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1
Giselbrecht, Elisabeth Anna. « Crossing boundaries : the printed dissemination of Italian sacred music in German-speaking areas (1580-1620) ». Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283907.
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Hammond, Joseph. « Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces ». Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.
Texte intégralRésumé :
This study is an art history of Santa Maria dei Carmini, Venice, from its foundation in c. 1286 to the present day, with a special focus on the late Renaissance period (c. 1500-1560). It explores a relatively overlooked corner of Renaissance Venice and provides an opportunity to study the Carmelite Order's relationship to art. It seeks to answer outstanding questions of attribution, dating, patronage, architectural arrangements and locations of works of art in the church. Additionally it has attempted to have a diverse approach to problems of interpretation and has examined the visual imagery's relationship to the Carmelite liturgy, religious function and later interpretations of art works. Santa Maria dei Carmini was amongst the largest basilicas in Venice when it was completed and the Carmelites were a major international order with a strong literary tradition. Their church in Venice contained a wealth of art works produced by one of the most restlessly inventive generations in the Western European tradition. Chapter 1 outlines a history of the Carmelites, their hagiography and devotions, which inform much of the discussion in later chapters. The second Chapter discusses the early history of the Carmelite church in Venice, establishing when it was founded, and examining the decorative aspects before 1500. It demonstrates how the tramezzo and choir-stalls compartmentalised the nave and how these different spaces within the church were used. Chapter 3 studies two commissions for the decoration of the tramezzo, that span the central period of this thesis, c. 1500-1560. There it is shown that subjects relevant to the Carmelite Order, and the expected public on different sides of the tramezzo were chosen and reinterpreted over time as devotions changed. Cima da Conegliano's Adoration of the Shepherds (c. 1511) is discussed in Chapter 4, where the dedication of the altar is definitively proven and the respective liturgy is expanded upon. The tradition of votive images is shown to have influenced Cima's representation of the donor. In Chapter 5 Cima's altarpiece for the Scuola di Sant'Alberto's altar is shown to have been replaced because of the increasing ambiguity over the identification of the titulus after the introduction of new Carmelite saints at the beginning of the century. Its compositional relationship to the vesperbild tradition is also examined and shown to assist the faithful in important aspects of religious faith. The sixth chapter examines the composition of Lorenzo Lotto's St Nicholas in Glory (1527-29) and how it dramatises the relationship between the devoted, the interceding saints and heaven. It further hypothesises that the inclusion of St Lucy is a corroboration of the roles performed by St Nicholas and related to the confraternity's annual celebrations in December. The authorship, date and iconography of Tintoretto's Presentation of Christ (c. 1545) is analysed in Chapter 7, which also demonstrates how the altarpiece responds to the particular liturgical circumstances on the feast of Candlemas. The final chapter discusses the church as a whole, providing the first narrative of the movement of altars and development of the decorative schemes. The Conclusion highlights the important themes that have developed from this study and provides a verdict on the role of ‘Carmelite art' in the Venice Carmini.
3
Sherman, Allison M. « The lost Venetian church of Santa Maria Assunta dei Crociferi : form, decoration, and patronage ». Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1021.
Texte intégralRésumé :
This dissertation reconstructs the original form and sixteenth-century decoration of the lost Venetian church of Santa Maria Assunta dei Crociferi, destroyed after the suppression of the Crociferi in 1656 to make way for the present church of the Gesuiti. The destruction of the church, the scattering of its contents, and the almost total lack of documentation of the religious order for which the space was built, has obscured our understanding of the many works of art it once contained, produced by some of the most important Venetian artists of the sixteenth century. This project seeks to correct scholarly neglect of this important church, and to restore context and meaning to these objects by reconstructing their original placement in the interest of a collective interpretation. Various types, patterns and phases of patronage at the church—monastic, private and corporate—are discussed to reveal interconnections between these groups, and to highlight to role of the Crociferi as architects of a sophisticated decorative programme that was designed to respond to the latest artistic trends, and to visually demonstrate their adherence to orthodoxy at a moment of religious upheaval and reform.
4
Kim, Hae-Jeong. « Liturgy, Music, and Patronage at the Cappella di Medici in the Church of San Lorenzo in Florence, 1550-1609 ». Thesis, University of North Texas, 1995. https://digital.library.unt.edu/ark:/67531/metadc278255/.
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This dissertation describes the musical and religious support of the Medici family to the Medici Chapel in Florence and the historical role of the church of San Lorenzo in the liturgical development of the period. During the later Middle Ages polyphony was allowed in the Office services only at Matins and Lauds during the Tenebrae service, the last three days of Holy Week, and at Vespers anytime. This practice continued until the end of the sixteenth century when more polyphonic motets based on the Antiphon and Responsory began to be included in the various Office hours during feast days. This practice is documented by the increased number of pieces that appear in the manuscripts. Two of the transcriptions from the church of San Lorenzo included in the appendix are selected from this later repertoire.
5
True, Thomas-Leo Richard. « Power and place : the Marchigian Cardinals of Sixtus V ». Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648270.
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Monette, Barbara. « The Anabaptist Contributions to the Idea of Religious Liberty ». PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/5060.
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The relationship between ideas and history is important in order to understand the past and the present. The idea of religious liberty and the realization of that ideal in sixteenth-century Europe by the Anabaptists in Switzerland and South Germany in the 1520s was considered to be revolutionary in a society characterized by the union of church and state. The main impetus of the idea of religious liberty for the Anabaptists was the application of the New Testament standard of the Christian church, which was an independent congregation of believers marked only by adult baptism. The purpose of the present study is to demonstrate the contributions of the Swiss Anabaptists to the idea of religious liberty by looking at the ministries and activities of three major leaders of the early Swiss movement: Conrad Grebel, Michael Sattler, and Balthasar Hubmaier. This thesis takes up the modern form of religious liberty as analyzed by twentieth-century authorities, as a framework for better understanding the contributions of the Anabaptists. My research then explores the establishment of the first Anabaptist church in history, the Zollikon church outside of Zurich, and examines its organization membership, motives, and strategies for evangelizing Switzerland. In all areas influenced by the Anabaptists, there was considerable acceptance of their doctrine of a separated church. Their teaching on liberty of conscience also influenced people in towns such as Zollikon and Waldshut. Possible historical links between the Anabaptist doctrines and establishment of later Baptist denominations are shown.
7
Norris, R. Mae. « Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600) ». Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.
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Hall, Matthew. « Lyon publishing in the age of Catholic revival, 1565-1600 ». Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/16276.
