Bibliographies thématiques / In memoriams (form)

Littérature scientifique sur le sujet « In memoriams (form) »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 26 juillet 2024

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Articles de revues sur le sujet "In memoriams (form)"

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Eatman, Megan. « Loss and Lived Memory at the Moore’s Ford Lynching Reenactment ». Journal for the History of Rhetoric 20, no 2 (mai 2017) : 153–66. http://dx.doi.org/10.5325/jhistrhetoric.20.2.0153.

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ABSTRACT Each year, members of the Moore’s Ford Movement conduct a memorial rally for and reenactment of a lynching that took place in 1946 near Monroe, Georgia. While a lynching memorial that includes a reenactment may sound suspect, particularly because lynching reenactments play a role in white supremacist activities, the Moore’s Ford Memorial’s unusual form offers affordances that other lynching memorials do not. This article argues that the memorial’s simultaneous attachment to and critique of necessarily inadequate traces of the past raise questions about what it means to remember violence in situ. Most lynching memorial rhetoric revolves around the narrow archive of lynching photographs produced, for the most part, by lynchers themselves. Through its combination of archival and lived memory, the Moore’s Ford Memorial both tells a broader story and draws attention to the archive’s inability to capture all that was lost. In dwelling in the gap between past and present, the memorial creates a generative space for community action.
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SNELL, K. D. M., et RACHAEL JONES. « Churchyard Memorials, ‘Dispensing with God Gradually’ : Rustication, Decline of the Gothic and the Emergence of Art Deco in the British Isles ». Rural History 29, no 1 (19 mars 2018) : 45–80. http://dx.doi.org/10.1017/s0956793318000031.

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Abstract:This article considers rusticated memorials in many churchyards and cemeteries in England and Wales, between c. 1850 and the present day, analysing their forms, chronology, and their wider social and artistic significances. These memorials have hitherto been a neglected form among British memorial styles. The discussion here focuses on the English Midlands, Kensal Green Cemetery (London), and Montgomeryshire in Wales. It appraises how such memorial rustication may relate to changing attitudes to rurality, ‘natural’ landscapes, and secularisation over time. As an analysis of shifting memorial tastes, the article assesses the chronology of rustication against the periodisation of two more dominant memorial types: namely Gothic memorials, which prevailed in the later nineteenth and early twentieth centuries, and Art Deco memorials, which gained popularity from the 1920s. It appraises regional differences in memorial style change, showing little English and Welsh variation in this after the mid-nineteenth century. There is attention to the hitherto little studied decline of the Gothic, and to the wider significance of the more secularised memorial forms that followed it. The role of these Gothic, rusticated, and Art Deco memorials for an understanding of social, attitudinal, religious and secularising change is emphasised.
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Young, James E. « The memorial’s arc : Between Berlin’s Denkmal and New York City’s 9/11 Memorial ». Memory Studies 9, no 3 (30 juin 2016) : 325–31. http://dx.doi.org/10.1177/1750698016645266.

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Without direct reference to the Holocaust or its contemporary “counter-monuments,” Michael Arad’s design for the National 9/11 Memorial at Ground Zero is nonetheless inflected by an entire post-war generation’s formal preoccupation with loss, absence, and regeneration. This is also a preoccupation they share with post-Holocaust poets, philosophers, artists, and composers: how to articulate a void without filling it in? How to formalize irreparable loss without seeming to repair it? In this article, I imagine an arc of memorial forms over the last 70 years or so and how, in fact, post-World War I and World War II memorials have evolved along a discernible path, all with visual and conceptual echoes of their predecessors. As Maya Lin’s design for the Vietnam Veterans’ Memorial was informed by earlier World War I and even World War II memorial vernaculars, her design also broke the mold that made Holocaust counter-memorials and other negative-form memorials possible.
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Sturken, Marita. « Designing the memory of terror, negotiating national memory : The National September 11 Memorial and the National Memorial for Peace and Justice ». Memory Studies 16, no 3 (26 mai 2023) : 636–45. http://dx.doi.org/10.1177/17506980231162319.

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This essay analyzes two American memorials that were built in the post-9/11 era: the National September 11 Memorial in New York City, which opened in 2011, and the National Memorial for Peace and Justice, which opened in Montgomery, Alabama, in 2018. Both of these memorials pay tribute to victims of terrorism, the first to victims of foreign terrorism and the second to victims of lynchings, a form of racial terrorism within the United States. This essay argues that these two memorials define the beginning and end of the post-9/11 era, from memorialization as a nationalist enterprise to memorialization as a reckoning on race that demands the destruction of racist monuments and the construction of memorials to victims of racist violence. It looks in particular at how the modern designs of these two memorials produce very different kinds of experiences of memory to tell distinct narratives of victimhood, loss, and nation.
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Williams, Howard. « Monument and material reuse at the National Memorial Arboretum ». Archaeological Dialogues 21, no 1 (16 mai 2014) : 75–102. http://dx.doi.org/10.1017/s1380203814000117.

