Littérature scientifique sur le sujet « INSCRIPTION IMAGES »
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Articles de revues sur le sujet "INSCRIPTION IMAGES"
Zhang, Haoming, Yue Qi, Xiaoting Xue et Yahui Nan. « Ancient Stone Inscription Image Denoising and Inpainting Methods Based on Deep Neural Networks ». Discrete Dynamics in Nature and Society 2021 (20 décembre 2021) : 1–11. http://dx.doi.org/10.1155/2021/7675611.
Texte intégralSreedevi, Indu, Rishi Pandey, N. Jayanthi, Geetanjali Bhola et Santanu Chaudhury. « NGFICA Based Digitization of Historic Inscription Images ». ISRN Signal Processing 2013 (8 mai 2013) : 1–7. http://dx.doi.org/10.1155/2013/735857.
Texte intégralRuwanmini, Liyanage, Karunarathne, Dias et Nandasara. « AN ARCHITECTURE FOR AN INSCRIPTION RECOGNITION SYSTEM FOR SINHALA EPIGRAPHY ». International Journal of Research -GRANTHAALAYAH 4, no 12 (31 décembre 2016) : 48–64. http://dx.doi.org/10.29121/granthaalayah.v4.i12.2016.2392.
Texte intégralPurnama Yanti, Christina, et I. Gede Andika. « HSV image classification of ancient script on copper Kintamani inscriptions using GLRCM and SVM ». Jurnal Teknologi dan Sistem Komputer 8, no 2 (18 janvier 2020) : 94–99. http://dx.doi.org/10.14710/jtsiskom.8.2.2020.94-99.
Texte intégralRevesz, Peter Z., et Géza Varga. « A Proposed Translation of an Altai Mountain Inscription Presumed to Be from the 7th Century BC ». Information 13, no 5 (10 mai 2022) : 243. http://dx.doi.org/10.3390/info13050243.
Texte intégralIudin, Nikita I., Andrey N. Maslovsky et Mehdi Kazempur. « Glazed Bowl with Persian Pottery from Azak ». Povolzhskaya Arkheologiya (The Volga River Region Archaeology) 2, no 40 (27 juin 2022) : 175–82. http://dx.doi.org/10.24852/pa2022.2.40.175.182.
Texte intégralP, Divyarupa Sarma. « An Overview of Musical Instruments in Temple Inscriptions and Sculptures ». International Research Journal of Tamil 4, S-8 (9 août 2022) : 275–81. http://dx.doi.org/10.34256/irjt22s840.
Texte intégralGerleigner, Georg Simon. « ΑΘΕΝΑΙΑ / ΑΙΑΣ ». Cahiers du Centre de Linguistique et des Sciences du Langage, no 60 (24 février 2020) : 33–40. http://dx.doi.org/10.26034/la.cdclsl.2020.139.
Texte intégralPurnama Yanti, Christina, et I. Gede Andika. « THINNING STENTIFORD ALGORITHM FOR KINTAMANI INSCRIPTION IMAGE SEGMENTATION ». Jurnal Techno Nusa Mandiri 17, no 1 (15 mars 2020) : 17–22. http://dx.doi.org/10.33480/techno.v17i1.1203.
Texte intégralWang, Ziyang, Wei Zheng et Youguang Chen. « Deep learning for fast bronze inscription image retrieval ». Journal of Chinese Writing Systems 4, no 4 (décembre 2020) : 291–96. http://dx.doi.org/10.1177/2513850220964956.
Texte intégralThèses sur le sujet "INSCRIPTION IMAGES"
Chéry, Aurore. « L'image de Louis XV et Louis XVI entre tradition et création : statégies figuratives et inscription dans l'espace public, 1715-1793 ». Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30050.
Texte intégralUp to now, scholarly studies have shown less interest in the image of Louis XV and Louis XVI than in the one of their glorious ancestor, Louis XIV. This situation may have been encouraged by a historiography fostering the hypothesis of the desacralization of the monarchy in the 18th century. It would have led to a degradation of the royal image, with the monarchy being unable to face up to the growing influence of the public sphere. Yet, this dissertation tries to show that it precisely was because public opinion was taken into account that the royal image was redifined at the period. It appeared all the more necessary after the defeat in the Seven Years War. Soon afterwards, the representation of a simple and benevolent king, inspired by Stanislas Leszczynski, began to prevail and contributed much to the popularity of Louis XVI during his reign. Thus, the royal representation evolved and refered to new models. It also made good use of the democratization of multiple diffusion mediums enabling it to reach a larger public. Finally, the royal image could not be contemplated without paying attention to a major new actor: the press. It was used to promote the new royal iconography but it also precised its meaning and gave it some intellectual substance
Magloire, Marie-Christine. « Approche intersémiotique des inscriptions murales taguées ». Besançon, 2001. http://www.theses.fr/2001BESA1015.