Texte intégralRésumé :
This PhD dissertation focuses upon the role of Lyon's printing industry in the revival of Catholicism in the second half of the sixteenth century. Lyon was one of Europe's premier cities; booming trade and tolerant attitudes had been catalysts for its growth. It possessed one of the finest and most renowned printing industries on the continent. Reputations were turned upside down by the development of evangelical activism in the 1560s. By the late 1560s the city was once more firmly placed in the Roman Catholic camp. Lyon's presses joined in the newly found Catholic sentiment. Presses produced a vast range of texts necessary for the reconstruction of the Church. From the start, the commerce of the book and the fate of Catholic revival were closely bound together. Within a decade of the fall of the Protestant regime, Catholic authors and publishers produced steady streams of violent pamphlet literature aimed towards the eradication of the Huguenot. With a powerful combination of theological tomes and a flood of book and pamphlet literature addressed to a wider audience, Lyon's printing presses held an important role in the progress of Catholic revival. Chapter one sketches core aspects of the history of the printing industry in Lyon from its inception in the 1470s until 1600. Chapter two concentrates on the production of pamphlet literature between 1565 and 1588, the years of Catholic victory and the period leading up to the radical developments of the Holy Catholic League. Chapter three extends the survey of the period 1565 until 1588 by addressing the body of larger religious books published. Chapters four and five explore the role of pamphlet literature during Lyon's adherence to the Leaguer, and then Royalist movement. Chapter six examines the production of larger religious books throughout the years 1589 until 1600. This study of Lyon's place in print culture demonstrates that our preconceptions of the book culture - seen through the predominantly German model - cannot be accurately imposed across European printing centres. Contrary to the German experience print culture and the Counter-Reformation were inextricably linked. Moreover, French Catholic authors were prepared to confront the evangelical movement in the medium of print. By doing so Catholic authors and publishers fully utilised the weapons that had brought Protestantism so much success, making them their own.
9
Nelson, Eric W. « The king, the Jesuits and the French Church, 1594-1615 ». Thesis, University of Oxford, 1998. http://ora.ox.ac.uk/objects/uuid:78447dd8-1dbb-4a2f-8aee-f964c293faa9.
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This thesis offers a re-examination of the expulsion, return and subsequent integration of the Jesuits into France during the reign of Henry IV and the regency of Marie de Medicis (1594- 1615). Drawing on archival material from Paris, Rome and London, it argues that in order to understand the Society of Jesus's role in seventeenth- and early eighteenth-century France one must understand the circumstances of their return. The critical moment for the Society in France, this study contends, was the promulgation of the Edict of Rouen in 1603, not their expulsion in 1594. The Edict and the royal goodwill which sanctioned it gave the Society a legal standing in France and established a set of conditions which formed the basis for a new Jesuit role in the French church and wider society. Moreover, the Edict of Rouen was more than just an attempt by Henry IV to bring peace to the Catholic church; it was also an important assertion of royal authority in the French church. Indeed, I argue that the return of the Society exclusively through royal clemency or grâce defined an important alliance between the monarchy and the Jesuits which was to be a significant feature of the French church for more than a century. Although numerous historians have already looked at various aspects of this important topic, this thesis is the first to argue that the most important development of this period for our understanding of the Society's position and role in France was the accommodation of the Society by the French church and French royal administrative structures after the king's will was expressed in 1603. It also asserts that it was the reality of compromise not the rhetoric of conflict which should shape our understanding of the Society's integration into France and their role in the French church in the seventeenth century.
10
Pesuit, Margaret. « Representations of the courtesan in sixteenth-century Venice : sex, class, and power ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37227.pdf.
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Crawford, David John. « Courts of conscience : English Archdeacons' courts at the time of the Reformation, c.1515-1558 ». Phd thesis, Faculty of Arts, 1987. http://hdl.handle.net/2123/9735.
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McMillan, Catherine Elizabeth. « Aberdeen and the Reformation : Implementation and Interpretation of Reform ». PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/711.
Texte intégralRésumé :
In the burgh of Aberdeen in northeast Scotland, the realm's Reformation of 1559-1560 and the subsequent alteration of the religious landscape were unwelcome developments. Although national authorities required reform, the burgh's powerful governing local oligarchy, mainly comprised of wealthy Catholic burgesses, dictated the speed and shape of conformity to the new religion. Existing scholarship on Aberdeen in the 1560s has concentrated on the ways in which Aberdeen's leaders responded to the Reformation rather than the reasons behind those responses. Thus, the purpose of this thesis is to further the understanding of the implementation and interpretation of the Reformation and Reformed Protestantism in Aberdeen from c. 1560 to 1568. Aberdeen's town council records from 1559 to 1568 and kirk session legislation from 1562-1563 and 1568 are the foundational primary sources for this study. Close textual analysis makes visible the many layers of meaning contained within these sources and unearths the common threads that run throughout. Additional primary sources, such Confession of Faith, Book of Discipline, and relevant entries from the records of St Andrews' kirk session, serve to place Aberdeen in the larger national context and, in many aspects, highlight the burgh's comparative religious conservatism. Chapter One of this thesis provides an overview of the national political and religious history from the early 1540s to the early 1570s. Chapter Two focuses on Aberdeen's response to the Reformation Crisis of 1559-1560 and the subsequent implementation of reform from 1560 to 1568 as administered by the burgh's civic authorities. Finally, Chapter Three explores and explains the interpretation of the Reformation and Reformed Protestantism by the town council and the kirk session. This thesis concludes that the town council of Aberdeen deftly maneuvered through the twists and turns of the Reformation and its immediate aftermath and was successful not only in retaining relative local autonomy, but also in restricting the pace and determining the character of reform. Furthermore, the burgh's kirk session sought common ground between Catholicism and Reformed Protestantism in doctrine and discipline and was able to distract attention from matters of religious belief and practice by concentrating on the regulation of moral behavior.
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Müller, Horst. « The “Poor of Christ” and their significant impact on setting the scene for the 16th Century Reformation ». Thesis, University of Pretoria, 2020. http://hdl.handle.net/2263/74736.
Texte intégralRésumé :
During the 500th Commemoration of the Reformation in 2017 a huge emphasis was placed on the main Reformation characters of 1517, especially Martin Luther. Those that preceded him were side-lined. Jan Huss was hardly mentioned, although the 600th anniversary of his execution by fire was only two years earlier, in 2015. Valdes of Lyon did not feature at all.
This study shows that this lay person, Valdes, about whom hardly anything is known, had a significant impact on the 16th Century Reformation. This impact is not immediately obvious. The researcher reveals it by looking at the movement that resulted from his conversion in 1174, normally called the Waldenses, but in this study referred to as Poor of Christ, a name that they identified themselves with. The research does not focus on the Romanesque part that later formed the Waldensian Church, but on those living and ministering in the Holy Roman Empire, especially the German region.
Original sources such as papal letters, inquisition reports and reports of eyewitnesses of that time are researched and the information gathered. Through historical contextual analysis and synthesis, the information is brought together to show the impact that the Poor of Christ ultimately had in their own context and beyond.
The researcher shows how the Roman Church, instead of engaging with these lay preachers, tried to silence and eradicate them over a period of 350 years. This action harmed the church itself more than it did the people it was fighting against. The study shows how doctrines and decrees were formulated in reaction to the Poor of Christ, which became major issues in the run-up to the Reformation.
The study shows an important link between the Poor of Christ and the Augustinian Order, that is generally not taken note of, and throws a different light on why the Augustinian Order played such an important role in producing Reformation Theologians.
Further, the research shows how the underground lay movement influenced the thinking in cities and regions in Germany which became the first strongholds of the 16th Century Reformation, and that through their ministry the basics of Solus Christus and sola scriptura where already taught and practised in homes and families for generations prior to 1517.
The researcher argues that Martin Luther and the other prominent Reformers were not the originators of the 16th century Reformation. Unlike Jan Hus a hundred years before, they succeeded because the climate in Europe, and especially Germany, had changed due to the presence and ministry of the Poor of Christ. The real force behind the Reformation were not the theologians, but the lay men and women who for generations shaped Christ- centred values, who, for 350 years prior to 1517 had already been studying and teaching scripture in the local vernacular. This study hopes that the Poor of Christ will become part of main stream Reformation teaching, a place the movement deserves.
