Articles de revues : « Immensitas »

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Knapp, Bettina L., et Sylvie Germain. « Immensités ». World Literature Today 68, n^o 4 (1994) : 777. http://dx.doi.org/10.2307/40150627.

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Richey, John, et Morton Subotnick. « Intimate Immensities ». Computer Music Journal 22, n^o 2 (1998) : 65. http://dx.doi.org/10.2307/3680967.

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Schuback, Marcia Sá Cavalcante. « Immensity and A-subjectivity ». Research in Phenomenology 39, n^o 3 (2009) : 344–58. http://dx.doi.org/10.1163/008555509x12472022364046.

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AbstractThe aim of the present article is to reflect upon comparative procedures at stake in the acknowledgment of differences, following some paths of Husserl's and Heidegger's views on “comparative examination” (vergleichende Betrachtung). Although using the same expression as Husserl, Heidegger presents in this concept, rather, a phenomenology of correspondence. The encounter with otherness is described as correspondence to the immensity of the event of the world in Dasein. From out of a “destruction” of comparative examinations, it becomes possible to seize the a-subjective and ek-static structure of Dasein and claim a corresponding way of encountering otherness. In this corresponding way, the Other appears first as non-otherness, beyond a dialectics of selfhood and otherness.

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Cross, Richard. « Duns Scotus on Divine Immensity ». Faith and Philosophy 33, n^o 4 (2016) : 389–413. http://dx.doi.org/10.5840/faithphil201610567.

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Sondheim, Alan. « Apocalyptic Texts, Phenomenology of Immensity ». Space and Culture 1, n^o 2 (août 1997) : 75–83. http://dx.doi.org/10.1177/120633120000100206.

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Maluf, Marcelo. « From The Intimate Immensity of Sheep ». Review : Literature and Arts of the Americas 52, n^o 2 (3 juillet 2019) : 205–8. http://dx.doi.org/10.1080/08905762.2019.1681777.

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Bailly, Jean-Christophe. « Retour sur les règnes, une immensité sidérante ». Alter, n^o 26 (31 décembre 2018) : 159–74. http://dx.doi.org/10.4000/alter.626.

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Zobel Marshall, Emily, et Jenny Zobel. « ‘Dans Cette Immensité Tumultueuse’ (In This Vast Tumult) ». Wasafiri 28, n^o 1 (mars 2013) : 27–35. http://dx.doi.org/10.1080/02690055.2013.744795.

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MISTREANU, Diana. « Pas de sortie facile. Immensités, intimités et intensités sibériennes chez Andreï Makine ». Écho des études romanes 14, n^o 1-2 (11 juin 2018) : 113–27. http://dx.doi.org/10.32725/eer.2018.011.

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Desblache, L. « Sylvie Germain : regards croises sur 'Immensites'. Avec la participation de Sylvie Germain ». French Studies 64, n^o 1 (17 décembre 2009) : 109–10. http://dx.doi.org/10.1093/fs/knp216.

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Bricco, Elisa. « Sylvie Germain. Regards croisés sur “Immensités”, sous la direction de Mariska Koopman-Thurlings ». Studi Francesi, n^o 159 (LIII | III) (1 décembre 2009) : 671–72. http://dx.doi.org/10.4000/studifrancesi.7726.

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Podguzova, O. A. « SERGEY YAKOVENKO : HE KNEW HOW TO EMBRACE THE IMMENSITY ». Arts education and science 1, n^o 3 (2020) : 173–82. http://dx.doi.org/10.36871/hon.202003021.

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The article is dedicated to the famous singer and teacher, Doctor of Arts Sergey Borisovich Yakovenko. It presents selected pages of the master's life, his performing activity, tells about the musician's creative contacts with representatives of Russian culture of the second half of the XXth – early XXIst centuries. The first performer of many modern vocal works, monooperas, cantatas and oratorios, outstanding and little-known works of world music, romances and songs by Soviet composers, S. B. Yakovenko is also a major figure in science, education and musical enlightenment. His research focuses on a wide range of issues related to vocal creativity, performance interpretation and singing traditions. The article also presents the basic pedagogical principles of the musician. The publication contains the material from one of the last works of S. B. Yakovenko "Three Hundred Years Without a Director", which never saw the light. It is devoted to the history of musical theater, the role of director, conductor and composer in it. The source for this research were the books of the prominent singer and teacher, articles about his work, personal conversations of the author with S. B. Yakovenko.

