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Littérature scientifique sur le sujet « Ipostasi »

Auteur : Grafiati

Publié le 10 mars 2023

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Articles de revues sur le sujet "Ipostasi"

Cravero, Mattia. "Chi dice ragna dice danno. Ecfrasi e ipostasi di Aracne nell’opera di Primo Levi." Quaderns d’Italià 26 (December 3, 2021): 187–98. http://dx.doi.org/10.5565/rev/qdi.497.

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L’articolo analizza le citazioni ecfrastiche della Divina Commedia nell’opera di Primo Levi e dimostra la loro preponderanza nella produzione del chimico-scrittore. Due incisioni di Gustave Doré, in particolare, si ancorarono alla mente del giovane Levi quando, da piccolo, sfogliò e risfogliò l’opera dell’artista francese, fissandosi come un’icona inossidabile che raffigurava i versi di Dante. Ritornarono alla sua attenzione in età matura, sottoforma di simboliche reminiscenze, durante la sua attività di scrittore, favorendo la sua creatività letteraria e dimostrando un ascendente artistico che l’autore stesso negava di avere. L’intento del presente saggio è dunque dipanare il fil rouge della visualità nell’opera di Levi: tramite la comparazione dei passi e delle raffigurazioni della Commedia, ricostruendo la cronologia che intercorre tra questi rapporti, l’obiettivo è ricostruire l’influenza dell’arte nella vita e nella produzione letteraria del chimico-scrittore.

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Petrović, Predrag. "HRIŠĆANSKI ASPEKTI POJMA IPOSTAS (LIČNOST) U BIBLIJSKIM SPISIMA." Nasledje Kragujevac XIX, no. 51 (2022): 185–96. http://dx.doi.org/10.46793/naskg2251.185p.

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The term hypostasis represents one of the key theological terms used by the holy fathers in an effort to define the meaning and significance of the person in theological disputes during the historical life of the Church. Although the term hypostasis which we find in the Orthodox Christian tradition is not found in the ancient Hebrew text as an exact term as we find one in the ancient Greek translation of the Old Testament, it does not mean that the meaning of this term is foreign to biblical thought. On the contrary, there are other terms by means of which we conclude that its meaning can still be read from the corresponding Old Hebrew expressions. In that sense, we believe that the ancient Jewish ideograms, both in their internal meanings and as ideographic gatherings that constitute biblical words, form in many ways the foundation of today’s Orthodox perception of this theologically important concept. By his acts of worship, or by his active presences, God himself participates in the economic historical appearances of the chosen people. Epiphanies as divine active presences are in some way imprinted in the Divine naming, which makes the holy biblical writings God-established ideographic testimonies and messages, which speak of divine actions as actions of certain divine Persons. In that sense, biblical expressions like rbdm lwqh,, ynda,, hwhy,, ~ yhla,, rbd, םyhla xwr,, hwhy xwr,, hwhy! kvm, etc., as ideographic signs of the divine plan of salvation, point to the appropriate Old Testament revelations of the divine hypostases of God the Father, the Son of God and the Spirit of God, which divinely guide the history of salvation of man and the world from sin and death. Keywords: hypostasis, (ancient Hebrew) ideograms, face (of God), presence (of God), God, Lord, word (of God), spirit (of God), naming of God

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Todi, Cristina. "Ipostases of The Choreographic Dialogue." Review of Artistic Education 17, no. 1 (2019): 171–82. http://dx.doi.org/10.2478/rae-2019-0018.

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Abstract The analysis of the aesthetic face of dance brings to our forefront the fascination for the movement on many artists who experienced the movement and, above all, explored the possibilities of kinetic art or movement movement. In its most elevated form, dance contains not only this element but also the infinite richness of human personality. It is the perfect synthesis of the abstract and the human, of mind and intellect with emotion, discipline with spontaneity, spirituality with erotic attraction to which dance aspires; and in dance as a form of communication, it is the most vivid presentation of this fusion act that is the ideal show.

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Pătrăucean, Constantin-Andrei. "Review of the Volume „Ipostaze ale simbolului în lumea tradițională” [Instances of the Symbol in the Traditional World], Author: Daniel Cojanu, Lumen Publishing." Logos Universality Mentality Education Novelty: Philosophy & Humanistic Sciences 10, no. 1 (2022): 69–73. http://dx.doi.org/10.18662/lumenphs/10.1/65.

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This paper is a book review of the volume "Ipostaze ale simbolului în lumea tradițională” [Instances of the Symbol in the Traditional World], authored by Daniel Cojanu, and published by Lumen Publishing House from Iasi, Romania, in 2019.

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Maria Ana, Tupan. "Orphic Instances at the Antipodes of Europe." Incursions into the Imaginary 6, no. 1 (2015): 11–23. http://dx.doi.org/10.29302/inimag.2015.6.1.

