Littérature scientifique sur le sujet « Immaterial dynamics »
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Articles de revues sur le sujet "Immaterial dynamics"
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Wahid, Arif Rahman, Kristanti Dewi Paramita et Yandi Andri Yatmo. « Inscriptions : Narrating the Spatial Dynamics of the Immaterial Interior ». Interiority 4, no 1 (29 janvier 2021) : 43–62. http://dx.doi.org/10.7454/in.v4i1.87.
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This paper explores inscription as a projection of the spatial dynamics of a setting, beyond a historical or cultural symbol in a context, and highlights that inscription—a written or carved message on a surface—is an element that immaterially demonstrates a more in-depth narrative of an interior. This paper focuses on exploring inscriptions embedded in various production settings in Jakarta and Central Java, collecting individual and observational accounts on the production of such inscriptions and their meanings. The study suggests that inscriptions demonstrate various roles, from providing information, mediating different spaces and performing as tools to assist activities. Inscriptions may traverse the trajectories of different spaces and exist in different layers of time, creating an interior connection across space and time. These layers and trajectories project the dynamics of material and bodily processes, assembling the immaterial interior.
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Zhongxuan, Lin. « Paradoxical Empowerment and Exploitation : Virtual Ethnography on Internet Immaterial Labour in Macao ». Journal of Creative Communications 13, no 1 (27 décembre 2017) : 1–16. http://dx.doi.org/10.1177/0973258617743618.
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Recently, the research topic of immaterial labour had become one of the most significant discussions about the changing nature of capitalism. But the previous studies mainly regard immaterial labour as a unidirectional process of capitalist exploitation in abstract sense, rather than a paradoxical dynamics of exploitation and empowerment in specific context. This article, therefore, investigates immaterial labour in digital capitalism, with a specific case study of the local practices of Internet immaterial labour in Macao, exploring the paradoxical dynamics of exploitation and empowerment through concrete case studies, rather than through abstractive and reductive theoretical discussion. This study has found that the alternative media created by Internet users’ immaterial labour helps them to resist the traditional mainstream media and the government; the affective community founded based on their immaterial labour gives them the collective sentiment of ‘family and belonging’; the individual feelings derived during their immaterial labour not only offer them positive personal feelings, but also a new way of ‘being-in-the-world’ in the age of social media.
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BELLUOMO, PAOLA, CRISTOFORO CAMERANO, LUIGI FORTUNA et MATTIA FRASCA. « FROM KINETIC ART TO IMMATERIAL ART THROUGH CHAOTIC SYNCHRONIZATION ». International Journal of Bifurcation and Chaos 20, no 10 (octobre 2010) : 3379–90. http://dx.doi.org/10.1142/s0218127410027787.
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In this paper, the idea of using simple robots and nonlinear dynamics based devices is strengthened in order to create an interactive platform to generate artistic patterns incorporating the concept of relating kinematic art with immaterial art paradigm.
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Saputri*, Atha Difa, et Angel Maris Linda. « Government Policies in Addressing Land Subsidence Dynamics in Tambakrejo Semarang ». Riwayat : Educational Journal of History and Humanities 6, no 1 (14 janvier 2023) : 133–43. http://dx.doi.org/10.24815/jr.v6i1.29460.
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Annual land subsidence in Tambakrejo Semarang has decreased by 10 to 13 centimeters. However, the government has not adopted any meaningful policies. This article aims to investigate how many government policy measures have been implemented to address land subsidence in Tambakrejo, Semarang. This article is thus written using an empirical judicial method in which the researchers do direct field observations, interview informants, and collect data from numerous journals. The results acquired and the impact on the Tambakrejo community of material and immaterial losses caused by subsidence. The government's policies have been implemented, however they have been less effective for the people of Tambakrejo.
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Silva, Rossi Allan, José Aldo Alves Pereira et Schirley Fátima Nogueira da Silva Cavalcante Alves. « As paisagens de Ouro Preto, Minas Gerais : decodificação no espaço e no tempo ». Ornamental Horticulture 25, no 1 (9 janvier 2019) : 9–17. http://dx.doi.org/10.14295/oh.v25i1.1240.
