Bibliographies thématiques / Jean le notaire

Littérature scientifique sur le sujet « Jean le notaire »

Auteur : Grafiati
Publié le 20 juillet 2024

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Articles de revues sur le sujet "Jean le notaire"

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Lett, Didier. « Les noms des hommes, des filles et des épouses dans les Marches d’après le procès de canonisation de Nicolas de Tolentino (1325) ». Mélanges de l École française de Rome Moyen Âge 119, no 2 (2007) : 401–13. http://dx.doi.org/10.3406/mefr.2007.9455.

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Le procès de canonisation de Nicolas de Tolentino, instruit en 1325 par le pape Jean XXII, contient le nom d’environ 1300 personnes. Complété par quelques documents locaux (en particulier une riformanza de Tolentino datée de 1312), il permet de se livrer à une étude anthroponymique des hommes et des femmes des Marches dans la première moitié du XIVe siècle. Cette étude nuance les résultats des recherches anthroponymiques sur l’Italie médiévale, très souvent «urbanocentriques» . On constate de très fortes fluctuations anthroponymiques et l’extrême difficulté des témoins, et du notaire marchésan, à mettre en forme écrite et à latiniser des nomina usuels (oraux et vulgaires). On met en lumière les différences entre les modes de désignation des hommes et ceux des femmes : les premiers sont majoritairement désignés par un nom à deux éléments dont le second, au génitif, est presque toujours le nom du père et ne se transmet pas. Les secondes portent un nomen proprium, parfois laudatif, soit suivi par le(s) nom(s) de leur époux, très souvent accompagné de uxor, soit suivi du ou des noms(s) de leur père, avec ou sans la médiation de filia. Derrière les déclarations d’identité des acteurs sociaux et leur mise par écrit se jouent des enjeux de domination. L’identité des Marchésanes du début du XIVe siècle est sous l’étroite dépendance et le contrôle des hommes. leur mise par écrit se jouent des enjeux de domination. L’identité des Marchésanes du début du XIVe siècle est sous l’étroite dépendance et le contrôle des hommes.
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Contamine, Philippe. « Maître Jean de Rinel (vers 1380-1449), notaire et secrétaire de Charles VI puis de Henry [VI] pour son royaume de France, l'une des « plumes » de l'« union des deux couronnes » ». Cahier des Annales de Normandie 35, no 1 (2009) : 115–34. http://dx.doi.org/10.3406/annor.2009.2534.

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Biraben, Jean-Noël. « Jean Paul Poisson — Notaires et société ». Population Vol. 46, no 4 (1 avril 1991) : 1014. http://dx.doi.org/10.3917/popu.p1991.46n4.1014.

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Azrin, N. H. « PIGEON LAB NOTABLE EXPERIENCE ». Journal of the Experimental Analysis of Behavior 77, no 3 (mai 2002) : 373. http://dx.doi.org/10.1901/jeab.2002.77-373a.

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Ranum, Orest. « Notaires et societe : Travaux d'histoire et de sociologie notariales. Jean-Paul Poisson ». Journal of Modern History 60, no 2 (juin 1988) : 384–86. http://dx.doi.org/10.1086/600358.

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McPartlan, Paul. « A Notable Anniversary : Sources chrétiennes and Roman Catholic – Orthodox Relations ». Ecclesiology 18, no 3 (9 novembre 2022) : 283–96. http://dx.doi.org/10.1163/17455316-18030003.

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Abstract Marking the eightieth anniversary of the founding of the celebrated series of patristic texts, Sources chrétiennes, the article considers the place and role of the series in the patristic renewal that occurred in the Roman Catholic Church in the twentieth century, and the many connections and resonances between that renewal and the patristic renewal that occurred contemporaneously in the Orthodox Church. Key writings of pioneers of that renewal on the respective sides, especially Henri de Lubac, Jean Daniélou, and Georges Florovsky, are studied, and the article ends with some reflections on the significance of the patristic heritage for current Roman Catholic-Orthodox theological dialogue.
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Ismatuloh, Muhammad Aghni. « Jean Baudrillard's Hyperreal ». Lakon : Jurnal Kajian Sastra dan Budaya 12, no 2 (30 novembre 2023) : 129–42. http://dx.doi.org/10.20473/lakon.v12i2.47118.

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Abstract: Jean Baudrillard is one among many prominent thinkers of postmodernism. One among many his notable idea is the Hyperreal In his book Simulacra and Simulation, Baudrillard’s proposes the idea of something that transcend beyond the state of fake and reality, the Hyperreal. This concept can be found as a theme in lyrics of a song titled Idol by Yoasobi. This paper try to dissect the lyrics and finding the implication of Baudrillard’s concept of Hyperreal within the implicit and explicit meanings of the lyrics. Idol is a certain profession that has gain significant rise in the 21th century. The common perception is that they are selling ‘fake identities’ to their audience. Nevertheless, the truth is more complicated than it is as with using Baudrillard’s theoretical framework of the Hyperreal, idol has cross the boundary between falsehood and authenticity and become ‘real’ in their own sense. Keywords: Baudrillard, Hyperreal, Simulation, Idol, Yoasobi Abstrak: Jean Baudrillard adalah salah satu dari banyak pemikir terkemuka di bidang pascamodernisme. Salah satu gagasan terkenalnya adalah Hyperreal. Dalam bukunya yang berjudul Simulacra and Simulation, Baudrillard mengusulkan konsep akan sesuatu yang melampaui keadaan palsu dan kenyataan, yaitu Hyperreal. Konsep ini dapat ditemukan sebagai tema dalam lirik lagu berjudul Idol oleh Yoasobi. Artikel penelitian ini mencoba menguraikan lirik lagu tersebut dan menemukan implikasi konsep Hyperreal dari Baudrillard dalam makna tersirat dan tersurat dari lirik. Idol adalah profesi tertentu yang mengalami peningkatan signifikan pada abad ke-21. Persepsi umum tentang idol adalah bahwa mereka menjual 'identitas palsu' kepada audiens. Namun, kenyataannya lebih rumit daripada itu, dengan menggunakan kerangka teoritis Hyperreal dari Baudrillard, profesi Idol telah melampaui batasan antara kepalsuan dan keaslian sehingga menjadi 'nyata' dalam arti mereka sendiri. Kata kunci: Baudrillard, Hyperreal, Simulasi, Idol, Yoasobi
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Lannoy, François de. « Un notable de la Manche juge la Révolution : Le mémoire de Jean Philippe d'Auxais ». Annales de Normandie 46, no 5 (1996) : 723–30. http://dx.doi.org/10.3406/annor.1996.4746.

