Bibliographies thématiques / Irish literature (Celtic)

Littérature scientifique sur le sujet « Irish literature (Celtic) »

Auteur : Grafiati
Publié le 25 juillet 2024

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Articles de revues sur le sujet "Irish literature (Celtic)"

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Nash, Catherine. « Irish Origins, Celtic Origins ». Irish Studies Review 14, no 1 (février 2006) : 11–37. http://dx.doi.org/10.1080/09670880500439760.

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Stalmaszczyk, Piotr. « Celtic Studies in Poland in the 20th century : a bibliography ». ZCPH 54, no 1 (30 avril 2004) : 170–84. http://dx.doi.org/10.1515/zcph.2005.170.

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Introduction Celtic Studies are concerned with the languages, literature, culture, mythology, religion, art, history, and archaeology of historical and contemporary Celtic countries and traces of Celtic influences elsewhere. The historical Celtic countries include ancient Gaul, Galatia, Celtiberia, Italy, Britain and Ireland, whereas the modern Celtic territories are limited to Ireland, Scotland, Wales, Isle of Man, Cornwall and Brittany. It has to be stressed that Celtic Studies are not identical with Irish (or Scottish, Welsh, or Breton) Studies, though they are, for obvious reasons, closely connected.
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Bondarenko, Grigory. « Alexander Smirnov and the Beginnings of Celtic Studies in Russia ». Studia Celto-Slavica 5 (2010) : 139–48. http://dx.doi.org/10.54586/vzlu3138.

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Celtic studies in Russia which have developed during the twentieth century into a recognised and respectable branch on the tree of humanities owe much to one person who undoubtedly has won a right to be called a patriarch of Celtic studies in Russia, namely Alexander Alexandrovich Smirnov. Mostly known for his pioneering translations of early Irish tales into Russian in the early days of his career he was also prominent scholar of Welsh and Breton covering many aspects of Celtic linguistics and literary studies. His biography, achievements and approach to Celtic studies in Russia deserve better attention both on the Russian side and in the view of the history of Celtic studies worldwide. We are aiming here to connect facts of his biography with his academic career in the field of Celtic studies and because of the specific aims and limits of the present conference we are not going to touch on his role as a scholar of Romance literatures and as a Shakespearean scholar. Alexander Smirnov [27.8(8.9).1883 – 16.9.1962] can be considered the first professional Celtic scholar in Russia. He was a prominent medievalist and philologist with a range of interests from early Irish and Welsh literature to Shakespearean studies. The paper is devoted to some little known facts from Smirnov’s biography especially to the early years of his academic career in Russia, France and Ireland. His earlier publications on Celtic literatures and ideas expressed therein will be brought to light and examined. Smirnov should be recognised as a ‘founding father’ of a school of Russian Celtic studies. His ideas and influence are still alive in the works of subsequent Russian scholars of Celtic.
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Kennon, Patricia. « Reflecting Realities in Twenty-First-Century Irish Children's and Young Adult Literature ». Irish University Review 50, no 1 (mai 2020) : 131–42. http://dx.doi.org/10.3366/iur.2020.0440.

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This article explores the evolution of Irish youth literature over the last four decades and these texts' engagement with cultural, political, and social transformations in Irish society. The adult desire to protect young people's ‘innocence’ from topics and experiences deemed dark or deviant tended to dominate late twentieth-century Irish youth literature. However, the turn of the millennium witnessed a growing capacity and willingness for Irish children's and young-adult authors to problematize hegemonic power systems, address social injustices, and present unsentimental, empowering narratives of youth agency. Post-Celtic Tiger youth writing by Irish women has advocated for the complexity of Irish girlhoods while Irish Gothic literature for teenagers has disrupted complacent narratives of Irish society in its anatomy of systemic violence, trauma, and adolescent girls' embodiment. Although queer identities and sexualities have been increasingly recognised and represented, Irish youth literature has yet to confront histories and practices of White privilege in past and present Irish culture and to inclusively represent the diverse, intersectional realities, identities, and experiences of twenty-first-century Irish youth.
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Bubert, Marcel. « „Indo-European in Basis and Origin“. Das altirische Recht zwischen insularem Archaismus und europäischer Verflechtung ». Das Mittelalter 25, no 1 (3 juin 2020) : 165–79. http://dx.doi.org/10.1515/mial-2020-0012.