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AbstractExploring the relocation and reuse of fragments and whole artefacts, materials and monuments in contemporary commemorative memorials in the United Kingdom (UK), this paper focuses on the National Memorial Arboretum (Alrewas, Staffordshire, hereafter NMA). Within this unique assemblage of memorial gardens, reuse constitutes a distinctive range of material commemoration. Through a detailed investigation of the NMA's gardens, this paper shows how monument and material reuse, while used in very different memorial forms, tends to be reserved to commemorate specific historical subjects and themes. Monument and material reuse is identified as a form of commemorative rehabilitation for displaced memorials and provides powerful and direct mnemonic and emotional connections between past and present in the commemoration through peace memorials, of military disasters and defensive actions, the sufferings of prisoners of war, and atrocities inflicted upon civilian populations. In exploring monument and material reuse to create specific emotive and mnemonic fields and triggers, this paper engages with a hitherto neglected aspect of late 20th- and early 21st-century commemorative culture.
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Clark, Jennifer, et Ashley Cheshire. « Rip by the Roadside : A Comparative Study of Roadside Memorials in New South Wales, Australia, and Texas, United States ». OMEGA - Journal of Death and Dying 48, no 3 (mai 2004) : 203–22. http://dx.doi.org/10.2190/3red-6h7d-pnnc-urt7.

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The comparative study of roadside memorials in New South Wales, Australia, and Texas, United States, raises questions about the consistency in memorial form and practice between societies with diverse ethnic and religious profiles and different historical backgrounds. This article compares roadside memorials in two societies, and suggests that ethnic and sub-group affiliation accounts for local and individual differences in what is essentially an international phenomenon powered by developments in motoring culture, postmodernism, and globalization. The roadside memorial reclaims public space for the celebration of the individual in a period and place of overwhelming technological and cultural change.
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Yuan, Xinyu. « Transformation of the artistic form and ideological content of the memorial complex in memory of the Sino-Japanese War in Beijing ». Культура и искусство, no 6 (juin 2024) : 188–99. http://dx.doi.org/10.7256/2454-0625.2024.6.70638.

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The article is devoted to the problem of transformation of the imagery of the monumental sculpture ensemble created in memory of the Sino-Japanese War in Beijing. The construction of the memorial took place in two stages: the Memorial of the Chinese People's War of Resistance to Japanese Aggression was erected in the late 1980s, and a decade later the Sculpture Garden of the Memorial of the Chinese People against the Japanese War was laid. These elements of a single ensemble represent different options for using figurative-meaningful, compositional-spatial, artistic-stylistic and plastic features of monumental sculpture and interpreting its semantic role in such structures. Using the example of these memorials, it is possible to identify and trace the development strategy of memorials and their sculptural design, especially the dynamics of changes in the creation of an artistic image of sculptural groups. The author uses the method of art criticism to describe the visual and expressive features and the ideological content of the monumental sculpture of the memorial plan on the example of an analysis of the aesthetic qualities of two different elements of the ensemble in Beijing. This requires an analysis of the artistic structure and forms through which the authors express their ideological messages, as well as a comprehensive study of visual and expressive means. The object of attention in the article is the role and place of monumental sculpture in the development of historical memory and culture of China, and the subject is the options for the development of figurative and stylistic features of the art of sculpture in the context of the expansion and transformation of memorial complexes. Sculpture is considered as a reflection of the ideological and creative pursuits of Chinese sculptors of the late XX and early XXI centuries. The research material is a monumental sculpture as the most important artistic element of the memorial ensemble in memory of the Sino–Japanese War in Beijing, which allows for artistic comparisons, including with similar monuments on the territory of modern Russia. The article provides an opportunity to reveal the nuances of artistic, spatial and semantic interaction between the memorial and the sculpture garden.
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Baguley, Margaret, Martin Kerby et Nikki Andersen. « Counter memorials and counter monuments in Australia’s commemorative landscape : A systematic literature review ». Historical Encounters : A journal of historical consciousness, historical cultures, and history education 8, no 3 (22 décembre 2021) : 93–120. http://dx.doi.org/10.52289/hej8.308.

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Over the course of the last four decades there has been a growing interest in the development and impact of counter memorials and counter monuments. While counter memorial and monument practices have been explored in Europe and the United States, relatively little research has been conducted in the Australian context. This systematic literature review examines the current state of scholarship by exploring what form counter monuments and memorials have taken and what events they have focussed on. A total of 134 studies met the selection criteria and were included in the final review. The major factors identified that have impacted on the development of the counter memorial and monument genre in Australia are international and domestic influences, historical, political and social-cultural events in Australia, the socio-political agenda of various individuals or organisations, and the aesthetics of the counter memorials and monuments themselves. The review found that Australia has a diverse and active counter memorial and monument genre, with commemorative practices honouring Aboriginal and Torres Strait Islander peoples, women, victims of human made and natural disasters, the experiences of asylum seekers, and the histories and experiences of the lesbian, gay, bisexual, transgender and queer communities.
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Odrekhivskyi, Roman. « Memorial buildings of Ternopil region (origins and formation of design in the XIX — first third of the XX century) ». Culturology Ideas, no 21 (1'2022) (2021) : 128–37. http://dx.doi.org/10.37627/2311-9489-21-2022-1.128-137.

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Ternopil region today is the center of tourist routes. Many monuments of memorial stonework have been preserved here. Most of them are currently in an abandoned and little-studied state. Therefore, the research of memorial buildings is relevant today. The research methodology is based on systematics, reliability, logic, historicism. The purpose of the study is to begin a comprehensive work on the study, preservation, restoration of memorials and to explore the problem of using these art objects for tourism purposes. The author examined hundreds of memorial buildings in Ternopil region. Most of them have been developed and put into scientific circulation for the first time. In particular, in Terebovlya, Narayiv and other centers of stonemasonry. The national peculiarities of memorial constructions of masonry are considered, i.e. isosceles/ Greek type of crosses with endings in the form of a shamrock, peculiarities of iconography of drawings of figures of Saints, of Jesus Christ, etc., thematic variety of sculptural figures. In the perspective of further research, it is recommended to provide theoretical justifications for the creation of lapidary museums of memorials in order to better preserve them for posterity and use as artistic objects for tourist routes.
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Dekel, Irit. « Jews and Other Others at the Holocaust Memorial in Berlin ». Anthropological Journal of European Cultures 23, no 2 (1 septembre 2014) : 71–84. http://dx.doi.org/10.3167/ajec.2014.230206.