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Kenney, Doug. « Restoring Colorado River Ecosystems : A Troubled Sense of Immensity ». Journal of the American Planning Association 74, n^o 3 (30 juillet 2008) : 379–80. http://dx.doi.org/10.1080/01944360802146188.

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Dott, Cynthia E. « Restoring Colorado River Ecosystems : A Troubled Sense of Immensity ». Restoration Ecology 18, n^o 1 (janvier 2010) : 131–32. http://dx.doi.org/10.1111/j.1526-100x.2009.00625.x.

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Wasserman, Sherri, et Marion Friedman Young. « The Great Immensity : A Theatrical Approach to Climate Change ». Curator : The Museum Journal 56, n^o 1 (janvier 2013) : 79–86. http://dx.doi.org/10.1111/cura.12008.

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Tristant, Yann. « Entre immensité et diversité. Les grands traits de l’espace soudanais ». Archéo-Nil. Revue de la société pour l'étude des cultures prépharaoniques de la vallée du Nil 16, n^o 1 (2006) : 17–30. http://dx.doi.org/10.3406/arnil.2006.912.

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Gradwell, John B. « The Immensity of Technology . . . and the Role of the Individual ». International Journal of Technology and Design Education 9, n^o 3 (octobre 1999) : 241–67. http://dx.doi.org/10.1023/a:1008977001294.

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Rapport, Nigel. « Being undisciplined : Doing justice to the immensity of human experience ». Sociological Review 65, n^o 1_suppl (mars 2017) : 196–204. http://dx.doi.org/10.1177/0081176917693552.

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Simon, Janice. « Sanford R. Gifford's "Kaaterskill Falls" : A Place of Intimate Immensity ». Bulletin of the Detroit Institute of Arts 67, n^o 4 (février 1993) : 4–13. http://dx.doi.org/10.1086/dia41504875.

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Hokwerda, Hero, George Heimonas et Robert L. Crist. « Man in the Midst of Immensities : The Works of George Heimonas ». World Literature Today 59, n^o 4 (1985) : 638. http://dx.doi.org/10.2307/40142123.

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Lake, Prof P. S. « Review of âRestoring Colorado river ecosystems : A troubled sense of immensityâ ». Ecological Management & ; Restoration 10, n^o 3 (décembre 2009) : 244–45. http://dx.doi.org/10.1111/j.1442-8903.2009.00499.x.

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Crosby, John F. « On the Difference between the Cosmological and the Personalist Understanding of the Human Being ». Quaestiones Disputatae 9, n^o 2 (2019) : 112–25. http://dx.doi.org/10.5840/qd2019927.

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In this essay, I try to advance the reception of Karol Wojtyła’s seminal essay “Subjectivity and the Irreducible in Man.” In particular I try to understand and to think through the distinction that he makes between the “personalist” and the “cosmological” image of man. I unpack Wojtyła’s concept of subjectivity, which underlies all that he says about the personalist image of man. I give particular attention to all that he says about the unity formed by the two images. I then proceed to apply Wojtyła’s analysis to a certain cosmological challenge to a personalist understanding of man: it is the challenge that comes from looking at the immensity of the cosmos and at the infinitesimal smallness of man in it and of thinking that man is swallowed up in this immensity and obliterated in his importance. I argue that precisely the subjectivity of the person implies that there is in each person an “infinite abyss of existence” so that each person is in reality his or her own whole and is no mere part of the cosmic whole but is incommensurable with it.

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Duggan, Maureen B. « Prevention of childhood malnutrition : immensity of the challenge and variety of strategies ». Paediatrics and International Child Health 34, n^o 4 (27 août 2014) : 271–78. http://dx.doi.org/10.1179/2046905514y.0000000139.