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AbstractResearch on Old Irish law was from the very beginning related to specific epistemological and political contexts in which Celtic and Indo-European Studies emerged as scientific disciplines at the end of the 19th century. The premise of historical linguistics that the Indo-European languages derived from a common ‘origin’ had far reaching implications for studies on medieval Celtic law tracts. Since linguists had discovered significant parallels between Old Irish and Sanskrit, the legal traditions of Ireland and India were believed to preserve archaic Indo-European continuities as well. Against this background, and in a particular political context, Irish scholars of the 20th century argued for the autonomy and isolation of Old Irish law which was supposed to be unaffected by the Latin and Christian literature of continental Europe. However, later researches departed radically from this national perspective and emphasized the impact of Canon law, hagiography and the Bible on Irish written culture. This article takes up a different perspective by focusing on the persistence of a legal imagery that was by no means essentially Indo-European but still provided conceptual tools for the interpretation and ‘translation’ of texts, as they occur in vernacular adaptations of Latin literature.
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O'Donnell, Kathleen Ann. « Translations of Ossian, Thomas Moore and the Gothic by 19th Century European Radical Intellectuals : The Democratic Eastern Federation ». Lublin Studies in Modern Languages and Literature 43, no 4 (30 décembre 2019) : 89. http://dx.doi.org/10.17951/lsmll.2019.43.4.89-104.

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<p>This article will show how translated works by European radical writers of <em>The Poems of Ossian</em> by the Scot James Macpherson and <em>Irish Melodies</em> and other works by the Irishman Thomas Moore, were disseminated. Moore prefaced <em>Irish Melodies</em> with “In Imitation of Ossian”. It will also demonstrate how Celtic literature, written in English, influenced the Gothic genre. The propagation of these works was also disseminated in order to implement democratic federalism, without monarchy; one example is the Democratic Eastern Federation, founded in Athens and Bucharest. To what extent did translations and imitations by Russian and Polish revolutionary intellectuals of Celtic literature and the Gothic influence Balkan revolutionary men of letters?</p>
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Joseph, Lionel S. « Old Irish Námae 'Enemy' and the Celtic NT-Stems ». Ériu 73, no 1 (2023) : 1–28. http://dx.doi.org/10.1353/eri.2023.a913549.

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Abstract: In this study, I will present as complete a collection as I can of Celtic nt-stems in order to answer the general question what types of nt-stems occur in Celtic, and specifically to use that collection to determine the most probable pre-form of Old Irish námae 'enemy' and its Gaulish cognates, about which there has been a lively discussion ever since 1923. I will also discuss in detail the system of adjectives and abstracts of which Old Irish lethan 'broad' : lethet 'breadth' is representative.
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Hall, Dianne, et Ronan McDonald. « Irish Studies in Australia and New Zealand ». Irish University Review 50, no 1 (mai 2020) : 198–205. http://dx.doi.org/10.3366/iur.2020.0446.

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This article gives an overview, and brief history, of Irish studies in Australia and New Zealand, within an academic context and beyond. It surveys major publications and formal initiatives, but also accounts for why Irish studies has been less vibrant in Australian than other Anglophone countries in the Irish diaspora. The Irish in Australia have a distinct history. Yet, in recent years and in popular understanding, they have also sometimes been absorbed into ‘white’ or Anglo-Celtic Australia. This makes their claims to distinctiveness less pressing in a society seeking to come to terms with its migrant and dispossessed indigenous populations.
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Alférez Mendía, Sofía. « The Continuum of Irish Female Sexuality in Sally Rooney’s Conversations with Friends and Normal People : A Contradicted Ireland ». Estudios Irlandeses, no 18 (17 mars 2023) : 148–60. http://dx.doi.org/10.24162/ei2023-11443.