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Munakata, Kuniyodhi. « Noh Creation of Shakespeare ». Multicultural Shakespeare : Translation, Appropriation and Performance 14, no 29 (30 décembre 2016) : 87–106. http://dx.doi.org/10.1515/mstap-2016-0018.

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This article contains select comments and reviews on Noh Hamlet and Noh Othello in English and Noh King Lear in Japanese. The scripts from these performances were arranged based on Shakespeare’s originals and directed on stage and performed in English by Kuniyoshi Munakata from the early 1980s until 2014. Also, the whole text of Munakata’s Noh Macbeth in English (Munakata himself acted as Macbeth and Lady Macbeth in one play) is for the first time publicized. The writers of the comments and reviews include notable people such as John Fraser, Michael Barrett, Upton Murakami, Donald Richie, Rick Ansorg, James David Audlin, Jesper Keller, Jean-Claude Saint-Marc, Jean-Claude Baumier, Judy Kendall, Allan Owen, Yoshio ARAI, Yasumasa OKAMOTO, Tatsuhiko TAIRA, Hikaru ENDO, Kazumi YAMAGATA, Hanako ENDO, Yoshiko KAWACHI, Mari Boyd, and Daniel Gallimore.
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Candals, J. D. « Is Jean Senebier an Archaeologist ? » Archives Des Sciences 73, no 1 (31 décembre 2023) : 42–44. http://dx.doi.org/10.62227/as/73011.

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Jean Senebier: A Critical Exploration of Geneva’s Antiquities – This manuscript presents an in-depth analysis of Jean Senebier’s seminal work on the antiquities of Geneva. Senebier, a notable figure in the late 18th century, initiated a year-long scholarly discourse with his Essay on Geneva, first introduced in the Geneva Journal in 1788 and continuing through mid-1791. This study examines multiple manuscript versions of Senebier’s essay, preserved in the Biblioth\`{e}que de Gen\`{e}ve, and includes a meticulously transcribed annex of the original program. Senebier’s exploration offers a multifaceted perspective on Geneva’s historical artifacts, encompassing an array of elements from architectural structures to medieval fortifications. His methodological approach, grounded in extensive research of books and manuscripts, involved rigorous comparative analysis and consultations with contemporary scholars. Senebier’s work, distinguished by his critical evaluation and incorporation of iconography, also involved direct on-site explorations. Although following Jean de la Corbi\`{e}re, recognized as Geneva’s first proto-archaeologist, Senebier’s distinctive critical methodology aligns him closely with both historians and proto-archaeologists of his time in Geneva. This manuscript underscores Senebier’s significant contribution to the historiography and archaeology of Geneva’s antiquities.
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Thèses sur le sujet "Jean le notaire"

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Fortin, Georges. « Le notaire J.-Henri Fortin et les premiers habitants des basses terres du Lac Saint-Jean ». Thèse, Chicoutimi : Université du Québec à Chicoutimi, 1993. http://theses.uqac.ca.

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Niquin, Diane. « La "vie" d'Eusèbe d'Alexandrie : historique d'un avatar littéraire et édition des textes ». Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAK002.

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Malgré la large diffusion de ses œuvres, Eusèbe d’Alexandrie constitue une véritable énigme historique. Dans trois manuscrits grecs, son corpus supposé est bien accompagné de trois discours offrant davantage de détails biographiques, mais le récit contrefactuel qu’ils donnent leur a tôt valu d’être considérés comme fictifs. Quoique signée par un homme, Jean, se présentant comme le notaire d’Eusèbe, cette vie se heurte pourtant aux données historiques et fait de ce dernier le successeur de Cyrille. Or, si fiction il y a, force est de remarquer qu’elle réécrit une période tourmentée et substitue à l’hérétique Dioscore le pieux Eusèbe. Pour tâcher de mieux saisir l’identité d’Eusèbe, il faudrait donc commencer par s’intéresser à celle de Jean, signataire supposé d’une vie impossible. Cette thèse se propose de revoir à nouveaux frais l’édition des trois textes dits biographiques et d’en proposer traduction et commentaire afin d’estimer qui les a composés, quand, pourquoi et comment
In spite of the vast diffusion of his production, little is known about Eusebius of Alexandria. Three Greek codices do compile his collection alongside three texts displaying more biographical details, but their counterfactual recollection of events quickly led historians to view them as fictional. Although it is signed by a man, John, asserting he was Eusebius’s notary, this biography turns the enigmatic writer into Cyril’s successor, colliding thus with the many historical sources that remembered Dioscorus, the so-called Heresiarch, as Cyril’s actual successor. No matter how fictional this biography can appear, it is clear that it tried to erase out a troubled period of time. If one wants to understand who Eusebius really was, one should then first start to consider John, the alleged writer of an impossible tale. This essay contains therefore a new critical edition of the three biographical texts, with a French translation and a commentary aiming at figuring out who wrote them, when, why and how
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Hubert, Benoît. « Mémoires de Jean-Baptiste-Henri-Michel Leprince d'Ardenay (1737-1819) : approche d'un notable manceau au siècle des Lumières ». Le Mans, 2006. http://cyberdoc.univ-lemans.fr/theses/2006/2006LEMA3006.pdf.