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PERSSON, ASHA. « Intimate immensity : Phenomenology of place and space in an Australian yoga community ». American Ethnologist 34, n^o 1 (février 2007) : 44–56. http://dx.doi.org/10.1525/ae.2007.34.1.44.

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wright, A. J. « “I fill three quarters of immensity ! ” Satires of Early Nitrous Oxide Research ». Bulletin of Anesthesia History 14, n^o 1 (janvier 1996) : 15–18. http://dx.doi.org/10.1016/s1522-8649(96)50012-0.

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Patton, K. C. « "Stumbling Along between the Immensities" : Reflections on Teaching in the Study of Religion ». Journal of the American Academy of Religion 65, n^o 4 (1 janvier 1997) : 831–50. http://dx.doi.org/10.1093/jaarel/65.4.831.

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García Ruiz, M. Pilar. « AEQVOR : THE SEA OF PROPHECIES IN VIRGIL'SAENEID ». Classical Quarterly 64, n^o 2 (20 novembre 2014) : 694–706. http://dx.doi.org/10.1017/s0009838814000159.

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In a well-known article, Hodnett pointed out that Virgil emphasizes the peacefulness and quiet of the sea, its immensity and limitlessness, in contrast to the view articulated by the Roman poets of the Republic, which presents the sea as deceptive and fearsome. Among the many terms used in theAeneidto denote the sea,aequorstands out precisely because it is the term most frequently used by Virgil in place of the wordmare.

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Perry, Jeffrey. « Paganini's Quest : The Twenty-four Capricci per violino solo, Op. 1 ». 19th-Century Music 27, n^o 3 (2004) : 208–29. http://dx.doi.org/10.1525/ncm.2004.27.3.208.

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Nicolo Paganini (1782-1840) has long been viewed as an emblem of virtuosity, his music heard, if at all, through the variations and adaptations of other composers. This historical neglect and the Paganini mythos notwithstanding, the twenty-four Caprices, op. 1, published in 1820, establish his place as a serious composer whose innovations must be considered in any assessment of early Romanticism. In the Caprices, two voices seem to speak. The first is lyrical and draws on the vocal and operatic roots of PaganiniÕs musical upbringing. The second I have labeled the questive voice. Romanticism is an aesthetic of distance; the questive voice is a means of traversing the immensity that is the one essential feature of early Romanticism in its incarnations. This immensity manifests itself in the wide registral space opened and explored in the Caprices; in the motivically driven, asymmetrical construction of many passages found therein; and in the extensive harmonic reach of many of the Caprices. This article presents close readings of Caprices nos. 1, 2, 4, 9, and 10, drawing on Schenkerian methodologies and work by Ratner, Caplin, and Burnham to articulate the lyrical/questive dichotomy and interplay between technique and expression in these singular works by a singular composer.

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Minaieva, E. V. « Representation of the concept of Love in Marina Tsvetaeva's epistolary and in the works of Russian philosophers ». Bulletin of Luhansk Taras Shevchenko National University, n^o 7 (345) (2021) : 40–51. http://dx.doi.org/10.12958/2227-2844-2021-7(345)-40-51.

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The article highlights and examines several important gender characteristics of the concept of „love” based on the material of Marina Tsvetaeva's epistolary texts, namely: immensity, spontaneity, conflict of body and soul, pain, maternal care. The activity characteristic of the immensity in the letters of M. Tsvetaeva testifies to the high degree of the author's entry into the spiritual sphere. The gender characteristic of the immensity in Tsvetaeva's texts correspond to the features of female love described by the philosopher N. Berdyaev. The characteristic of spontaneity is manifested in the fact that Tsvetaeva perceives love as an element, an independent force that a person is not able to control. The gender characteristic of the conflict of soul and body was highlighted on the basis that Tsvetaeva was often in a state of internal conflict, soul and body came into confrontation. The gender characteristic of the conflict of soul and body is also based on the fact that Marina Tsvetaeva reproached men that they are largely interested not in the soul of a woman, but her body. The gender characteristic of pain is manifested in the fact that, despite the fact that the words „pain”, „suffering” usually has a negative connotation, a woman has a unique ability to penetrate through them into the very depths of the phenomena of the inner and surrounding worlds, as both Marina Tsvetaeva and Russian philosophers write about. Pain and suffering, therefore, take an active part in shaping a woman's worldview. The gender characteristic of maternal care is highlighted as active in Marina Tsvetaeva's epistolary, and the connection between the female picture of the world and this sign of the concept of Love was also recorded by Russian philosophers. The study showed that the conceptual analysis of literary texts makes it possible to reconstruct and correlate the metagender and gender characteristics of cultural constants, taking into account the idiosyncratic features of a particular author. The inclusion of the gender parameter in the linguistic consideration of concepts allows us to significantly expand the idea of language as a means of constructing a picture of the world, including an artistic one.