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Landscapes are formed by physical elements of material order and abstract elements of immaterial order, so their management and planning should consider these two aspects. Aiming to understand the landscapes of Ouro Preto, Minas Gerais State, the appropriation by the actors who work in the landscape was identified and classified, and also its dynamics from 1973 to 2015. The research analyzed the current landscape and its historical evolution, distinguishing material and immaterial dimensions, from field trips, soil types, relief, slope, drainage, conservation units, administrative zoning, urban areas, natural resources, transport and building infrastructure, satellite images, and semi-structured interviews. As a result, a map with the landscape units and their subunits, which have distinct characteristics, with their proper settings was obtained. The landscape has continuous boundaries with various operating scales, posing a major challenge for its proper management. The number of generated ecosystem services are difficult to measure, but its benefits are used by everyone. The dynamics of the landscape has been shaped by a slow evolution, set by mining activities, including revegetation areas after clear cuts and currently the inclusion of tourism in certain regions.
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Zhongxuan, Lin. « Learning to Labour 2.0 ». Asiascape : Digital Asia 3, no 3 (26 septembre 2016) : 167–91. http://dx.doi.org/10.1163/22142312-12340057.
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Based on three years of participant observation on Macau’s main online forums and 163 fieldwork interviews, this paper proposes some possible answers to the question of how internet users in Macau have become immaterial and affective labourers. More specifically: how internet users are seemingly voluntarily but fundamentally compulsorily involved and articulated into the production process, which individualizes the exploitation of informational capitalism; how affect has become a force of self-valorization that can reward the labour itself by embodying feeling in the form of and for the purpose of expressing and sharing feeling; and how relation has become an unintentional intentionality that emerges from a bidirectional process of production. The inquiry into these concrete questions focuses on the complex dynamics of the transforming process through which internet users become immaterial and affective labour, rather than taking the concept for granted as a consequence and necessary fait accompli.
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Kristiansen, Kristian, et Paulina Suchowska-Ducke. « Connected Histories : the Dynamics of Bronze Age Interaction and Trade 1500–1100bc ». Proceedings of the Prehistoric Society 81 (26 novembre 2015) : 361–92. http://dx.doi.org/10.1017/ppr.2015.17.
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The Bronze Age was the first epoch in which societies became irreversibly linked in their co-dependence on ores and metallurgical skills that were unevenly distributed in geographical space. Access to these critical resources was secured not only via long-distance physical trade routes, making use of landscape features such as river networks, as well as built roads, but also by creating immaterial social networks, consisting of interpersonal relations and diplomatic alliances, established and maintained through the exchange of extraordinary objects (gifts). In this article, we reason about Bronze Age communication networks and apply the results of use-wear analysis to create robust indicators of the rise and fall of political and commercial networks. In conclusion, we discuss some of the historical forces behind the phenomena and processes observable in the archaeological record of the Bronze Age in Europe and beyond.
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Fallas Fallas, Luis Fernando. « Shifting from Identity to Marketing : Central American Cinema as a Brand for Sales, not a Place in the Making ». Revista Canadiense de Estudios Hispánicos 44, no 1 (23 mai 2021) : 227–45. http://dx.doi.org/10.18192/rceh.v44i1.5910.
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Analysing Central American Cinema from an Actor-Network Theory perspective reveals the pre-eminence of transnational dynamics. The region becomes a brand for filmmaking, a resource to increase the possibilities of global displayability. Such instrumentalization is a reminder that movies are cultural objects that combine technical, political, and economic factors. Films do not belong to a place: they perform exchanges as immaterial commodities, extracting value through the image and the gaze. Instead of assigning or reading local identity roles in a cinema category, I propose to analyze how the classification reproduces a colonial perspective, reifying a place for the sake of the image.
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Coelho, Pedro Andrade. « The dynamics of the landscape and its role in development ». Research, Society and Development 11, no 6 (1 mai 2022) : e38111629332. http://dx.doi.org/10.33448/rsd-v11i6.29332.
