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Articles de revues sur le sujet "International relations and culture – History – 20th century"
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Gozzi, Gustavo. « History of International Law and Western Civilization ». International Community Law Review 9, no 4 (2007) : 353–73. http://dx.doi.org/10.1163/187197407x261386.
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AbstractThis paper discusses the origins 19th-century international law through the works of such scholars as Bluntschli, Lorimer, and Westlake, and then traces out its development into the 20th century. Nineteenth-century international law was forged entirely in Europe: it was the expression of a European consciousness and culture, and was geographically located within the community of European peoples, which meant a community of Christian, and hence "civilized," peoples. It was only toward the end of the 19th century that an international law emerged as the expression of a "global society," when the Ottoman Empire, China, and Japan found themselves forced to enter the regional international society revolving around Europe. Still, these nations stood on an unequal footing, forming a system based on colonial relations of domination. This changed in the post–World War II period, when a larger community of nations developed that was not based on European dominance. This led to the extended world society we have today, made up of political systems profoundly different from one another because based on culture-specific concepts. So in order for a system to qualify as universal, it must now draw not only on Western but also on non-Western forms, legacies, and concepts.
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Karl, Rebecca E. « Culture, Revolution, and the Times of History : Mao and 20th-Century China ». China Quarterly 187 (septembre 2006) : 693–99. http://dx.doi.org/10.1017/s0305741006000324.
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The recent spate of English-language exposés of Mao Zedong, most prominently that written by Jung Chang and Jon Halliday, seems to announce a culmination of the tendency towards the temporal-spatial conflation of 20th-century Chinese and global history. This sense was only confirmed when the New York Times reported in late January that George W. Bush's most recent bedtime reading is Mao: The Unknown Story, or when, last month, according to a column in the British paper The Guardian, “the Council of Europe's parliamentary assembly voted to condemn the ‘crimes of totalitarian communist regimes,’ linking them with Nazism…” The conflation, then, is of the long history of the Chinese revolution with the Cultural Revolution, on the one hand; and, on the other hand, of Mao Zedong with every one of the most despicable of the 20th century's many tyrants and despots. In these conflations, general 20th-century evil has been reduced to a complicit right-wing/left-wing madness, while China's 20th century has been reduced to the ten years during which this supposed principle of madness operated as a revolutionary tyranny in its teleologically ordained fashion. In this way are the dreams of some China ideologues realized: China becomes one central node through which the trends of the 20th century as a global era are concentrated, channelled and magnified. China isglobal history, by becoming a particular universalized analytic principle, in the negative sense. That is, universality becomes a conflationary negative principle.
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Rashkovskaya, K., et E. Rashkovskii. « Institutions of Culture in Contemporary Social and Cultural Dynamics ». World Economy and International Relations 65, no 1 (2021) : 114–22. http://dx.doi.org/10.20542/0131-2227-2021-65-1-114-122.
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This paper is a kind of response to Prof. Irina S. Semenenko’s article “New Dimensions of Identity Politics: Contested Memories in History Museums of the 20th Century” (Mirovaya ekonomika i mezhdunarodnye otnosheniya (World Economy and International Relations), 2020, vol. 64, no. 5). The paper attempts to ground the notion of institutions of culture and their necessary, though sometimes ambiguous role in social, cultural as well as political dynamics of the current history. Studies of the present experience in economic, information and demographic globalization, digital technologies, pandemics, etc. offer new opportunities for rethinking the role of cultural institutions in the whole socio-historical process, including the current history. The complex of these problems is displayed not only on macro-historical or global level, but also on the levels of micro-histories and everyday history in different social and cross-cultural contexts. The field of cultural institutions seems to be responsible for the whole shifting of basic human values in history as well as for the “subtle customization” of interpersonal communications and “le phenomene humaine” itself.
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Alexander, Jeffrey C. « Recovering the primitive in the modern : The cultural turn and the origins of cultural sociology ». Thesis Eleven 165, no 1 (16 juillet 2021) : 10–19. http://dx.doi.org/10.1177/07255136211032829.
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This essay provides an intellectual history for the cultural turn that transformed the human sciences in the mid-20th century and led to the creation of cultural sociology in the late 20th century. It does so by conceptualizing and contextualizing the limitations of the binary primitive/modernity. In the 19th and early 20th centuries, leading thinkers – among them Marx, Weber, Durkheim, and Freud – confined thinking and feeling styles like ritual, symbolism, totem, and devotional practice to a primitivism that would be transformed by the rationality and universalism of modernity. While the barbarisms of the 20th century cast doubt on such predictions, only an intellectual revolution could provide the foundations for an alternative social theory. The cultural turn in philosophy, aesthetics, and anthropology erased the division between primitive and modern; in sociology, the classical writings of Durkheim were recentered around his later, religious sociology. These intellectual currents fed into a cultural sociology that challenged the sociology of culture, creating radically new research programs in the late 20th and early 21st centuries.
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Nguyen, Tuan-Cuong. « The Last Confucians of Mid-20th Century Vietnam ». Asian Studies 8, no 2 (20 mai 2020) : 185–211. http://dx.doi.org/10.4312/as.2020.8.2.185-211.
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The Vietnam Association of Traditional Studies (VATS) took the initiative in promoting Confucian cultural practices in South Vietnam from 1955–1975. The association strove towards collecting, researching, translating, interpreting and circulating classical Sinographic documents in order to preserve traditional East Asian culture in relation to up-to-date moral education and practical science. Unfortunately, there is a lack of research material related to the organization during the period after the two halves of Vietnam were reunited in 1975. Thus, the Association’s activities after 1975 cannot be discussed. To bridge the gap, this article is based on rare documents mostly collected by the author, describing the history and activities of this Confucian organization, including its establishment (1954), regulations, organizational structure, and membership. This article will also focus on the VATS’s Confucian cultural practices, such as (i) publishing as a way to promote Confucianism and traditional morality, (ii) Confucianism and Literary Sinitic education, (iii) public speeches, (iv) organizing the annual commemoration of Confucius’ birthday on September 28th, (v) and promoting international cooperation related to Confucianism. These activities demonstrate the organization’s attempt at popularizing Confucianism and making it compatible with ideas and practices introduced by modernization and Westernization in the middle of the twentieth century.