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Hankinson. « “the terror of sheer bigness” : Microplotting Immensity in Frank Norris's The Octopus ». Style 55, n^o 2 (2021) : 253. http://dx.doi.org/10.5325/style.55.2.0253.

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Janmaat, Jan Germen. « Nation Building, Democratization and Globalization as Competing Priorities in Ukraine's Education System* ». Nationalities Papers 36, n^o 1 (mars 2008) : 1–23. http://dx.doi.org/10.1080/00905990701848317.

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One of the greatest challenges currently facing the new states in Central and Eastern Europe is educational reform. After obtaining independence in the early 1990s, these states were confronted with the immense task of transforming an outdated centralized education system, which was aimed at delivering a loyal communist workforce, into a modern system that would be much more responsive to consumer demands and would recognize and further individual talent. The immensity of the undertaking lies in the fact that three discourses make simultaneous demands on the education system: nation building, democratization and globalization.

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Rosell, Ruth Lofgren. « Guns and human suffering : A pastoral theological perspective ». Review & ; Expositor 117, n^o 3 (août 2020) : 333–47. http://dx.doi.org/10.1177/0034637320951187.

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This article considers the immensity of human suffering caused by gun violence. In an attempt to understand why the United States has not been able to enact reasonable gun control measures, I explore the origins and influence of gun culture and its shaping by the National Rifle Association (NRA). This situation is discussed from theological perspectives and concepts of idolatry, redemptive violence, the spiraling effects of violence as sin, and the nonviolence of Jesus. Finally, I consider pastoral responses in caring for individuals, the faith tradition, the congregation, and the larger sociocultural context.

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Penna, Xristina. « Uncovered – Performing everyday clothes ». Scene 2, n^o 1 (1 octobre 2014) : 9–14. http://dx.doi.org/10.1386/scene.2.1-2.9_1.

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Uncovered is an interactive installation based on a simple yet complex performance system that uses the participants’ clothes as a springboard for devising material for the show ad hoc. Everyday clothes are performing in Uncovered and consist the material for the show. They are the objects that tranverse from a ‘silent existence’ to an ‘oral state’ open to appropriation (Barthes [1957] 2009: 131). Gaston Bachelard would argue that ‘immensity is an intimate dimension’ (Bachelard [1958] 1994: 194) and also that ‘immensity is a philosophical category of a daydream’ ([1958] 1994: 183). During an interview session the audience/participant encounters the projected image of one of his or her clothes and re-thinks, rejects, remembers, reflects, resists with this image. The artist makes a rough copy of the garment using white fabric while the sound designer picks up sound from the clothes and composes a short sound piece. The team of three (performer, sound designer and the artist) with the use of projection, live camera feed, sound, the body of the performer and the piece of clothing itself, present a two-minute improvisation to each one of the audience/participants. The audience are invited in an intimate space to daydream and reflect by looking at the image of one of their clothes. In this visual essay I will use the metaphor of zooming in the network-like-texture of a fabric in an attempt to communicate the experience of Uncovered: the layers and immense weaving of thoughts, emotions, memories that was triggered by the delimiting image of the participants’ clothes.

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Coleman, Janet. « La pensée de Jean de Ripa OFM (XIVe siècle) : Immensité divine et connaissance théologique.Francis Ruello ». Speculum 68, n^o 3 (juillet 1993) : 882–85. http://dx.doi.org/10.2307/2865059.