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Is the Holocaust Memorial in Berlin a Jewish space? How are Jews presented there? What are the points of interest about Jews in the memorial from the perspective of the foundation that runs it as well as from various visitors' perspectives? This article focuses on interaction and performance at the memorial, an understudied topic in comparison to what the memorial presents in its installation and the debates that preceded its realisation. I argue that the memorial's form and location create interpretation strategies that are based on the dialectics of representation and non-representation, emotional experience versus knowledge about the Holocaust. This is differently manifested in the action of various groups visiting the memorial. Interpretation strategies rest on Jews being a category of memory. In substantiating this claim, I focus on the experience of German visitors, compared to that of Jewish visitors and claim that whereas Jews' experience of the site is directly linked to sharing intimate knowledge about the Holocaust, Germans tend to talk about the site metaphorically and in emotional terms, confirming the memorial's own ontology.
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Thèses sur le sujet "In memoriams (form)"

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Sivalle, Luciana Teston. « Fragmentos de constru??o da identidade docente : estudo dos memoriais de forma??o de alunas do PROESF ». Pontif?cia Universidade Cat?lica de Campinas, 2009. http://tede.bibliotecadigital.puc-campinas.edu.br:8080/jspui/handle/tede/633.

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Made available in DSpace on 2016-04-04T18:32:51Z (GMT). No. of bitstreams: 1 Luciana Teston Sivalle.pdf: 784557 bytes, checksum: 615ad91b9af24e7dfe60a4c72eeb61f9 (MD5) Previous issue date: 2009-02-05
Research about Educational Memorials presented as a paper for completion of the Course of Pedagogy of the Special Program for Training Teachers in Practice (PROESF), a partnership of the region of Campinas and the State University of Campinas (UNICAMP) to assist in charge teachers without higher education degree, in a proposal of emancipatory education. We present a brief contextualization of teacher education, the Program of PROESF, Memory as a resource in the re-signification through Educational Memorials, and an analysis of a sample of 24 memorials produced by students in 2007, bringing their autobiographical narratives to academic discussion, approaching everyday knowledge and teacher s knowledge, in order to recuperate the paths of constitution of teachers professional identity.
Pesquisa sobre Memoriais de Forma??o apresentados como trabalho de conclus?o do Curso de Pedagogia do Programa Especial para Forma??o de Professores em Exerc?cio (PROESF), uma parceria dos Munic?pios da Regi?o de Campinas com a Universidade Estadual de Campinas (UNICAMP) para atender professores em exerc?cio sem forma??o superior, numa proposta de educa??o emancipat?ria. Apresenta breve contextualiza??o da forma??o de professores, o Programa do PROESF, a Mem?ria como recurso na resignifica??o atrav?s de Memoriais de Forma??o, e an?lise de uma amostra de 24 Memoriais de Forma??o produzidos por alunas formandas de 2007, trazendo para discuss?o acad?mica suas narrativas autobiogr?ficas, abordando os saberes do cotidiano e os saberes de professor, numa perspectiva de resgatar os caminhos de constitui??o da identidade profissional do professor.
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Souza, Tania Regina de. « Infancia. Memorias em letras de forma ». reponame:Repositório Institucional da UFSC, 1996. https://repositorio.ufsc.br/xmlui/handle/123456789/157992.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura Brasileira, Florianópolis, 1996.
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Análise do livro Infância, memórias de Graciliano Ramos, com o objetivo de retirá-lo da concepção banal de veleidade pessoal do escritor. Coteja memórias de vários escritores brasileiros para expor a inovação da técnica narrativa e a posição estilística do autor em questão. O estudo demonstra que ao resgatar as experiências culturais e educacionais, o tecido narrativo expõe a marginalização infantil no ambiente familiar e escolar. Preserva-se assim, através da literatura, parte da história brasileira sem espaço na história oficial.
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Gwiza, Flavia. « MEMORIAL FOR HUMANITY : National Memorial For The Resilience of Human Nature ». Thesis, Virginia Tech, 2020. http://hdl.handle.net/10919/97482.

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In today's climate of division, how can urban landscapes reflect unity? How can they remind us of what we have in common? In a city like Washington, D.C. that welcomes millions of visitors from all corners of the globe every year mainly for its many memorials, what would a memorial that invites reflection on issues that concern humanity at large look like? What would it be about? What is the best location for it? This thesis, based on the above questions, explores the memorialization of the resilience of human nature using site, water, different materials, and past and future events. The memorial will be located on Hains point, which is already a designated site for future memorials by the National Capital Planning Commission (NCPC).
This project investigates how to design a memorial with a universal theme that every visitor can relate to. The Memorial aims at providing a space that units, uplifts and invites to reflect on the Resilience of Human Nature in the face of tragedies around the world. It is a reminder that as humans we are more similar than we are different, a reminder that is needed today.
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Pérez, Orozco Edith Eliana. « Memoria crítica y crítica de la memoria en Retablo de Julián Pérez Huarancca ». Master's thesis, Universidad Nacional Mayor de San Marcos, 2019. https://hdl.handle.net/20.500.12672/15839.