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Ceadel, Martin. « Jonathan Hogg, British Nuclear Culture : Official and Unofficial Narratives in the Long 20th Century. London : Bloomsbury, 2016. 231pp. » Journal of Cold War Studies 19, no 3 (août 2017) : 234–36. http://dx.doi.org/10.1162/jcws_r_00728.
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Kuzmin, Yuri, Alexey Manzhigeev et Liudmila Sanina. « Mongolia of the Twentieth Century and Russian-Mongolian Relations : Based on the Materials of the Conference Dated May 28, 2021 ». Bulletin of Baikal State University 31, no 2 (9 juillet 2021) : 197–207. http://dx.doi.org/10.17150/2500-2759.2021.31(2).197-207.
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Currently, the leadership of Russia considers the expansion of economic, scientific and educational cooperation with Mongolia important, therefore, the study of modern Mongolian and world Mongolian studies, which formulate and determine further development of international relations, seems to be an urgent and contemporary task. The article describes the development trends of modern world and Russian Mongolian studies, poses topical issues that need to be resolved in the face of increasing geopolitical competition in Mongolia. It is an overview of the reports presented at the international scientific-practical conference «Mongolia of the 20th century and Russian-Mongolian relations: history and economy» dedicated to the 100th anniversary of the establishment of Russian-Mongolian diplomatic relations, which took place on May 28, 2021 in Irkutsk on the basis of the Baikal State University. The conference participants supported the idea of creating a «Biobibliographic Dictionary of Russian Researchers in Mongolia». It was proposed to include in the dictionary corpus not only the representatives of Russian Mongolologist, but also Turkologists, Sinologists, researchers of the history of Russia, as well as practitioners: diplomats, translators, military men, merchants, journalists who wrote studies on history, geography, economics, culture and art of Mongolia. Thus, scientific Russian-Mongolian cooperation continues successfully, new joint publications, round tables, and scientific conferences are being planned.
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Lufkin, Felicity. « The Cult of Happiness : Nianhua, Art and History in Rural North China. By James A. Flath. [Vancouver : University of British Columbia Press, 2004. 195 pp. $60.00. ISBN 0-7748-1034-3.] ». China Quarterly 182 (juin 2005) : 446–47. http://dx.doi.org/10.1017/s0305741005300269.
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James Flath's The Cult of Happiness is a stimulating and accessible book that contributes to more than one area of current concern in Chinese studies. The author effectively situates his work in relation to developing debates about print culture, alternative conceptions or experiences of modernity, and the relationship of popular culture to markets and to state power. It should also appeal to readers interested more generally in modern Chinese art, history and visual culture.In this general vein, the book would be valuable simply as one of only a very few English-language works that deal with woodcut-printed nianhua or New Year's Pictures. These pictures, which depict a range of subjects from gods to auspiciously fat babies to scenes from legend and history, were a ubiquitous part of Chinese household ritual and decoration well into the 20th century, and are still evoked in a variety of contexts in contemporary Chinese visual culture. For various reasons, they have not received as much scholarly attention as they should, especially in comparison to other popular print traditions, such as their distant Japanese cousins, ukiyo-e prints. As a genre, nianhua are believed to have quite a long history (Chinese sources, for example, often identify a print found in a 12th-century tomb as one of the earliest extent nianhua), and they were certainly made and circulated throughout China. Flath, however, wisely limits his study both temporally and geographically by focusing on the last decades of the 19th century and the first half of the 20th, when the vast majority of nianhua now extant were made, and on north China, which encompasses several of the most influential and best-documented centres of nianhua production.
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Słysz, Aleksander. « LAW AND STAGE ». Roczniki Administracji i Prawa 4, no XX (30 décembre 2020) : 19–29. http://dx.doi.org/10.5604/01.3001.0014.8374.
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We have been looking for answers to the question: what is law and what is its relation to morality for several thousand years. It seems that the definitions and analyzes created so far are still insufficient. A look at the past proves that we are developing the law in this area, generally pushed to it by some tragic events that affect not only law but also universal culture. On the other hand, it is the broadly understood culture that shapes certain patterns of desired behavior much stronger than the law. Shaping the mutual relations between law, morality and pop culture should be the subject of reflection and scientific research. It seems that we are stuck in a certain stagnation, in a deadlock in the development of law, which started in the first half of the 20th century. History proves that we will be stuck in it at least until the next terrible event that will shock the international community, change the perspective and trigger a domino of change.
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Mа, Weiyun. « A Review of Chinese Eastern Railway Study in China ». Problemy dalnego vostoka, no 6 (2021) : 63. http://dx.doi.org/10.31857/s013128120017866-3.
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The article reviews research on Chinese Eastern Railway in China. The research on Chinese Eastern Railway in China began in the early 20th century, has a history of more than 100 years. The existing research results mainly focus on the construction of Chinese Eastern Railway and Tsarist Russia's expansion policy, negotiation between China and Russia (Soviet Union) on the railway issue, the contradictions and struggles of Japan and the United States around the railway problem and so on. These documents cover a wide range of issues which almost involve the political, diplomacy, economy and trade, culture and other fields of international relations in the Far East from the end of the 19th century to the beginning of 20th century, provide a broad vision for the study of Chinese Eastern Railway. But there are problems in the research. Although there are many works on Chinese Eastern Railway, but most discussions are limited to a certain stage, there are few works on the whole history of Chinese Eastern Railway. Not only should we pay attention to the study of the early 20th century in other words the period of the Qing Empire, moreover, we should strengthen the research in the period of the Republic of China and the new China period, this is of great significance to the study of the whole history of Sino — Soviet relations. In addition due to specific historical conditions, part of the Russian data of Chinese Eastern Railway in China was lost, in addition, there is no detailed and authoritative reference book for Russian archives of Chinese Eastern Railway, this situation makes the cited materials in Chinese works appear too old the materials cited in the book seem too old. The authors thank for proofreading and examining the translation A.I. Kobzev, Ph.D. (Philosophy), professor, director of China Department, Institute of Oriental Studies, Russian Academy of Sciences, director of TSC of Humanities and Social Sciences and director of Philosophy Department of MIPT (SRI), director of TSC «Oriental Philosophy» of RSUH, Chief researcher of Russian language, literature and culture research center of Heilongjiang University.