The study heightens the historical value of this research by showing how core aspects of the Poor of Christ can help the church today to be resilient and relevant. Their authentic way of living their faith is an example worth following. Church leadership are reminded of the importance of servant leadership, and all theologians are reminded that the real strength of the church lies in the lay people who are not dependent on clergy, but empowered to live and share what they believe.Thesis (PhD)--University of Pretoria, 2020.
Church History and Church Policy
PhD
Unrestricted
14
Chernoff, Graham Thomas. « Building the Reformed Kirk : the cultural use of ecclesiastical buildings in Scotland, 1560-1645 ». Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/8176.
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This thesis examines the built environment and culture of Scotland between 1560 and 1645 by analysing church buildings erected during the period. The mid-sixteenth century ecclesiastical Reformation and mid-seventeenth-century political and ecclesiastical tumult in Scotland provide brackets that frame the development of this physical aspect of Scottish cultural history. This thesis draws most heavily on architectural and ecclesiastical history, and creates a compound of the two methods. That new compound brings to the forefront of the analysis the people who produced the buildings and for whom the church institution operated. The evidence used reflects this dual approach: examinations of buildings themselves, where they survive, of documentary evidence, and of contemporary and modern maps support the narrative analysis. The thesis is divided into two sections: Context and Process. The Context section cements the place of the cultural contributions made by ecclesiastical buildings to Scottish history by analysing the ecclesiastical historical, theological, and political contexts of buildings. The historical analysis helps explain why, for example, certain places managed to build churches successfully while others took much longer. The creative tension between these on-the-ground institutions and theoretical ideas contributed to Scotland’s ability to produce cultural spaces. The Process section analyses the narratives of individual buildings in several different steps: Preparing, Building, Occupying, and Relating. These steps connected people with the physical entity of a church building. The Preparing chapter shows how many reasons in Scotland there were to initiate a building project. The Building chapter uses financial, design, and work narratives to tease out the intricacies of individual church stories. Occupying and Relating delve into later histories of individual congregations to understand how churches sat within the world about them. Early modern Scottish church building was immensely varied: the position, style, impact, purpose, and success of church buildings were different across the realm. The manner people building and using churches reacted to their environments played no small role in forming habits for future action. Church buildings thus played a role establishing who early modern Scottish people were, what their institutions did, and how their spirituality was lived daily.
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SANCHEZ, CAMACHO Alberto. « 'Up and down' : Genoese financiers and their relational capital in the early reign of Philip II ». Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/69995.
Texte intégralRésumé :
Defence date: 26 January 2021Examining board: Professor Regina Grafe (European University Institute); Professor Luca Molà (University of Warwick); Professor Carmen Sanz Ayán (Universidad Complutense de Madrid); Professor Manuel Herrero Sánchez (Universidad Pablo de Olavide)
This doctoral thesis analyses the process of state construction in the early modern period from a joint perspective that amalgamates the agencies of state officials, lending communities, and local elites in the Hispanic Monarchy during the four initial years of Philip II’s reign. The project examines the convergence of private agendas inside and outside the royal administration, which were channelled by the Genoese lending community to overcome the consolidation of royal short-term debt in 1557 and its consequences. The application of an institutional approach, based on the works of Avner Greif, to the analysis of the social organisations that prevented a failure of coordination in the Hispanic Monarchy offers a fresh perspective on a topic normally assessed under predatory models. The specific study of two Genoese lenders who contributed to the establishment of a more viable and efficient financial system in the monarchy, Costantin Gentil and Nicolao de Grimaldo, provides details about how interregional transactions and local economies contributed to the consolidation of the early modern state.
16
Baker, Joanne. « The House of Guise and the Church, c. 1550-1588 ». Thesis, University of Oxford, 1995. http://ora.ox.ac.uk/objects/uuid:8fdd8fca-6c70-48a9-985c-e6307f22c8f2.
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This thesis explores the relationship between a leading French Catholic family and the Church in the second half of the sixteenth century. This is a socio-cultural study rather than an investigation of the French Church during this period, although some insight into the Church is given. The Church is used to provide a focus for an examination of noble experience. The thesis notes that male and female religious were integral members of the family network. The means by which the dynasty maintained an alternative patrimony in the Church is outlined. Consideration is then given to the resources which high ecclesiastical office brought an individual, both tangible - in the form of economic assets - and more theoretical - access to patronage opportunities and influence, which contributed to an individual's power. The economic resources which benefice tenure brought are examined and their management analysed. Patronage is viewed more as an expression of a noble culture of interacting social networks than as a product of a hierarchical power structure. The position of the Lorraine-Guise Cardinals in relation to the French Church is assessed. Their power within the Church was a result of personal qualities rather than institutional structures. The power which came with tenure is discussed, as is any relationship between ecclesiastical and secular power. A final chapter looks at the experience of women religious. Churchmen and women could contribute in certain ways to family interests, but there is no evidence of large-scale despoliation of the Church through ecclesiastical kin.
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Stone, Villani Nicolas. « The dissolution of constitutions : Aristotle in Italian political thought from Niccolò Machiavelli to Giovanni Botero ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:600663d5-b566-46c0-8a7a-418fca1d635b.
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This thesis studies the reception of Aristotle's political thought in sixteenth-century Italy. It focuses on Aristotle's discussion of the dissolution of constitutions in Book 5 of the Politics and aims to show how Aristotle's political thought remained central to late Renaissance political discourse. No comprehensive study of the topic exists. Modern historiography on Renaissance political thought generally downplays the importance of Aristotle in the history of sixteenth-century Italian political thought and emphasises the Roman tradition over the Greek. This research aims to fill the gap in modern scholarship and revise modern interpretation of Renaissance political theory. This thesis is essentially divided into three parts, each part containing two chapters. Part I is largely introductory. Chapter 1 offers a historiographical review of modern scholarship on the reception of Aristotle in the Renaissance and early-modern political thought. Chapter 2 explores the revival of Greek studies in the fifteenth century and the changing perception of Aristotle's Politics in the Renaissance. Part II focuses on Aristotle and Machiavelli. Chapter 3 examines the similarities between Aristotle's analysis of the means of preserving tyranny and Machiavelli's discussion of how to mantenere lo stato in The Prince. Chapter 4 explores the effects that these similarities between Aristotle and Machiavelli had on the reception of Aristotle in Renaissance political thought. Part III centres on Aristotle in the republican and vernacular traditions. Chapter 5 explains the importance of Aristotle's discussion of the dissolution of constitutions to Renaissance republican political thought. Chapter 6 underlines the continuous relevance of Aristotle's Politics in the second half of the sixteenth century. The conclusion sums up the central argument of each chapter and invites us to explore the influence of Aristotle on reason of state literature.
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Murphree, David W. « Giordano Bruno and the history of science ». Thesis, Virginia Tech, 1991. http://hdl.handle.net/10919/41699.
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Historians of science express widely divergent interpretations of the significance of the Italian philosopher Giordano Bruno (1548-1600) to the history of science. An examination of the history of science reveals two basic schools of thought about Bruno. Specifically, historians of science disagree on the reason for Bruno’s execution at the hands of the Roman Inquisition in 1600. One school of thought, the “martyr to science” interpretation, insists that Bruno died as the direct result of his advocacy of Copernicanism. The opposing school rejects this assessment and names a variety of unorthodox religious beliefs as the motivation for Bruno’s execution.