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At each moment and in each society, the landscape is transmuted, whether by physical, sensorial or immaterial elements, and there is no such thing as a static landscape. Exactly for this reason the phenomenological hermeneutic method was the one used for the present study. In his transcendent complexity, man adds a metaphysical feeling of cultural identity to the places where he interferes, manifesting in the landscape his history and customs. As a sign of quality of life, the landscape can be investigated to identify whether there is access to fundamental rights for a population. It is part of a legal rule in various legal systems, including as a human right; should also be seen as a fundamental right of the third generation, as well as a sign of the environmental quality of a given population. Also, being able to infer, from its analysis and inventory, if there is access, also, to other fundamental rights. Finally, studying the landscape dynamics is essential to understand Society and it plays a fundamental role to development.
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Oikkonen, Venla. « Temporality and Belonging as Transdisciplinary Objects : Strategic Encounters between Queer Theory and Population Genetic Technologies ». Catalyst : Feminism, Theory, Technoscience 3, no 1 (19 octobre 2017) : 1–25. http://dx.doi.org/10.28968/cftt.v3i1.28785.
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This article asks how to study evasive and seemingly immaterial transdisciplinary phenomena such as affective dynamics that organize our technoscientific societies and cultures. The article argues that understanding such phenomena requires developing methodologies that engage fields of knowledge production that appear unrelated. The article uses the dynamics of temporality and belonging underlying population genetics as a case study. I show how two seemingly incompatible fields of knowledge production – queer theorization of temporality and population genetic technologies and practices – can together engender new insights on the ways in which temporality and belonging organize population genetic knowledge. I argue that neither field of knowledge production could achieve such insight alone; instead, insight emerges from the unexpected resonances as well as friction between the two fields. I develop this argument through an analysis of the configurations of temporality and belonging on the Genographic Project website.
Thèses sur le sujet "Immaterial dynamics"
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Popa, John C. « Archi[tech] : Materializing Immaterial Data Streams ». University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1397734789.
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Ayache, Elsa. « L'informatique, outil et médium du peintre, vers une pratique du « lâcher-prise » ». Thesis, Bordeaux 3, 2018. http://www.theses.fr/2018BOR30032/document.
Texte intégralRésumé :
Je n’ai pas de rapport serein à la peinture. Si elle constitue un espace d’expression et d’appartenance à soi-même sans limites, j’appréhende l’immensité de cet espace. Où aller ? De quelle manière ? Comment surmonter les hésitations ? Comment être sûre de prendre les bonnes décisions ? Quelle piste ou quelle exploration privilégier ? La pratique de la peinture relève d’une immersion. Au sein de l'atelier, au cœur du travail du peintre, se jouent de multiples opérations plastiques et mentales spécifiques. Une dynamique est en jeu, celle d’une marche vers de nouveaux possibles au sein de laquelle s’intercalent des choix et des prises de risque. C'est ici, dans cette tension entre ce qui n'est pas anticipé et ce qui tente de se déterminer que mon travail pictural existe. Comme il est fait d’errances, d’expériences, d’avancées mais aussi de pannes, j’ai souhaité m’attacher à l’étude des difficultés inhérentes au travail de peintre. Quelles en sont les causes ? Comment les processus créatifs sont-ils impactés et quelles remédiations peuvent-elles être envisagées de la part des artistes ? L’hypothèse de cette thèse est que l’informatique constitue une réponse possible à la recherche de lâcher-prise de l’artiste dans sa pratique picturale. Si la photographie, le cinéma, ou la vidéo ont chacun, à un moment donné de leur histoire, interrogé leurs relations à la peinture, qu’en est-il aujourd’hui pour l'informatique ? Comment informatique et peinture partagent-elles leur contemporanéité au sein de la création artistique ? Comment y dialoguent-elles ? Sous quels angles l’informatique soulage-t-elle le peintre et peut-elle conduire à une forme de lâcher-prise ? Dans la perspective où « la » peinture échappe aujourd’hui à toute tentative de définition exhaustive, nous verrons comment l'informatique appréhendée comme outil mais aussi comme médium du peintre poussera à reconnaître la présence renouvelée, écartelée mais flagrante de la peinture sur de nouveaux supports et à la définir comme immatérielle et dynamique. Les expériences menées au sein de mon travail artistique ainsi que les enquêtes de terrain menées auprès d’artistes peintres exploitant l’informatique nous amèneront à élargir notre compréhension du lâcher-prise mais aussi à éprouver les limites de l’alliance techniqueI do not have a serene relationship with painting. While it creates a space for self-expression and a sense of belonging to oneself without limits, I