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After the Celtic Tiger years, Irish society seems to have transitioned into a much more welcoming environment for the production of literature, and in general, for the arts. The proliferation of literature, and, more specifically, of women writers and portrayals of girlhood, is giving way to a significant visualization of female voices and female issues, Sally Rooney being one of those voices. Therefore, in this paper I aim to analyse her contribution to the current Irish literary landscape through her novels Conversations with Friends (2017) and Normal People (2018), where sex and female sexuality become two of the major themes. Trauma, guilt and shame (Free and Scully 2016), as key traits of recessionary Irish identity, will also be taken into account by looking into Rooney’s characters’ attitudes as they perform their own sexuality. Hence, both the advantage of a higher social awareness of female issues and the disadvantage of an ashamed Post-Celtic Tiger society mix, thus influencing the representation of 21st century Irish female sexuality, and also creating a definitely contradicted society (Crowley 2013), where social advances keep pushing forward while post-boom trauma and self-regulation keep them back.
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Borsje, Jacqueline. « The Secret of the Celts Revisited ». Religion & ; Theology 24, no 1-2 (2017) : 130–55. http://dx.doi.org/10.1163/15743012-02401007.

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What makes the Celts so popular today? Anton van Hamel and Joep Leerssen published on the popularity of imagery connected with pre-Christian Celts, Van Hamel seeing the holistic worldview and Leerssen mysteriousness as appealing characteristics. They explain waves of ‘Celtic revival’ that washed over Europe as reaction and romanticising movements that search for alternatives from contemporaneous dominant culture. Each period has produced its modernized versions of the Celtic past. Besides periodical heightened interest in things Celtic, Van Hamel saw a permanent basis of attraction in Celtic texts, which accommodate ‘primitive’ and romantic mentalities. This article also analyses Celtic Christianity (through The Celtic Way by Ian Bradley and The Celtic Way of Prayer by Esther de Waal) on the use of Celtic texts and imagery of Celtic culture. Two case studies are done (on the use of the Old-Irish Deer’s Cry and the description of a nineteenth-century Scottish ritual). Both the current search for ‘spirituality’ and the last wave of ‘Celtic revival’ seem to have sprung from a reaction movement that criticizes dominant religion/culture and seek inspiration and precursors in an idealized past. The roots of this romantic search for a lost paradise are, however, also present in medieval Irish literature itself. Elements such as aesthetics, imaginative worlds and the posited lost beauty of pre-industrial nature and traditional society are keys in explaining the bridges among the gap between ‘us’ and the Celts. The realization that Celtic languages are endangered or dead heightens the feeling of loss because they are the primary gates towards this lost way of (thinking about) life.
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Thèses sur le sujet "Irish literature (Celtic)"

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Blustein, Rebecca Danielle. « Kingship, history and mythmaking in medieval Irish literature ». Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1432770931&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Trevarthen, Geo Athena. « Brightness of brightness : seeing Celtic shamanism ». Thesis, University of Edinburgh, 2003. http://hdl.handle.net/1842/1700.

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Early Irish literature, other Celtic literatures and later folklore are rich with descriptions of personal contact with the sacred. The Otherworld, or spiritual aspect of reality, is a constant and vivid presence in the legends. This reality does not seem distant, but rather, always ready to break through into physical reality, transforming those who encounter it. In earlier times, druids, and sometimes heroes and saints, seem to function fully as shamans as described by Mircea Eliade in his definitive work on shamanism, undertaking spirit journeys into the Otherworld. and returning with gifts for their people. In later times, when overtly primal shamanic practice was increasingly repressed, personal contact with the sacred became in many cases less defined and more individual. However, we continue to see contact with the Otherworld in folklore. hagiography and the mystical experiences fostered by later spiritual movements. While scholars such as Carey, Nagy and Melia have recognised and explored some of the shamanic themes present in Early Irish literature, the full complex of these themes, along with their implications for our understanding of Early Irish and Celtic culture, have not yet been hlly examined. A holistic approach to these difficult issues indicates that one must not just dissect the texts themselves for meaning, but take into account the research of archaeologists, anthropologists, psychologists and neuroscientists as well as Celticists. By doing so, I hope to show not only the evidence for Celtic shamanism itself, but suggest possible fbnctions of shamanic experience in Early Irish, and more broadly, Celtic culture, Because shamanic traditions typically have a clear cosmology and ideas about spiritual growth, I have also considered if the early Irish and, more broadly, the Celts may have had such a cosmology and ideas of harmonising with the sacred they came into such intense contact with.
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O'Keefe, Karen Maeve. « Relationship between music and the supernatural as that is portrayed in early medieval Irish literature ». Thesis, University of Edinburgh, 1996. http://hdl.handle.net/1842/9678.