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Plantea que Retablo de Julián Pérez Huarancca representa la memoria que se opone al desgaste, borradura del recuerdo y opacidades de la representación e indiferencia del discurso oficial o memoria institucional. Así se comprende la presencia de dos actos con la memoria: 1) en la novela se recrea la memoria crítica dentro del texto ficcional como vehículo de expresión o canal simbólico que denuncia y expone las luchas y los conflictos de la memoria sobre los acontecimientos de violencia social, histórica y política desatados en Ayacucho; y 2) es a la vez, una crítica a la memoria hegemónica y homogénea a través de la representación en el retablo textual que mira el pasado de la violencia política para exponerla.
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Passos, Luís Otávio Teixeira. « Motivações e procedimentos estruturantes em um conjunto de cinco obras : memorial ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/8784.

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Este memorial apresenta uma reflexão sobre as principais motivações que nortearam um conjunto de cinco obras: Cores; Orbitais; Ar: em movimento, em profundidade; Feixe de luz, desolado e turvo, no anoitecer; Ressonâncias Temporais, mostrando como as motivações se desenvolveram a partir do referencial teórico e como elas foram transformadas e realizadas no contexto de cada obra. Essas motivações se constituem pela forma em evolução; pela harmonia que evoca regiões com pólos e regiões modulatórias; e pelo grupo de personagens. A forma em evolução é criada a partir do modelo visual de uma bromélia e de algumas obras de Salvatore Sciarrino; a harmonia é organizada através de campos harmônicos construídos a partir da proposta de estrutura estática e dinâmica de Boulez, e também através de cadeias desenvolvidas a partir de obras de György Ligeti e Henry Cowell; e o conceito de Elliott Carter para o grupo de personagens é realizado por um caminho técnico particular. As duas primeiras motivações são comuns a todas as obras do portfólio de composições, enquanto o grupo de personagens é comum às três últimas obras.
This work presents a discussion on the motivations that guided the composition of a set of five pieces: Colors; Orbitals; Air: in movement, in depth; A ray of light, desolated and muddy, in the sunset; Temporal Ressonances. It shows how the motivations were developed from theoretical references and how they were transformed by and applied to each new piece context. These motivations are: (1) form in evolution; (2) specific use of harmony to evoke harmonic regions with centers and modulatory harmonic regions; and (3) character-groups. Form in evolution is modeled on the visual model of a bromelia and also on some of Salvatore Sciarrino's pieces; harmony is organized through harmonic fields derived from pierre Boulez's concept of dynamic/static structures; it is also organized in chains that take the works of György Ligeti and Henry Cowell as examples; finally, Elliott Carter's concept of character-groups is put to a particular use in this set of compositions. The first two motivations are found in all five pieces discussed here, while the character-groups are found in the last three pieces.
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Eslava, Granthon Matthias Estanislao. « Lugar de la memoria en Ayacucho ». Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/656231.

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Ubicado en La Hoyada, en el nuevo distrito Andrés Avelino Cáceres en Huamanga, Ayacucho; a 20 minutos del centro de Huamanga con posibles ingresos desde las avenidas Los Robles y Cementerio. Este terreno se sitúa en lo que vendría a ser un “santuario de la memoria” en donde gran parte del terreno es intangible al tener dentro de sus 6 hectáreas un horno crematorio y fosas comunes en donde los fallecidos de esta época yacen. Las exhumaciones se siguen llevando a cabo. Este proyecto consiste en la creación de un lugar de la memoria (museo) en donde el usuario pueda ser trasladado en el tiempo para que así, este pueda experimentar los sentimientos de angustia, dolor y sufrimiento que ocasionaba el terrorismo en las personas afectadas, familiares y víctimas en la época de 1980 al 2000 utilizando la teoría de la fenomenología en donde el recorrido logra atravesar estos 20 años de historia y sus antecedentes. A su vez, logrando un lugar en donde la memoria de las victimas secuestradas, detenidas y desaparecidas sea dignificado, honrado y recordado por las generaciones actuales y futuras, así como buscar la reconciliación y la paz con el pasado entre las familias afectadas y el estado peruano.
Located in La Hoyada, in the new district Andrés Avelino Cáceres in Huamanga, Ayacucho; 20 minutes from the center of Huamanga with posible entries through the avenues Los Robles and Cementerio. This terrain is located in what would be a “santuary of memory” where much of the land is intangible by having within its 6 hectares a crematorium and mass graves where the deceased of this time lie. The exhumations continue to be carried out. This project consists in the creation of a place of memory (museum) where the user can be transferred in time so that he can experience the feelings of anguish, pain and suffering that the terrorism caused in the affected people, relatives and victims in the period from 1980 to 2000 using the theory of phenomenology where the walkthrough manages to go through these 20 years of history and its background. In turn, achieving a place where the memory of the kidnapped, detained and disappeared victims is dignified, honored and remembered by current and future generations, as well as seeking reconciliation and peace with the past between the affected families and the Peruvian state.
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Ayres, Mark Randall. « Signal modulation for holographic memories ». Connect to online resource, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3284466.

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Soncco, Llulluy Elizabeth Yolanda. « Toponimia del distrito de San Marcos de Rocchac-Tayacaja-Huancavelica. memorias de una identidad ». Bachelor's thesis, Universidad Nacional Mayor de San Marcos, 2018. https://hdl.handle.net/20.500.12672/10673.

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Recolecta y describe la toponimia del distrito de San Marcos de Rocchac. El estudio es descriptivo, sincrónico y mixto. Uso de las técnicas cualitativas y cuantitativas como observación participante, la entrevista etnográfica directa basada en cuestionarios, la recopilación documental y la metodología propuesta por Dick (1990). Concluye que el tamaño de la muestra fue de 203 topónimos y la tasa de la respuesta fue del 100%. La gran mayoría de los topónimos son de afiliación híbrido, motivación semántica de naturaleza física y frases nominales o compuestas. Además, el poblador de dicha zona tiene una relación natural e íntima con su entorno geográfico.
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Baker, Sherry Holbrook. « In Memoriam : Nine Elegiac Works for Horn, 1943–2004 ». University of Cincinnati / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1267719018.