fear the immensity of that space. Where to go? By which means? How to overcome hesitations? How to be sure to make the right decisions? Which paths to follow, which leads to explore? The practice of painting is an immersion. Within the studio and at the heart of a painter's work lie a number of unique plastic and mental processes. A dynamic is at stake, allowing a step towards new possibilities where making choices and taking risks are intertwined. There, in the tension between the unanticipated and what is tentatively determined, is where my pictorial work exists. Because of the wandering, the experiments, the breakthroughs but also the failures, I wanted to focus on the difficulties inherent to the painter’s work. What are their causes? How is the creative process impacted and what remedies can artists turn to? The hypothesis of this thesis is that computer and digital processing is a possible answer to the artist’s quest of letting go in his or her pictorial practice. If photography, film or video each have, at some point in their history, questioned their relationship to painting, what about today’s computer-assisted art? How do digital technologies and painting concurrently exist and share the artistic scene? How do they interact? In which particular ways does digital processing relieve the painter and enables a form of letting go? Admittedly, no definition of "painting" as we know it today can be exhaustive. However, we will take a look at how computers – apprehended as tools, but also as a medium for the painter – make it possible to identify the renewed, distorted, yet flagrant presence of painting within new artistic mediums and to redefine it as immaterial and dynamic. The experiments carried out in my artistic work as well as the surveys conducted with painters using computer-assisted techniques, will lead to a broader understanding of the process of letting go but also to experience the limits of the technical alliance
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giallorenzo, flavia. « Airbnb in Urban Regions. What In-Becoming Issues and Opportunities for Public Policies from Airbnb as a Complex System ? » Doctoral thesis, 2022. http://hdl.handle.net/2158/1277399.
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The research investigates complex dynamics in territories focusing on material and immaterial aspects of Airbnb, as an in-becoming issue for urban and regional governance. The short-term rental (STR) market is a disruptive social and urban challenge for local institutions because of its wide diffusion. Thus, it is broadly approached by different fields of study because of its effects on urban livability, and it is vastly discussed in over-tourist cities.
The research hypothesizes that the materiality and immateriality of dynamics of the Airbnb’s patterns of supply and demand diffusion, the tangled interplay among local and global, private, and public actors involved and the multi-level governance of the short-term rental market are evidence of a complex system that is worth investigating in urban regions. Moreover, the Covid-19 pandemic set unique conditions to highlight the Airbnb system’s complexity in transition phases.
Therefore, the research proposes to frame the STR market in complexity theories linked to urban domains, in which assumptions on planning and governance rely on complex features of systems and are aimed at discussing the effectiveness of public policy models and tools, here debated in a regional dimension. Methodologically, the single case study proceeds through a data-driven approach, while the research project is built on a theory-driven approach.
Ultimately, the research aims to identify the dimension and the specific attributes of a gap between the governance system and the complex features of the Airbnb system, questioning how these features may influence the current urban governance models and tools for short-term rental in Italy and specifically in Tuscany. Limited to the Airbnb material and immaterial dynamics, the research investigates the weaknesses and strengths of the current governance and planning paradigm at different levels in Italy, considering the complexity of the Airbnb system.
In in-becoming contexts, the thesis claims that effective rules arise from a systemic approach to the governance of the STR market, because its main actors, such as Airbnb, involve a multiplicity of scales, powers, markets, and life systems, mainly in cities, but also in urban regions because of the morpho-genetic and flow system that constitute regions and attract tourist flows.
The conclusions sketch the efficiency of approaching the STR market in Italy from a regional perspective, introducing the assemblages of actors, the ‘roughness’ of territories and the role of the history as (a part of the) drivers of unpredictable patterns of evolution/revolution. Contextually, the impossibility to foresee private plans at the local level doesn’t imply the impossibility for other normative levels to set framing rules for STR platforms and correlated dynamics to protect the weakest actors in the game.
In conclusion, the analyses driven by complexity and planning studies open to the chance to further discuss the effects and not only the patterns of the Airbnb system in regions, aimed at supporting urban and regional policy, revising their models and tools under the lens of complexity theories linked to urban domains.
