Littérature scientifique sur le sujet « Italian contemporary history »
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Articles de revues sur le sujet "Italian contemporary history"
Lombardi, Giancarlo. « Days of Italian lives : Charting the contemporary soapscape on Italian public television ». Italianist 29, no 2 (juin 2009) : 227–48. http://dx.doi.org/10.1179/026143409x12488561926423.
Texte intégralLuciano, Bernadette, et Susanna Scarparo. « Gendering mobility and migration in contemporary Italian cinema ». Italianist 30, no 2 (juin 2010) : 165–82. http://dx.doi.org/10.1179/026143410x12724449730051.
Texte intégralMorris, Jonathan. « Italian Journals : A User's Guide ». Contemporary European History 1, no 1 (mars 1992) : 89–97. http://dx.doi.org/10.1017/s0960777300005075.
Texte intégralHoldaway, Dom. « Da fatti realmente accaduti : Performing History in Contemporary Italian Cinema ». New Readings 11 (1 janvier 2011) : 17. http://dx.doi.org/10.18573/newreadings.74.
Texte intégralBenvegnù, Damiano. « Animality in Contemporary Italian Philosophy ». Italian Studies 76, no 3 (21 juin 2021) : 350–51. http://dx.doi.org/10.1080/00751634.2021.1936795.
Texte intégralC. Martino, Simone. « POLITICS AND RELIGION IN ITALY : A CATHOLIC HISTORY ». POLITICS AND RELIGION IN EUROPE 9, no 2 (27 décembre 2015) : 233–47. http://dx.doi.org/10.54561/prj0902233m.
Texte intégralBystrova, Tat’yana A. « PIER PAOLO PASOLINI AND CONTEMPORARY ITALIAN LITERATURE ». RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no 3 (2022) : 114–21. http://dx.doi.org/10.28995/2686-7249-2022-3-114-121.
Texte intégralTommasini, Alexandra. « Anti-icon icon : Gabriele Basilico’s photography of the Italian urban landscape ». Modern Italy 21, no 4 (novembre 2016) : 427–40. http://dx.doi.org/10.1017/mit.2016.47.
Texte intégralMeriggi, Marco. « „Quellen und Forschungen aus italienischen Archiven und Bibliotheken“ e la contemporaneistica (1960–2018) ». Quellen und Forschungen aus italienischen Archiven und Bibliotheken 100, no 1 (25 novembre 2020) : 47–54. http://dx.doi.org/10.1515/qufiab-2020-0005.
Texte intégralPatriarca, Silvana. « Unmaking the nation ? Uses and abuses of Garibaldi in contemporary Italy ». Modern Italy 15, no 4 (novembre 2010) : 467–83. http://dx.doi.org/10.1080/13532944.2010.506297.
Texte intégralThèses sur le sujet "Italian contemporary history"
Colozza, Roberto. « Repubbliche comuniste. La simbologia nazionale nel Pci e nel Pcf (1944-1953) ». Doctoral thesis, Scuola Normale Superiore, 2007. http://hdl.handle.net/11384/85648.
Texte intégralRE, FEDERICA. « PATRIOTTISMO E COSMOPOLITISMO NEL PRIMO OTTOCENTO : FRANCESCO CUSANI CONFALONIERI, TRADUTTORE, STORICO ED EDITORE LOMBARDO ». Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/548028.
Texte intégralThe figure of nobleman Francesco Cusani Confalonieri (1802-1879) has not been sufficiently investigated yet, even though the study of his eclectic life provides new perspectives on the Italian culture of the early nineteenth century and its links to the rest of Europe. He was a disciple of Gian Domenico Romagnosi, a translator, historian, publisher, traveller, Lombard patriot and the author of History of Milan (Storia di Milano) in eight volumes, published after the Italian Unification, for which he is still well known to scholars. Through the analysis of his personal documents, till now untouched, and his works, this research aims to explore his life from a new point of view, by focusing on the possible connection between his literary activity and his political involvement. Firstly, it examines his family environment in order to understand the cultural background in which Cusani’s sense of national identity could flourish. Secondly, thanks to the discovery of texts written or read by him during his time at the University of Pavia (1823-1828), the work focuses on a crucial element for the future developments of his intellectual activity: the relationship between national ideals and Romanticism that he precociously experienced, marked by a strong cosmopolitanism since the beginning. As a result, the research looks at Cusani’s activity in preunitarian Italy. Specifically, it examines how his translations of some of Walter Scott’s works and the children’s periodicals he created contributed to the diffusion of national ideals throughout Italy, all the while maintaining a constant dialogue with the rest of Europe. It then tracks the influence these previous works and some subsequent trips in Italy and Europe had on Cusani’s contribution to the editorial projects by “Pirotta e Compagni”, the Milanese publishing house he was a member of from 1835 to 1859. In light of this study, Cusani’s participation to the 1848 insurrection becomes the outcome of a process begun in the previous decades and continually aimed at the modernization of the country under all aspects – including its politics – and in line with European progress. Likewise, his History of Milan is the end result of a long historical research originated in 1832 and imbued with covert political aims.
