Thèses sur le sujet « Jazz Analysis »
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Davis, Glen Roger. « Levels analysis of jazz tunes ». The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1314720939.
Texte intégralMahoney, J. Jeffrey. « The Elements of Jazz Harmony and Analysis ». Thesis, North Texas State University, 1986. https://digital.library.unt.edu/ark:/67531/metadc500764/.
Texte intégralCordoba, Derick. « An in-depth analysis of classic jazz compositions for a graduate jazz guitar recital ». FIU Digital Commons, 2007. http://digitalcommons.fiu.edu/etd/2495.
Texte intégralMoore, Michael D. « A performance analysis of selected works for trumpet by Chet Baker / ». Full-text version available from OU Domain via ProQuest Digital Dissertations, 1999.
Trouver le texte intégralFranz, David Matthew. « Markov Chains as Tools for Jazz Improvisation Analysis ». Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/36831.
Texte intégralMaster of Science
Lyttle, David. « Modern approaches to swing jazz drumming : A stylistic analysis of twelve American jazz drummers, 1980-2008 ». Thesis, University of Ulster, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.502893.
Texte intégralGay, Fernández Carlos. « Jazz influence on classical clarinet : Analysis and identification of jazz elements in classical clarinet repertoire in the 20th century ». Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2384.
Texte intégralHarvey, Stephen P. « Jazz Chamber Music : An Analysis of Chris Potter’s Imaginary Cities and a Musical Composition ». Youngstown State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1471354255.
Texte intégralCaban, Ruben. « An analysis of six original Latin jazz compositions and arrangements ». FIU Digital Commons, 2011. http://digitalcommons.fiu.edu/etd/1951.
Texte intégralCook, Scott Alexander. « Referential sets, referential tonics, and the analysis of contemporary jazz ». Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/42104.
Texte intégralDeAngelo, Justin. « Zen and the art of motorcycle maintenance : score and analysis / ». View online, v.1, 2008. http://repository.eiu.edu/theses/docs/32211131458621.pdf.
Texte intégralBrown, Daniel Richard. « A HISTORY AND ANALYSIS OF THE ADVANCEMENTS IN JAZZ TUBA PERFORMANCE FROM 1940 UNTIL 2010 ». Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/195330.
Texte intégralSugg, Andrew Norman. « Tracking the trane : comparing selected improvisations of John Coltrane, Jerry Bergonzi and David Liebman : a thesis presented to the Elder Conservatorium, Adelaide University, in fulfillment of the requirements of the degree of Doctor of Philosophy ». Title page, abstract and contents only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phs947.pdf.
Texte intégralBuchholz, Timothy C. « Analysis and Categorization of Selected Musical Elements within Forty-three Solo Jazz Vocal "Standards" with Pedagogical Application to Repertoire Selection and the Teaching of Jazz Concepts in the Jazz Voice Lesson ». Scholarly Repository, 2010. http://scholarlyrepository.miami.edu/oa_dissertations/386.
Texte intégralFay, Kaitlyn A. « In search of effective jazz education| An analysis and comparison of pedagogical methods employed by directors of successful high school jazz ensembles ». Thesis, The William Paterson University of New Jersey, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1538595.
Texte intégralJazz education within academia is still young, yet many educators have been recognized for successful leadership of high school jazz ensembles. Directors of finalist bands from the 2012 Essentially Ellington competition, a national opportunity hosted by Jazz at Lincoln Center, completed a questionnaire and interview regarding their pedagogical techniques and supplemental methods. All participants responded that listening to recordings and the fostering of peer mentoring are crucial elements. Other important techniques include singing, sight reading, rhythmic exercises, and the use of blues improvisation as a warm up activity. Important supplemental factors included personality traits such as intense, detail oriented, energetic, and fun, while participants noted the positive experiences and techniques learned from events with Jazz at Lincoln Center. In conclusion, leaders of successful high school jazz ensembles share several techniques, qualities, and behaviors, yet there is no single formula for a great high school jazz ensemble director.
Gold, Michael J. « The jazz improvisations of the tenor saxophonist Warne Marsh an eclectic analysis / ». Full text available, 1995. http://images.lib.monash.edu.au/ts/theses/goldm.pdf.
Texte intégralSchmid, William A. (William Albert). « An Analysis of Elements of Jazz Style in Contemporary French Trumpet Literature ». Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332815/.