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Le tome l est consacré à l'édition des Mémoires complets et authentiques de J. B. H. M Leprince d'Ardenay. Les 37 chapitres du texte sont commentés en notes (Biographiques, Généalogiques, Historiques, Vocabulaire ). Les conditions et le contexte politique de la première édition en 1880 par l'abbé Esnault, prêtre monarchiste, font l'objet d'une étude approfondie. Les nombreux outrages faits au texte, par G. Esnault, sont hiérarchisés et analysés. Le tome II présent le personnage dans son quotidien, son milieu social et son cadre de vie. Il répond à la question: Leprince d'Ardenay est-il un homme des Lumières? Plusieurs facettes de l'individu sont successivement présentées : le négociant, l'homme chez lui ( vie matérielle, sociabilité, vêtements, bibliothèque, loisirs), les influences culturelles et la place du sentiment
Volume 1 is devoted to the edition of the memories complete and authentic of J. B. H. M. Leprince d'Ardenay. The 37 chapters of the text are commented on in biographical, genealogical, histories, vocabulary notes. The conditions and the political context of the first edition in 1880, by the abbot Esnault, priestmonarchist, are the subject of a thorough study. The many insults made with tests, by G. Esnault, are treated on a hierarchical basis and analyzed. Volume II introduces the character within his daily newspaper, its social background and its framework of life. It answers the question: "Is Leprince d'Ardenay a man of the Lights?" Several facets of the individual are successively presented : the trader, the man at his place, (materiallife, sociablitity, clothing, library, leisures), cultural influences and the place of the feeling
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Hubert, Benoît Fillon Anne. « Mémoires de Jean-Baptiste-Henri-Michel Leprince d'Ardenay (1737-1819) approche d'un notable manceau au siècle des Lumières / ». [S.l.] : [s.n.], 2006. http://cyberdoc.univ-lemans.fr/theses/2006/2006LEMA3006.pdf.

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Chang, Chiao-yu, et 張鐈予. « Notable Symbols in Jean Rhys' Wide Sargasso Sea in Relation to the Victorian Setting ». Thesis, 2010. http://ndltd.ncl.edu.tw/handle/50129351890511270960.

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碩士
高雄師範大學
英語教育研究所
98
Abstract This thesis focuses on the use of the Victorian elements as symbols in Jean Rhys’ Wide Sargasso Sea and discusses contemporary women’s suffering of colonialism, imperialism and men’s patriarchy. After reading Charlotte Brontë's masterpiece Jane Eyre, Rhys thinks there must be an unknown secret which entangles the main protagonists. Being also a Creole, Rhys thus decides to give a voice to the Creole lunatic in the story. In Wide Sargasso Sea, Rhys applies extensive symbolic skills to the story and displays the complicated inner emotions of the protagonists. She also puts the Victorian values in use to portray the features of the contemporary society and its profound influence on the protagonists. The thesis consists of five chapters. Chapter One emphasizes the importance of realizing the symbolic skills when appreciating literary works. In this chapter, an overview of the theories of symbolism is presented. Through the concepts of various literary theorists, critical analysts and writers, we can readily understand the crucial role of symbolism. Moreover, the characteristics of the Victorian period and the classification of the settings in the novel are also mentioned in this chapter. The second chapter aims to examine the symbols of the natural settings, including animals, plants and landscape settings. Rhys exquisitely describes the natural settings and provides the readers with special symbolic meanings to reflect the colonial intrusion on the female protagonists and to express their doomed and unescapable destinies. In the third chapter, manufactured settings which comprise the convent, England and the names of the locations in the West Indies as symbols are explored. Rhys uses manufactured settings to expound the phenomenon of Victorian men’s oppression of women. The males were influenced greatly by the climate of society and by repressing the opposite sex, the men could extend their national belief—colonialism. Chapter Four discusses the symbolic meanings of time as settings. We take the Victorian Period as the background to make a study of people’s values and the effects of the Emancipation Act. Also, the female protagonist Antoinette walks between day and night, dream and reality and every incident she experiences makes her and other protagonists trapped in a loveless and miserable life. Therefore, Rhys has used several settings as symbols to foreshadow the ending of the story. The conclusion is made in the fifth chapter. Through the analysis of the symbolic meanings of the natural settings, manufactured settings and time as settings, we can not only understand the messages that Jean Rhys attempts to express but capture the essence of Wide Sargasso Sea more.
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Livres sur le sujet "Jean le notaire"

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Dewaldt, Sebastian C. Diskriminierung und Ausgrenzung per Gesetz : Schicksale jüdischer Notare und Konsulenten im OLG-Bezirk Jena zur Zeit des Nationalsozialismus. Jena : Societas, 2014.