These two positions, the “martyr to science” and the “anti-martyr to science” schools of thought, form the basis of two parallel interpretive schemes about early modern science that have coexisted in the history of science for nearly 150 years. In particular, the “martyr to science” school tends to view religion as innately hostile to science. Moreover, this school also emphasizes the discontinuities between medieval and modern science. In contrast, the “anti-martyr to science” school often rejects the existence of an inherent conflict between science and religion. The “anti-martyr to science” school also tends to highlight the continuities between medieval and modern science.Master of Arts
19
Fulton, Elaine. « Catholic belief and survival in late sixteenth-century Vienna : the case of Georg Eder (1523-1587) ». Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/13615.
Texte intégralRésumé :
This thesis is a detailed study of the religious belief and survival of one of the most prominent figures of late sixteenth-century Vienna, Georg Eder (1523- 1587). Eder held a number of high positions at Vienna University and the city's Habsburg court between 1552 and 1584, but his increasingly uncompromising Catholicism placed him at odds with many influential figures around him, not least the confessionally moderate Habsburg Emperor Maximilian II. Pivoted around an incident in 1573, when Eder's ferocious polemic, Evangelische Inquisition, fell under Imperial condemnation, the thesis investigates three key aspects of Eder's life. It examines Eder's position as a Catholic in the Vienna of his day; the public expression of this Catholicism and the strong Jesuit influence on the same; and Eder's rescue and subsequent survival as a lay advocate of Catholic reform, largely through the protection of the Habsburgs' rivals, the Wittelsbach Dukes of Bavaria. Based on a wide variety of printed and manuscript material, this thesis contributes to existing historiography on two levels. On one, it is a reconstruction of the career of one of Vienna's most prominent yet under-studied figures, in a period when the city itself was one of Europe's most politically and religiously significant. In a broader sense, however, this study also adds to the wider canon of Reformation history. It re-examines the nature and extent of Catholicism at the Viermese court in the latter half of the sixteenth century. It highlights the growing role of Eder's Wittelsbach patrons as defenders of Catholicism, even beyond their own Bavarian borders. The thesis also emphasises the role, potential and realised, of influential laity such as Eder in advancing the cause of Catholic reform in the late sixteenth century. Thus it is a strong challenge to the existing, prevalent portrayal of the sixteenth-century Catholic laity as an anonymous and largely passive group who merely responded to the ministries of others.
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O'Regan, Thomas Noel. « Sacred polychoral music in Rome, 1575-1621 ». Thesis, University of Oxford, 1988. http://ora.ox.ac.uk/objects/uuid:daa9a67e-cf31-4a1b-8d74-4b814acb6957.
Texte intégralRésumé :
The object of this thesis is to lay open a repertory of music which has long been ignored, the music for two and more choirs composed by Roman composers of the generation of Palestrina and his immediate successors. Polychoral music is taken to mean music in which two or more independent and consistent groups of voices take part, singing separately and together; the parts should remain independent in tuttl sections, with the possible exception of the bass parts. By this definition, the first real polychoral music to be published in Rome was that by Giovanni P. da Palestrina in his Motettorum liber secundus of 1575. This is taken as the starting point for this study. Music which might have influenced Roman composers is examined, as well as eight-voice music by Roman composers which is not polychoral according to the above criteria. The development of polychoral music in the city is then traced through the reigns of the various popes from Gregory XIII to Paul V, whose death in 1621 is taken as a convenient place to end the study. Particular emphasis is laid on structural and textural aspects and the way these were adapted by successive composers. The ground for the Roman concerts to style was laid in the early experiments by composers such as Giovanni Animuccia, Palestrina and Tomas Luis de Victoria; this is traced through what is termed the 'fragmented' style of the last two decades of the sixteenth century to the full flowering of the large-scale concerts to motet after 1605. The music is studied in the context of the institutions for which it was written. The archives of these Institutions have been researched for information on performance practice, which is presented here. The broader cultural, social and religious background which spawned the idiom is also examined and polychoral music related both to the new propagandist attitude of church leaders from Gregory XIII onwards, and to a general expansion in musical activity in the city of Rome through the period under investigation. The various printed and manuscript sources for this music have been researched and the resulting catalogue of pieces by fifty or so composers who worked in the city is presented. A more detailed examination is carried out of the primary manuscript sources, from which valuable information on various aspects of the music can be obtained.
21
Springer, Michael S. « Church building and the Forma ac ratio : the influence of John a Lasco's ordinance in sixteenth-century Europe ». Thesis, University of St Andrews, 2004. http://hdl.handle.net/10023/13591.
Texte intégralRésumé :
Protestant church orders were a key tool for shaping belief and practice during the sixteenth century. These declarations of official religious policy were composed by both secular and ecclesiastical leaders, and reflected the shared interests of the church and state in managing evangelical reforms. Their constitutional nature and their role in articulating doctrine made them the most effective means for church building during the period. John a Lasco's Forma ac ratio was one of the most significant of these works. His text, which was published in 1555, provided a comprehensive blueprint for Protestant congregations. It also marked a pivotal point in the development of orders. Although the earlier documents varied widely in their form and scope, by the end of the century they had developed a common format and standard range of topics. The Forma ac ratio is one of the first to exhibit this trend, marking this crucial shift in the development of such works and setting the standard for the ordinances that followed. Although this text had much in common with other orders, it was distinguished by the reformer's unique vision for church organisation and ceremonies. The content reveals the various forces that shaped his ideas. For example, he modelled his ecclesiastical administration after the episcopacies found in the German lands. He added to this Zwingli's Eucharistic rite and Calvin's ecclesiastical discipline. This work also contained a Lasco's own innovative contributions including his emphasis on congregational authority. In addition, the ordinance included extensive commentary to explain, justify and defend the prescribed practices. This comprehensive nature set the Forma ac ratio apart from other orders. A Lasco's tome had a significant impact on Protestant congregations throughout Europe. Originally, he had written the work for the London Strangers' Church, which was comprised of religious refugees in England's capital city. These exiles played a key role in transmitting his ecclesiastical model, when they returned to the continent in the 1550s, they established new refugee congregations following the reformer's example. They later carried his innovative order to their native lands when they returned home in the subsequent decades. The Forma ac ratio's widespread impact across Europe makes it one of the key ordinances from the Reformation period. In addition, as this thesis demonstrates, it was these qualities - its function in church building, the innovative form, and the refugees' role in transmitting his model - that ensured its influence and significance in sixteenth-century Europe.
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Machen, Chase E. « The Concept of Purgatory in England ». Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30487/.
Texte intégralRésumé :
It is not the purpose of this dissertation to present a history of Purgatory; rather, it is to show through the history the influence of purgatorial doctrine on the English lay community and the need of that community for this doctrine. Having established the importance this doctrine held for so many in England, with an examination of the chantry institution in England, this study then examines how this doctrine was stripped away from the laity by political and religious reformers during the sixteenth century. Purgatorial belief was adversely affected when chantries were closed in execution of the chantry acts under Henry VIII and Edward VI. These chantries were vital to the laity and not moribund institutions. Purgatorial doctrine greatly influenced the development and concept of the medieval English community. Always seen to be tightly knit, this community had a transgenerational quality, a spiritual and congregational quality, and a quality extending beyond the grave. The Catholic Church was central to this definition of community, distributing apotropaic powers, enhancing the congregational aspects, and brokering the relationship with the dead. The elements of the Roman liturgy were essential to community cohesiveness, as were the material and ritual supports for this liturgy. The need of the community for purgatorial doctrine shaped and popularized this doctrine Next, an analysis of surviving and resurging elements of expiatory rites is explored; ritual, especially that surrounding death, as well as the relationship with the dead, were sorely missed when stripped away through political actions linked to Protestant belief. This deficiency of ritual aspects within the emerging Protestant religion became evident in further years as some of the same customs and rituals that were considered anathema by Protestants slowly crept back into the Protestant liturgy in an attempt to restore the relationship between the living and the dead. Strong evidence of this is provided through sixteenth to nineteenth century death eulogies, surviving rites of expiation, as well as lay essays and popular literature discussing the phenomenon called the Sin-Eater.