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Alina, Bako. "IMAGES OF ALTERITY IN THE CONTEMPORARY FEMININE PROSE." Incursions into the Imaginary 8, no. 1 (2017): 11–21. http://dx.doi.org/10.29302/inimag.2017.8.1.

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Bonţa, Claudia M. "Ipostaze portretistice. Studiu de caz: împăratul Franz Joseph I." Studia Universitatis Babeș-Bolyai Historia Artium 65, no. 1 (2020): 95–106. http://dx.doi.org/10.24193/subbhistart.2020.05.

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"Portrait Sequences. Case Study: Emperor Franz Joseph I. The paper provides a brief overview of how one of Europe’s longest-lived sovereigns wanted to remain in the memory of posterity. For this purpose, a series of official portraits of Emperor Franz Joseph I were analyzed, noting his preference for several typological series. The Collections of the National History Museum of Transylvania in Cluj-Napoca shelters in its patrimony a series of objects related to the emperor, among which there are a number of three graphic portraits representative for each of the great typological series observed. Keywords: Franz Joseph I, portrait, graphics, 19th century "

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Suroedova, Elena, Zabira Madaliyeva, Gulmira Kassen, and Nazira Sadykova. "The human impact in the age of digital transformation." E3S Web of Conferences 258 (2021): 07091. http://dx.doi.org/10.1051/e3sconf/202125807091.

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Issues of negative impact of digital processes on society in general and on people in particular are considered as well as problems of influence of network communications, virtual space, digitalization of education, formation of digital culture on personality. It is argued that in emerging digital society devalued the phenomenon of knowledge in the traditional sense, value and significant in practical terms, is not the possession of knowledge per se, but the ability to buy it, isolate of tremendous information resource, and at a certain time and at scale. There is an analysis and generalization of the transformations generated by the “age of the figure” and affecting humans. The category of “person in his social ipostasis” is chosen for scientific analysis, which allows to better understand the essence of the ongoing transformations, and, most importantly - their social and psychological consequences. The analysis found that the radical transformation of human existence has led to changes both in human psychophysics and in his cognitive, mental, communicative, axiological spheres.

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Săran, Raul. "Ipostaze Thanatice În Poetica Lui Lucian Blaga Și Dylan Thomas." Lucian Blaga Yearbook 20, no. 1 (2019): 88–94. http://dx.doi.org/10.2478/clb-2019-0009.

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AbstractThe following paper revolves around the concept of thanatos, whose name comes from the personification of death in the Greek mythology. In other words, the objective of this paper is to analyze the main forms and symbols regarding the theme of death in several poems of Lucian Blaga and Dylan Thomas and try to explain how, despite the fact that they come from different cultural environments and have different sources of inspiration and literary purposes regarding the aim of their works, their poetical works present several resemblances in terms of meaning in relation to the theme of death, as approached in the 20th century modern poetry.

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Dragulanescu, Amalia. "Review of the Volume ”Ipostaze ale simbolului în lumea tradițională” [Hypostases of the Symbol in the Traditional World], Author: Daniel Cojanu, Lumen Publishing House, 2019." Journal of Mediation & Social Welfare 2, no. 1 (2020): 69–75. http://dx.doi.org/10.18662/jmsw/2.1/13.

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Restoring the need of contemporary man for certain signs and symbols, the book ” Ipostaze ale simbolului în lumea tradițională” [Hypostases of the symbol in the traditional world], second edition, written by Daniel Cojanu and published by Lumen Publishing House from Iasi, Romania, in 2019, invites to the apparent conciliation between consecrated values and the condition of postmodernity. Structured in two macro-chapters, “Reductionist Hermeneutics” and “Restorative Hermeneutics. Hypostases and Exemplary Functions of the Symbol in the Traditional World ”, the volume especially follows “the epistemological and axiological mutations that occurred at the level of fundamental presuppositions and attitudes towards the world” (Cojanu, 2019, p. 9).

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Thèses sur le sujet "Ipostasi"

Guerra, Raffaele. "Il ruolo dell’ipostasi nella concezione ontologica di Gregorio Palamas." Doctoral thesis, Universita degli studi di Salerno, 2019. http://elea.unisa.it:8080/xmlui/handle/10556/4297.