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Kummari, Chandrashekar. « Embedded test pattern generator for memories / ». Available to subscribers only, 2006. http://proquest.umi.com/pqdweb?did=1240704151&sid=1&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Livres sur le sujet "In memoriams (form)"

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France, Collège de, dir. L'anthropologie en partage : Autour de l'oeuvre de Pierre Bonte. Paris : Éditions Karthala, 2020.

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Domanowska, Eulalia. Rzeźba dzisiaj 4 : Anti-pomnik : nietradycyjne formy upamiętniania = Sculpture today 4 : anti-monument : non-traditional forms of commemoration. Orońsko : Centrum Rzeźby Polskiej, 2020.

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Lüpertz, Markus. Markus Lüpertz : The memory and the form = la memoria y la forma. Valencia : IVAM Institut Valencià d'Art Modern, 2002.

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Pascuzzi, Maria. Luoghi di Mnemosine : Spazi e forme del culto dei caduti. Reggio Calabria : Città del sole, 2012.

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Lüpertz, Markus. Markus Lüpertz : The memory and the form = la memoria y la forma : [exposición]. Valencia : Institut Valencià d'Art Modern, 2002.

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John, Updike. Memories of the Ford administration. New York : Fawcett Crest, 1993.

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John, Updike. Memories of the Ford Administration. New York : Fawcett Crest, 1993.

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John, Updike. Memories of the Ford Administration. London : Andre Deutsch, 1992.

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John, Updike. Memories of the Ford administration. Franklin Center, Pa : Franklin Library, 1992.

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Viejo, Paul M. Extraña forma de memoria : [poesía]. Madrid : Universidad Complutense, 2002.

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Chapitres de livres sur le sujet "In memoriams (form)"

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Sørensen, Marie Louise Stig, Dacia Viejo-Rose et Paola Filippucci. « Memorials and Memorialisation : History, Forms, and Affects ». Dans Memorials in the Aftermath of Armed Conflict, 1–32. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-18091-1_1.

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Hsu, Yu-Chin, Kevin F. Tsai, Jessie T. Liu et Eric S. Lin. « Memories ». Dans VHDL Modeling for Digital Design Synthesis, 227–42. Boston, MA : Springer US, 1995. http://dx.doi.org/10.1007/978-1-4615-2343-7_11.

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Šuštar, Branko. « Faded Memories Carved in Stone : Teachers’ Gravestones as a Form of Collective Memory of Education in Slovenia in the 19th and Early 20th Century ». Dans School Memories, 175–87. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-44063-7_13.

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Wirth, Niklaus. « Memories ». Dans Digital Circuit Design for Computer Science Students, 71–78. Berlin, Heidelberg : Springer Berlin Heidelberg, 1995. http://dx.doi.org/10.1007/978-3-642-57780-2_6.

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Boutell, Wayne S. « Memorial ». Dans Memorial Articles for 20th Century American Accounting Leaders, 417–21. New York : Routledge, 2016. | Series : Routledge new works in accounting history ; 49 : Routledge, 2016. http://dx.doi.org/10.4324/9781315642321-38.

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Moonitz, Maurice. « Memorial ». Dans Memorial Articles for 20th Century American Accounting Leaders, 36–52. New York : Routledge, 2016. | Series : Routledge new works in accounting history ; 49 : Routledge, 2016. http://dx.doi.org/10.4324/9781315642321-4.

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Moonitz, Maurice. « Memorial ». Dans Memorial Articles for 20th Century American Accounting Leaders, 425–29. New York : Routledge, 2016. | Series : Routledge new works in accounting history ; 49 : Routledge, 2016. http://dx.doi.org/10.4324/9781315642321-40.

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Fine, Ellen S. « Intergenerational Memories ». Dans Remembering for the Future, 1970–84. London : Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1007/978-1-349-66019-3_136.

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Walker, Jefferson. « The Rhetorical Form and Force of the King Memorial ». Dans King Returns to Washington : Explorations of Memory, Rhetoric, and Politics in the Martin Luther King, Jr. National Memorial, 34–58. New York : Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/9781137589149_3.

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Linehan, Denis, et João Sarmento. « Spacing Forgetting : The Birth of the Museum at Fort Jesus, Mombasa, and the Legacies of the Colonization of Memory in Kenya ». Dans Cultural Memories, 305–25. Dordrecht : Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-90-481-8945-8_17.

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Actes de conférences sur le sujet "In memoriams (form)"

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Zhu, Jie, Quentin Stevens et Charles Anderson. « Chinese Public Memorials : Under the Effect of Exclusively Pursuing Solemnness, Sacredness, and Grandness ». Dans The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online : SAHANZ, 2022. http://dx.doi.org/10.55939/a4010p4jpd.