23
Doney, Simon. « The lordship of Christ in the theology of the Elizabethan Separatists with particular reference to Henry Barrow ». Thesis, University of Wales Trinity Saint David, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683212.
Texte intégral
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Carpenter, Thomas. « Oxford University in the reign of Mary Tudor ». Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:d622ede8-4cdc-4bf7-acd8-471031eb28a7.
Texte intégralRésumé :
This thesis addresses a significant, though largely unexplored, part of the Marian Counter-Reformation. Queen Mary and her ministers expected the University of Oxford's contribution to the success of their plans for the English Church to be decisive. From her letter to the University in August 1553, only weeks after her accession, in which she announced her intention of laying the foundations of her ecclesiastical policy in Oxford, the academy underwent a transformation. After decades of trauma which had left the University poor, empty and (literally, in some parts) crumbling, Mary's reign gave the University a purpose, something which had been difficult to discern since the Dissolution of the Monasteries had deprived it of a large proportion of its students and lecturers. Mary and, after November 1554, Reginald Cardinal Pole undertook an extensive programme designed to reform and restore the University, a programme which was willingly and tirelessly taken up by those sympathetic to it in the University. This had its theological, ecclesiastical, liturgical and architectural elements, each of which will be considered in this thesis. Its central claim is not just that the existing picture of Mary Tudor's Church is incomplete without the inclusion within it of the restoration of Catholicism in Oxford, but that it is in Oxford, and perhaps only there, that all the different elements of her religious policy can be seen for what they are: a consistent whole, conceived and executed with one purpose: the reintegration of the English Church into the universal Catholic body.
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Litzenberger, Caroline J. « The role of episcopal theology and administration in the implementation of the settlement of religion, 1559-c. 1575 ». PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3983.
Texte intégralRésumé :
The term, Elizabethan Settlement, when applied solely to the adoption of the Prayer Book in 1559 or the Thirty-nine Articles in 1563, is misleading. The final form of the Settlement was the result of a creative struggle which involved Elizabeth and her advisers, together with the bishops and the local populace. The bishops introduced the Settlement in their dioceses and began a process of change which involved the laity and the local clergy. Through the ensuing implementation process the ultimate form of religion in England was defined.
26
Kranias, Alison. « Verovio's keyboard intabulations and domestic music making in the late Renaissance ». Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98544.
Texte intégralRésumé :
At the end of the sixteenth century, Simone Verovio printed a series of canzonetta anthologies in Rome. These collections were unique, in that they contained keyboard and lute intabulations alongside their vocal parts. The keyboard intabulations seem primarily intended as accompanimental parts. As such, they inform us about the use of keyboard instruments in ensembles of mixed voices and instruments. This thesis examines how the printing format of Verovio's keyboard intabulations arose from a larger context. In particular, it asks what were the skills and training of amateur keyboard players (often women), when or when not to transpose pieces with chiavette (or high clefs), and how instrumental embellishments relate to the canzonetta's text as well as musical texture. This examination contributes to a better understanding of Italian sixteenth-century performance practice, especially of the ways in which instruments were used along with voices in domestic music making.
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Yoshioka, Masataka. « Singing the Republic : Polychoral Culture at San Marco in Venice (1550-1615) ». Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc33220/.
Texte intégralRésumé :
During the late sixteenth and early seventeenth centuries, Venetian society and politics could be considered as a "polychoral culture." The imagination of the republic rested upon a shared set of social attitudes and beliefs. The political structure included several social groups that functioned as identifiable entities; republican ideologies construed them together as parts of a single harmonious whole. Venice furthermore employed notions of the republic to bolster political and religious independence, in particular from Rome. As is well known, music often contributes to the production and transmission of ideology, and polychoral music in Venice was no exception. Multi-choir music often accompanied religious and civic celebrations in the basilica of San Marco and elsewhere that emphasized the so-called "myth of Venice," the city's complex of religious beliefs and historical heritage. These myths were shared among Venetians and transformed through annual rituals into communal knowledge of the republic. Andrea and Giovanni Gabrieli and other Venetian composers wrote polychoral pieces that were structurally homologous with the imagination of the republic. Through its internal structures, polychoral music projected the local ideology of group harmony. Pieces used interaction among hierarchical choirs - their alternation in dialogue and repetition - as rhetorical means, first to create the impression of collaboration or competition, and then to bring them together at the end, as if resolving discord into concord. Furthermore, Giovanni Gabrieli experimented with the integration of instrumental choirs and recitative within predominantly vocal multi-choir textures, elevating music to the category of a theatrical religious spectacle. He also adopted and developed richer tonal procedures belonging to the so-called "hexachordal tonality" to underscore rhetorical text delivery. If multi-choir music remained the central religious repertory of the city, contemporary single-choir pieces favored typical polychoral procedures that involve dialogue and repetition among vocal subgroups. Both repertories adopted clear rhetorical means of emphasizing religious notions of particular political significance at the surface level. Venetian music performed in religious and civic rituals worked in conjunction with the myth of the city to project and reinforce the imagination of the republic, promoting a glorious image of greatness for La Serenissima.
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Getz, Christine Suzanne 1957. « Music and Patronage in Milan 1535-1550 and Vincenzo Ruffo's First Motet Book ». Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332652/.
Texte intégralRésumé :
The present study reconstructs the musical milieu in which Vincenzo Ruffo's 1542 motet collection was conceived through an examination of the archival materials surviving from each of the major musical establishments known to be active in Milan 1535-1550. The relationship of the 1542 collection to Milanese musical activity. Its publication problems and its current position in source studies are then explored in light of the archival information that is currently available.
29
Giunta, Stephen. « Between memory and desire : the renaissance vision of Cristoforo Sorte ». Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=27474.
Texte intégralRésumé :
This thesis is concerned with cartographic practices and the representation of the world during the Renaissance. In contrast with the modern instrumentalized world view, it will present surveying techniques and representational means that were defined by and reflected a divine transcendental order. The work of Cristoforo Sorte, as exemplified in his chorographia, will be investigated in order to display the mysterious qualities and geometric depth shared with Renaissance art and architecture. An examination of Sorte's methods of creating his work, relying on memory and the active recollection of the viewer, will reveal the primacy of shared human experience in the making of meaningful art and artifacts during the Renaissance. Perhaps an understanding of this world view will help mediate the dominating gaze which enframes the modern world and recover embodied perception as the site of architecture.
30
Lamal, Nina. « Le orecchie si piene di Fiandra : Italian news and histories on the Revolt in the Netherlands (1566-1648) ». Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6902.