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Garfield, Simon, et Jean Lucey Pratt. Notable Woman : The Romantic Journals of Jean Lucey Pratt. Canongate Books, 2016.

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Garfield, Simon, et Jean Lucey Pratt. Notable Woman : The Romantic Journals of Jean Lucey Pratt. Canongate Books, 2015.

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Garfield, Simon, et Jean Lucey Pratt. Notable Woman : The Romantic Journals of Jean Lucey Pratt. Canongate Books, 2015.

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Salata, Debra A., et Kathryn L. Reyerson. Medieval Notaries and Their Acts : The 1327-1328 Register of Jean Holanie. Medieval Institute Publications, 2004.

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(Editor), Kathryn L. Reyerson, Debra A. Salata (Editor) et Jean Holanie (Editor), dir. Medieval Notaries and Their Acts : The 1327-1328 Register of Jean Holanie (Documents of Practice Series). Medieval Institute Publications, 2004.

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David, Deirdre. Haunted by the Thirties. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198729617.003.0003.

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At the beginning of World War 2, Pamela, Neil, and her mother Amy moved to Laleham, a village on the Thames. Shortly thereafter, Neil joined the Army and was posted to India; and on New Year’s Day 1941 Pamela gave birth to her son Andrew Morven. While coping with rationing, the sound of bombers overhead, and the red sky of London in the Blitz, she continued to write. Her novel Winter Quarters deals with the temporary settlement of an artillery battalion in a quiet English village and is notable for her deft handling of male characters. In 1941 she reviewed enthusiastically the first of C.P. Snow’s Strangers and Brothers novels and they began exchanging letters and to meet for lunch in London. In May 1944 Pamela gave birth to her daughter Lindsay Jean.
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Lester, Emile. Democracy, Religion, and American Education. Sous la direction de Michael D. Waggoner et Nathan C. Walker. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199386819.013.6.

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The debate over religion in public schools in the United States since the 1960s has pitted two forces of democracy celebrated in Jean-Jacques Rousseau’s The Social Contract against each other. The Supreme Court’s exclusion of sectarian prayer and Bible reading reflected democracy’s commitment to respect the rights of all. The politically engaged response of evangelical and conservative Christians has drawn upon democracy’s need for robust participation by ordinary citizens. While Rousseau believed that only an agreement upon a civil religion could reconcile these democratic forces, the results of a required world religions course in Modesto, California, suggests otherwise. The course enhanced students’ respect for religious liberty while allowing them to maintain their sectarian beliefs. Modesto’s course did not resolve all the dilemmas of democracy, however. The aversion to open-ended class discussions neglects the value of democratic deliberation that notable democratic theorists like Jurgen Habermas and Amy Gutmann celebrate.
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Duncan, Joyce D. Shapers of the Great Debate on Women’s Rights. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798216014249.

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The three waves of feminism are explored through the lives of the women who made history in bringing women’s issues to the forefront of American society. Many early feminists supported not only women’s rights, but also rights of slaves and contributed to the passing of the Thirteenth Amendment, granting emancipation to slaves. They continued to work towards women’s suffrage and were hopeful the Fourteenth Amendment would provide universal suffrage. However, women were not granted suffrage until the passing of the Nineteenth Amendment, nearly fifty years later. It was women’s fundamental need for independence and an identity of their own, separate from that of men, which thrust the women’s movement forward and continues to propel it today. Many notable women, such as Susan B. Anthony, Elizabeth Cady Stanton, Billie Jean King, Betty Friedan, Helen Gurley Brown, Jane Fonda, and Sandra Day O’Connor, are included in this history of the women’s movement in America. The biographical entries cite works for further reading, and the volume closes with a bibliography. The Shapers of the Great Debate series takes a biographical approach to history, following the premise that people make history in the circumstances in which they find themselves. Each volume in this series examines the lives and experiences of the individuals involved in a particular debate through both major and minor biographies.
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Letherer, Jen. Remote Virtue. ABC-CLIO, LLC, 2015. http://dx.doi.org/10.5040/9798216007548.

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This introduction to media literacy from a Christian perspective provides the tools to find and assess the beneficial―or harmful―ideologies depicted in notable films, programs, and trends. Television and movies shape popular culture, with audiences often unaware of how media messages influence the way they think, act, and view the world. In this enlightening guide, author Jen Letherer interprets film and television shows from a Christian standpoint, revealing how beliefs and values portrayed on the big and small screens often impact the moral conduct of daily viewers. This book provides the tools for Christians to discern the implicit and explicit messages found within this medium, and shows how motion pictures can improve or erode religious principles and a spiritual way of life. In a conversational tone, the work combines classic film theory, an assessment of story structure, and faith-based film criticism to delve into meaning and interpretations of popular movies and shows. Highlighted television programs include Top Chef, Modern Family, Downton Abbey, and The Walking Dead. The book also features films like Citizen Kane, Thelma and Louise, Star Wars, Inception, and The Hunger Games. This fascinating critique prompts media consumers to analyze the messages that their favorite broadcast programs send, consider if those messages are in line with their own values, and align their viewing choices with their personal beliefs.
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Chapitres de livres sur le sujet "Jean le notaire"

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Dumas, Geneviève. « Le livre de mémoires des notaires Bertrand Paul (1397-1400) et Jean du Pin (1401-1419) : gestion documentaire et mémoire urbaine ». Dans Les identités urbaines au Moyen Âge. Regards sur les villes du Midi français, 81–92. Turnhout : Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.seuh-eb.5.101523.