Texte intégralCogswell, Michael. « Melodic Organization in Four Solos by Ornette Coleman ». Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc501207/.
Texte intégralHardester, Bryan Matthew. « An analysis and compositional application of trombonist John Allred's improvisational style ». Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/4852.
Texte intégralHeffner, Steven. « An Analysis of Dave Holland's Free Improvisation in "Waterfall" and Its Pedagogical Applications for Bassists in Avant-Garde Performance ». Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc1609128/.
Texte intégralFraile, Alex. « Motivic and Voice-Leading Coherence in the Improvisations of Saxophonist Chris Cheek ». Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062820/.
Texte intégralConti, Agustin A. « Argentine music styles contributions to contemporary jazz language : analysis of six original compositions ». FIU Digital Commons, 2009. http://digitalcommons.fiu.edu/etd/2428.
Texte intégralHawley, Laura. « Jazz improvisation, analysis, and interpretation : Three performances of "Honeysuckle Rose" by Ella Fitzgerald ». Thesis, University of Ottawa (Canada), 2007. http://hdl.handle.net/10393/27520.
Texte intégralVersola, A. Mariela. « Jazz & ; Apartheid| An Analysis of The Life and Music of Hugh Masekela ». Thesis, The William Paterson University of New Jersey, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10828446.
Texte intégralSouth African trumpeter Hugh Masekela is best known for his number one hit “Grazin’ In The Grass” and his composition “Bring Him Back Home, Nelson Mandela” that became the anthem for the anti-apartheid cause. Though some scholarship on Masekela and jazz in South Africa exists, no study has offered musical analysis of Masekela’s prolific body of work. The purpose of this document is to examine Masekela’s musical and personal evolution towards advocacy and activism, and to identify and analyze elements of protest within his music. Findings include a diverse collection of hidden and overt forms of protest in his music, as well as reinterpretations of Masekela’s career trajectory.
Heyer, David 1979. « Vocabulary, Voice Leading, and Motivic Coherence in Chet Baker's Jazz Improvisations ». Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/12152.
Texte intégralThis study applies Schenkerian theory to Chet Baker's jazz improvisations in order to uncover the melodic, harmonic, and contrapuntal hallmarks of his style. Analyses of short excerpts taken from multiple recorded improvisations reveal Baker's improvisational vocabulary, which includes recurring underlying structures that Baker embellishes in a wide variety of ways and places in a wide variety of harmonic contexts. These analyses also explore other traits (rhythmic, timbral, etc.) that appear in Baker's improvisations throughout his career. The dissertation culminates in three illustrative analyses that demonstrate the ways in which Baker constructs single, unified improvisations by masterfully controlling the long-range voice-leading tendencies of his improvised lines. As he weaves his vocabulary into these lines, he creates improvisations that unfold in a way that is logical, satisfying in the fulfillment of expectations, and motivically cohesive on multiple levels of structure.
Committee in charge: Steve Larson, Co-Chair; Jack Boss, Co-Chair; Stephen Rodgers, Member Anne Dhu McLucas Member; George Rowe, Outside Member; Timothy Clarke, External Contributing Member
Hansson, Clare. « Marian McPartland, jazz pianist : an overview of a musical career ». Queensland University of Technology, 2006. http://eprints.qut.edu.au/16621/.
Texte intégralSteinberg, Ella Nora Parks. « “Take a solo” : An analysis of gender participation and interaction at school jazz festivals ». Scholarly Commons, 2001. https://scholarlycommons.pacific.edu/uop_etds/2469.
Texte intégralButete, Netsayi. « The jazz divas an analysis of the musical careers of six New Brighton vocalists ». Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002298.
Texte intégralBelck, Scott Brian. « LICKETY SPLIT : Modern Aspects of Composition and Orchestration in the Large Jazz Ensemble Compositions of Jim McNeely : An Analysis of EXTRA CREDIT, IN THE WEE SMALL HOURS OF THE MORNING, and ABSOLUTION ». Cincinnati, Ohio : University of Cincinnati, 2008. http://www.ohiolink.edu/etd/view.cgi?acc_num=ucin1204569102.
Texte intégralAdvisor: Alan Siebert. Title from electronic thesis title page (viewed May 12, 2008). Includes abstract. Keywords: McNeely, Jim; jazz arranging; wright, rayburn; vanguard jazz orchestra; Thad Jones Mel Lewis jazz orchestra; jazz composition;. Includes bibliographical references.