Texte intégralRésumé :
This thesis examines the Italian news reports, political debates and histories of the revolt in the Netherlands between 1566 and 1648. Many Italians were directly involved in this conflict and were keen narrators of these wars. Despite this, a systematic study of the Italian interest for the conflict has not yet been undertaken. This thesis argues that the complex political constellation of the Italian peninsula, dominated by the Habsburg monarchy, shaped the Italian news, debates and interpretations of the Dutch Revolt. Chapter one examines the different ways in which news from the Low Countries reached Italian states. It demonstrates that Italian military officers, active on the battlefield in the Netherlands in the Habsburg army, played a crucial role as purveyors of news and opinion on the conflict. The two following chapters study the circulation of political treatises on the Italian peninsula. Chapter two reconstructs the debates sparked by the events in the Low Countries between 1576 and 1577. Chapter three examines the descriptions of the emergence of a new state in the Northern Netherlands and the discourses on war and peace between 1590 and 1609. Chapter four looks into the development of a market for printed news pamphlets and explores the connections between manuscript and printed news. Chapter five studies how news was used by Italian history writers in their contemporary chronicles. It also investigates how these authors celebrated Italian protagonists in the war as Italian and Catholic heroes. The conclusion examines the evolution of all these Italian discourses related to Dutch Revolt.
31
Schmitz-Thursam, Trevor Charles. « The Tumult of Amboise and the Importance of Historical Memory in Sixteenth-Century France ». PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/4789.
Texte intégralRésumé :
Humanist legal scholarship was the catalyst to historical revolution that took place in sixteenth-century France. French philologists succeeded in demonstrating the cultural distinctiveness of France from a heretofore assumed classical heritage shared with ancient Rome. As a result, scholars sought to retrace the historical origins of France in the non-Roman Gauls and Franks. Their intensive study of the laws, customs and institutions that developed in France, as distinct from ancient Rome, transformed the understanding of the national past. Following the introduction of the principles of historical anachronism and cultural relativism, the sixteenth century witnessed a transformation of traditional perceptions of historical time. It was during this period when the historical myths, legends and traditions that comprised the cultural fabric of French society were called into question, were transformed, and emerged as new myths that spoke more directly to the crises of the French Religious Wars. The purpose of this study is to attach greater significance to the Tumult of Amboise of 1560 than has previously been afforded in the scholarship of this period. The Tumult of Amboise provide not only the impetus for the civil wars that were waged in France for nearly half a century, but also served as the catalyst for an first expression of Protestant resistance theory that was to change the face of political discourse in this period. The debate centered around the Tumult of Amboise set the stage for constitutional theories regarding the laws of succession and the role of the Estates-General that were dominate political discourse in the latter half of the sixteenth century. As political polemicists increasingly sought to reconstruct an image of the mythical French past, in order to demonstrate the ancientness of the French constitution, the historical fiction that developed around these efforts became a functioning political ideology that should be viewed as one of the first concerted expressions of French nationalism. In this regard, the recreation of the national past took on a patriotic dimension heretofore absent from traditional, chroniclesty led medieval histories and, in time, developed into a uniquely Gallican mythology that stood defiantly as a rival to the cultural heterodoxy of Rome. Further, the purpose of this study is to demonstrate the developmental nature of political discourse in this period. As the civil wars progressed, doctrines of constitutionalism and limited monarchy began to be laced with more abstract theories regarding the nature of political obligation and the responsibility of the ruler to his subjects. Employing a comparative analysis of discourse from the 1560's to the succession of Henri IV, it will be shown that the transformation of political propaganda was direct! y dependent on the historical memory of the participants, who engaged in an effort to frame the political and religious crises within the context of their perceptions of the past.
32
Maglaque, Erin. « Venetian humanism in the Mediterranean world : writing empire from the margins ». Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4d671b0d-6917-4a1f-bcfb-2045128a11e0.
Texte intégralRésumé :
My dissertation examines the cultural history of the Renaissance Venetian maritime empire. In this project I bring into conversation two historiographical subfields, the intellectual history of Venetian Renaissance humanism and the colonial history of the early modern Mediterranean, which have previously developed separately. In doing so, I examine the relationship between power and knowledge as it unfolded in the early modern Mediterranean. The ways in which Venetian Renaissance intellectual culture was shaped by its imperial engagements - and, conversely, how Venetian approaches to governance were inflected by humanist practices - are the central axes of my dissertation. In the first part of the dissertation, I examine the ways in which writing and textual collecting were used by elite Venetian readers to represent the geopolitical dimensions of their empire. I consider a group of manuscripts and printed books which contain technical, navigational, and cartographic writing and images about Venetian mercantile and imperial activity in the Mediterranean. In the second part, I undertake two case-studies of Venetian patrician governors who were trained in the humanist schools of Venice, before being posted to colonial offices in Dalmatia and the Aegean, respectively. I examine how their education in Venice as humanists influenced their experience and practice of governance in the stato da mar. Their personal texts offer an alternative intellectual history of empire, one which demonstrates the formation of political thought amongst the men actually practicing and experiencing imperial governance. Overall, I aim to build a picture of the ways in which literary culture, the physical world of the stato da mar, and political thought came to be entwined in the Venetian Renaissance; and then to describe how these dense relationships worked for the Venetian administrators who experienced them in the Mediterranean.
33
Kirby, W. J. Torrance. « The doctrine of the royal supremacy in the thought of Richard Hooker ». Thesis, University of Oxford, 1987. http://ora.ox.ac.uk/objects/uuid:c7daf0c8-7415-400f-b5f8-819f5cb73428.
Texte intégralRésumé :
The subject of this dissertation is Richard Hooker's defence of the royal headship of the church in the final book of his treatise Of the Lawes of Ecclesiasticall Politie. His treatment of this political question is remarkable for its depth of theological analysis. Hooker approaches the issue of the royal headship from three main theological angles: first, from the standpoint of the crucial distinction of Reformation soteriology between the so-called 'Two Realms' or 'Two Kingdoms'; secondly, according to the categories and distinctions of basic systematic doctrine, notably Chalcedonian Christology and Trinitarian dogma; and thirdly, he applies the magisterial reformers' test of ecclesiological orthodoxy. Modern students of Hooker's political thought have been very reluctant to bridge the gulf between the theological and political realms of his discourse. As a result, the theological matrix of Hooker's doctrine of the Royal Supremacy has been quite neglected. The erection of such a bridge is indispensable to our understanding of the alien mentalite which underlies this important Elizabethan controversy. We shall attempt to demonstrate that Hooker's employment of theological argument in defence of the Royal Supremacy was central to his ultimate apologetic purpose. He wrote the Lawes with a view to 'resolving the consciences' of the Disciplinarian-Puritan critics of the Elizabethan Settlement. He sought to convince these opponents by the most compelling mode of argument they knew - theological argument - that the royal headship was wholly consistent with the cardinal principles of the ecclesiology and political theory of the magisterial Reformation. In the first chapter there is a consideration of the methodological difficulties of modern Hooker scholarship. This is followed by an examination of Hooker's apologetic intention and a division of the chief theological elements of the controversy over the Royal Supremacy. Chapter two explores the soteriological foundations of Hooker's doctrine of the Two Realms and Two Regiments as well as his relation to the authority of the magisterial reformation. Chapter three examines Hooker's ecclesiology as the pivotal link between his soteriological 'first principles' and his political theory. Finally, in chapter four, the considerations of the previous chapters will be applied directly to the interpretation of Hooker's theology of the royal headship as presented by him in Book VIII of the Lawes.