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Authentic public memorials did not appear in the Chinese public space until the late 19th century. As a result of Western influence, many war memorials were built during the Republic of China era (1912-1949). Since the establishment of the People’s Republic of China in 1949, the government has invested much in developing public spaces. Also, the government placed many memorials in Chinese cities to shape collective memory and urban identity. The affection of solemnness, sacredness, and grandness is the main affection that most memorials are intended to embody, particularly those that commemorate famous people, the government’s achievement, and the deceased from natural disasters and wars. By taking the example of memorials built from 1942 to the present in Chongqing, China, this paper critically examines changes over time in the forms. In addition, taking the analysis result from memorial forms as a base and combining widely cited literature in Chinese and English, the paper further explores the negative impacts of the intensive focus of solemnness, sacredness, and grandness. This paper’s analysis identifies standard, persistent and symbolic features in Chinese memorials, despite the diverse landscape elements and advanced construction techniques. Key themes emerge from this research are solemnness, sacredness, and grandness. Also, it reveals the issues raised by the exclusive pursuit of these affections, including similar memorial forms, insufficient engagement of memorials, and the unitary research topics on memorials.
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Bentley, Chris. « Vagas e presenças atenuadas : Uma piscina contra-memorial para Waitara ». Dans LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.163.g222.

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Os memoriais são testemunhas de histórias, lugares e pessoas do passado. Suas declarações podem ser sentidas e ouvidas, se alguém estiver em condições de ouvir. Os memoriais são os progenitores dessas vozes, funcionando como marcadores locativos curiosos e polêmicos. Este artigo relata uma investigação conduzida por uma prática na piscina do memorial. Apresenta esses espaços estranhos e disjuntivos como contra-memoriais, meios para métodos alternativos de lembrança. O projeto desdobrou-se em duas fases: trabalho de campo documental e uma intervenção de design especulativo. O trabalho de campo consistiu em expedições a três piscinas memoriais encontradas em Te Ika-a-Maui, a Ilha do Norte. Métodos de habitação e testemunhos específicos do local, como desenho, filme e gravação do local, identificam e agregam a linguagem fenomenal desses locais memoriais. Isto envolveu uma observação particular de presenças e ausências. O trabalho se refere a Michael Taussig em suas observações de que as gravações de campo, como desenhos, existem como “mais do que o resultado de ver”. Elas apresentam oportunidades para um tipo diferente de óptica. O conceito de óptica dialética do filósofo e crítico Walter Benjamin é explorado em como esses sites nos permitem “perceber o cotidiano como o impenetrável e o impenetrável como o cotidiano”. Imagens transitórias e mundanas foram investigadas como marcadores de contra-memorial e como evidência de mudanças de papéis, temporalidades e ecologias. A viagem, a abordagem do pesquisador de campo e a habitação temporária são consideradas parte da metodologia de trabalho de campo do projeto, tanto no sentido prático quanto temporal. O trabalho de campo desenvolveu uma compreensão conversacional do lugar, considerando as paisagens do passado, do presente e do futuro que ocupamos em relação uns aos outros. A intervenção do projeto especulativo aproveita a linguagem afetiva desenvolvida no trabalho de campo para propor uma reconfiguração da Piscina Waitara como um contra-memorial. A obra compreende uma série de provocações mnemônicas que detalham a perda, o vazio e a superação de limiares rituais. Estes apresentam encontros conversacionais e dialógicos. As imagens dessas superfícies e espaços derivam de habitações e atividades, em vez de contemplações isoladas. Eles são memoriais vividos. O corpo se torna uma força essencial dentro do local e faz com que o esquema funcione mais como uma paisagem memorial do que como uma série de obeliscos. Isto se relaciona mais com as ideologias não ocidentais de memorial, o indivíduo e a paisagem. O filósofo Dr. Carl Mika refere-se a este vínculo sendo “indivisível”, e que os Māori, por exemplo, estão conectados por meio de uma “impressão na paisagem”. Os movimentos conscientes e subconscientes posicionam o observador como um participante ativo, em vez de um observador distante. Tanto o corpo presente quanto o ausente são fundamentais para a composição formal e temática de cada encontro apresentado ao espectador. Cortes verticais e horizontais formam molduras e pisos habitados ou anulados pelo corpo. Pelas condições ecológicas, e à medida que as piscinas são utilizadas, esses cortes geram novas superfícies reflexivas e oferecem pontos de vista. Meu trabalho imagina maneiras de localizar memórias e histórias por meio da imersão em uma nova paisagem contra-memorial, apresentando oportunidades de habitar a memória atenuada.
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Maciel, Cristiano, Vinicius Carvalho Pereira, Carla Leitão, Roberto Pereira et José Viterbo. « Interacting with Digital Memorials in a Cemetery : Insights from an Immersive Practice ». Dans XVII Simpósio Brasileiro de Fatores Humanos em Sistemas Computacionais. Sociedade Brasileira de Computação (SBC), 2018. http://dx.doi.org/10.5753/ihc.2018.4229.

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This research analyzes how users that are also HCI designers behave in the interaction with digital memorials linked to graves through QRCodes. We carried out an immersive practice in the Consolação Cemetery (São Paulo, Brazil), where QRCodes are used to tag graves of famous deceased people and to guide the visitors in the site. The QRCode tags link the graves to an online application for digital memorials called MemoriAll. This paper presents an overview of the study and its main results, promoting discussion on the topic.
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Ueda, Gustavo S., Aline Verhalen et Cristiano Maciel. « Um Negócio de Dois Mundos : Aspectos da Morte no Mundo Físico Transpostos para Memoriais Digitais ». Dans X Workshop sobre Aspectos da Interação Humano-Computador na Web Social. Sociedade Brasileira de Computação (SBC), 2019. http://dx.doi.org/10.5753/waihcws.2019.7675.