Chapitres de livres sur le sujet "Immaterial dynamics"
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Loke, Andrew. « What the First Cause Is ». Dans The Teleological and Kalam Cosmological Arguments Revisited, 247–96. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94403-2_6.
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AbstractI show that the First Cause is not a series of changes (= events) describable by physical laws; rather, it is initially changeless and brought about the first event with the physical laws. It is distinct from the physical universe which is constantly changing according to quantum physics, and which does not have ‘the capacity to be the originator of an event in a way that is un-determined by prior event, and the capacity to prevent itself from changing’, which a First Cause must have. Thus, the First Cause cannot be part of the physical universe as postulated by Hawking’s no boundary proposal, which in any case is unproven and scientifically flawed. Rather, the First Cause is uncaused, beginningless, initially changeless, has libertarian freedom, and is enormously powerful, that is, a transcendent immaterial Creator. I reply to Thomistic objections and show that the conclusion of the Kalām Cosmological Argument (KCA) and the doctrine of creatio ex nihilo are consistent with both relational and substantival views of time, and with dynamic and static theories of time, and with both Craig’s Hybrid view (the First Cause is timeless sans creation and in time with creation) and the view of the Oxford School, both of which are defensible.
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Irvin, Sherri. « Rules and Expression ». Dans Immaterial, 147–69. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780199688210.003.0008.
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Artworks are expressive by virtue of what they exemplify: features they both possess and make salient. Rules contribute to expression both by shaping which material features are exemplified and by emphasizing certain of those features. As an artistic medium, rules are especially well suited to exploring certain kinds of content. Because rules for conservation allow the artist to shape the evolution of objects over time and manage processes of decay, they are often used in works that explore mortality and loss. Because rules for participation engage audience agency, set up social situations, and oppose longstanding institutional distancing of audiences from artworks, they are used to explore social dynamics and power structures. Rules for participation have given rise to participatory artworks that foster community formation and operate in the penumbra of artistic practices.
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Irvin, Sherri. « Rules for Participation ». Dans Immaterial, 77–104. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780199688210.003.0005.
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Interactivity is secured for object-based works when artists sanction rules for participation, allowing audience members to engage with or co-construct the display. Rules for participation can take many forms: they may involve invitations or requirements to engage in activities ranging from free play to very specific behaviors. Artworks involving rules for participation create unique experiences, since these rules engage our embodied agency and press us to decide whether and how we will comply with requirements or take up invitations. The advent of rules for participation affects even works that do not involve such rules: it creates an ethos where audiences may feel empowered to participate even when it is not permitted. Uninvited participation can be playful or destructive, and artists like Kara Walker use it to explore societal dynamics of power and oppression.
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Parker, Emily Anne. « Introduction ». Dans Elemental Difference and the Climate of the Body, 1–24. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197575079.003.0001.
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The introduction explains that both philosophers of performativity and philosophers of political ecology ultimately dissociate what is considered political from what is considered ecological. What is needed is an exposition of the tradition of the polis. This book argues that the distinction between political and ecological is rooted in the concept of the polis: the leaders of the city, those bodies exemplary of the promise of the polis, were those capable of disembodied, eternal, immaterial thought. It is the dynamics of the polis that both performativity and political ecology aim to critique, but they cannot do so as long as they distinguish themselves from each other.
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Tan, Meng Yoe. « Authenticity in Online Religion ». Dans Multigenerational Online Behavior and Media Use, 540–51. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-7909-0.ch029.
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In this article, the subject of online religion and how it can be researched is discussed. The dynamics of religious experience, authority, communication and more is subject of much discussion both in academia and religious discourses primarily because of the seemingly immaterial realm that is cyberspace. This article examines unique aspects of the nature of online religion and pays particular attention to the fluidity of online/offline relations and the subject of “authenticity” in the realm of online religion. Following from that is the discussion of how actor-network theory (ANT), first developed by Bruno Latour, can be deployed as a useful methodological approach to researching online religion, and to navigate potentially deterministic and oppositional discourses of online/offline relations.