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Lainé, Françoise, et Pierre Simon. « L’œuvre d’un notaire italien : le temps retrouvé en Agenais ». Dans Bullaire de l’évêché d’Agen, compilé par Jean Valier vers 1520. Les cessions de dîmes à l’évêque d’Agen, c. 1240-1290, 15–24. Ausonius Éditions, 2023. http://dx.doi.org/10.46608/textesaquitains1.9782356135063.3.

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Firbas, Paul. « El cuerpo mutilado y el género épico en la Colonia ». Dans Homenaje : Luis Jaime Cisneros, 831–46. Pontificia Universidad Católica del Perú, 2023. http://dx.doi.org/10.18800/9789972424731.038.

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En sus estudios sobre la cultura griega, Jean Pierre Vemant hace notar que la tragedia es el género donde se piensa la formación de ciudadanos. El mundo de los héroes del pasado representado en la tragedia sirve para pensar el presente de la ciudad griega y la formación de leyes e instituciones. Así, el género trágico se sitúa en la transición entre la visión épica del mundo y el espacio de la ciudad, entre el pensamiento mítico y el filosófico.
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Ellenzweig, Allen. « The Hôtel Welcome, Jean Cocteau, and the Return to Paris ». Dans George Platt Lynes, 85–99. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190219666.003.0007.

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At La Cabane, George re-establishes his romance with Monie and enjoys drinking and gambling in glamorous Monte Carlo. He and Monie tour Corsica, delighting in evening walks, the silent cinema, and sunbathing. George documents the trip with Monie’s fold-up Kodak. In Villefranche, George starts to write, hoping to acquit himself in Monroe’s eyes. By summer he finds a writing studio near the Italian frontier, keeping brother Russell informed of his brief melancholy and homesickness. By fall, George discards a text of 25,000 words but feigns equanimity. Back in Paris, Monie and Glen share an apartment; George takes a hotel room. He plunges into a full social life, reacquainting with Gertrude Stein’s artistic circle and friends of Monie and Glen. Jacques Guérin enters Glenway’s life. American heiress Barbara Harrison enters the Wheeler-Wescott-Lynes coterie. Returning to America, George has notable outdoor Kodak portraits of Gertrude Stein and Jean Cocteau collected among his snapshots.
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Dirksen, Rebecca. « Wyclef’s Score ». Dans After the Dance, the Drums Are Heavy, 77–102. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190928056.003.0003.

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The Haitian elections of 2010–11 were unusually marked by interventions from high-octane pop stars. Not only did Sweet Micky pose his candidature, but so too did Grammy-award winning artist Wyclef Jean. When the Provisional Electoral Council (CEP) dismissed Wyclef from the presidential race, the artist hotly contested the CEP’s decision and quickly released an excoriating critique in song. This chapter offers an evaluation of Wyclef’s musical deeds and post-earthquake interventions as a celebrity and as the almost-candidate who saw himself as the best representation for the nation’s youth. This focus on a notable musical individual is then contrasted against the music-making of the crowd, with an aim toward understanding how songs that get people moving and engaged often emerge out of crowd-sourced improvisation. Resignification of song texts and melodies lies at the core of the deep intertextual play that musicians and music listeners share as they decode political acts.
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Headrick, Daniel R. « Storing Information : Dictionaries and Encyclopedias ». Dans When Information Came of Age. Oxford University Press, 2001. http://dx.doi.org/10.1093/oso/9780195135978.003.0007.

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Encyclopedias and dictionaries are the workhorses of culture; almost everyone consults them from time to time, but almost no one studies them. These useful compendia of knowledge serve their purpose for a few years and then are shelved or pulped. There are some notable exceptions to this rule, works whose significance transcends the time in which they appear. The most famous example of these is the Encyclopédie, ou dictionnaire raisonné of Diderot and d’Alembert. Denis Diderot (1713 – 1784) was one of the most prolific critics and essayists of the philosophes and a star of the French Enlightenment. His friend Jean Le Rond d’Alembert (1717 – 1783) was a mathematician, astronomer, and science writer. Together, they organized and edited the most ambitious work of their age. They planned it to be a universal compendium of all knowledge, organized in a coherent manner for the edification and enlightenment of the educated reading public. At the same time, they wanted it to be useful, practical, modern, and up-to-date. Despite its steep price, it enjoyed a huge popular success and became one of the best-selling works of the century. Yet it left a poor legacy. Its sequel, the Encyclopédie méthodique, was a com­mercial and scientific failure that few people bought at the time and hardly anyone has looked at since. Today, intellectuals pay lip service to the origi­nal Encyclopédie, but no one goes out and buys a new edition. Contrast this fate with that of two other encyclopedias that appeared a few years after Diderot and d’Alembert’s: the Encyclopaedia Britannica and the Brockhaus. The first edition of the Britannica, which appeared in 1771, was a modest work, hastily put together by a printer, an engraver, and a penurious scribbler. The German Conversations-Lexicon was the creation of the publishing entrepreneur Friedrich Arnold Brockhaus (1772–1823), who bought up an unfinished encyclopedia, hired writers to complete it, and issued the first edition in 1809 – 1811. These were no masterpieces of erudition or compendia of all knowledge, but simple reference works.
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« Marin Karmitz is a phenomenon : one of the most prolic French producers of his generation. Alongside his production activities, he has also set up MK2, a successful distribution, exhibition, and sales company. Louis Malle, Alain Resnais, Claude Chabrol, Jean-Luc Godard—he has worked with them all. Karmitz has also branched further aeld, producing movies by Iranian master Abbas Kiarostami, by great Polish director Krzysztof Kieslowski, and by American auteur Gus Van Sant. Notable lms on the producer’s lmography include the Three Colors trilogy with Kieslowski (1993 to 1994), Chabrol’s version of Madame Bovary (1991), Resnais’ Mélo (1986), Kiarostami’s The Wind Will Carry Us (1999), and Jonathan Nossiter’s Signs & ; Wonders (2000). He also co-produced Van Sant’s Paranoid Park (2007). He was associate producer on Godard’s Every Man for Himself (1980), and his company produced Malle’s classic, Au Revoir Les Enfants (1987). There are several paradoxes about Karmitz. He is a gure of the 1960s, a radical leftist who fell foul of the lmmaking establishment in the turbulent post-1968 years. His directorial career was stopped in its tracks in the early 1970s and he was blacklisted. At the same time, this idealistic lmmaker with close links to the revolutionary movement proved to be an astute cinema owner and businessman. To outsiders, his lmmaking model seems akin to that of the Hollywood studios. His company is vertically integrated, handling everything from production to exhibition. He suggests his business is more in the tradition of the Lumière brothers. There is, of course, one very big difference between Karmitz and the Hollywood majors. Karmitz only produces lms by auteurs. Karmitz is nothing if not international in outlook. He came to France as a refugee. Born in 1938, Karmitz spent his early years in Romania. Once established as a producer, he has worked with lmmakers all over the world, but that leads to another surprising fact about him. He doesn’t much like to travel. His passport, he says, is the cinema. » Dans FilmCraft : Producing, 73–74. Routledge, 2013. http://dx.doi.org/10.4324/9780240823881-25.