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O planejamento de aspectos ligados a morte de usuários na Web Social tem reflexo sobre a concepção de sistemas. Todavia, que elementos relacionados ao planejamento desses aspectos ligados a morte no mundo real podem contribuir para o desenvolvimento de sistemas nesta área? Essa pesquisa visa entender tais aspectos, a fim de propor alternativas úteis a diferentes softwares, em especial, aos memoriais digitais. Para tal, de forma exploratória, e apoiados por pesquisa bibliográfica, foram realizadas entrevistas em ambientes comerciais que oferecem serviços relacionados a morte. Como resultado, são propostas reflexões de um plano de memorial, considerando aspectos volitivos do legado digital em sistemas de memorial digital.
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Monteiro, Luis Flavio Ferreira, Cristiano Maciel, Daniele Trevisan et Vinícius Carvalho Pereira. « Preserving Memories Together : Proposing Artifacts for Collective Digital Memorials ». Dans SBSI '24 : XX Brazilian Symposium on Information Systems. New York, NY, USA : ACM, 2024. http://dx.doi.org/10.1145/3658271.3658301.

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Merlin, Wilfrid, Darrell Mouland, William Markuske, Peter King, Ron Lewis, Dan Walker et Gary J. Dinn. « High Resolution Seabed Sub-Bottom Profiler for AUV ». Dans ASME 2011 30th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2011. http://dx.doi.org/10.1115/omae2011-49024.

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Memorial University of Newfoundland (Memorial) is undertaking a novel and exciting area of interdisciplinary research and development related to Autonomous Underwater Vehicles (AUV). AUVs are an untethered, unmanned technology that enables a broad array of research, especially in hazardous underwater environments, that cannot be achieved by other means. In spring 2010, Memorial University commenced design work on a project that aims to provide a means to conduct high-resolution sub-bottom seabed surveys in water depths up to 1000 m (3281 ft), using a new imaging sub-bottom profiler technology with a 10 cm (3.9 in) resolution that has never been deployed on an AUV. The purpose of this project is to integrate a long-array sub-bottom profiler developed by PanGeo Subsea Inc. of Canada, into Memorial’s Explorer AUV by building a new vehicle section that resembles a thick airplane wing with a span of 3.5 m (11.5 ft). Memorial University is working to make the new equipment easily adaptable and removable from the Explorer AUV while in operation. The Explorer AUV equipped with this new sub-bottom profiler capability will be operational in 2012. In this paper, the underlying design criteria and challenges are discussed. A preliminary concept design is described and coarsely evaluated for technical feasibility.
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Azulay Tapiero, Marilda. « Arquitectura, dispositivo de experiencia memorial. *** Architecture : a drive of memorial experience . » Dans 8º Congreso Internacional de Arquitectura Blanca - CIAB 8. Valencia : Universitat Politècnica València, 2018. http://dx.doi.org/10.4995/ciab8.2018.7604.

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La arquitectura puede introducirnos en la experiencia de la memoria; memoria como reflexión, y arquitectura como dispositivo para la experiencia memorial a la vez que contenedor de la información. Cada objeto es definido en un proceso en el que considerar diversos actores, sus voluntades, opciones y experiencias. Es el caso de las obras que aborda este trabajo, en las que evidenciar e interrogarnos sobre el gesto arquitectónico, la memoria evocada y su interpretación social. Obras que han alcanzado notoriedad por diferentes motivos: como la Sala del Recuerdo, de Arieh Elhanani, Arieh Sharon y Benjamin Idelson (1961) en Yad Vashem, Jerusalén; por su significado científico e histórico, como el Museo de Historia del Holocausto, también en Yad Vashem, de Moshé Safdie (2005); por su relevancia cultural o arquitectónica, como el Museo Judío (Ampliación del Museo de Berlín con el Departamento del Museo Judío) de Daniel Libeskind en Berlín (1999); e incluso por la controversia que han suscitado, como el Monumento en Memoria de los Judíos Asesinados de Europa, también en Berlín, conocido como el Monumento del Holocausto, de Peter Eisenman (2004).***Architecture can introduce us to the experience of memory; memory as reflection, and architecture as a drive for the experience of remembering as well as a container of information. Each object is de ned in a process in which different actors, their wills, options and experiences, are taken into account. This is the case of the artworks addressed by the present communication, in which we reveal and ask ourselves about the architectural gesture, the evoked memory and its social interpretation. Artworks that have achieved prominence for different reasons, such as the Hall of Remembrance, of Arieh Elhanani, Arieh Sharon and Benjamin Idelson (1961) in Yad Vashem, Jerusalem; for its scientific and historical significance, such as the Holocaust History Museum, also in Yad Vashem, by Moshe Safdie (2005); for its cultural or architectural relevance, such as the Jewish Museum (Extension of the Berlin Museum with the Department of the Jewish Museum) by Daniel Libeskind in Berlin (1999); and even because of the controversy they have raised, such as the Memorial to the Murdered Jews of Europe, also in Berlin, known as the Holocaust Memorial, by Peter Eisenman (2004).
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Афанасьева, Д. А. « The Classification Problem of Urban Memorial Objects in Northern Ireland (1969–1998) ». Dans Конференция памяти профессора С.Б. Семёнова ИССЛЕДОВАНИЯ ЗАРУБЕЖНОЙ ИСТОРИИ. Crossref, 2023. http://dx.doi.org/10.55000/semconf.2023.3.3.035.