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2016 - 2017<br>The work moves from the intention to verify the presence of an hypostasiology in the ontological conception of Gregory Palamas, ascertained, from one side, that the critical literature on the hesychast theologian has mentioned it in several cases, and on the other side that the Patristics have highlighted a strong role of hypostasis in the thought of the Greek fathers, main sources of the Palamite thought. The thesis is divided into four parts. The first is dedicated to the analysis of the critical literature and to the historiography concerning the thought of Gregory Palamas. The second one focuses on the analysis of the ontological conception of Gregory Palamas, through a reconstruction of the relationship with the sources and an analysis of theoretical concepts and structures. The third one is dedicated to the role of the concept of hypostases in the anthropology of the hesychast theologian. The fourth one focuses on the relationship between the concept of ὑπόστασις and that of σοφία in the sense of uncreated divine wisdom. In particular, the first section focuses on the critical literature from the rediscovery of the hesychast theologian in the first half of the Twentieth century until the last writings dedicated to the thought of Gregory Palamas and the same historiography of the Twentieth centuries. The study of the development of the Palamite studies is conducted in a summary but at the same time circumstantial way in relation to the topics concerning the work. ... [edite by Author]<br>XXX ciclo

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Livres sur le sujet "Ipostasi"

Shevkun, T. V. Dve ipostasi razuma: Mekhanizmy koėvolli︠u︡lt︠s︡ii filosofii i matematiki. Sputnik+, 2003.

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Andolfo, Matteo. L' ipostasi della "psyche" in Plotino: Struttura e fondamenti. Vita e pensiero, 1996.

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Tri ipostasi I͡Akova Dʹi͡achenko: Iz istorii osvoenii͡a Priamurʹi͡a i Primorʹi͡a. Izd. dom "Priamurskie vedomosti", 2009.

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Milchev, Kiril. Sŭshtnost i ipostas: Filosofska metafrastika na kapadokiĭskoto ipostasno poznanie. Izd-vo "Sharp Stoun", 2002.

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Abdykerimov, Klychbek. Ipostasʹ: Roman i stikhi. OOO Izdatelʹskiĭ Dom "Salam", 2010.

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Ionin, G. N. Vtorai︠a︡ ipostasʹ: Stikhotvorenii︠a︡, proza. Duma, 2004.

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Zubenschi, Ecaterina. Ipostaze: Versuri. Pontos, 2016.

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Oprea, Niculina. Ipostaze ale poeziei românești. Limes, 2015.

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Hedeșan, Otilia. 100 gânduri şi ipostaze. Editura Universităţii de Vest, 2018.

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I͡Upp, Mikhail. Ipostasʹ: Chetvertai͡a kniga stikhotvoreniĭ i poėm 1960-1988. Petrogradskai͡a storona, 1989.

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Chapitres de livres sur le sujet "Ipostasi"

Mitrache, Anca. "Ipostaze sustenabile ale arhitecturii." In "Teoria Proiectului de Arhitectură. Idei construite. Editura Universitară Ion Mincu, 2021. http://dx.doi.org/10.54508/9786066382281.13.

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Actes de conférences sur le sujet "Ipostasi"

Gherman, Oxana. "Reprezentări ale feminității în poezia Basarabeană contemporană." In Filologia modernă: realizări şi perspective în context european. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/filomod.2021.15.23.

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În prezentul articol sunt cercetate modalitățile de reprezentare estetică a feminității în textele poetice ale lui Emilian Galaicu-Păun, Nicolae Popa, Irina Nechit, Maria Pilchin, Maria Șleahtițchi, Radmila Popovici, Rodica Gotca, Veronica Ștefăneț, Moni Stănilă. În poezia supusă analizei, femeia este surprinsă în câteva ipostaze fundamentale: ca ființă spirituală, receptivă la suflul lumii, în conexiune cu universul și cu ființa divină, ca alcătuire trupească, în raport cu celălalt – în ipostază erotică, maternă, în cadrul familial și în context social. Se propune o abordare comparativă a unor secvențe poetice, acordând atenție trăsăturilor prin care personajele feminine se individualizează de la autor la autor, dar și punctele în care converg percepțiile asupra feminității.

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Apetri, Dumitru. "Silviu Berejan – lingvist admirabil şi conducător ştiinţific onorabil." In Conferinta stiintifica nationala cu participare internationala „Lecturi in memoriam acad. Silviu Berejan”. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/lecturi.2021.05.02.

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Academicianul Silviu Berejan, protagonistul articolului, e văzut de autor în câteva ipostaze: lingvist de marcă, conducător ştiinţific iscusit al cercetărilor de ordin filologic şi umanistic, promotor activ al limbii române în R. Moldova, personalitate sensibilă faţă de valorile cu adevărat ştiinţifice şi binevoitoare în relaţii cu creatorii lor.

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Albu, Doru. "MODERN EXPRESSION ELEMENTS �N ARCHAIC LINEAGE MUSIC REFLECTED IN IPOSTAZE FOR CLARINET AND PIANO BY VIOREL MUNTEANU." In SGEM 2014 Scientific SubConference on ARTS, PERFORMING ARTS, ARCHITECTURE AND DESIGN. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b41/s14.043.

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