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Graney, Christopher M. « As Big as a Universe : Johannes Kepler on the Immensities of Stars and of Divine Power ». Catholic Historical Review 105, n^o 1 (2019) : 75–90. http://dx.doi.org/10.1353/cat.2019.0045.

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Ormell, Christopher. « The Continuum : Russell’s Moment of Candour ». Philosophy 81, n^o 4 (octobre 2006) : 659–68. http://dx.doi.org/10.1017/s0031819106318074.

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A quotation from Russell concedes that the immensity of real numbers (unending decimals) implied by the usual account of the continuum cannot mainly consist of ‘those whose digits procede according to some rule’. Russell concludes that the main body of real numbers ‘must be’ of the ‘lawless’ variety. The author scrutinises these so-called ‘lawless decimals’ and concludes that they are mythical. It follows that the totality of well-defined real numbers (existing and future) cannot be more than a countable whole. It is however clearly uncountable. An explanation is offered using the ‘greater lexicographic sequence’ (GLS).

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Schumacher, Lydia. « The early Franciscan doctrine of divine immensity : Towards a middle way between classical theism and panentheism ». Scottish Journal of Theology 70, n^o 3 (août 2017) : 278–94. http://dx.doi.org/10.1017/s0036930617000291.

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AbstractSince Augustine, western medieval thinkers have largely identified ‘simplicity’ as the most fundamental feature of the divine nature. Although the western tradition of thinking about God has often been regarded as relatively continuous, I will demonstrate in this paper that a separate line of thought developed amongst early thirteenth-century Franciscan thinkers. This new tradition stressed God's immensity or infinity. In doing so, I will argue, it instigated a fundamental shift in the way of conceiving the nature of God that holds profound promise for reconciling factions in systematic theology today, particularly between classical theists and panentheists.

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Hine, Harry M. « Rome, the Cosmos, and the Emperor in Seneca's Natural Questions ». Journal of Roman Studies 96 (novembre 2006) : 42–72. http://dx.doi.org/10.3815/000000006784016224.

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This paper examines the political content and context of Seneca's Natural Questions. It argues that, on the one hand, Rome is marginalized in the context of the immensity of the cosmos; and philosophy is elevated above traditional Roman pursuits, including political activity and historical writing. But at the same time the work is firmly anchored in its Roman geo-political context; Seneca situates himself in a long and continuing tradition of investigation of the natural world, where Roman writers can stand alongside Greeks and others; and the current emperor Nero is presented not just as princeps and poet, but as sponsor of geographical and scientific investigation.

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Loba, Mirosław. « Dalla condizione terrestre all’ambiente planetario nei Canti di Giacomo Leopardi ». Studia Romanica Posnaniensia 49, n^o 3 (2 décembre 2022) : 5–15. http://dx.doi.org/10.14746/strop.2022.493.001.

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This article examines the representation of the environment in the Canti by Giacomo Leopardi. The author seeks to show the Leopardian environment as a place where history, nature and the cosmos intersect. The immensity and simultaneity of these three elements determines the way the lyric subject inhabits the world. Leopardi’s poetic focus is on his painful experience of the environment, which remains an indifferent and destructive agent. The poet deconstructs classical and romantic models of nature and culture by appealing to the aesthetics of the sublime, which unlike Kant is not the means of understanding but the way to experience the planetary character of existence.

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Kones, Richard, et Umme Rumana. « Prevention of Cardiovascular Disease : Updating the Immensity of the Challenge and the Role of Risk Factors ». Hospital Practice 42, n^o 1 (février 2014) : 92–100. http://dx.doi.org/10.3810/hp.2014.02.1096.

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Newman, L. « Heartless Immensity : Literature, Culture, and Geography in Antebellum America ; Traveling Women : Narrative Visions of Early America ». American Literature 79, n^o 4 (1 décembre 2007) : 821–23. http://dx.doi.org/10.1215/00029831-2007-041.

