Littérature scientifique sur le sujet « Italians – India – History »
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Articles de revues sur le sujet "Italians – India – History"
Anam Aiysha Quazi and Manoj patil. "Measures of Preventing Covid-19 Transmission." International Journal of Research in Pharmaceutical Sciences 11, SPL1 (2020): 1000–1007. http://dx.doi.org/10.26452/ijrps.v11ispl1.3405.
Texte intégralVicente, Filipa Lowndes. "A Photograph of Four Orientalists (Bombay, 1885): Knowledge Production, Religious Identities, and the Negotiation of Invisible Conflicts." Journal of the Economic and Social History of the Orient 55, no. 2-3 (2012): 603–36. http://dx.doi.org/10.1163/15685209-12341247.
Texte intégralSangroula, Yubaraj. "Seven Decades of Indo-Nepal Relations: A Critical Review of Nehruvian-Colonial Legacy, Trilateralism as a Way Forward." Asian Journal of International Affairs 1, no. 1 (2021): 5–54. http://dx.doi.org/10.3126/ajia.v1i1.44750.
Texte intégralBallhatchet, Kenneth. "The East India Company and Roman Catholic Missionaries." Journal of Ecclesiastical History 44, no. 2 (1993): 273–88. http://dx.doi.org/10.1017/s0022046900015852.
Texte intégralFlora, Giuseppe. "An Italian Missionary Narrative of the Indian Mutiny1." Studies in History 9, no. 2 (1993): 265–78. http://dx.doi.org/10.1177/025764309300900206.
Texte intégralJustyna Pyz. "Roberto de Nobili SJ i misja w Maduraju w latach 1606-1656." Annales Missiologici Posnanienses 24 (December 31, 2019): 59–74. http://dx.doi.org/10.14746/amp.2019.24.4.
Texte intégralPrayer, Mario. "Nationalist India and World War II as Seen by the Italian Fascist Press, 1938–1944." Indian Historical Review 33, no. 2 (2006): 89–111. http://dx.doi.org/10.1177/037698360603300205.
Texte intégralMariani, Giorgio. "The Red and the Black: Images of American Indians in the Italian Political Landscape." Studia Anglica Posnaniensia 53, s1 (2018): 327–45. http://dx.doi.org/10.2478/stap-2018-0016.
Texte intégralDe Ninno, Fabio. "The Italian Navy and Japan, the Indian Ocean, Failed Cooperation, and Tripartite Relations (1935–1943)." War in History 27, no. 2 (2018): 224–48. http://dx.doi.org/10.1177/0968344518777270.
Texte intégralMASSETI, MARCO. "Pictorial evidence from medieval Italy of cheetahs and caracals, and their use in hunting." Archives of Natural History 36, no. 1 (2009): 37–47. http://dx.doi.org/10.3366/e0260954108000600.
Texte intégralThèses sur le sujet "Italians – India – History"
Frost, Meera Alice Christine. "Changing representations of pagan Indians in Italian culture c.1300 to c.1600." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610820.
Texte intégralVIOLA, Antonella. "Italians in India, 1860-1920 : trades, traders, trading networks." Doctoral thesis, 2008. http://hdl.handle.net/1814/10428.
Texte intégralLivres sur le sujet "Italians – India – History"
L' io e l'altro: Il viaggio in India da Gozzano a Terzani. Avagliano, 2006.
Trouver le texte intégralRoscioni, Gian Carlo. Il desiderio delle Indie: Storie, sogni e fughe di giovani gesuiti italiani. G. Einaudi, 2001.
Trouver le texte intégralRoscioni, Gian Carlo. Il desiderio delle Indie: Storie, sogni e fughe di giovani gesuiti italiani. G. Einaudi, 2001.
Trouver le texte intégralEnrico, Fasana, Sorge Giuseppe, and Coslovi F, eds. India tra Oriente e Occidente: L'apporto dei viaggiatori e missionari italiani nei secoli XVI-XVIII. Jaca book, 1991.
Trouver le texte intégralIstituto nazionale per la grafica (Italy). Federico Peliti, 1844-1914: An Italian photographer in India at the time of Queen Victoria. Peliti Associati, 1994.
Trouver le texte intégralPeliti, Federico. Federico Peliti: (1844-1914) : an Italian photographer in India at the time of Queen Victoria. Cornerhouse, 1994.