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Actes de conférences sur le sujet "Jean le notaire"

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Ding, Liyang. « Jean Gebser’s Aperspectival Consciousness and Modern Architecture ». Dans 112th ACSA Annual Meeting. ACSA Press, 2024. http://dx.doi.org/10.35483/acsa.am.112.45.

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Jean Gebser, a prominent German-Swiss philosopher, introduces a transformative framework that aims to elucidatehuman consciousness and cultural structure, laying the foundation for a new approach to interpreting the developmentof architecture. This paper delves into the intersection of Gebser’s theory and modern architecture, with a particularfocus on the emergence and advancement of the “aperspectival” spatial concept in the work of German architect HansScharoun as an illustrative example.Challenging the prevailing linear understanding of time and space, Gebser’s The Ever-present Origin offers insights intothe forms and mutations of human consciousness from its primordial beginning to the “present,” positing that humanityevolves through different modes of consciousness, with each mode building upon and transcending the previous one.Gebser believes that because a key aspect of understanding human perception of time and space is the notion of perspective, the discovery and application of perspective indicate people’s consequent awareness of space. Therefore, based on the absence or presence of perspective, Gebser recognizes three “epochs” in human history, “unperspectival,” “perspectival,” and “aperspectival,” which correspond to the era from the inception of human civilization to the Renaissance, from the Renaissance to the early 20th century, and from the twentiethcentury onward, respectively.Gebser’s philosophy thus provides a new framework for us to understand architecture. Borrowing Gebser’s analysis ofthe “aperspectival” consciousness, this paper shows that the development of modern architecture during the earlydecades of the twentieth century embraced a new spatial language that was aimed to reconcile the fragmentation ofmodern life and form a harmonious wholeness, resonating with the evolving human awareness of “integrity.” The workof notable architects, such as Frank Lloyd Wright, Walter Gropius, and particularly Hans Scharoun, emphasized theinterpenetration of spaces, the blurring of inside-outside boundaries, and the liberation from the linear perspectival spatial construction. The paper thus explores the profound affinity between Gebser’s concept and Scharoun’s architecture, demonstrating that in his theater and concert hall projects, Scharoun challenged both the linear perspective tradition and linear progression of time. Through a close reading of Scharoun’s spatial creation, this paper argues that the architect experimented with new spatial concepts such as “simultaneity” and “aperspectivity” and designed structures that not only accommodated the changing needs of individuals, programs, and society but also promoted a holistic and integral consciousness.
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Jeans, Gus, Alfred R. Osborne et Christopher R. Jackson. « The Quantification of Soliton Current Profiles for Offshore Engineering ». Dans ASME 2018 37th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/omae2018-77863.

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In widely used metocean terminology, solitons are large amplitude, often highly nonlinear, internal waves. They are responsible for complex vertical profiles of rapidly varying ocean currents. These current profiles need to be reliably quantified for a wide range of offshore engineering applications, often with very limited suitable data. Some recent advances in this field of applied research were described at OMAE2017 by Jeans et al (2017) [1]. Vertical displacements, derived from temperature measurements, were the primary input for soliton quantification. Associated current speeds were estimated from relevant theory and validated using available measured current data. This represents a notable development, because soliton current profiles are traditionally quantified via direct measurements of velocity. However, reliable current measurements can be a challenge, so the new approach is considered more reliable in some circumstances. Jeans et al (2017) [1] applied one simple and elegant theory for relating vertical displacement to velocity. This theory performed well, considering its limitations. This paper further evaluates different theoretical options, using a new dataset with much larger amplitude solitons. Theories with higher order nonlinearity are required for estimation of soliton current profiles in such challenging conditions.
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Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. « Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 2 Specialist Committee Reports ». Dans 21st International Ship and Offshore Structures Congress, Volume 2. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-committee-vol-2.