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Batchelor, Peter. « Grasping the Intimate Immensity : Acousmatic compositional techniques in sound art as ‘something to hold on to’ ». Organised Sound 24, n^o 3 (29 novembre 2019) : 307–18. http://dx.doi.org/10.1017/s1355771819000372.

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This article explores the accessibility of acousmatic compositional approaches to sound and installation art. Principally of concern is the consideration of intimacy to create a means of ‘connecting’ with an audience. Installations might be said to explore ideas of intimacy in two ways which increase accessibility for the installation visitor: through cultivating installation–visitor relationships, and through encouraging visitor–visitor relationships. A variety of ways in which various acousmatic compositional techniques relating to intimacy might be brought to bear on and operate as a way of drawing a listener into a work are explored, in particular as they relate to the consideration of space and spatial relationships. These include recording techniques, types of sound materials chosen, and the creation of particular spatial environments and listening conditions. Along with a number of instances of sound art provided by way of examples, my ongoing GRIDs series of sound sculptures will provide a case study of works related to an acousmatic aesthetic where these concerns find an outlet.

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Jansson, Roland. « Restoring Colorado River Ecosystems : A Troubled Sense of Immensity R. W. Adler . 2007. Restoring Colorado River Ecosystems : A Troubled Sense of Immensity. Island Press.xxiii+. 311 15 × 23 cm, paperback, US$35.00. ISBN : 978-1-59726-057-2. » Ecoscience 14, n^o 4 (décembre 2007) : 544. http://dx.doi.org/10.2980/1195-6860(2007)14[544a:rcreat]2.0.co;2.

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Chevassus-au-Louis, Bernard. « La biodiversité : un nouveau regard sur la diversité du vivant ¹ I. Immensité et complexité ». Cahiers Agricultures 16, n^o 3 (mai 2007) : 219–27. http://dx.doi.org/10.1684/agr.2007.0095.

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Kemp, Hendrika Vande. « Dangers of Psychologism : The Place of God in Psychology ». Journal of Psychology and Theology 14, n^o 2 (juin 1986) : 97–109. http://dx.doi.org/10.1177/009164718601400201.

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The author offers a philosophy of science intended to inform the task of integration by delimiting the scope of psychological inquiry. An etymological survey of the term psychology clarifies the changing meanings of this term and related changes in the locus of the discipline. Psychologism as a philosophical problem is explored historically in order to clarify the various epistemological and ontological errors entailed in the improper demarcation of psychology. These problems are then examined from the perspective of twentieth-century psychologists of religion. The author suggests that “placing God in the heart of psychology” is a futile attempt to restore psychology to its original theological servant status, and that we cannot turn to psychology to decrease the immensity of the leap of faith.

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Young, Elizabeth. « Homer in a Nutshell : Vergilian Miniaturization and the Sublime ». PMLA/Publications of the Modern Language Association of America 128, n^o 1 (janvier 2013) : 57–72. http://dx.doi.org/10.1632/pmla.2013.128.1.57.

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This paper explores the strange fascination with smallness that runs through Vergil's Aeneid, focusing on the bee simile in book 1, the poem's inaugural miniaturizing moment. Deviating from the standard paradigms of Vergilian criticism, I suggest we can learn a great deal about smallness in this poem by studying it through the lens of the sublime. My analysis bypasses the proliferation of Romantic sublimes to draw primarily on a model of sublimity derived from Neil Hertz's influential reading of Longinus. Read through the Hertzian sublime, miniaturization in the Aeneid is revealed as a subtle articulation of the poem's running concern with power. The bee simile, I argue, enacts a threefold drama in which hero, author, and reader confront what I call their sublime condition, coming to terms with their implication in immensities beyond their comprehension and control.

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Protopopova, Irina. « “Other” in the Third Hypothesis of “Parmenides" (Prm. 158d3–6) ». ΣΧΟΛΗ. Ancient Philosophy and the Classical Tradition 16, n^o 2 (2022) : 783–90. http://dx.doi.org/10.25205/1995-4328-2022-16-2-783-790.