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Padley, Kenneth. « A reception history of the Letter to the Hebrews in England, 1547-1685 ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ee8a6b13-fd4d-4a81-ab76-f682e4faa431.
Texte intégralRésumé :
The interpretation of the letter to the Hebrews made a distinctive contribution to doctrinal construction, polemical controversy, and evolution of scripture-critical technique in the early modern period. This was because many of its themes and passages were considered significant to contemporary theological debates. Hebrews therefore offers an important case study for biblical reception history. This thesis adopts a diachronic approach, highlighting the priorities and worries of English Hebrews exegetes between the reigns of Edward VI and Charles II, and asks how these shifts catalysed hermeneutical advances towards higher biblical criticism. Calvin interpreted Hebrews' theology of sacrifice as an antidote to Catholic christology, soteriology, and beliefs about the mass. His thinking was adopted by Elizabethan Protestant readers, popularised through public documents like the Reformation Bibles (chapter one), and analysed in detail by sermons and lectures (chapter two). The reception of Hebrews also illustrates established historiography about the break-down of Reformed hegemony in England. Chapter three demonstrates how the use of the epistle by anti-puritans clashed with the censored Reformed exegete William Jones. Scholars of the seventeenth century have largely ignored how Hebrews' latent supersessionism promoted innovation in Church and society. Chapter four explores the way in which civil war Socinians expounded Christ's priesthood in terms of heavenly expiation, while radicals seized on the epistle's potential to support their vision of politico-religious liberation. Initially the Reformed countered by defending the trinity and Chalcedonian christology, as shown from mid-century exegesis in chapter five. However, two writers realised the underlying challenge of supersessionism and wrote Hebrews commentaries which served as systematic rebuttals. William Gouge deployed typology and Ramism to rebind the two dispensations (chapter six), and John Owen revised received expressions of the covenant in order to permit more development within God's plan while retaining unity of purpose before and after Jesus (chapter seven).
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Rocco, Patricia. « Performing female artistic identity : Lavinia Fontana, Elisabetta Sirani and the allegorical self-portrait in sixteenth and seventeenth-century Bologna ». Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99389.
Texte intégralRésumé :
Artemisia Gentileschi's self-portrait, Allegory of Painting, painted in 1630, has activated a complex discussion of female artistic identity in which performance is tied to concerns with status. This thesis addresses an earlier history of development in allegorical self-portraiture in the work of the sixteenth-century Bolognese artist, Lavinia Fontana, and her seventeenth-century successor, Elisabetta Sirani. I argue that the female artist's negotiation for status was played out in the transformation from a more official mode of self presentation, such as Fontana's Self-Portrait at the Keyboard , to a deliberate performative shift of embodied personification in her self-portrait as Judith with the head of Holofernes and her later self portraits as St. Barbara in the Apparition of the Madonna and Child to the Five Saints. This negotiation of artistic status continues with Sirani's self-portraits in Judith and the Allegory of Painting, and as what I suggest are more ambiguous and ambitious representations of anti-heroines, Cleopatra and Circe. I also discuss the important role that the emerging genre of biography plays in the female artist's struggle for status. The thesis explores the shift in visual conventions in relation to discourses of artistic identity, gender and genre---such as the donnesca mano---that circulated in Renaissance historiography in Italy, and more specifically, in the cultural milieu of Bologna.
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Marsh, Dana Trombley. « Music, church, and Henry VIII's Reformation ». Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670102.
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Wheeler, Carol Ellen. « Every man crying out : Elizabethan anti-Catholic pamphlets and the birth of English anti-Papism ». PDXScholar, 1989. https://pdxscholar.library.pdx.edu/open_access_etds/3959.
Texte intégralRésumé :
To the Englishmen of the sixteenth century the structure of the universe seemed clear and logical. God had created and ordered it in such a way that everyone and everything had a specific, permanent place which carried with it appropriate duties and responsibilities. Primary among these requirements was obedience to one's betters, up the Chain of Being, to God. Unity demanded uniformity; obedience held the universe together. Within this context, the excommunication of Elizabeth Tudor in 1570 both redefined and intensified the strain between the crown and the various religious groups in the realm. Catholics had become traitors, or at least potential traitors, with the stroke of a papal pen.
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Busfield, Lucy. « Protestant epistolary counselling in Early Modern England, c.1559-1660 ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:e3986912-1c91-4d8b-a93c-2f02b55b96b7.
Texte intégralRésumé :
My thesis argues for the significance of individual spiritual counselling within post-Reformation English Protestantism. In particular, it demonstrates the prevalence of pastoral letter-writing and explores the purpose and dynamics of these networks. This research represents the first large-scale, comparative examination of a frequently neglected topic. It draws on many little-known letter collections and a number of unexplored manuscripts, alongside some more familiar epistolary sources. Chapter one situates my research in relation to existing literature on individual spiritual counselling and confession. As a counterpoint to the scholarly claim that contemporary accounts of the post-Reformation ministry emphasise the centrality of preaching at the expense of almost all other pastoral functions, I demonstrate the importance which many divines attributed to directing individual consciences, as well as highlighting contemporary thought on the role of the laity as providers of religious counselling. Chapter two uses Nehemiah Wallington's manuscript volume of exemplary spiritual correspondence to demonstrate the importance of epistolary counselling in the ministries of several early modern clergymen. The second section of the chapter argues that Wallington's own engagement with epistolary counselling ultimately served to uphold ministerial authority. Chapter three investigates the spiritual letter-writing relationships of early seventeenth-century Protestant ministers and their gentry patrons and demonstrates the significant potential which existed for clergymen to exercise religious agency and influence with pious elites. Chapter four explores the authoritative and spiritually intimate correspondences in which Richard Baxter engaged with laypeople from across the social spectrum during the 1650s. Current knowledge of his counselling of the Derbyshire gentlewoman, Katherine Gell, is extended through an original reflection on the significance of networks of pastoral direction in early modern English Protestantism. Chapter five explores the nature of religious advice-giving amongst the laity and uncovers its pious motivations. This characteristically 'godly' activity is both compared and contrasted with contemporary clerical counselling.
39
Raynes, Christopher David Harlow. « Robert White's "Lamentations of Jeremiah" : A history of polyphonic settings of the Lamentations in sixteenth century England ». Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185400.
Texte intégralRésumé :
The Lamentations of Jeremiah inspired the development of a formal musical structure that is unique in music. Based on texts and forms used in the Roman Catholic Tenebrae service, settings of the Lamentations developed in continental Europe into a distinct form by the late fifteenth century. Early polyphonic composers of the Lamentations began the tradition of setting the opening Hebrew letters in a florid style, while maintaining a more restrained style for the verses of the text. In England, however, little apparent use was made of the Lamentations forms and texts until the middle of the sixteenth century, when a surprising number of settings appeared. The single extant earlier example by John Tuder has heretofore been considered a monodic piece, but appears to be one voice of a polyphonic work. English religious upheavals prevented liturgical use of Latin texts after 1549, but the Lamentations (and other works in Latin) continued to be written, possibly used as anthems, or for certain special occasions. The English polyphonic settings generally make use of the Lamentations forms established on the continent, but at least one example exists of an English formal model being adapted to the Lamentations texts. One of the least well-known major English composers of the period, Robert White, wrote two extensive settings of the Lamentations. These and his other works are often ignored by contemporary musicians, but provide an alternative repertoire to the more usually programmed Renaissance works.