Kteily-O'Sullivan, Laila Rose. « Klangfarben, Rhythmic Displacement, and Economy of Means : A Theoretical Study of the Works of Thelonious Monk ». Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc501262/.
Texte intégralHansson, Clare. « Marian McPartland, jazz pianist : an overview of a musical career ». Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16621/1/Clare_Hansson_Thesis.pdf.
Texte intégralNeciosup, Hector D. « An Analysis Of Five Compositions Representing The Fusion Of Jazz, World, and Latin American Rhythms ». FIU Digital Commons, 2011. http://digitalcommons.fiu.edu/etd/341.
Texte intégralClark, Colleen (Musician). « The Evolution of the Ride Cymbal Pattern from 1917 to 1941 : An Historical and Critical Analysis ». Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505181/.
Texte intégralLovell, Jeffrey. « An Exploration of Melody, Harmony, and Improvisation in the Music of Stevie Wonder ». Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12947.
Texte intégralKarns, Keith. « Woody Shaw : Development of Style in Three Versions of "The Moontrane” ». Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849774/.
Texte intégralJichova, Miroslava. « Gendered Representations of Jazz Vocal Artists : A Critical Discourse Analysis of CD and Performance Reviews, and Interviews ». ScholarWorks@UNO, 2007. http://scholarworks.uno.edu/td/569.
Texte intégralBetzer, Jennifer. « The Innovation and Influence of Jazz Harpist Dorothy Ashby (1932-1986) ». Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703423/.
Texte intégralSimon, Scott J. « A multi-dimensional entropy model of jazz improvisation for music information retrieval ». Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4929/.
Texte intégralHeffner, Steven (Bassist). « An Analysis of Dave Holland's Free Improvisation in "Waterfall" and Its Pedagogical Applications for Bassists in Avant-Garde Performance ». Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1609128/.
Texte intégralPamies, Sergio 1983. « The Controversial Identity of Flamenco Jazz : A New Historical and Analytical Approach ». Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849724/.
Texte intégralFreedy, David Rawlings. « Brecker's Blues : transcription and theoretical analysis of six selected improvised blues solos by jazz saxophonist Michael Brecker ». The Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=osu1063851435.
Texte intégralMounzer, Jason. « Law of the Shortest Way and Jazz Improvisation : A Voice-Leading Model for the Analysis of "'Round Midnight" ». Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/38196.
Texte intégralSeong, Sekyeong. « Bagatelles No. 6 and No. 8, Op. 59 by Nikolai Kapustin:Background, Analysis, and Performance Guideline ». The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1429867811.
Texte intégralStewart, Neal Edward. « Non-lyrical democracy : a rhetorical analysis of Miles Davis' Kind of Blue ». Thesis, Manhattan, Kan. : Kansas State University, 2008. http://hdl.handle.net/2097/902.
Texte intégralBinek, Justin. « The Evolution of Ella Fitzgerald's Syllabic Choices in Scat Singing : A Critical Analysis of Her Decca Recordings, 1943-52 ». Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984212/.
Texte intégralWunch, Rebecca Lynn. « The merger of jazz and twentieth century a performance analysis of Donald Martino's A set for clarinet / ». Bowling Green, Ohio : Bowling Green State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1196200383.
Texte intégralMontgomery, Clyde. « A comparative analysis of teacher behavior of jazz and concert ensemble directors in selected Oklahoma high schools / ». Full-text version available from OU Domain via ProQuest Digital Dissertations, 1986.
Trouver le texte intégralStrother, Eric Scott. « The development of Duke Ellington's compositional style a comparative analysis of three selected works / ». Lexington, Ky. : [University of Kentucky Libraries], 2001. http://lib.uky.edu/ETD/ukymuth2001t00012/thesistext.pdf.
Texte intégralTitle from document title page. Document formatted into pages; contains viii, 69 p. : ill. Includes abstract. Includes bibliographical references (p. 67-68).
Williams, Karen. « Key success factors in managing the visitor experience at the Cape Town International Jazz Festival / Williams K ». Thesis, North-West University, 2011. http://hdl.handle.net/10394/7611.
Texte intégralThesis (M.Com. (Tourism))--North-West University, Potchefstroom Campus, 2012.
Satterthwaite, Gregory. « Beyond Fourths and Pentatonics : A Critical Analysis of Selected Recordings of McCoy Tyner from 1962 to 1963 ». Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1703303/.
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