Thèses sur le sujet "International relations and culture – History – 20th century"
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Widmaier, Wesley William. « A constructivist theory of international monetary relations monetary understandings, state interests in cooperation, and the construction of crises (1929-2001) / ». Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3036613.
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Dumitrescu, Theodor. « The early Tudor court and international musical relations / ». Aldershot [u.a.] : Ashgate, 2007. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=016142806&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA.
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Revised Thesis (doctoral)--University of Oxford, 2004.Foreign cultural models at the English royal court -- International events and musical exchanges -- Building a foreign musical establishment at the early Tudor court -- Anglo-continental relations in music manuscripts -- English music theory and the international traditions. Includes bibliographical references (p. [297]-315) and index.
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Askew, Joseph Benjamin. « The status of Tibet in the diplomacy of China, Britain, the United States and India, 1911-1959 ». Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09pha8356.pdf.
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"June 2002" Bibliography: leaves 229-270. This thesis examines the changes in diplomacy of China, the West, Tibet and India from 1911 to 1951, while Tibet functioned as an independent country, and during 1951 to 1959 while under Chinese control. Tibet maintained its own currency, government, armed forces and way of life until 1959. The thesis also examines the cultural shifts in the political, social and military spheres in these countries. It assumes that the general world trend in political life has been towards increasingly intolerant and extreme politics. If Tibet remains part of China with little chance of resuming independence, it is because the Chinese government and people were quicker to adopt radical Western philosophies than the Tibetans were.
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Bruneau, Quentin. « Knowing sovereigns : forms of knowledge and the changing practice of sovereign lending ». Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:127b0026-030f-417d-9cb8-f871936d6227.
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This thesis examines how sovereign lending, i.e. the practice of lending capital to sovereigns, has changed since the early nineteenth century. It tackles this question by investigating how lenders have thought about sovereigns for the past two centuries, focusing on the tools they have used to know and represent them. I argue that there was a critical shift in the early twentieth century in terms of the kinds of knowledge lenders deployed to know sovereigns. This shift differentiates the old sovereign lending from the new. In the old sovereign lending, merchant banking families such as the Rothschilds knew sovereigns through intensely personal relations based on gentility, whereas in the new sovereign lending, joint stock banks, credit rating agencies and international institutions largely came to know sovereigns through statistics. Though difficult to imagine nowadays, the description of sovereigns through quantifiable facts (the original definition of 'statistics') was revolutionary for early twentieth century lenders. Despite constituting the origins of sovereign credit ratings, this key shift has been overlooked in all major studies about sovereign debt. The new sovereign lending rose to prominence from the interwar period to the 1970s and now defines our world. The identification of this crucial shift is based on the development and application of the concept of forms of knowledge. Forms of knowledge refer to enduring ways of knowing and representing the constituent units of the international system used by international practitioners (e.g. diplomats, military strategists, financiers, and international lawyers). Examples of forms of knowledge include, but are not limited to, modern cartography, international treaties, statistics, gentility, and heraldry. The use of this concept is that it leads to a better understanding of how international practitioners and their practices undergo radical changes. In so doing, it provides a firmer empirical grasp on the question of how fundamental discontinuities arise in international relations.
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Johnston, Seth Allen. « How NATO endures : an institutional analysis ». Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711650.
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Lin, Lidan. « The Rhetoric of Posthumanism in Four Twentieth-Century International Novels ». Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc278990/.
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The dissertation traces the trope of the incomplete character in four twentieth-century cosmopolitan novels that reflect European colonialism in a global context. I argue that, by creating characters sharply aware of the insufficiency of the Self and thus constantly seeking the constitutive participation of the Other, the four authors E. M. Forster, Samuel Beckett, J. M. Coetzee, and Congwen Shen all dramatize the incomplete character as an agent of postcolonial resistance to Western humanism that, tending to enforce the divide between the Self and the Other, provided the epistemological basis for the emergence of European colonialism. For example, Fielding's good-willed aspiration to forge cross-cultural friendship in A Passage to India; Murphy's dogged search for recognition of his Irish identity in Murphy; Susan's unfailing compassion to restore Friday's lost speech in Foe; and Changshun Teng, the Chinese orange-grower's warm-hearted generosity toward his customers in Long River--all these textual occasions dramatize the incomplete character's anxiety over the Other's rejection that will impair the fullness of his or her being, rendering it solitary and empty. I relate this anxiety to the theory of "posthumanism" advanced by such thinkers as Marx, Bakhtin, Sartre, and Lacan; in their texts the humanist view of the individual as an autonomous constitution has undergone a transformation marked by the emphasis on locating selfhood not in the insular and static Self but in the mutable middle space connecting the Self and the Other.
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Cole, Laura A. « Civil-military relations in Guatemala during the Cerezo presidency ». FIU Digital Commons, 1992. http://digitalcommons.fiu.edu/etd/2404.
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In 1986 Guatemala experienced a transition from authoritarian rule. Many issues affected the democratization process, but I argue that an essential aspect was civil- military relations. Thus, the principal question answered in this thesis is: How have civil-military relations determined the extent and nature of transition towards democracy in Guatemala from 1986-1990?
Adopting Alfred Stepan’s model to examine civil-military relations, the prerogatives and contestation of the Guatemalan military were examined. Prerogatives exist when the military assumes the right to control an issue, while contestation involves open articulated conflict with civilian government. High military prerogatives and low contestation indicate a situation of unequal civilian accommodation, where civilians do not effectively control the military.
Civil-military relations in Guatemala from 1986-1990 reflect a pattern of unequal civilian accommodation. This illustrates the lack of civilian control over the military and continued military dominance of the political system in Guatemala.