Fantozzi, Chiara. « Disordine e disonore nell'occupazione alleata : Livorno (1944-1947) ». Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/86050.
Texte intégralDigesto, Salvatore. « Verum a fontibus haurire. A Variationist Analysis of Subjunctive Variability Across Space and Time : from Contemporary Italian back to Latin ». Thesis, Université d'Ottawa / University of Ottawa, 2019. http://hdl.handle.net/10393/39410.
Texte intégralMariuzzo, Andrea. « Comunismo e anticomunismo in Italia (1945-1953) : strategie comunicative e conflitto politico ». Doctoral thesis, Scuola Normale Superiore, 2007. http://hdl.handle.net/11384/86034.
Texte intégralLapia, Roberto. « La domination espagnole en Sardaigne (1479-1720) et la littérature sarde contemporaine ». Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100037.
Texte intégralThis research analyses how and why the most recent Sardinian literary production updates the presence of the Spanish in Sardinia (1479-1720). It mainly focuses on the attention that Sardinian authors pay today to the Spanish domination on the island but also to the revival, in new forms, of the genre "historical novel". The aim of the work is to understand the reasons for this recovery of history from the literature, and to study through what modalities this need for memory manifests itself. The research is based on a literary corpus composed of ten novels and two short stories writings between 1986 and 2017. The texts chosen are the work of nine authors: Francesco Abate, Paola Alcioni, Giulio Angioni, Sergio Atzeni, Anna Castellino, Pietro Maurandi, Carlo A. Melis Costa, Nicolò Migheli et Raffaele Puddu, belonging to the current called "new Sardinian wave". These texts are all based on the period of Iberian influence in Sardinia. Thanks to these works, which have been widely disseminated, the Spanish period returns to the contemporary imagination. This return to historical memory is manifested, at the literary level, by its own characteristics: the constant presence of a hybrid language; the importance of orality; original use of historical material in the narration; an "other" point of view on events. This corpus has been analysed according to paradigms developed within the framework of the “neo-historical” novel (Benvenuti, 2012 and Domenichelli, 2011), studies on the South and subaltern (Gramsci, 1975 and 2008, Said, 1980 and 2000, Chambers, 2003 and 2006), and according to a “micro-historical” approach (Ginzburg, 1976 and 2006)
Cavaleri, Giuseppe. « Le cinéma italien en France : histoire, société et diffusion : étudiées à travers les œuvres de Emanuele Crialese, Matteo Garrone et Paolo Sorrentino ». Thesis, Paris 10, 2017. http://www.theses.fr/2017PA100096/document.
Texte intégralOne may approach cinema as a cultural vector which can either give shape to the habits and customs of a given society or reflect its yearnings. The Italian film industry is one among those which have produced movies which entered the global cultural imaginary. Nowadays, its international presence has been reshaped and Italian films do not easily shine beyond the national frame. Artists such as Emanuele Crialese, Matteo Garrone or Paolo Sorrentino have managed to achieve an undeniable visibility, and have become the symbol of a reborn contemporary Italian cinema. The content of their filmographies are the result of film shapes that are as rich as they are diverse, and their influence seems able to alter and to update the imaginary of italian culture connoisseurs. The purpose of our work is to study and understand the impact of their masterpieces on the French audience. Through a historical, sociological and economical study, we will analyse the representation of reality in the history of Italian cinema : an intellectual ideal which seems to have been of interest especially to the French spectators. Then we will focus on the content of these three specific directors’ lifework in order to examine social, political and economical data. Finally, we will conclude by observing the impact these films have had on French experts such as film critics. This study also deals with the distribution and the running of these specific directors’ films not only in the cinemas but also when aired in various film festivals