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Table of Contents Preface ..............................................................................................................iii Committee V.1: Accidental Limit States .......................................................1 Bruce Quinton; Gaetano De Luca; Topan Firmandha; Mihkel Körgesaar; Hervé Le Sourne; Ken Nahshon; Gabriele Notaro; Kourosh Parsa; Smiljko Rudan; Katsuyuki Suzuki; Osiris Valdez Banda; CareyWalters; Deyu Wang; Zhaolong Yu Committee V.2: Experimental Methods ......................................................91 Soren Ehlers (Chair); Nagi Abdussamie; Kim Branner; ShiXiao Fu; Martijn Hoogeland; Kari Kolari; Paul Lara; Constantine Michailides; Hideaki Murayama; Cesare Rizzo; Jung Kwan Seo; Patrick Kaeding Committee V.3: Materials and Fabrication Technology ..........................163 Lennart Josefson (Chair); Konstantinos Anyfantis; Bianca de Carvalho Pinheiro; Bai-Qiao Chen; Pingsha Dong; Nicole Ferrari; Koji Gotoh; James Huang; Matthias Krause; Kun Liu; Stephane Paboeuf; Stephen van Duin; Fang Wang; Albert Zamarin Committee V.4: Offshore Renewable Energy ...........................................241 Atanasios Kolios (Chair); Kyong-Hwan Kim; Chen Hsing Cheng; Elif Oguz; Pablo Morato; Freeman Ralph; Chuang Fang; Chunyan Ji; Marc Le Boulluec; Thomas Choisnet; Luca Greco; Tomoaki Utsunomiya; Kourosh Rezanejad; Charles Rawson; Jose Miguel Rodrigues Committee V.5: Special Vessels ................................................................313 Darren Truelock (Chair); Jason Lavroff; Dustin Pearson; Zbigniew (Jan) Czaban; Hanbing Luo; Fuhua Wang; Ivan Catipovic; Ermina Begovic; Yukichi Takaoka; Claudia Loureiro; Chang Yong Song; Esther Garcia; Alexander Egorov; Jean-Baptiste Souppez; Pradeep Sensharma; Rachel Nicholls-Lee Committee V.6: Ocean Space Utilization ..................................................379 Sebastian Schreier (Chair); Felice Arena; Harry Bingham; Nuno Fonseca; Zhiqiang Hu; Debabrata Karmakar; Ekaterina Kim; Hui Li; Pengfei Liu; Motohiko Murai; Spiro J Pahos; Chao Tian; George Wang Committee V.7: Structural Longevity ........................................................445 Iraklis Lazakis (Chair); Bernt Leira; Nianzhong Chen; Geovana Drumond; Chi-Fang Lee; Paul Jurisic; Bin Liu; Alysson Mondoro; Pooria Pahlavan; Xinghua Shi; Ha Cheol Song; Tadashi Sugimura; Christian Jochum; Tommaso Coppola Committee V.8: Subsea Technology ..........................................................503 Agnes Marie Horn (Chair); Tauhid Rahman; Ilson Pasqualino; Menglan Duan; Zhuang Kang; Michael Rye Andersen; Yoshihiro Konno; Chunsik Shim; Angelo Teixeira; Selda Oterkus; Blair Thornton; Brajendra Mishra Subject Index .............................................................................................582 Author Index ...............................................................................................584
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Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. « Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 3 Discussions ». Dans 21st International Ship and Offshore Structures Congress Volume 3 Discussions. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-discussion-vol-3.