Texte intégralO'Driscoll, Joshua. « Image and Inscription in the Painterly Manuscripts From Ottonian Cologne ». Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467286.
Texte intégralHistory of Art and Architecture
Leatherbury, Sean Villareal. « Inscribed within the image : the visual character of early Christian mosaic inscriptions ». Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:9ea6f425-7010-4820-b35d-bed33c658b60.
Texte intégralGerleigner, Georg Simon. « Writing on archaic Athenian pottery : studies on the relationship between images and inscriptions on Greek vases ». Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610545.
Texte intégralRoussel, Dominique. « Les inscriptions monumentales des temples de pi-ramses d'apres les vestiges de tanis : architectures, images et textes ». Paris 3, 1992. http://www.theses.fr/1992PA030096.
Texte intégralThe temples built as early as the xxi st dynasty on the vast natural "gesireh" of tanis, were partly erected using material from pi-ramses, the town where ramses ii resided, situated about thirty lomerers from tanis in what is now qantir. Since its discovery in 1798 until the present day, excavations have brought to light a considerable number of architectural romains in limestone, granite, sandstone and quartzite bearing the name of ramses ii which have been reused within walls and foundations. Our aim is to collate this arcehological documentation, spared by past and present time "pillagers". It is scattered amongst different museums, reburied, preserved in situ in good condition or damaged by salts or in some cases lost for ever
Khim, Chamroeun [Verfasser], et Willi [Akademischer Betreuer] Jäger. « 3D Image Processing, Analysis, and Software Development of Khmer Inscriptions / Chamroeun Khim ; Betreuer : Willi Jäger ». Heidelberg : Universitätsbibliothek Heidelberg, 2016. http://d-nb.info/1180737024/34.
Texte intégralLerman, Ricardo Terdiman. « Harun Farocki e a (des)montagem do olhar ». Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/27/27161/tde-06022018-095900/.
Texte intégralThe present work intends to deepen in the conception and method of Harun Farocki\'s work and investigate the relation between his cinematography art, history and the symbolic constructions that are made since the development of the post-industrial world. There is a double movement in Farocki\'s film. The first one involves sketching trough images that circulate in the interior of society an audiovisual history of the civilization that emerges with the invention of photography to locate the convergence between war, economics, politics and representation. The second one consists in investigate the role of the director in the the contemporary world and therefore to question the technique, morals and politics of his activity, in order to interrogate the cinematographic practice in a contemporary world saturated with it. This work of research will seek, through de procedure of film analysis, to discuss the social and political aspects of the production of images in the present time according to the work of Farocki, anchoring itself in the critic of photography (Flusser) and the history of culture (Benjamin). The research will show how the formal structures of his films construct a singular relation between the archive images and the corresponding historical process in the films \"Images of the world and inscriptions of war\" (1988) and \"Videograms of a Revolution\" (1992).
Rebillard, Laurence. « Images parlantes, langage imagé : les inscriptions peintes sur la céramique attique géométrique, protoattique et à figures noires : autour des consécrations de l'Acropole ». Paris 4, 1994. http://www.theses.fr/1994PA040118.
Texte intégralBen, Messaoud Fadhila. « Titulature et pouvoir de l’empereur Trajan dans les provinces de l’Occident romain d’après l’épigraphie et la statuaire ». Thesis, Bourgogne Franche-Comté, 2018. http://www.theses.fr/2018UBFCH035/document.