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Bloom, Peter, Owain Smolović Jones et Jamie Woodcock. « Radical (Im)materialism ». Dans Guerrilla Democracy, 155–88. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529205619.003.0006.
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This chapter explored the (im)material dimensions of mobile power, viral hegemony, and guerrilla democracy. To do so it drew upon theories of “new materialism” but ultimately expanded upon them so as to better account the immaterial and political aspects of social ordering. It introduced, for this reason, a novel concept of “(im)materialism” which highlighted the immaterial necessity to continually and dynamically “materialize” and “rematerialize” the social. Significantly, this is not to assume in the slightest that humans are “in control” or the complete “shapers” of their material realities – whether in the virtual or physical realms. Rather, it stresses how these material encounters are manifestations of mobile power and viral hegemony, whereby they must constantly adapt existing materials and their various concrete affordances to meet the demands of infectious discourses. Likewise, this dynamic process of (im)material socialisation can also lend itself to political interventions whereby an existent order is not just “rematerialised” but “resituated”. A core theme of this book is that this radical (im)materialism can be best expressed through a democratic guerrilla politics.
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Bradley, Ben. « Being Read ». Dans Darwin's Psychology, 152–76. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198708216.003.0005.
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Blushing is unique to humans. So Darwin could not show it had evolved by studying its occurrence in animals. Neither do infants blush. Hence, unlike crying, it was not easily shown to be innate. Furthermore its triggers appear to be immaterial. Expression solves the problem of why and when people blush by hypothesizing a reflexive process of reading: I blush because I read you as reading and judging me—my appearance, or conduct. This dynamic of meta-recognition or self-attention requires the construction of a complex theory of human agency, involving: a dual self; the operation of innate sympathy; a physiological hypothesis; and an evolutionary derivation. Meta-recognition underpinned Darwin’s understanding of sexual attraction, group cohesion, and conscience. It also served as a formative influence on later psychologies of symbolic interaction.
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Unal, Canberk, Emin Acikkalp et David Borge-Diez. « Dynamic Extended Exergy Analysis of Photon Enhanced Thermionic Emitter Based Electricity Generation ». Dans Entropy and Exergy in Renewable Energy [Working Title]. IntechOpen, 2021. http://dx.doi.org/10.5772/intechopen.96716.
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Exergy is the very useful tool to evaluate energy systems besides energy analysis based on the first law of the thermodynamics. In contrast to energy, exergy is not conserved and always decreases. There are many types of exergy analysis involving exergoeconomic, exergoenvironmental, advanced exergy-based analyses, extended exergy analysis etc. In this study, an application of the extended exergy analysis is performed. In extended exergy analysis, not only energy related system is considered but also all materials and energy flows’ exergy, non-energetic and immaterial fluxes (capital, labor and environmental impact) are turned into exergy equivalent values and utilized in the analysis, which are calculating for local econometric and social data. These methods can be applied to societies or energy based or non-energy-based system. In this study, dynamic exergy analysis and extended exergy application of electricity generation from photon enhanced thermionic emitter is conducted. According to results, some important values can be listed as; extended exergy destruction, conventional based exergy destruction, extended exergy efficiency, conventional exergy efficiency, extended sustainability ratio, conventional sustainability ratio, extended exergy-based depletion ratio and conventional exergy-based depletion ratio are 542106006 MJ, 542084601 MJ, 0.01094, 0.01094, 1.011, 1.011, 0.978 and 0.989 respectively.
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Jacobs, Steven. « Carving Cameras : Antonioni’s Lo Sguardo di Michelangelo ». Dans Cinematic Intermediality, 23–37. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474446341.003.0003.
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Dealing with Michelangelo’s famous 1513 statue of Moses, Antonioni’s 2004 short film Lo Sguardo di Michelangelo (literally The Gaze of Michelangelo) is an impressive meditation on the encounter between film and sculpture. By means of the dynamic, immaterial, two-dimensional, and volatile images of the film medium, Lo Sguardo evokes the static, material, three-dimensional, and durable forms of sculpture. Antonioni not only confronts the heroic and muscular statue of the Old Testament prophet with his own old and weakened body, he also juxtaposes visual and tactile perception: the gaze (the director’s eyes and glasses are explicitly framed) is paired with tactility as Antonioni’s hands are touching the marble surfaces. Rearticulating some of the discussions and concepts central to sculptural theory since the eighteenth century, Lo Sguardo di Michelangelo also demonstrates that the medium of film not only represents, reproduces, or duplicates artworks but that it also reconfigures, re-imagines, and remediates them.