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Committee I.1: Environment Alexander Babanin (Chair); Mariana Bernardino; Franz von Bock und Polach; Ricardo Campos,; Jun Ding; Sanne van Essen; Tomaso Gaggero; Maryam Haroutunian; Vanessa Katsardi; Alexander Nilva; Arttu Polojarvi; Erik Vanem; Jungyong Wang; Huidong Zhang; Tingyao Zhu Floor Discussers: Florian Sprenger; Carlos Guedes Soares; Henk den Besten Committee I.2: Loads Ole Andreas Hermundstad (Chair); Shuhong Chai; Guillaume de Hauteclocque; Sheng Dong; Chih-Chung Fang; Thomas B. Johannessen; Celso Morooka; Masayoshi Oka; Jasna Prpić-Oršić; Alessandro Sacchet; Mahmud Sazidy; Bahadir Ugurlu; Roberto Vettor; Peter Wellens Official Discusser: Hayden Marcollo Committee II-1: Quasi-Static Response James Underwood (Chair); Erick Alley; Jerolim Andrić Dario Boote; Zhen Gao; Ad Van Hoeve; Jasmin Jelovica; Yasumi Kawamura; Yooil Kim; Jian Hu Liu; Sime Malenica; Heikki Remes; Asokendu Samanta; Krzysztof Woloszyk; Deqing Yang Official Discusser: Prof. T. Yoshikwa Committee II.2: Dynamic Response Gaute Storhaug (Chair); Daniele Dessi; Sharad Dhavalikar; Ingo Drummen; Michael Holtmann; Young-Cheol Huh; Lorenzo Moro; Andre Paiva; Svein Sævik; Rong-Juin Shyu; Shan Wang; Sue Wang; WenWei Wu; Yasuhira Yamada; Guiyong Zhang Floor Discussers: Ling Zhu; Tomoki Takami; Anriette (Annie) Bekker; Bruce Quinton; Robert Sielski Committee III.1: Ultimate Strength Paul E. Hess (Chair); Chen An; Lars Brubak; Xiao Chen; Jinn Tong Chiu; Jurek Czujko; Ionel Darie; Guoqing Feng; Marco Gaiotti; Beom Seon Jang; Adnan Kefal; Sukron Makmun; Jonas Ringsberg; Jani Romanoff; Saad Saad-Eldeen; Ingrid Schipperen; Kristjan Tabri; Yikun Wang; Daisuke Yanagihara Official Discusser: Jørgen Amdahl Committee III.2: Fatigue and Fracture Yordan Garbatov (Chair); Sigmund K Ås; Henk Den Besten; Philipp Haselbach; Adrian Kahl; Dale Karr; Myung Hyun Kim; Junjie Liu; Marcelo Igor Lourenço de Souza; Wengang Mao; Eeva Mikkola; Naoki Osawa; Fredhi Agung Prasetyo; Mauro Sicchiero; Suhas Vhanmane; Marta Vicente del Amo; Jingxia Yue Official Discusser Weicheng Cui Floor Discussers: Robert Sielski; Sören Ehlers; Stephane Paboeuf; Teresa Magoga Committee IV.1: Design Principles and Criteria Matthew Collette (Chair); Piero Caridis; Petar Georgiev; Torfinn Hørte; Han Koo Jeong; Rafet emek Kurt; Igor Ilnytskiy; Tetsuo Okada; Charles Randall; Zbigniew Sekulski; Matteo Sidari; Zhihu Zhan; Ling Zhu Official Discusser: Enrico Rizzuto Committee IV.2: Design Methods Andrea Ivaldi (Chair); Abbas Bayatfar; Jean-David Caprace; Gennadiy Egorov; Svein Erling Heggelund; Shinichi Hirakawa; Jung Min Kwon; Dan Mcgreer; Pero Prebeg; Robert Sielski; Mark Slagmolen; Adam Sobey; Wenyong Tang; Jiameng Wu Official Discusser: Mario Dogliani Committee V.1: Accidental Limit States Bruce Quinton; Gaetano De Luca; Topan Firmandha; Mihkel Körgesaar; Hervé Le Sourne; Ken Nahshon; Gabriele Notaro; Kourosh Parsa; Smiljko Rudan; Katsuyuki Suzuki; Osiris Valdez Banda; CareyWalters; Deyu Wang; Zhaolong Yu Official Discusser: Manolis Samuelides Committee V.2: Experimental Methods Sören Ehlers (Chair); Nagi Abdussamie; Kim Branner; ShiXiao Fu; Martijn Hoogeland; Kari Kolari; Paul Lara; Constantine Michailides; Hideaki Murayama; Cesare Rizzo; Jung Kwan Seo; Patrick Kaeding Official Discusser: Giles Thomas Committee V.3: Materials and Fabrication Technology Lennart Josefson (Chair); Konstantinos Anyfantis; Bianca de Carvalho Pinheiro; Bai-Qiao Chen; Pingsha Dong; Nicole Ferrari; Koji Gotoh; James Huang; Matthias Krause; Kun Liu; Stephane Paboeuf; Stephen van Duin; Fang Wang; Albert Zamarin Official Discusser: Frank Roland Floor Discussers Alessandro Caleo; Agnes Marie Horn; Krzysztof Woloszyk; Robert Sielski Committee V.4: Offshore Renewable Energy Atanasios Kolios (Chair); Kyong-Hwan Kim; Chen Hsing Cheng; Elif Oguz; Pablo Morato; Freeman Ralph; Chuang Fang; Chunyan Ji; Marc Le Boulluec; Thomas Choisnet; Luca Greco; Tomoaki Utsunomiya; Kourosh Rezanejad; Charles Rawson; Jose Miguel Rodrigues Official Discusser: Amy Robertson Committee V.5: Special Vessels Darren Truelock (Chair); Jason Lavroff; Dustin Pearson; Zbigniew (Jan) Czaban; Hanbing Luo; Fuhua Wang; Ivan Catipovic; Ermina Begovic; Yukichi Takaoka; Claudia Loureiro; Chang Yong Song; Esther Garcia; Alexander Egorov; Jean-Baptiste Souppez; Pradeep Sensharma; Rachel Nicholls-Lee Official Discusser: Jaye Falls Floor Discussers: Jasmin Jelovica; Stephane Paboeuf; Sören Ehlers Committee V.6: Ocean Space Utilization Sebastian Schreier (Chair); Felice Arena; Harry Bingham; Nuno Fonseca; Zhiqiang Hu; Debabrata Karmakar; Ekaterina Kim; Hui Li; Pengfei Liu; Motohiko Murai; Spiro J Pahos; Chao Tian; George Wang Official Discusser: Hideyuki Suzuki Floor Discussers: Robert Sielski; Sue Wang; Sarat Mohapatra; Gaute Storhaug; Henk den Besten Committee V.7: Structural Longevity Iraklis Lazakis (Chair); Bernt Leira; Nianzhong Chen; Geovana Drumond; Chi-Fang Lee; Paul Jurisic; Bin Liu; Alysson Mondoro; Pooria Pahlavan; Xinghua Shi; Ha Cheol Song; Tadashi Sugimura; Christian Jochum; Tommaso Coppola Official Discusser: Timo de Beer Floor Discusser: Krzysztof Woloszyk Committee V.8: Subsea Technology Agnes Marie Horn (Chair); Tauhid Rahman; Ilson Pasqualino; Menglan Duan; Zhuang Kang; Michael Rye Andersen; Yoshihiro Konno; Chunsik Shim; Angelo Teixeira; Selda Oterkus; Blair Thornton; Brajendra Mishra Official Discusser: Segen F. Estefen
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