong ». Globalizations 10, no 3 (juin 2013) : 465–79. http://dx.doi.org/10.1080/14747731.2013.787773.

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