Actes de conférences sur le sujet "Immaterial dynamics"
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Basso, Marzia. « Paesaggi in movimento ». Dans International Conference Virtual City and Territory. Roma : Centre de Política de Sòl i Valoracions, 2014. http://dx.doi.org/10.5821/ctv.8037.
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Negli ultimi decenni del secolo scorso si è diffusa nel mondo occidentale una nuova coscienza
ambientale ed ecologica che, assieme alla rivoluzione tecnologica ed informatica, ha orientato
anche la progettazione architettonica ed urbanistica verso una integrazione/ibridazione di
elementi naturali, artificiali e tecnologici, con particolare attenzione per gli aspetti della
sostenibilità ambientale e del risparmio energetico, alle varie scale di intervento, dagli edifici
“intelligenti” alla rete delle smart cities. Ogni giorno assistiamo alla creazione di ambienti
sempre più interconnessi, interattivi e interagenti con gli utenti, flessibili e capaci di scambiare
informazioni con il mondo esterno. Siamo ormai in grado di monitorare i nostri contesti di vita
come mai fino ad ora era stato possibile, raccogliendo e mettendo a sistema una mole di
informazioni senza precedenti. Inoltre le nuove tecnologie in molti casi vengono utilizzate per
semplificare e facilitare la comunicazione bidirezionale e in tempo reale fra utenti e gestori dei
servizi, tra cittadini ed amministrazioni e, più in generale, fra i vari attori del paesaggio,
all’interno di una rete di interconnessioni fisiche ed immateriali sempre più fitta e diversificata. Il
progetto ecosostenibile di paesaggio richiede, pertanto, un approccio sistemico e uno sguardo
ampio che riesca a far incontrare la tutela e la conservazione con la trasformazione e la
rigenerazione, inevitabile quanto vitale per i nostri contesti di vita, passando anche attraverso
l’uso di strumenti non convenzionali, impiegati diffusamente sia per uno studio del territorio più
rispondente alla complessità delle dinamiche reali, sia per la costruzione di un progetto comune
di paesaggio. During the last decades of the 20th century a new environmental and ecological awareness has
spread in the western world. Together with the technological and digital revolution, it has also
directed the architectural and urban design towards an integration/crossbreeding of natural,
artificial and technological elements, giving special attention to the aspects of environmental
sustainability and of energy saving at the different levels of intervention, from the “intelligent”
buildings to the network of the smart cities. Every day we witness to the creation of spaces that
are more and more interconnected, user interactive and interagent, flexible and able to
exchange information with the outside world. We are now able to supervise our life contexts as
never before by collecting and organizing a huge amount of information without precedent.
Furthermore, new technologies are used in many cases to simplify and facilitate bidirectional
and real-time communication between users and providers, citizens and administrative offices
and, in wider terms, among the various actors of the landscape inside a more and more close and diversified network of physical and immaterial interconnections. The eco-sustainable
landscape design requires therefore a systemic approach and an overlook in order to permit the
match between safeguard and preservation on one hand and transformation and regeneration
on the other. This is as inevitable as it is essential for our life contexts, as well as the use of
unconventional tools diffusely employed whether for a territorial study in accordance with the
complexity of the actual dynamics or for the construction of a collective project of landscape.
2
Kobler, Tristan. « The City as a Cyborg : Influence of Digital Technologies on Architecture and on Cities ». Dans 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.64.
Texte intégralRésumé :
Metropolitan regions with emerging vast agglomerations constitute a seemingly insurmountable challenge to urban design and regional planning. We diagnose decentralization, suburbanization, and urban sprawl. New methods need to be developed. Digital information technologies are challenging established understandings of the city. New, fictitious realities as immaterial, dynamic communication systems supply and compete with the "direct" reality of built architecture. We are aiming at the connected, intelligent house, a machine or a cyborg in a global network. In this new mobility the interactive house could become the cover of worlds without places - to the place of all places. Cities will become to be centerless huge megacities, along with a loss of their old center functions. New virtual - not really functional justified - centers will be established.