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The main purpose of the paper is to comment on Prm. 158d3-6. Consideration of this passage is preceded by a brief overview of various approaches to “Parmenides”. The most important difference in the approaches is determined by the attitude of the researchers to the “subject” of the eight hypotheses. F. Cornford believes that “one” and “is” in Plato’s text are not unambiguous, therefore the “subjects” of hypotheses are different, and, consequently, the conclusions from these hypotheses, although different, are not contradictory. Cornford’s approach is productively developed by K. Sayre and R. Turnbull. The author’s interpretation of the “Parmenides” is based on the same premise of the ambiguity of “one” and “is”. Other researchers (R. Allen, S. Rickless, M. Tabak) disagree with this, insisting that the “subject” in all hypotheses is the same, so the conclusions of different hypotheses are contradictory, and the conclusion from the most extensive, the second hypothesis, is obviously absurd (Allen). Tabak’s point of view is particularly abrupt, assuming that Plato’s goal in the second part is a parody of the views of the Eleatics and Sophists, often presented with deliberately incorrect and absurd conclusions. Tabak believes that only the third hypothesis applies to the views of Plato himself. It is with that one that the second part of the paper is dealing, analyzig the sense of “other” in Prm. 158d3–6. The author consider what is the meaning of “nature other than eidos” in the context of the ideas of the “receptacle” and χώρa in the “Timaeus” (50d, 51a7–b1), and what is the “idea of the immensity” in the context of the reasoning about the one, many and immensity in the “Philebus” (16de). Another comment concerns the meaning of ἕτερόν τι ἐν ἑαυτοῖς γίγνεσθαι and compares several translations of this passage (Cornford, A. Hermann, S. Scolnicov, Sayre, Tabak). In conclusion, the author offers her own interpretation of “other” in connection with the seventh hypothesis of the “Parmenides”.

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Lane, Jan-Erik. « Summary of Global Warming and the Possible Extinction of Mankind : Time Is Running out ! » Sustainability in Environment 2, n^o 3 (3 juillet 2017) : 289. http://dx.doi.org/10.22158/se.v2n3p289.

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The UNFCCC, now arranging the upcoming COP23 global meeting in Bonn, hosted by islands state Fiji, must outline how its three chief COP21 objectives—GOAL I, II and III—are to be promoted and implemented by clearly stated means as well as fundingThis includes funding! Only a massive replacement of fossil fuels and wood coal by solar and/or wind power can save mankind from the dismal threats of global warming. This paper presents a tentative estimation of what is involved with regard to the fulfilment of the GOAL II in COP21 in order to show the immensity of the task of protecting humanity against the climate change full disaster.

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Szczur, Piotr. « Image and metaphor of the sea in the Homilies on the Gospel of saint Matthew by John Chrysostom ». Vox Patrum 70 (12 décembre 2018) : 527–44. http://dx.doi.org/10.31743/vp.3220.

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In this article analyzes all statements of John Chrysostom from the Homilies on the Gospel of Saint Matthew containing terms: pšlagoj and q£lassa, used by our author as a designation of the sea. This analysis allowed for the extraction of few groups of sea metaphors. Chrysostom points on the sea as one of the elements of the Universe (together with heaven and earth). He describes the sea as a dangerous and uncontrollable wild element, but still subjected to Christ. The image of the sea, which – because of its enormity – is beyond other elements of the Universe, is used by Golden Tongued to describe immensity and commonness. And the reference to sea threats (winds, sea currents, storms, shallows) inclines him to describe human life as a sailing across the rough sea.

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Bergmann, Hans. « Panoramas of New York, 1845–1860 ». Prospects 10 (octobre 1985) : 119–37. http://dx.doi.org/10.1017/s0361233300004087.

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New york city went through a period of dramatic change between 1845 and 1860. During those fifteen years New York became a complex and multiform modern city-the center of American commerce and culture, and the center as well of the new social problems that large-scale immigration and economic centralization brought. I am interested in the contemporary discourse used to describe the rapidly changing city, and I concentrate here on the convention of the panorama as used in that discourse. I will try to show that the New York panorama — as developed in popular illustration and popular fiction, in journalism and nonfiction — functioned to acknowledge a new immensity of urban scale at the same time as it created an image of the city as a single, comprehensible whole.

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