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Alvarez, Luis Alberto. « The power of the zoot : race, community, and resistance in American youth culture, 1940-1945 / ». Thesis, Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3008265.
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Martin, William R. « Corporatism in American foreign policy toward Germany between the wars, 1921-1936 ». PDXScholar, 1992. https://pdxscholar.library.pdx.edu/open_access_etds/4380.
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This thesis is an investigation of how United States foreign policy was made in the context of German-American relations in the period between the two world wars. The problem under investigation is whether the United States was using a corporatist approach in dealing with the problems of Germany and ultimately Europe and whether the corporatist model is a good one for analyzing foreign policy development during this period. Corporatism, as it is used in this thesis, is defined as an organizational form which recognizes privately organized functional groups outside the United States government, which collaborate with the government to share power and make policy. In the case of foreign policy, the focus of this investigation is on the role played by autonomous financial experts, especially from the banking community.
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Boauod, Marai. « The Making of Modern Egypt : the Egyptian Ulama as Custodians of Change and Guardians of Muslim Culture ». PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3102.
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Scholarship on the modern history of the Middle East has undergone profound revision in the previous three decades or so. Many earlier perceptions, largely based on modernization theory, have been either contested or modified. However, the perception of the Egyptian ulama (the traditionally-educated, religious Muslim scholars) in academic scholarship remains largely affected by the legacy of hypotheses of the modernization theory. Old assumptions that the Egyptian ulama were submissive to political power and passive players incapable of accommodating, let alone of fathoming, conditions of the modern world, and who chose or were forced to retreat from this world, losing much, if not all, of their relevance and significance, still infuse the scholarly literature.
Making use of materials obtained from the Egyptian National Archives, this study offers an examination of modern legal reform in Egypt from the nineteenth century through the first part of the twentieth century with the ulama and their legal institutions in mind. As the findings of this study effectively illustrate, the Egyptian ulama were by no means submissive. Rather, they were patient. Far from being passive agents of the past, the Egyptian ulama were active participants who played a critical role in the building of modern Egypt. The ulama had at their disposal sustained social and moral influence, a long-standing position as community leaders, a reputation as defenders and representatives of Islam, the power to validate or invalidate the political establishment by means of public and doctrinal legitimization, and the final authority over laws of family and personal status. Through these strengths, the ulama were able to influence the direction of change and to impact its scope and nature during transitional period that witnessed the making and remaking of modern Egypt.
Considering the nature of changes that they allowed to be introduced to the shari-based justice system and the ones they resisted, as well as their stance regarding social matters, the Egyptian ulama comprehended and recognized modernity as useful. Advanced techniques had to be embraced to strengthen state institutions. However, the ulama thwarted massive and sudden adoption of modernity's cultural elements, so that Egypt would not become a chaotic country and go astray. On the weight of their position as the ultimate authority over family law, the Egyptian ulama blocked rapid social change imposed from the top. Alterations to family law and the social structure were undertaken gradually and with a great deal of delicacy. Therefore, the long-standing social order was not suddenly destroyed and replaced with a new one. Instead, changes to the long-standing social structure were allowed to evolve slowly, while the core was largely preserved.
The ulama's far-reaching plan, which was realized in the long run, was to maintain Islam's position in modern Egypt as a guide and as the main source of legitimacy. As will be shown in this study, the history of the Egyptian ulama reveals not passivity, detachment, or submission but careful, and deliberate action.
Livres sur le sujet "International relations and culture – History – 20th century"
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Paul, Smith. Millenial dreams : Contemporary culture and capital in the North. London : Verso, 1997.
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Roelcke, Volker. International relations in psychiatry : Britain, Germany, and the United States to World War II. Rochester, NY : University of Rochester Press, 2010.
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1958-, Roelcke Volker, Weindling Paul et Westwood Louise 1947-, dir. International relations in psychiatry : Britain, Germany, and the United States to World War II. Rochester, NY : University of Rochester Press, 2010.
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Globalization of American fear culture : The empire in the twenty-first century. New York, NY : Palgrave Macmillan, 2016.
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The seduction of culture in German history. Princeton, N.J : Princeton University Press, 2006.
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The International Workers' Relief, communism, and transnational solidarity : Willi Münzenberg in Weimar Germany. Houndmills, Basingstoke, Hampshire : Palgrave Macmillan, 2015.
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Convictions of the soul : Religion, culture, and agency in the Central America solidarity movement. Oxford : Oxford University Press, 2004.
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A world connecting, 1870-1945. Cambridge, Mass : Belknap Press of Harvard University Press, 2012.
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1949-, Ramet Sabrina P., et Crnković Gordana, dir. Kazaaam ! splat ! ploof ! : The American impact on European popular culture since 1945. Lanham, Md : Rowman & Littlefield, 2003.
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1947-, Cox Michael, dir. Twentieth century international relations. London : SAGE, 2006.
Trouver le texte intégralChapitres de livres sur le sujet "International relations and culture – History – 20th century"
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MacKenzie, John M. « Nelson the Hero and Horatio the Lover : Projections of the Myth in Canada, the Cinema, and Culture ». Dans History, Commemoration and National Preoccupation. British Academy, 2007. http://dx.doi.org/10.5871/bacad/9780197264065.003.0005.
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This chapter extends the perspective on 1905 into a British and imperial dimension and traces resonances and reverberations of the Nelson myth as an imperial and international hero in both Britain and Canada. It also explores the treatment of Nelson in 20th-century international cinema.
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Sharief, Salah M. « The Influence of Sufism on the Sudanese Belt ». Dans Orientālistika. Cilvēkzināšana un Āzijas aktualitātes, 80–95. LU Akadēmiskais apgāds, 2020. http://dx.doi.org/10.22364/luraksti.os.819.05.