È possibile concepire il Cinema come un vettore culturale capace di materializzare gli usi e i costumi di una società, o suscettibile di manifestarne le aspirazioni. L'industria cinematografica italiana dimora tra quelle che hanno saputo imporre delle opere entrate istantaneamente nell'immaginario collettivo, e ciò su scala mondiale. Oggi, la sua presenza a livello internazionale è stata ridimensionata e la diffusione delle sue opere oltrepassa raramente i confini nazionali. I rari autori del calibro di Emanuele Crialese, Matteo Garrone e Paolo Sorrentino hanno saputo acquisire una visibilità oramai indiscussa, permettendo loro di diventare il simbolo d'un cinema italiano contemporaneo rinascente. I contenuti delle loro filmografie sono il risultato di forme cinematografiche tanto ricche quanto varie, e la loro influenza sembra capace di modificare e aggiornare l'immaginario degli appassionati di cultura italiana. Queste ricerche vogliono analizzare e comprendere l'impatto delle loro opere in un paese come la Francia. Attraverso degli studi storici, sociologici ed economici, queste ricerche analizzano le forme rappresentative legate al reale presenti nella storia del cinema italiano, un ideale intellettuale che sembra interessare in particolar modo i pubblici francesi. Inoltre, esse si consacrano all'estrapolazione dei dati socio-politico-economici contenuti nelle tre filmografie a cui facciamo riferimento. L'analisi dell'impatto di queste opere sui critici cinematografici francesi scelti come pubblici, concludono queste ricerche che si dedicano in egual modo alla distribuzione e alla commercializzazione di queste opere, presenti non solo in sala, ma diffuse inoltre in molti festival
BAITA, BRUNELLA. « COLOR LOCALE NELLA NELLA NARRATIVA REGIONALE ITALIANA DEL SECONDO OTTOCENTO ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/10290.
Texte intégralOur work aims at building a unitary, systematic tableau of the Italian narrative after Verga. We have focused on literary and language aspects <
BAITA, BRUNELLA. « COLOR LOCALE NELLA NELLA NARRATIVA REGIONALE ITALIANA DEL SECONDO OTTOCENTO ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2016. http://hdl.handle.net/10280/10290.
Texte intégralOur work aims at building a unitary, systematic tableau of the Italian narrative after Verga. We have focused on literary and language aspects <
Cornez, Élodie. « Les langues du théâtre italien contemporain ». Thesis, Lille 3, 2015. http://www.theses.fr/2015LIL30003.
Texte intégralThis doctoral dissertation deals with the use of dialectal languages in the contemporary Italian theater. Indeed, these languages remain an important source of inspiration in the most innovating creations of the last thirty years, in spite of the paramount place the Italian language has come to have in the whole national territory since the Italian Unification. This study deals with the values and with what is at stake in these dialectal languages in today's theater which is, most of the time, created by actors-authors: therefore, the relationship between the artist, who is both creator and performer, and dramatic language, relies on a way of tackling the linguistic element that is fundamentally precognitive and corporal as well.After having cleared up the linguistic dynamics in the Italian theater since the Unification ; the study focuses on the work of five contemporary actors-authors: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) and Enzo Moscato. Studying the work of these artists, as well as a specific play, intends to draw up a cartography of the contemporary Italian theater that is inspired by dialect languages to create its own dramatic language. The study aims to lay emphasis on the convergence lines of creations which deals with three key notions, at the core of the study: time, territory and identity. These three notions will be progressively redefined and precised by working on the idea of limit and boundary
Questo lavoro di ricerca si interroga sull’uso delle lingue dialettali nel teatro italiano contemporaneo. Infatti, esse restano un’importante fonte d’ispirazione nelle creazioni più innovative degli ultimi trent’anni, nonostante l’affermarsi dell’italiano sull’intero territorio nazionale a partire dall’Unità. Questo studio si interroga sui valori e sul peso di queste lingue dialettali nel teatro odierno che, in larga parte, viene realizzato da attori-autori: perciò, la relazione che si stabilisce tra l’artista, insieme creatore ed interprete, e la lingua teatrale è fondata su un approccio fondamentalmente pre-cognitivo, e perfino corporeo, dell’elemento linguistico.Dopo aver chiarito, in un primo momento, le dinamiche linguistiche in atto nel teatro italiano sin dall’Unità, questo studio si accentra intorno alla pratica di cinque attori-autori contemporanei: Marco Paolini, Ascanio Celestini, Spiro Scimone (Compagnia Scimone Sframeli), Emma Dante (Compagnia Sud Costa Occidentale) e Enzo Moscato. L’analisi del percorso di ognuno di questi artisti, nonché di una loro opera in particolare, mira a stabilire una cartografia del teatro italiano contemporaneo che attinge dai dialetti la materia della propria lingua teatrale. Si tratta di evidenziare le linee di fuga di creazioni che interrogano tre nozioni-chiave al cuore dell’analisi: il tempo, il territorio e l’identità, nozioni affinate e progressivamente ridefinite da una costante riflessione sul concetto di limite e di confine
Livres sur le sujet "Italian contemporary history"
Morozzi, Cristina. Mobili italiani contemporanei = : Contemporary Italian furniture. Milano : Edizioni L'archivolto, 1996.