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This thesis is an essay in the phenomenology of religion; it is not primarily a study of the literature or history of early Ireland. This thesis investigates the content and meaning of the early Irish people's language and expression as it relates to music. The culture being investigated is that of early medieval Ireland, up to and including the twelfth century. The focus of the thesis is on a Collection of music references extracted by this author from selected literature; the Collection itself is presented here as an independent Appendix volume to the main body of the thesis. The specific literature selected for this thesis is found in eight major categories of Old and Middle Irish texts: 1) tales from the Mythological Cycle; 2) Dindshenchas (Place-lore poems); 3) the tales and sagas from the Ulster Cycle; 4) the tales from the Cycles of the Kings literature; 5) the Immrama ("Voyage") literature; 6) tales from the Acallam na Senorach; 7) early Irish poetry; and 8) the early Irish saints' Lives. This thesis is divided into five major chapters--Performers, Instruments, Effects, Places, and Times. The Performers chapter examines the "supernatural" performers, the mundane performers, and those performers portrayed with some degree of Otherworld influence(s). The Instruments chapter discusses the various instruments portryed in this literature, as well as how they might relate to the Otherworld. The Effects chapter examines all of the various effects of music mentioned in the references from the Collection, and discusses how they relate to the "supernatural". The Places and Times chapters discuss the "supernatural'', liminal, and mundane places and times regarding music, as referred to in the references from the Collection. Comparative material is used from other world cultures, in each chapter, for illustratory purposes only. Arguing that music is a means by which the early Irish people test their world and register its realities, this thesis discovers in this select literature on music, an unbroken continuity between the otherworldly and the mundane, experienced and expressed through early Irish music, and this is common to both overtly primal and overtly Christian contexts.
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Bender, Jacob. « Latin labyrinths, Celtic knots : modernism and the dead in Irish and Latin American literature ». Diss., University of Iowa, 2017. https://ir.uiowa.edu/etd/5714.

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The Irish throughout their tumultuous history immigrated not only to North America but across Latin America, particularly to Cuba, Puerto Rico, Colombia, Chile, Argentina, and Mexico. Ireland and many of these Latin American countries share a close yet under-examined relationship, inasmuch as they are predominantly Catholic, post-colonial, hybrid populations with fraught immigrant experiences abroad and long histories of resisting Anglo-centric imperialism at home. More particularly, the peoples of these nations engage intimately with the dead (as shown, for example, by the Mexican Day of the Dead and Celtic roots of Halloween), and the dead appear frequently in literature from these countries that takes up issues of colonialism and anti-colonial struggles. The dead can function as repositories for forgotten history and allies in counter-imperial struggle; these roles become particularly important in the 20th century, wherein the forces of economic modernization have rushed to erase the memories of the dead. From the speech of the dead in the prose works of Juan Rulfo, Máirtín Ó Cadhain, Samuel Beckett, and Carlos Fuentes, to the anticolonial poetics of William Butler Yeats and Julia de Burgos, this thesis examines how these two regions have, both in parallel and in concert, utilized the dead to bolster various nationalistic projects. This dissertation also explores patterns of Irish/Latin American literary citation and influence, tracing, for example, how Jorge Luis Borges’s responded to James Joyce, or how a scene from Jonathan Swift’s Gulliver’s Travels is re-enacted in the novels of Flann O’Brien and Gabriel García Márquez. This project contributes to comparative approaches to Irish literary and modernist studies, improves our nascent understanding of how the Irish and Latin Americans have interacted throughout their overlapping histories, and expands our comprehension of how the dead have been and continue to be utilized across the developing world to resist economic neo-colonialism.
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Tolen, Heather Lorene. « Resurrecting Speranza : Lady Jane Wilde as the Celtic Sovereignty / ». Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2700.pdf.