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Adams, Suzanne Russo. « Coexistence and Conflict : Popular Catholicism, the Council of Trent and the Life Cycle in Carini, Palermo, Italy ». Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2703.pdf.
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Lewis, M. Heather (Muriel Heather). « William Warham, patron of Erasmus ». Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=37716.
Texte intégralRésumé :
William Warham, Lord Chancellor of England (1504--1515) and Archbishop of Canterbury (1503--1532), was Desiderius Erasmus's most generous and consistent patron; in Erasmus's words a "sacred anchor" for him. The relationship between the two men connected with and contributed to a complex process of historical change. First of all, Warham and Erasmus were both associated with the paradigm shift which we now call the Northern Renaissance. Warham's academic background and his travels on the continent motivated him to support the study of Greek, new research in theology and the revival of classical learning. His money and political support acted as a force enabling Erasmus to get his New Testament work completed and published. Erasmus's New Testament research in turn facilitated the biblical scholarship of the Reformation and definitely motivated William Tyndale, among others. The reform which the collaboration of Warham and Erasmus helped to unleash was hence more radical than either had ever anticipated. Once religious reform started, neither man could control its pace although each made an effort to do so. The aim of this thesis is to show the significance of their relationship to the two individuals themselves, and also, more importantly, to analyze the dynamics of their collaboration and to demonstrate how and why it acted as a catalyst for religious change in England. Books have been written about More and Erasmus and Colet and Erasmus; the absence of a book about Warham and Erasmus has meant that the nature and significance of their relationship have not, as yet, been fully understood.
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Wrapson, Lucy Jane. « Patterns of production : a technical art historical study of East Anglia's late medieval screens ». Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.695227.
Texte intégral
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Cobo, Betancourt Juan Fernando. « The reception of Tridentine Catholicism in the new kingdom of Granada, c.1550-1650 ». Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708347.
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Hill, Michael. « Cardinal Scipione Borghese's patronage of ecclesiastical architecture, 1605-1633 ». Phd thesis, Faculty of Arts, 1998. http://hdl.handle.net/2123/16344.
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Jeanes, Gordon. « Signs of God's promise : Thomas Cranmer's sacramental theology and baptismal liturgy ». Thesis, University of Wales Trinity Saint David, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683156.
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Tsoumis, Karine. « Giovanni Battista Cavalieri's Ecclesiae militantis triumphi : Jesuits, martyrs, print, and the counter-reformation ». Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83842.
Texte intégralRésumé :
Five hundred years of Christian martyrdom are represented in the Ecclesiae militantis triumphi (1583). Engraved by Giovanni Battista Cavalieri, the series that was bound into a book reproduces a fresco cycle in the church of San Stefano Rotondo in Rome. While the church belonged to the Jesuit German-Hungarian College, the book accompanied priests in their proselytizing mission in Northern Europe. This thesis will look at the function of the book in relation to various audiences, in different viewing contexts. Analyzed primarily in relation to the intended Jesuit audience as an object of devotion, the book will also be inserted within the Early Christian revival promoted by Gregory XIII (1572-1585). Finally, it will be looked at in relation to an audience composed of individuals interested in factual knowledge about Early Christian history and in the martyr as a historical figure. A general endeavor of the thesis is to situate the Ecclesiae militantis triumphi in relation to late sixteen-century representations of martyrdom, both Catholic and Protestant, as well as in relation to other contemporary Roman printed works.
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Gilday, Patrick E. « Musical thought and the early German Reformation ». Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:0ac3d705-c00e-4fc9-b90c-4902f9b54f8f.
Texte intégralRésumé :
German musicology has customarily situated a paradigm shift in musical aesthetics some time during the first half of the sixteenth century. This dissertation examines the suggestion that German Reformation theology inspired a modern musical aesthetic. In Part One, the existing narrative of relationship between theological and musical thought is tested and rejected. Chapter 1 analyses twentieth-century music historians' positive expectation of commensurability between Luther's theological ideas and the sixteenth-century concepts of the musical work and musical rhetoric, concluding that their positive expectation was dependent on a Germanocentric modernity narrative. Chapter 2 assesses Listenius' Musica (1537), the textbook in which the concepts of the musical work and musica poetica were expounded for the first time. I argue that, since Listenius' textbook was intended as a pedagogical tool, it is inappropriate to read his exposition of musica poetica and opus as if logical sentences on musical aesthetics. Part Two investigates the treatment of musica in the theology of early German Reformation disputants. Chapter 3 finds that Luther's early musical thought was borrowed from the late mediæval mystics, and resisted the influence of the Renaissance Platonists. Chapter 4 shows that, far from embracing humanist ideas of musical rhetoric, Luther's Reformed musical aesthetic became increasingly anti-rational and sceptical of music's relation to verbal meaning. Chapter 5 examines the discussions of music by the German Romanist polemicists. It finds that their music-aesthetic assertions were opportunistic attempts to situate the Lutherans outside the bounds of orthodoxy. The dissertation concludes that the discussions of music in early German Reformation texts ran counter to the general sixteenth-century trajectory towards a humanistic or modern aesthetic of music. It further argues that the aesthetic proposals of sixteenth-century German theologians should be taken seriously in the formation of our present-day picture of sixteenth-century musical thought.
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Leist, Marnie. « The Virgin and Hell : An Anomalous Fifteenth-Century Italian Mural ». Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1120757484.
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Cichy, Andrew Stefan. « 'How shall we sing the song of the Lord in a strange land?' : English Catholic music after the Reformation to 1700 : a study of institutions in Continental Europe ». Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:0bdfe9b2-b5c6-48fe-a565-ddb699b72312.
Texte intégralRésumé :
Research on English Catholic Music after the Reformation has focused almost entirely on a small number of Catholic composers and households in England. The music of the English Catholic colleges, convents, monasteries and seminaries that were established in Continental Europe, however, has been almost entirely overlooked. The chief aim of this thesis is to reconstruct the musical practices of these institutions from the Reformation until 1700, in order to arrive at a clearer understanding of the nature of music in the post-Reformation English Catholic community. To this end, four institutions have been selected to serve as case studies: 1. The Secular English College, Douai. 2. St Alban’s College, Valladolid. 3. The Benedictine Monastery of Our Lady of the Assumption, Brussels. 4. The Augustinian Monastery of Our Lady of Nazareth, Bruges. The music of these institutions is evaluated in two ways: firstly, as a means of constructing, reflecting and forming English Catholic identity, and secondly, in terms of the range of influences (both English and Continental) that shaped its stylistic development. The thesis concludes that as a result of the peculiarly domestic nature of religious practice among Catholics in England, and interactions with Continental Catholicism, the aesthetic and ideological bases for English Catholic music were markedly different from those of its Protestant counterpart. The marked influence of Italianate styles on the sacred music of English Catholic composers and institutions in exile demonstrates a simultaneous process of cultural alignment with the aesthetic and theological principles of the Counter-Reformation, and dissociation from those of English Protestantism. Finally, it is clear that music was an important formational tool in both the seminaries and convents, where it shaped both community and self-identity, and created affinities with the locales in which these institutions were situated – although it is also clear that these uses of music had the potential to conflict.
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Caponi, Matteo. « Una chiesa in guerra. La diocesi di Firenze (1911-26) ». Doctoral thesis, Scuola Normale Superiore, 2010. http://hdl.handle.net/11384/86026.
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