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As of the last decade of the 20th century, the Middle East and Africa have been the birthplace of extremist organizations espousing a radical ideology, which encourages violence against the dissenters and branding them apostates. Organizations like Al-Qā’ida and Dā’ish/ISIL performed numerous terrorist acts around the world, but especially in the Middle East. Other Salafi organizations like Boko Haram also gained recognition in international media disproportionate to their actual size. This discourse was behind the coinage of the term ‘Islamic Terrorism’, which casts a shadow of suspicion on any member of the Muslim community worldwide and served as an impetus for the writing of this paper as a means of shedding light on other Muslim organizations, which arguably are much larger in scope and influence. At the same time, these organizations are peaceful in nature and characterized by an incomparable level of tolerance. In my quest for sources of both narratives, I traced the history of the advent and dissemination of Islam in Africa – such a diverse geographic, cultural, ethnic and religious setting. I discovered that whereas the advent of Islam in the northern part of the region (North Africa) unfolded relatively quickly through invasion, it entered the Sudanese Belt (an area from the red sea shore of modern-day Sudan in the East to today’s Mauritania by the Atlantic Ocean in the West) more gradually via trade relations and the influence of Sufi sheikhs. They lived with the people indigenous to the area and seamlessly weaved themselves into the fabric of the societies they came to counsel. This paper argues that the areas where Sufi Islam is present have been largely shielded from extremist ideologies, and the reverse is true for North Africa, where Islam arrived in a relatively short period of invasion. The argument is presented by looking at the example of modernday Sudan, which leads me to examine the phenomenon of Sufi orders entering political life through direct involvement by establishing political parties, which propelled them into direct confrontation with representatives of a different branch of the Islamic movement in politics, namely, the Islamists. Arguably, the strongest Islamist party in the Middle East and Africa of today is the Muslim Brotherhood. I look at the diverging values of the two. Where the Muslim Brotherhood is arguably seeking absolute political power through a rigid organizational structure, the Sufi orders have been integrating into the political life of the country of residence. I argue that this example constitutes an opportunity to renegotiate the social contract between different factions of the society and lay the foundation for a different Islamic narrative. One based on pluralism, tolerance and understanding, which has the potential to gradually transform the sociopolitical environment of the entire Sudanese Belt in this direction.
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Toichkina, Alexandra V. « P.A. Kulish-farmer and his “farm philosophy” in the historiosophical perspective of the 21st century ». Dans Estate real — estate literary : vectors of creative transformation, 267–84. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0676-5-267-284.
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The article examines the “farm philosophy” of the Ukrainian writer and scientist P.A. Kulish (1819–1897) as a complex synthesis of Rousseau`s ideas, romantic aesthetics, populist ideology and Christian views. In a number of features, it is a kind of analogue of the Great Russian “estate culture” of the late 18th — early 20th centuries. “Farm philosophy” is ambiguously related to the life of the writer on his own farm Zarog in the Luben region on the territory of Malorossia in the 1850s. The reality of everyday life and relations with the serfs are, on the one hand, in contradiction with the provisions of his “farm philosophy”, on the other hand, they are the practical experience on which the writer developed these ideas. The ideas of the Kulish “farm philosophy” are not only a religious and philosophical substantiation of the positive sociocultural meaning of the farm in the history of the Ukrainian people, its language and literature, but also a kind of historiosophical program for the development of the Ukrainian nation.
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Peterson, William. « The Master of the Form ». Dans Asian Self-Representation at World’s Fairs. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland : Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985636_ch02.
Texte intégralRésumé :
By the early 20th century, Japan was the master of the international exhibition format. With over fifty years of experience at world’s fairs in the West, Japan knew how to market its culture and products in a manner appealing to the Western consumer of both high art and decorative objects. The 1915 Panama Pacific International Exposition provided the country with a unique opportunity to create a strong and lasting imprint on American bodies in the country pavilion site with its famed gardens and exotic, kimono-clad women. As the epicenter of Asian migration, San Francisco also offered unique opportunities to further the power of Japonisme in the arts, while politicians in both countries used the event to champion Japanese-American relations.
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Zakharova, Irina M. « Alexander I Obrenovic´'s visits to Russia and S. I. Speransky's Serbian Awards ». Dans Russia : A Look at the Balkans. Eighteenth - Nineteenth Centuries. On the 100th anniversary of Irina S. Dostyan's, 405–18. Institute of Slavic Studies, Russian Academy of Sciences, 2021. http://dx.doi.org/10.31168/2618-8570.2021.15.
Texte intégralRésumé :
The article deals with two Serbian certificate awarded to an employee of the Ministry of the Imperial Court S.I. Speransky, and that are now along with the orders of the Takovo Cross of the second degree kept in the collection of manuscripts and documents of the Department of the History of Russian Culture of the State Hermitage. The history of awarding of S. Speransky with the Serbian orders is seen through the prism of Russian-Serbian relations in the last quarter of the 19th century. The article provides brief information on the history of the Order of the Takovo Cross from the moment of its foundation until its abolition, the names of Serbian and Russian statesmen who were knights of the order are also provided. On the basis of printed and archival sources a description of two trips to Russia of the Serbian king Alexander Obrenović in 1891 and 1894 is given as well as the changing attitude towards him from the Russian ruling circles. Particular attention is paid to patents, which are not only materials for the biography of S. Speransky and interesting documents on the history of Serbian phaleristics, but also shed light on relations between Russia and Serbia in the late 19th and early 20th centuries.
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Tuchais, Simon. « French ». Dans Language Communities in Japan, 199–208. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198856610.003.0021.
Texte intégralRésumé :
The situation of French in present-day Japan derives from its current status as an international language, and a history starting in the 19th century, when French became an important language of modernization of Japan. In the 20th century, French rapidly assumed the status of a language of refinement and culture, associated with literature, intellectual thought, fashion, film, and gastronomy. This image is reflected in numerous loanwords from French in Japanese. This history led to French being one of the main foreign languages other than English taught in Japan since the Meiji era at all levels of education. French is actively studied in institutions of higher education, and is present through the network of French governmental cultural institutions in the major cities.
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Bystrova, Olga V. « “Who Are You with, ‘Masters of Culture’?” Anti-Fascist Theme in Gorky’s Journalism ». Dans Maxim Gorky and World Culture : A Collection of Scientific Articles (Materials of the Gorky Readings 2018 “World Value of M. Gorky (on the 150th Anniversary of the Birth)”, 443–51. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/978-5-9208-0693-2-443-451.