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Caulfield, John. « A social network analysis of Irish language use in social media ». Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/53228/.

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Statistics show that the world wide web is dominated by a few widely spoken languages. However, in quieter corners of the web, clusters of minority language speakers can be found interacting and sharing content. This study is the first to compare three such clusters of Irish language social media users. Social network analysis of the most active public sites of interaction through Irish – the Irish language blogosphere, the Irish language Twittersphere and a popular Irish language Facebook group – reveals unique networks of individuals communicating through Irish in unique and innovative ways. Firstly, it describes the members and their activity, and the size and structure of the networks they share. Then through focused discourse analysis of the core prolific users in each network it describes how the language has been adapted to computer-mediated communication. This study found that the largest networks of Irish speakers comprised between 150-300 regular participants each. Most members were adults, male, and lived in towns and cities outside of the language’s traditional heartland. Moreover, each group shared one common trait: though scattered geographically, through regular online interaction between core members they behave like communities. They were found to have shared histories, norms and customs, and self-awareness that their groups were unique. Furthermore, core users had adapted the language in new and innovative ways through their online discourse. This study is the first comprehensive audit of who is using the Irish language socially on the web, where they are forming networks online, and how they are adapting the language to online discourse. It makes a unique contribution in re-imagining what constitutes an Irish language community in the context of the Network Society. In the process, it contributes to the growing body of sociolinguistic research into globalisation and local identity on the web.
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MacQuarrie, Charles William. « The waves of Manannán : a study of the literary representations of Manannán mac Lir from Immram Brain (c. 700) to Finnegans Wake (1939) / ». Thesis, Connect to this title online ; UW restricted, 1997. http://hdl.handle.net/1773/9348.

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Mac, Bhloscaidh Marcas. « An duine aonair agus an tsochai i saothar Phadraic Ui Chonaire ». Thesis, Ulster University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669660.