Trouver le texte intégralContemporary Italian political philosophy. Albany : State University of New York Press, 2015.
Trouver le texte intégral1951-, Moliterno Gino, dir. Encyclopedia of contemporary Italian culture. London : Routledge, 2002.
Trouver le texte intégralSpeculative identities : Contemporary Italian women's narrative. Leeds, U.K : Northern Universities Press, 2000.
Trouver le texte intégralPeterson, Thomas E. The rose in contemporary Italian poetry. Gainesville : University Press of Florida, 2000.
Trouver le texte intégralTriennale Design Museum (Milan, Italy), dir. Spaghetti grafica 2 : Contemporary Italian graphic design. Milano : Electa, 2009.
Trouver le texte intégralInterpersonal encounters in contemporary travel writing : French and Italian perspectives. London : Anthem Press, 2014.
Trouver le texte intégralThe many voices of contemporary Piedmontese writers. Newcastle upon Tyne : Cambridge Scholars Publishing, 2016.
Trouver le texte intégralThe fire within : Desire in modern and contemporary Italian literature. Newcastle upon Tyne, UK : Cambridge Scholars Press Ltd., 2014.
Trouver le texte intégralEncounters with the real in contemporary Italian literature and cinema. Newcastle upon Tyne : Cambridge Scholars Publishing, 2017.
Trouver le texte intégralChapitres de livres sur le sujet "Italian contemporary history"
O’Rawe, Catherine. « Impersonating Men : History, Biopics, and Performance ». Dans Stars and Masculinities in Contemporary Italian Cinema, 139–62. New York : Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137381477_7.
Texte intégralO’Rawe, Catherine. « Brothers in Arms : History and Masculinity in the anni di piombo ». Dans Stars and Masculinities in Contemporary Italian Cinema, 117–37. New York : Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137381477_6.
Texte intégralManfredi, Marco. « Italian Anarchism and Popular Culture : History of a Close Relationship ». Dans Protest, Popular Culture and Tradition in Modern and Contemporary Western Europe, 103–23. London : Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-50737-2_6.
Texte intégralLeone, Giovanna, Laurent Licata, Alessia Mastropietro, Stefano Migliorisi et Isora Sessa. « Material Traces of a Cumbersome Past : The Case of Italian Colonial History ». Dans Frontiers in Sociology and Social Research, 205–20. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-11756-5_13.
Texte intégralPeano, Irene. « “New Slavery”, Modern Marronage and the Multiple Afterlives of Plantations in Contemporary Italy ». Dans Global Plantations in the Modern World, 285–311. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-08537-6_11.
Texte intégralSerra, Rosemary. « Contemporary Italian American Identities ». Dans The Routledge History of Italian Americans, 596–629. Routledge, 2017. http://dx.doi.org/10.4324/9780203501856-43.
Texte intégral« 84. The Agricultural Landscapes of Contemporary Italy ». Dans History of the Italian Agricultural Landscape, 349–80. Princeton : Princeton University Press, 1997. http://dx.doi.org/10.1515/9781400864454.349.
Texte intégralPetican, Laura. « “Yes, but are you Italian?” Considering the Legacy of Italianità in Postwar and Contemporary Italian Art ». Dans Postwar Italian Art History Today. Bloomsbury Visual Arts, 2017. http://dx.doi.org/10.5040/9781501330087.ch-001.
Texte intégral« 40. The Origins of the Contemporary Landscape : The Piantata of the Po Valley ». Dans History of the Italian Agricultural Landscape, 136–39. Princeton : Princeton University Press, 1997. http://dx.doi.org/10.1515/9781400864454.136.
Texte intégral« 62. Origins of the Contemporary Landscape : The Southern Landscape of the "Mediterranean Garden" ». Dans History of the Italian Agricultural Landscape, 210–12. Princeton : Princeton University Press, 1997. http://dx.doi.org/10.1515/9781400864454.210.
Texte intégralActes de conférences sur le sujet "Italian contemporary history"
Bandalo, Višnja. « ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING ». Dans NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.
Texte intégralCamiz, Alessandro. « Diachronic transformations of urban routes for the theory of attractors ». Dans 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia : Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5639.
Texte intégralSalamone, Giancarlo. « Towards the contemporary city. Reading method of post-unification restructuring of Trastevere in Rome ». Dans 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia : Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.6046.
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