Texte intégralRésumé :
The theme of the confrontation with fascism still dominates the society. All attempts in the 20th century to distort the meaning, results and heritage of the great victory of the Russian people are debunked by the creative heritage of M. Gorky. The writer was one of the first to oppose the emerging “brown plague” in Europe. The clash of the concepts of fascism and anti-fascism in the 1930s suggests seeing the events of the turbulent twentieth century in the dialectical development of the struggle of various ideologies, understanding the deeper confrontation between the Soviet Union and Nazi Germany. On this line of confrontation, Gorky became a figure who, linking the worlds of different ideologies, turned out to be a person whose voice was heard on this and on that side. The proposed analysis of the position of the country and the artist in the time frame, when the war has not yet come, allows us to realize the deep forerunners and the origins of those terrible events that will unfold after the death of the writer. His artistic flair and intuition, excellent human knowledge and understanding of the internal currents of political games of States, in this case, can be considered as the Providence of the terrible events of the future. His journalistic articles, in particular “Who are you with, ʻmasters of cultureʼ? (The answer to the American correspondent” (1932), testifies to it fully. M. Gorky’s journalism, his speeches at conferences testified to the danger of strengthening fascism in Europe. In particular, the writer spoke about this in his address to “Delegates of the anti-war Congress: a Speech that was not made” (1932) and participants оf the international Congress of writers in defense of culture in 1935. The stated topic is relevant not only because it is a stage in the history of the writer’s creative biography, but also because so many years after the victory over fascism, attempts are made to revive this inhuman system of destruction of the world.
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Vorova, Tetiana. « THE CONCISE EXPOSITION OF SOME WORKS ON THE THEORY OF TRANSLATION (THE SECOND HALF OF THE XX-th CENTURY) ». Dans Іншомовна комунікація : інноваційні та традиційні підходи. Випуск 2, 49–77. Primedia eLaunch LLC, 2022. http://dx.doi.org/10.36074/ikitp.monograph-2022.03.
Texte intégralRésumé :
Translation, as a type of human activity, dates back to ancient times. In this capacity, it has always played a significant role in the history of culture of different peoples and world culture as a whole. At present, the translation activity in all its varieties has acquired an unprecedented scope due to the increasing intensity of international contacts, the globalization of economic relations, and the erasing of barriers and boundaries in personal communication. In this context, our time can be called the era of translation and translators. Modern studies of translation can be figuratively represented as a kind of crossroads at which the theoretical concepts intersect at different angles, and the research methods are characterized by great diversity and close connection with psychology, cultural studies, and literary criticism. At the same time, the linguistic platform based on linguistics remains, perhaps, the main one, requiring its own, special approach and understanding. In modern research, the focus of attention is increasingly moving from the structures of language systems and their features to the understanding and use of language as a means of speech and interlingual communication, to the semantic side of speech works, the connection of language with thinking and culture. The linguistic studies represent a significant volume in modern studies of translation, therefore we deliberately limit our review to a small group of classical works of the mid-twentieth century and regretfully miss the excellent works of other authors. After reaching steep heights, it always makes sense to stop in order to inspect the studied space and to outline the boundaries of the traversed path, so that it would be easier for the newcomers to perceive and master the unknown horizons of scientific research in the field of the studies of translation.
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Leuenberger, Christine, et Izhak Schnell. « Imagining Nations and Making States ». Dans The Politics of Maps, 14–31. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190076238.003.0002.
Texte intégralRésumé :
It is central for international relations to support state- and nation-building; “nation-building” entails forging common national identities, and “state-building” consists of establishing infrastructures to enhance governance. This chapter examines some of the ways that nation-states have been made—through narratives, ideas, and practices as well as through technologies and infrastructures—and how this has been reproduced in Israel/Palestine. Various disciplines were recruited to the service of nation-state building. Cartography helped stake out a territory, history and archaeology were used to make claims on it, and geographers were called on to formulate a new geography of the new homeland. At the same time, the Zionist vision and a Jewish metaculture as well as the quasi-state institutions of the Yishuv contributed to the establishment of the Israeli state. Throughout the 20th century, the high-modernist state used science and technology to take on its people as a state project. Israel exemplifies how the use of science and technology contributed to the belief that a society, its people, and its territories could be known, managed, and improved. Science and technology charted grand new futures for societies, furthering scientific and technical frontiers, expanding the power of states, and leaving behind all those people and lands that were not considered part of the state-building process.
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Kulykova, Lilia. « FOUNDERS OF DOMESTIC BYZANTINE STUDIES. THE RETURN OF FORGOTTEN NAMES IN MODERN HISTORICAL SCIENCE ». Dans European vector of development of the modern scientific researches. Publishing House “Baltija Publishing”, 2021. http://dx.doi.org/10.30525/978-9934-26-077-3-13.
Texte intégralRésumé :
The subject of the research is the study of scientific researches of personalities, biographies and creative way of outstanding domestic scientists, scholars of Byzantium in the second half of the 19th – first half of the 20th century, who be-came the founders of Byzantine studies. Research methods. A system of theoretical and empirical research methods was used to study the specific purpose of scientific research and solving problems, namely: historical and pedagogical analysis and syn-thesis, definition of the purpose, subject and tasks, exploration, synthesis of abstrac-tion, comparison, generalization and analogy to clarify the peculiarities of the devel-opment of theoretical approaches underlying the renewal and expansion of the study of Byzantinists and their research on the specified topic; analysis of sources, as well as research materials with the subsequent synthesis of its results into a holistic system of views on this problem; personalistic and biographical method – for the analysis of historical, biographical, reference and encyclopedic literature devoted to historical and pedagogical personalities. The aim of the study is to present to modern historians and all those interested in studying the history of Byzantium, both in Ukraine and abroad, the names of prominent historians of the past and objectively evaluate their work and scientific results in terms of modern international scientific views and approaches. Conclusion. Personalized study of life and scientific and pedagogical heritage of professors and academics of Byzantine studies V. G. Vasilievsky, O. O. Vasiliev, V. E. Regel, Y. A. Kulakovsky, F. I. Uspensky, A. G. Gotalov-Gottlieb gave the opportunity to reveal their fundamental role in the development of domestic Byzantine studies, the establishment of their own scientific schools and areas in scientific and pedagogical activities, created scientific and educational literature on Byzantine history, medieval history and culture, national foreign research institutes, scientific societies, associations and more. The scholars in their monographs and textbooks gave a personal vision of the problem and an interpretation of the expediency and importance of studying the history and culture of Byzantium and the Middle Ages in general. V. G. Vasilievsky, O. O. Vasiliev, V. E. Regel, Y. A. Kulakovsky, F. I. Uspensky, A. G. Gotalova-Gotliba laid the foundation of the national scientific championship. Their names and works are our scientific pride "forgotten", "shot", destroyed or simply unknown today to the general public of modern scientists in Ukraine and abroad. Further research of publications and use of their works and textbooks could become a valuable source for modern researchers of Byzantine history, as well as a discovery and subject for acquaintance for modern foreign researchers.