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This thesis is a postcolonial study of the work of Padraic O Conaire. From the great surge of the Cultural Renaissance to the reconsolidating of conservative forces under the Free State, O Conaire's career encapsulates the defining period of modern Ireland. As the Introduction discusses, this thesis sites his work centrally in that revolutionary era, with O Conaire influenced by the great writers of European Realism who made a profound critique of their own societies with their central focus on the lived experience of the individual. Instead of the modern alienation of his characters, or the radicalism of the author's own politics, both of which comprise the most prominent strands in his critical portrayal to date, O Conaire is seen to make that necessary synthesis between the psychological and the political aspects as a creative writer. Though rooted in the historical experience of the race, the anti-authoritarian project of Postcolonialism is defined as an ongoing challenge in an age of global capitalism and the working through of the psycho-cultural effects of colonization. Noting their emphasis on the biographical element, the Literature Review examines the main contemporary full-length critical studies of 6 Conaire: P6.draic 6 Conaire - Deorai (1994) by Padraigin Riggs which investigates the themes of alienation and exile in the life and the work; Padraic 6 Conaire - Sceal a Bheatha (1995) by Eibhlin Ni Chionnaith which unearths a wealth of biographical information to finally create a portrait of a bohemian Romantic; and Reabhloid Phadraic Ui Chonaire (2007) by Aindrias O Cathasaigh, which directs its attention on O Conaire's journalism and his articulation of a revolutionary socialism; and Saoirse Anama Ui Chonaire (1984) by Tomas O Broin's which is a monograph on O Conaire's one novel Deoraiocht and argues for its socialist expressionism based on the author's lived experience. Three significant short studies out of the wide range of essays on the writer are then reviewed: 'Padraic O Conaire' by Seosamh Mac Grianna (1936) which portrays O Conaire as a heroic literary pioneer for all his faults, 'Padraic 6 Conaire agus Cearta an Duine' by Declan Kiberd (1983) which emphasizes his eccentric individualism and his socialism, and 'An tOrsceal Readach III' by Alan Titley (1991) which claims a special kind of literary realism for Deoraiocht. The remaining works of the Literature Review develop and deepen the postcolonial basis of this thesis, being significant studies in the international and in the Irish context: The Colonizer and the Colonized by the Tunisian writer AlbeIt Memmi, which is a piercing sociological and psychological exposure of the phenomenon of colonization; Tren bhFearann Breac - an Dilaithriu Culruir agus Nualitriocht na Gaeilge Ie Mairin Nic Eoin which applies a wide range of postcolonial theorizing to modern Irish language literature; and 'Decolonizing the Mind: Language and Literature in Ireland' by Gearoid Denvir which is a polemical account of the psycho-cultural aspect of colonization and also treats of the marginalization of modern Irish language and literature. The Review includes a brief examination of the work which inspired the title of Denvir's essay, namely Decolonising the Mind: The Politics of Language in African Literature by Ngugi wa Thiong'o. The first chapter of this thesis discusses Deoraiocht as a powerful anti -colonial novel, a monologue of rebellion located in the heart of empire. The second chapter examines important statements from O Conaire's journalistic output concerning the role of the writer in society, and about Irish society itself in the troubled period from 1917-1921, in a critical context that compares the basic radicalism of the modern Russian writer with the Gaelic literary tradition. The third chapter considers O Conaire's five plays, from their original inspiration in Douglas Hyde's plays about traditional Gaeltacht society, to their development of the comic hero of European theatre. The selection of his short stories in the fourth chapter reflects the arc of O Conaire's opus, from Paidin Mhaire, the tragic victim of the colonial system, to the subversive comedy of Fearfeasa Mac Feasa with his challenge to conventional officialdom. The Conclusion looks forward as well as back in that O Conaire as a postcolonial writer straddled the official British colony founded on political, social and economic repression and the official Free State with its emerging conservative, bourgeois and religious ethos. Just like the great modernist pioneer in Irish writing in English, James Joyce, who was born in the same month as O Conaire, his own work is seen to be intimately bound up with the project of decolonization and with the realization of the individual as the embodiment of a changed society. Also, like the dispossessed Gaelic poet of the seventeenth century and the modern underground writer of the Soviet State, O Conaire's work is shown as retaining from beginning to end the integrity of the outsider committed to the truth of individual expression against the ideological control of the dominant institutions of pre- and post-imperial Irish society. If we Irish want the genuine freedom that O Conaire advocated, then we can discover the hidden foundations of our contemporary society in his work, in which there is a truthful reflection of, and liberating insight into, the period that formed today's Ireland.
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Hendriok, Alexandra Michaela Petra. « Myth and identity in twentieth century Irish fiction and film ». Thesis, [n.p.], 2000. http://library7.open.ac.uk/abstracts/page.php?thesisid=17.

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Hill, Christopher Austin. « “We've All To Grow Old” : Representations of Agingas Reflections of Cultural Change on the Celtic Tiger Irish Stage ». The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365780726.

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Livres sur le sujet "Irish literature (Celtic)"

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Cantrell, James P. Celtic Southern literature. Gretna, La : Pelican Pub. Co., 2005.

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Dillon, Myles. Early Irish literature. Blackrock, County Dublin, Ireland : Four Courts Press, 1994.

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Skelton, Robin. Celtic contraries. Syracuse, N.Y : Syracuse University Press, 1990.

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Deane, Seamus. Celtic revivals : Essays in modern Irish literature, 1880-1980. London : Faber, 1987.

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The Celtic West and Europe : Studies in Celtic literature and the early Irish Church. Dublin : Four Courts Press, 2001.

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Stalmaszczyk, Piotr. Celtic presence : Studies in Celtic languages and literatures : Irish, Scottish Gaelic and Cornish. Łódź : Łódź University Press, 2005.

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Falaky, Nagy Joseph, dir. Memory and the modern in Celtic literatures. Dublin : Four Courts, 2006.

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1827-1914, Joyce P. W., dir. Old Celtic romances : Tales from Irish mythology. Mineola, N.Y : Dover Publications, 2001.

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Daly, Ita. Irish myths & legends. Oxford : Oxford University Press, 2001.

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O'Sullivan, Patrick V. The magic of Irish nature. Dublin, Ireland : Nonsuch, 2008.