Trouver le texte intégralLombardo, Salvatore. Prigionieri per sempre: Politiche di propaganda e storie di prigionia italiana tra Egitto e India. Aracne editrice int.le S.r.l., 2015.
Trouver le texte intégralZavattaro, Monica. I sognatori dell'alce: Tesori indiani nei musei italiani : collezioni etnografiche del Museo di storia naturale di Firenze = The elk dreamers : Indian treasures in Italian museums : ethnographic collections of the Natural History Museum of Florence. Edifir, 2010.
Trouver le texte intégralI sognatori dell'alce: Tesori indiani nei musei italiani : collezioni etnografiche del Museo di storia naturale di Firenze = The elk dreamers : Indian treasures in Italian museums : ethnographic collections of the Natural History Museum of Florence. Edifir, 2010.
Trouver le texte intégralParadoxes of postcolonial culture: Contemporary women writers of the Indian and Afro-Italian diaspora. State University of New York Press, 2004.
Trouver le texte intégralChapitres de livres sur le sujet "Italians – India – History"
North, Michael. "Mari connessi." In Atti delle «Settimane di Studi» e altri Convegni. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-857-0.02.
Texte intégral"55. The Era of the Great Geographical Discoveries: The Spread of Indian Corn, and the Landscape of Agricultural Systems with Continuous Rotation." In History of the Italian Agricultural Landscape. Princeton University Press, 1997. http://dx.doi.org/10.1515/9781400864454.180.
Texte intégralTarocco, Francesca. "Mente e illuminazione nel Dasheng qixin lun 大乘起信論 (Trattato sul risveglio della fede Mahāyāna)." In Quali altre parole vi aspettate che aggiunga? Fondazione Università Ca’ Foscari, 2022. http://dx.doi.org/10.30687/978-88-6969-640-4/011.
Texte intégralWiedenmann, Robert N., and J. Ray Fisher. "Silk Goes East and West." In The Silken Thread. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197555583.003.0003.
Texte intégralAbulafia, David. "Ottoman Exit, 1900–1918." In The Great Sea. Oxford University Press, 2011. http://dx.doi.org/10.1093/oso/9780195323344.003.0045.
Texte intégral"The process of allegorisation occurs, for Warburg, in the wall paintings in the Palazzo Schifanoja in Ferrara. Uncovered in 1840, there were originally twelve, depicting the months of the year. Each depiction consists of three planes, the lowest depicts mundane events at the court of the Duke Borso, the uppermost represents Olympian gods and the middle includes the astral gods, in the form of the relevant zodiacal signs. The parallel between the astral signs and seasonal activities on earth indicate the persistence of astro logical practices in Quattrocento Ferrara, but at the same time the meaning of the zodiacal figures is mediated by the presence of equivalent Olympian deities. Their origin is the same, namely classical antiquity, but they repre sent two different conceptions of the pagan world. The first, the Apollonian realm of the Olympian deities, contrasts with the world of astral demons, or decans, whose nature has been informed by their passage through Hellenistic, Indian, Arabic, then finally European medieval astrology. The fresco therefore presents the contradiction between two types of antiquity. Warburg was himself clear as to the central question guiding his inquiry; “To what extent are we to view the onset of stylistic shift in the representa tion of the human figure in Italian art as an internationally conditioned process of disengagement from the surviving pictorial conceptions of pagan culture of the eastern Mediterranean peoples?”48 The historical detail of Warburg’s interpretation is open to question. However, this is less important than the general direction of his investiga tion. As Warburg himself noted, the provision of a neat solution, the decod ing of the symbolism of the frescoes, was less important than the underlying method, in which the frescoes are examined as an example of the loss of mimeticism in astrological imagery. He states, “Astrology is in essence nothing more than a name fetishism projected on to the future,”49 and the allegorization of astral figures drains the fetish of its power. benjamin: allegory and modernity Benjamin refers to the concept of mimesis in a number of texts, most obvi ously in his essay “On the Mimetic Faculty” (later reworked as “Doctrine of the Similar” ).50 Here Benjamin interprets the prominence of imitative." In Art History as Cultural History. Routledge, 2014. http://dx.doi.org/10.4324/9781315078571-26.
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