Actes de conférences sur le sujet "International relations and culture – History – 20th century"
1
Goryaev, Sergey, et Olga Olshvang. « Balkan motifs in Russian urbanonymy : “Romanian” and “Bulgarian” street names ». Dans International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/37.
Texte intégralRésumé :
The paper discusses some names of the Russian urban space, mainly street names, referring to the ethnonyms Romanian and for comparison Bulgarian, as well as to the names of the capitals of these countries and certain geographical objects, e.g., улица Румынская ‘Romanian street’ (the city of Astrakhan), Болгарский городок ‘Bulgarian town’ (a district in the city of Novokujbyshevsk), Софийский переулок ‘Sophia lane’ (the city of Shimanovsk), shopping center “Bucharest” (Moscow). The appearance of such names in the Russian onomasticon reflects the historical relations between Russia and the mentioned Balkan peoples, their common political history in the 20th century and, in a broader sense, the ways of manifestation of multiculturalism, not related to the global westernization of modern culture.
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Fuentes, Gabriel. « The Politics of Memory : Constructing Heritage and Globalization in Havana, Cuba ». Dans 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.60.
Texte intégralRésumé :
Since granted world heritage status by the United Nations Educational, Scientific, and Cultural Organization (UNESCO) in 1982, Old Havana has been the site of contested heritage practices. Critics consider UNESCO’s definition of the 143 hectare walled city center a discriminatory delineation strategy that primes the colonial core for tourist consumption at the expense of other parts of the city. To neatly bound Havana’s collective memory/history within its “old” core, they say, is to museumize the city as ”frozen in time,” sharply distinguishing the “historic” from the “vernacular.”While many consider heritage practices to resist globalization, in Havana they embody a complex entanglement of global and local forces. The Soviet Union’s collapse in 1991 triggered a crippling recession during what Fidel Castro called a“Special Period in a Time of Peace.” In response, Castro redeveloped international tourism—long demonized by the Revolution as associated with capitalist “evils”—in order to capture the foreign currency needed to maintain the state’s centralized economy. Paradoxically, the re-emergence of international tourism in socialist Cuba triggered similar inequalities found in pre-Revolutionary Havana: a dual-currency economy, government-owned retail (capturing U.S. dollars at the expense of Cuban Pesos), and zoning mechanisms to “protect” Cubanos from the “evils” of the tourism, hospitality, and leisure industries. Using the tropes of “heritage”and “identity,” preservation practices fueled tourism while allocating the proceeds toward urban development, using capitalism to sustain socialism. This paper briefly traces the geopolitics of 20th century development in Havana, particularly in relation to tourism. It then analyzes tourism in relation to preservation / restoration practices in Old Havana using the Plaza Vieja (Old Square)—Old Havana’ssecond oldest and most restored urban space—as a case study. In doing so, it exposes preservation/ restoration as a dynamic and politically complex practice that operates across scales and ideologies, institutionalizing history and memory as an urban design and identity construction strategy. The paper ends with a discussion on the implications of such practices for a rapidly changing Cuba.
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Laing, Richard. « 20th Century Cinemas : A Complex Challenge for the Visualisation of Culture, Structure and History ». Dans 2008 International Conference Visualisation VIS. IEEE, 2008. http://dx.doi.org/10.1109/vis.2008.20.
Texte intégral
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Lisovetc, Irina. « The Modern Multi-Functional Cultural Center (Yeltsin Center) as a Platform for Dialogue Both Public & ; Private ». Dans The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-11.
Texte intégralRésumé :
The article covers the modern multi-functional cultural centre as an institution of Russian culture of the 21st Century in the terms of the interaction of publicity and privacy. On the basis of the institutional approach in cultural theory and the philosophical and aesthetic analysis of the space of the cultural centre, the most important role of this institution in individual and personal assimilation of sociocultural values is substantiated. The objectives (programme) of such an institution, its chronotope and functionality are directed at the involvement of contemporaries into various forms and levels of the culture of the past, and its emotional-sensual assimilation via media-communication technologies. The ‘Yeltsin-Center’ in the city of Yekaterinburg was taken as the example not only for being orientated on the familiarisation of its visitors with the history of the Russian state and its culture of the late 20th century and the early 21st century, but also for the subjective experience of turning points of those times and the city where the personality and activities of the first Russian president were shaped and began. The calibre of the President’s personality, in this case, is diversely represented within the space of the Centre, and becomes crucial for understanding what was going on at that time. The ‘Yeltsin-Center’ is a principally new cultural complex, each component of which, and above all its central part - the Museum of the First President - is structured to show the turning point in Russian history as the President’s life journey and to encourage citizens to understand the past and present. The use of modern information technologies in this cultural complex, and primarily in its museum exhibition having been arranged as an artistic artefact, becomes crucial to the dialogue of publicity and privacy.
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Grisoni, Michela Marisa. « Modern attitudes towards vernacular architecture. Works by the Italians Luigi Angelini, Alberto Alpago Novello, Ottavio Cabiati, Alessandro Minali ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15687.