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В статье подвергаются критическому анализу существующие в исторической науке и музейной практике подходы к классификации городских мемориальных объектов Северной Ирландии, созданных в период конфликта 1969–1998 гг. Актуальность исследования определяется ключевой ролью мемориальных объектов шести графств Ольстера как исторических источников, позволяющих реконструировать динамику изменения доминирующих в североирландском обществе мемориальных дискурсов и изучить способы идеологической коммуникации радикальных республиканских и юнионистских групп (вооруженных формирований, политических партий) с представителями этноконфессиональных общин. Работа основывается на принципе многофакторности истории и социальных процессов. При рассмотрении предложенных исследователями систем классификации автор применяет аксиологический, компаративный и историко-типологический методы. Особое внимание уделяется аспектам проблемы существования отдельных условно нетипичных памятников, которые по различным признакам не могут быть включены ни в одну из выделенных в рамках различных подходов категорий. На основе сопоставления выделенных исследователем достоинств и недостатков подходов к классификации мемориальных объектов формулируется вывод о нецелесообразности прямого совмещения разработанных схем группировки памятников в качестве уровней единой системы ввиду противоречивости отдельных концепций и их теоретической неупорядоченности. В качестве способа преодоления существующих методологических противоречий предлагается создание универсального способа классификации мемориальных объектов на основе разработки многоуровневой гипертекстовой системы, отображающей единство политических, социальных, культурных процессов, протекавших в Северной Ирландии в период Ольстерского конфликта и после его окончания и минимизирующей вероятность акцидентального исключения определенных памятников из оптики исследователей. This article critically analyses the existing approaches in historical studies and museum practices for classifying urban memorial sites created during the conflict in Northern Ireland which lasted from 1969 to 1998. The research significance lies in the primary role of Ulster's six counties' memorial sites as primary sources that enable the reconstruction of the dynamic patterns of dominant memorial discourses in Northern Irish society. Additionally, they allow to study the methods of ideological communication employed by radical republican and unionist groups (militant groups and political parties) with representatives of ethno-religious communities. The research is based on the multifactorial nature of history and social processes. In examining the proposed classification systems put forth by researchers, this study employs axiological, comparative, and typological historical approaches. Special attention is given to the issue of certain conditionally atypical memorials that cannot be categorized within the identified frameworks of different approaches for various reasons. By comparing the advantages and disadvantages of the highlighted approaches to classifying memorial objects, the author concludes that directly combining existing monument grouping schemes as levels of a uniform system is ill-advised due to the inconsistency of their individual concepts and theoretical disarray. To overcome these methodological contradictions, the article proposes the development of a universal classification system for memorial objects. This system would be based on a multi-level hypertextual structure that, on the one hand, reflects the unity of political, social, and cultural processes occurring in Northern Ireland during and after the Ulster conflict, and on the other hand, minimises the likelihood of excluding certain memorials from the researchers' purview.
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« In Memoriam ». Dans 2007 IEEE International Frequency Control Symposium Joint with the 21st European Frequency and Time Forum. IEEE, 2007. http://dx.doi.org/10.1109/freq.2007.4319015.

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Psaltis, Demetri. « Holographic memories ». Dans 17th Congress of the International Commission for Optics : Optics for Science and New Technology. SPIE, 1996. http://dx.doi.org/10.1117/12.2299086.

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Rapports d'organisations sur le sujet "In memoriams (form)"

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Esener, Sadik C., Philippe Marchand et Ashok Krishnamoorthy. Associative Memories for Supercomputers. Fort Belvoir, VA : Defense Technical Information Center, décembre 1992. http://dx.doi.org/10.21236/ada263142.

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Schuller, Ivan K. Nanostructured Magnetism for Super-Dense Memories. Fort Belvoir, VA : Defense Technical Information Center, novembre 2003. http://dx.doi.org/10.21236/ada425216.

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Mitkas, Pericles A. Error Detection and Correction for Optical Memories. Fort Belvoir, VA : Defense Technical Information Center, juin 1997. http://dx.doi.org/10.21236/ada329310.

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Uhlmann, Jeffrey K. Explicit State Vector Representation for Heteroassociative Memories. Fort Belvoir, VA : Defense Technical Information Center, novembre 1990. http://dx.doi.org/10.21236/ada229757.

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Diebold, Francis. The Nobel Memorial Prize for Robert F. Engle. Cambridge, MA : National Bureau of Economic Research, avril 2004. http://dx.doi.org/10.3386/w10423.

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Neifeld, Mark A. Parallel Error Coding Decoding for Highly Parallel Memories. Fort Belvoir, VA : Defense Technical Information Center, août 1997. http://dx.doi.org/10.21236/ada329704.

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Fasel, J. H., O. M. Lubeck, D. Agrawal, J. L. Bruno et A. El Abbadi. Transactional memories : A new abstraction for parallel processing. Office of Scientific and Technical Information (OSTI), décembre 1997. http://dx.doi.org/10.2172/563279.

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Rosenfeld, Ronald, et David S. Touretzky. Four Capacity Models for Coarse-Coded Symbol Memories. Fort Belvoir, VA : Defense Technical Information Center, décembre 1987. http://dx.doi.org/10.21236/ada218909.

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Thornberry-Ehrlich, Trista. American Memorial Park : Geologic resources inventory report. National Park Service, 2024. http://dx.doi.org/10.36967/2304393.

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Geologic Resources Inventory reports provide information and resources to help park managers make decisions for visitor safety, planning and protection of infrastructure, and preservation of natural and cultural resources. Information in GRI reports may also be useful for interpretation. This report synthesizes discussions from a scoping meeting held in 2003 and a follow-up conference call in 2021. Chapters of this report discuss the geologic heritage, geologic history, geologic features and processes, and geologic resource management issues of American Memorial Park. Guidance for resource management and information about the previously completed GRI GIS data and poster (separate products) is also provided.
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Cannon, Kelly. Fort Clatsop National Memorial : A Study in Historic Preservation. Portland State University Library, janvier 2000. http://dx.doi.org/10.15760/etd.6603.

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