Texte intégralThrough the analysis of the epigraphic and statuary evidence that relates to emperor Trajan in the cities of the western provinces, my objective is to determine the various forms of expression of allegiance and loyalty of the provincials towards him . The presence of Trajan through these two forms of expression usually privileged for imperial propaganda is very significant. It is due to several factors: Trajan is originally from Italica, in Betic, He is the first provincial to take power in Rome; then he is called Best of Princes; and he was a great soldier and a good administrator during a long reign of 19 years and a half. He was therefore honored by many epigraphic documents erected on the fora of provincial cities, accompanied by statues, on foot, or equestrian. He is a prince well known also in literature and numismatics. All these testimonies show that he is the first emperor whose title will be enriched with various attributes throughout his reign; he is Optimus princeps, the first Dacicus, the first Parthicus, but also the first to have worn the title Proconsul, outside Rome.This imperial title first established in Rome and then sent to the provinces is a rich and varied subject of study to make comparisons between the provinces and the cities themselves. This seems thanks feasible to a systematic inventory of epigraphic books allowing us to list 316 inscriptions mentioning the Emperor Trajan. This emperor not only renewed certain aspects said republicans but also preserved the Augustan model perceptible through its denomination in which Imperator Caesar is quoted constantly at the head of the imperial sequence. But the innovations of Trajan are important and will mark the imperial history for a long time, as the inauguration of a new computary tribune set to 10 December of each year, instead of a variable computary marked the entire first century. He has only been in the consulate five times and for very long periods. By this practice he has restored to imperial power its importance; He presents himself as the true father for his fellow citizens, in Rome as well as throughout the empire. In short, the Emperor's formula finds its definitive appearance from the reign of Trajan
Livres sur le sujet "INSCRIPTION IMAGES"
Zhang, Baozhou, et Baiding Fan. Tu xiang yu ti ming : Image and inscription. Hangzhou : Zhongguo mei shu xue yuan chu ban she, 2011.
Trouver le texte intégralÉcrire, inscrire : Images d'inscriptions, mirages d'écriture. Paris : Corti, 2010.
Trouver le texte intégral1954-, Bean Robert, et Gallery 44, dir. Image and inscription : An anthology of contemporary Canadian photography. Toronto : Gallery 44, 2005.
Trouver le texte intégralVi, Paramaśivamūrti Ḍi. Kannaḍa śāsanaśilpa. Hampi : Prasārāṅga, Kannaḍa Viśvavidyālaya, 1999.
Trouver le texte intégralPictorial Victorians : The inscription of values in word and image. Athens : Ohio University Press, 2004.
Trouver le texte intégralL' image de l'empereur en Gaule romaine : Portraits et inscriptions. Paris : CTHS-Ed. du Comité des Travaux historiques & scientifiques, 2006.
Trouver le texte intégralImage inscriptions of Northern India : From 3rd century B.C. to 7th century A.D. Kolkata : Sanskrit Pustak Bhandar, 2009.
Trouver le texte intégralImages of eternal beauty in funerary verse inscriptions of the Hellenistic and Greco-Roman periods. Boston : Brill, 2013.
Trouver le texte intégralChristian celts : Messages & images. Stroud, England : Tempus, 1998.
Trouver le texte intégralUnveiling emotions II : Emotions in Greece and Rome : texts, images, material culture. Stuttgart : Franz Steiner Verlag, 2013.
Trouver le texte intégralChapitres de livres sur le sujet "INSCRIPTION IMAGES"
Sreedevi, Indu, Jayanthi Natarajan et Santanu Chaudhury. « Processing of Historic Inscription Images ». Dans Digital Hampi : Preserving Indian Cultural Heritage, 245–61. Singapore : Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5738-0_15.
Texte intégralIndu, S., Ayush Tomar, Aman Raj et Santanu Chaudhury. « Enhancement and Retrieval of Historic Inscription Images ». Dans Computer Vision - ACCV 2014 Workshops, 529–41. Cham : Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-16631-5_39.
Texte intégralMorita, Naoto, Ryunosuke Inoue, Masashi Yamada, Takatoshi Naka, Atsuko Kanematsu, Shinya Miyazaki et Junichi Hasegawa. « Inscription Segmentation Using Synthetic Inscription Images for Text Detection at Stone Monuments ». Dans Document Analysis and Recognition – ICDAR 2021 Workshops, 167–81. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-86198-8_13.
Texte intégralNguyen, Minh-Thang, Anne-Valérie Schweyer, Thi-Lan Le, Thanh-Hai Tran et Hai Vu. « Improving Ancient Cham Glyph Recognition from Cham Inscription Images Using Data Augmentation and Transfer Learning ». Dans New Trends in Image Analysis and Processing – ICIAP 2019, 115–25. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30754-7_12.
Texte intégralNguyen, Tien-Nam, Jean-Christophe Burie, Thi-Lan Le et Anne-Valerie Schweyer. « On the Use of Attention in Deep Learning Based Denoising Method for Ancient Cham Inscription Images ». Dans Document Analysis and Recognition – ICDAR 2021, 400–415. Cham : Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-86549-8_26.
Texte intégralSonnenberg-Schrank, Björn. « Visualization, Images and Inscriptions ». Dans Actor-Network Theory at the Movies, 187–231. Cham : Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-31287-9_5.
Texte intégralMeng, Lin. « Two-Stage Recognition for Oracle Bone Inscriptions ». Dans Image Analysis and Processing - ICIAP 2017, 672–82. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-68548-9_61.