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Among the many architects practicing between the two world wars, some looked at the so-called vernacular architecture - then referred to as traditional or local, primitive, and spontaneous - as a model of genuine functionality. For some of them, its revival also stands for a solid and reliable solution for preserving the continuity between past and present, local communities and their traditions, society and its generations, a place, and its materials. Architectural historians have widely explored the theme, highlighting figures, subjects, and currents. Nevertheless, investigation of the role of history and historic culture is still far from exhausted, not only for Modernists but also among the Avantgardes and the International Style too. As a response to this conference’s topics, some of the architects working in and around Milan the 20th century focused on the relationships between tradition and modernity. Here we look at some of their works to open a discussion on different scales: the landscape, the town, the building. We shall examine their proposals for a functionalist and modern design concept in traditional terms: the Mediterranean colonial house will illustrate the research by Alberto Alpago Novello and Ottavio Cabiati on local architecture; the modern pre-Alpine house proposed by the engineer Luigi Angelini for the Bergamo valleys and the building materials chosen by the architect Alessandro Minali show their respect for each place. The conclusions will – one hopes - lead to talking about typological and constructive building features, materials, and traditional techniques as a tool for preservation.
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Souliotou, AZ. « TRANSFORMATIONS OF MONA LISA : THE CASE OF A DISTANCE EDUCATION ART-ANDTECHNOLOGY PROJECT ». Dans The 7th International Conference on Education 2021. The International Institute of Knowledge Management, 2021. http://dx.doi.org/10.17501/24246700.2021.7131.
Texte intégralRésumé :
Mona Lisa by Leonardo Da Vinci has been subject to numerous and various transformations in the form of (re)interpretations, reproductions, replicas, appropriations and parodies. Mona Lisa is far more than a mere Renaissance portrait or a symbol of its time. Instead Mona Lisa is radically connected with artistic movements and practices throughout the history of art as well as with the 20th and 21st century visual culture, visual commerce and social media imagery. This paper presents an activity in a higher education Department of Early Childhood where students experimented with digital tools and made a collective artwork of digital transformations of Mona Lisa. This digital experiment was a distance education project which took place during the COVID-19 pandemic restrictions in Greece. At first, students were given examples of appropriations and parodies of Mona Lisa from the history of art as well as from the visual culture. Then students gave their own "responses" through making digitally transformed versions of Mona Lisa which they put together in a collective digital mosaic. Clones, distortions, semi-transparencies, repositions and other transformations within 75 Mona Lisa versions render this collective artwork a composition with reference to pixel structure. Students' collective artwork contributed to the deeper understanding of Da Vinci's masterpiece and increased their confidence and familiarity with Renaissance painting. The case of this activity proves that digital culture is a catalyst for art history learning and creativity in the classroom. Furthermore, this activity fosters collaborative learning through distance education and turns out to be a vehicle for empowering learners in a digital world, as well as for developing linguistic, numerical and multisensory skills through digital creativity. Keywords: Mona Lisa, Leonardo Da Vinci, distance education, higher education, digital art, participatory practices, community resilience
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JI- EON, LEE, et YOO NA-YEON. « SOUTH KOREA’S DIPLOMATIC RELATIONSHIP WITH UZBEKISTAN SINCE 1991 : STRATEGY AND CHARACTERISTICS OF EACH GOVERNMENT ». Dans UZBEKISTAN-KOREA : CURRENT STATE AND PROSPECTS OF COOPERATION. OrientalConferences LTD, 2021. http://dx.doi.org/10.37547/ocl-01-03.
Texte intégralRésumé :
One of the biggest events in international political history at the end of the 20th century was end of the Cold War due to the dissolution of the Soviet Union. With the collapse of the Soviet Union in December 1991, the Cold War system, led by the US and the Soviet Union as the two main axes, disappeared into history, dramatically changing the international situation and creating new independent states in the international community. In the past, as the protagonist of the Silk Road civilization, it was a channel of trade and culture, linking the East and the West, but as members of the former Soviet Union, Central Asian countries whose importance and status were not well known have emerged on the international stage in the process of forming a new international order. After independence, Central Asia countries began to attract attention from the world as the rediscovery of the Silk Road, that is, the geopolitical importance of being the center of the Eurasian continent, and as a treasure trove of natural resources such as oil and gas increased.
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Strizhkova, Natalia. « Museum as an Institutional Form of Personal & ; Social Experiments : Project of Russian Avantgardism Artists ». Dans The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.
Texte intégralRésumé :
Museums as cultural institutions certainly reflect the sociocultural transformations of the new era and are changing with the new reality. Except for that, a museum is, by definition, an institution of memory, a keeper of history, it is based on adoption: the collection, successiveness and actualisation of past experience. What is perceived as innovation by contemporary society may have historical roots and be an actualisation of innovations of a bygone era. Modern museum development recalls a global project undertaken by Russian avant-garde artists in the early 20th century, and implying the institutional modernisation of museums. This study addresses a project taken on by avant-garde artists for the modernisation of museums in the context of general cultural construction, in cooperation with the Soviet Government. The research methodology is based on a conjunction of a historical study and culturological analysis, primarily the concept of the institutional approach. The study consisted in looking through archival documents: The Fund of the People’s Commissariat for Education and its departments (declarations, provisions, resolutions, decrees, minutes of meetings, correspondence, protocols and statements of estimates, inventory books of the State Museum Fund etc.), personal funds of artists and cultural figures, their theoretical works, articles, correspondence. A holistic inter-disciplinary approach combining historical and culturological analysis with prospects for contemporary sociocultural development and the role of museums is seen as a promising novelty of the research. Russian avantgardism as an artistic and sociocultural phenomenon has remained of great interest for a century. Different studies shed light only on separate aspects of this vast topic in different scientific contexts. The examination of the museum project by avant-garde artists under this study allows us to conclude that they were the first to undertake the institutional modernisation of museums by considering them in the focus of new demands of time and society, innovative programmes as forms of personal initiatives and experiments expressed in the broad public space of artistic culture.