3
Santamaria, Giovanni. « Transforming Territories : A Landscape of “In-Tension-Alities” ». Dans 2018 ACSA International Conference. ACSA Press, 2018. http://dx.doi.org/10.35483/acsa.intl.2018.46.
Texte intégralRésumé :
The flow of people, resources, material and immaterial goods, and at the same time regimes and strategies of control, have always shaped/reshaped our geographies and processes of urbanization. Therefore built and unbuilt landscapes have been characterized by gradual or dramatic changes, leading to new architectural typologies and urban morphologies corresponding to the transformation of means of production, distribution, circulation, consumption and to the shift of political, economic and ideological realms. The effects of these processes on structure and quality of space and life could be described as part of a complex Urban Metabolism¹ which looks at the city and its territory as a complex organism. This dynamic landscape has reached a high level of complexity where natural environments (geology, hydrology, topography) and cultural environments (productive lands, urban settlements, infrastructural networks) need to be synergistically understood as part of an articulated ecological system, with both micro and macro implications. It is the synthesis of geographic-historical contents (collective values), aesthetic-perceptual contents (individual values), and ecological-natural contents (biological values)², influenced more and more by natural and man-made disasters caused by climate change and human conflicts. Since the city as a definable entity and product of predetermined models has become obsolete, we are now called to work with a collage of fragments, heterogeneous and dynamic, often in opposition and unpredictable, subjected to the balance of variable forces, with their own order and rules, and their own ways of evolving, which we have to understand and manage³. This determines the need for new tools and methods to observe, record and assess urban phenomena, and the data regarding them, towards more sensitive interventions.
4
Kowalski, Jaroslaw. « The Internet of Things as an extension and augmentation of the user ». Dans 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002167.
Texte intégralRésumé :
In recent decades, the world of objects and tools has altered markedly. New devices, which communicate with other devices via digital protocols, have emerged. Digital creations, including programs, applications, websites, and bots have also become widespread. These can be considered tools, but are simultaneously immaterial. As a raft of Internet of Things (IoT) products enter the market, a new stage of development can be seen on the horizon: IoT will be superseded by the Internet of Everything, which enables communication between material objects and data, programs, processes, and people. In this new world, technology will become active in new ways and gain new types of agency. Newly created technologies enter into a specific type of relationship with their users and exercise significant impacts upon them.This article presents the results of a qualitative study (28 individual in-depth interviews) conducted on users of different types of digital device, including wearable technologies, smart-home devices, digital applications, and voice assistants. It shows by example the various psychological and social consequences that users of these technologies experience and how those users view the technologies. IoT products can be treated as tools that empower their users. The notion of technology as an extension of the human body and mind was introduced by Marshall McLuhan and developed further by Andy Clark. They highlighted that technological solutions have assisted humanity by “moving” cognitive processes and agency beyond humans themselves. Clark offers examples of such derivation: paper, arithmetic, and writing are external extensions of the human mind. The emergence of the IoT trend introduces a new dynamic to this process: digital devices that have the ability to complement and extend human capabilities. This article proposes that these enhancements be categorised into two distinct groups: extensions (the strengthening of existing properties) and augmentations (the equipping of properties that humans did not previously possess). Through technology, users have access to the equivalent of new senses, such as instant remote knowledge of who is inside their homes, which doors are locked, and the exact location of the bus they intend to catch. These might also incorporate new skills—such as the ability to solve mathematical equations with a single click, or to cook a previously unknown dish—or character traits, such as perseverance or self-motivation. This article also intends to demonstrate that such dependencies can be two-sided. As well as the natural senses, users feel the need to employ technologically generated ones—for example, some users feel the need to “check” the condition of their empty homes, the status of their household appliances, or how much electricity their solar panels have produced. The wide selection of extensions and augmentations that cause users to function in a relational space of human and nonhuman actors have enabled new technologies that make claims on the human psyche. The qualitative method of this article allows it to describe the relationship between humans and 'technological artefacts', and to include the experiences of users described using their own conceptual grids.