Texte intégralMeng, Lin, Bing Lyu, Zhiyu Zhang, C. V. Aravinda, Naoto Kamitoku et Katsuhiro Yamazaki. « Oracle Bone Inscription Detector Based on SSD ». Dans New Trends in Image Analysis and Processing – ICIAP 2019, 126–36. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-30754-7_13.
Texte intégralCotsonis, John A. « The image of the Virgin Nursing (Galaktotrophousa) and a unique inscription on the seals of Romanos, metropolitan of Kyzikos ». Dans The Religious Figural Imagery of Byzantine Lead Seals I, 183–203. New York : Routledge, 2020. | Series : Variorum collected studies ; CS1085 : Routledge, 2020. http://dx.doi.org/10.4324/9780429327193-11.
Texte intégralWadeson, Lucy. « The Obelisk Tomb at Petra and the Bāb al-Sīq inscription : a study of text, image and architecture ». Dans From Ugarit to Nabataea, sous la direction de George Kiraz et Zeyad Al-Salameen, 207–34. Piscataway, NJ, USA : Gorgias Press, 2012. http://dx.doi.org/10.31826/9781463235031-012.
Texte intégralActes de conférences sur le sujet "INSCRIPTION IMAGES"
Sreedevi, Indu, Rishi Pandey, N. jayanthi, Geetanjali Bhola et Santanu Chaudhury. « Enhancement of inscription images ». Dans 2013 National Conference on Communications (NCC). IEEE, 2013. http://dx.doi.org/10.1109/ncc.2013.6488017.
Texte intégralJayanthi, N., Tarush Sharma, Vinay Sharma, Shubham Tyagi et S. Indu. « Classification of ancient inscription images on the basis of material of the inscriptions ». Dans 2021 3rd International Conference on Signal Processing and Communication (ICPSC). IEEE, 2021. http://dx.doi.org/10.1109/icspc51351.2021.9451641.
Texte intégralPan, Wei-guo, Ke Lu et Rui Zhai. « Inscription extraction from Traditional Chinese Painting images ». Dans the Fifth International Conference. New York, New York, USA : ACM Press, 2013. http://dx.doi.org/10.1145/2499788.2499817.
Texte intégralXia, Xi, et Lin Sh. « A Robust Segmentation Method for Chinese Inscription Images ». Dans 2021 5th Annual International Conference on Data Science and Business Analytics (ICDSBA). IEEE, 2021. http://dx.doi.org/10.1109/icdsba53075.2021.00043.
Texte intégralBhat, Sachin, et G. Seshikala. « Preprocessing and Binarization of Inscription Images using Phase Based Features ». Dans 2018 Second International Conference on Advances in Electronics, Computers and Communications (ICAECC). IEEE, 2018. http://dx.doi.org/10.1109/icaecc.2018.8479434.
Texte intégralNguyen, Minh-Thang, Anne-Valerie Shweyer, Thi-Lan Le, Thanh-Hai Tran et Hai Vu. « Preliminary Results on Ancient Cham Glyph Recognition from Cham Inscription images ». Dans 2019 International Conference on Multimedia Analysis and Pattern Recognition (MAPR). IEEE, 2019. http://dx.doi.org/10.1109/mapr.2019.8743540.
Texte intégralMousavi, Seyed Muhammad Hossein, et Vyacheslav Lyashenko. « Extracting old persian cuneiform font out of noisy images (handwritten or inscription) ». Dans 2017 10th Iranian Conference on Machine Vision and Image Processing (MVIP). IEEE, 2017. http://dx.doi.org/10.1109/iranianmvip.2017.8342358.
Texte intégralJayanthi, N., Ayush Tomar, Aman Raj, S. Indu et Santanu Chaudhury. « Digitization of Historic Inscription Images using Cumulants based Simultaneous Blind Source Extraction ». Dans the 2014 Indian Conference. New York, New York, USA : ACM Press, 2014. http://dx.doi.org/10.1145/2683483.2683534.
Texte intégralChaudhuri, Ushasi, Partha Bhowmick et Jayanta Mukherjee. « A Novel Rough Set based Technique for Character Spotting on Inscription Images ». Dans 2017 Ninth International Conference on Advances in Pattern Recognition (ICAPR). IEEE, 2017. http://dx.doi.org/10.1109/icapr.2017.8593183.
Texte intégralWicker, Nancy L. « Bracteates and Beverages : An Image from Scalford (and Hoby) and the Inscription alu ». Dans The Eighth International Symposium on Runes and Runic Inscriptions. Department of Scandinavian Languages, Uppsala University, 2021. http://dx.doi.org/10.33063/diva-438872.
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