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Chapitres de livres sur le sujet "Irish literature (Celtic)"

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Sims-Williams, Patrick. « Irish elements in late medieval Welsh literature ». Dans Celtic Linguistics / Ieithyddiaeth Geltaidd, 277. Amsterdam : John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/cilt.68.22sim.

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Pramaggiore, Maria. « The Celtic Tiger’s Equine Imaginary ». Dans Animals in Irish Literature and Culture, 214–30. London : Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137434807_15.

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Sperry, Amanda. « Dennis O’Driscoll’s Beef with the Celtic Tiger ». Dans Animals in Irish Literature and Culture, 42–54. London : Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137434807_4.

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Haughey, Anthony. « A Landscape of Crisis : Photographing Post-Celtic Tiger Ghost Estates ». Dans Imagining Irish Suburbia in Literature and Culture, 301–21. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96427-0_15.

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Curran, Mark. « SOUTHERN CROSS : Documentary Photography, the Celtic Tiger and a Future yet to Come ». Dans Imagining Irish Suburbia in Literature and Culture, 275–99. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-96427-0_14.

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Bender, Jacob L. « The Mexican Day of the Dead and Celtic Halloween on the Borderlands ». Dans Modern Death in Irish and Latin American Literature, 17–43. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50939-2_2.

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Elices, Juan F. « Satiric Insights into Post-Celtic Tiger Ireland : The Case of Peter Cunningham’s Capital Sins ». Dans National Identities and Imperfections in Contemporary Irish Literature, 37–50. London : Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-47630-2_3.

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Kiberd, Declan. « Seamus Deane, Celtic Revivals : Essays in Modern Irish Literature (London : Faber & ; Faber, 1985) pp. 199. Mary C. King, The Drama of J. M. Synge (London : Fourth Estate, 1985) pp. 229. » Dans Yeats Annual No. 5, 270–72. London : Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-06841-8_25.

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Barlow, Richard Alan. « Introduction ». Dans Modern Irish and Scottish Literature, 1–20. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192859181.003.0001.

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Abstract This section examines the emergence of Irish-Scottish studies over the last few decades, the deep connections between Irish and Scottish histories and cultures, and the long development of the concepts ‘Celt’ and ‘Celtic’ in history, theory, and literature. The evolving attitudes towards Celtic languages and Celtic peoples in European thought from ancient times onwards are also discussed here. Special attention is paid to the development of scholarly Celtology and the cultural discourse of Celticism, with analysis of the work of the nineteenth century theorists Ernest Renan and Matthew Arnold. The introduction also explores the late nineteenth/early twentieth century Celtic Revivals of Ireland and Scotland in their respective political contexts and considers the gender politics of Celticism.
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« Z ». Dans The Oxford Companion To Irish Literature, sous la direction de Robert Welch et Bruce Stewart, 628. Oxford University PressOxford, 1996. http://dx.doi.org/10.1093/oso/9780198661580.003.0025.

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Abstract Zeuss, Johann Kasper (1806-1856), philologist and grammarian; born Vogtendorf in southern Germany. After a delicate and bookish childhood he studied philosophy, history, Hebrew, Arabic, and Classics at Munich University. Having first completed an impressive work on the Germans and their neighbours (Die Deutschen und die Nachbarstamme, 1837), he turned to the Celtic languages, and especially Irish, of which the oldest extant remains are to be found as interlinear *glosses in the devotional Latin tracts of central European monasteries and libraries frequented by early Irish monks. From Speyer, where he lived, he travelled to Karlsruhe, Darmstadt, Wiirzburg, St Gall, Milan, and other centres, copying the glosses, then deciphering, translating, and arranging them into an ordered grammatical system. Published in Latin as *Grammatica Celtica (Leipzig, 1853), the outcome of this labour laid the foundation for the scientific study of Celtic languages, being the source from which all later advances have derived. Ill health prevented him from visit ing Ireland. See Francis Shaw, SJ, ‘The Background to Grammatica Celtica’, Celtica, 3 (1956); and Bernhard Forssman (ed.), Erlanger Gedenkfeier .fiir Johann Kaspar Zeuss (1989).
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