Bibliographies thématiques / Imagination in children – Juvenile fiction

Littérature scientifique sur le sujet « Imagination in children – Juvenile fiction »

Auteur : Grafiati

Publié le 25 juillet 2024

Mis à jour le 26 juillet 2024

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Articles de revues sur le sujet "Imagination in children – Juvenile fiction"

Uma, T. « Childhood Experience - the Building Blocks of Life : A Psychoanalytical Study of Chitra Banerjee Divakaruni’s Fiction One Amazing Thing ». Shanlax International Journal of English 8, n^o 2 (1 mars 2020) : 21–25. http://dx.doi.org/10.34293/english.v8i2.1810.

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Some people cannot love even their family members, while some seemingly normal people have few paradoxical qualities. Is there a connection between their strange behavior and their childhood experiences? What is the role of childhood in the character development of a person? The psychologists consider childhood experiences as the building blocks of a person’s personality. Freud believed that the child’s bond with the parents is the key to his/her psyche. Erikson divides a person’s life into eight stages of development. Every child faces a crisis or a challenge at each stage. The resolution of the crisis would lead to the acquisition of virtue, while failure caused maladaptive. Karen Horney also puts forth similar views. If the child’s basic need is not met, he/ she would either move towards people or move against or move away from people. This article examines the portrayal of children, their challenges, idiosyncrasies, and impact of their experiences on their psyche in the fiction One Amazing Thing, written by famous Indian American author Chitra Banerjee Divakaruni from a psychoanalytical perspective. She has written a few children’s novels also. A master storyteller, she weaves reality, imagination, and psychology together and creates both adult and juvenile characters who are true to life.

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Rouleau, Brian. « Childhood's Imperial Imagination : Edward Stratemeyer's Fiction Factory and the Valorization of American Empire ». Journal of the Gilded Age and Progressive Era 7, n^o 4 (octobre 2008) : 479–512. http://dx.doi.org/10.1017/s1537781400000876.

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Numerous studies have appeared in recent years that deal with the reasons and rationalizations that accompanied America's overseas acquisitions in 1898. This article uses juvenile series fiction to examine how the nation's youth—boys in particular—became targets of imperial boosterism. In the pages of adventure novels set against the backdrop of American interventions in the Caribbean and the Philippines, Edward Stratemeyer, the most successful author and publisher of youth series fiction, and other less well-known juvenile fiction producers offered sensationalistic dramas that advocated a racialist, expansionistic foreign policy. Stratemeyer and others offered American boys an imaginative space as participants in and future stewards of national triumph. Young readers, the article argues further, became active participants in their own politicization. An examination of the voluminous fan mail sent to series fiction authors by their juvenile admirers reveals boys' willingness, even eagerness, to participate in the ascendancy of the United States.

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Miller, Andrew. « Lives Unled in Realist Fiction ». Representations 98, n^o 1 (2007) : 118–34. http://dx.doi.org/10.1525/rep.2007.98.1.118.

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Referring to fiction by Charles Dickens and Henry James, this essay considers the moral psychology of counterfactual narratives, studying pressures that invite the imagination of alternate lives. Such "optative" narratives, characteristic of realism, typically become important within particular environments of attention; glancing at economic and ideological factors, the argument focuses on marriage and the loss of children.

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Davis, Jewel. « (De)constructing Imagination ». Study and Scrutiny : Research on Young Adult Literature 4, n^o 1 (30 octobre 2020) : 1–28. http://dx.doi.org/10.15763/issn.2376-5275.2020.4.1.1-28.

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This critical content analysis examines representations of race and ethnicity in three young adult speculative novels: Children of Blood and Bone, The Black Witch, and Carve the Mark. This study utilizes Critical Race Theory to closely analyze texts to find and critique elements of bias and highlight counter-stories. Three major themes emerged from the analysis: BIPOC characters as dark aggressors, the construction of systems of oppression in worldbuilding, and the transformation of characters encountering racism. In the discussion and implication, the author argues for supporting counter-storytelling and provides questions for analyzing representation in speculative fiction.

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Wieczorkiewicz, Aleksandra. « Inspiration from Translation : The Golden Age of English-Language Children’s Literature and Its Impact on Polish Juvenile Fiction ». Tekstualia 2, n^o 65 (13 septembre 2021) : 69–88. http://dx.doi.org/10.5604/01.3001.0015.2751.

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The article presents a cross-sectional view of the impact of the translations of English-language juvenile literature of the Golden Age on Polish literary production for young readers. This panorama of infl uences and reception modes is presented in three comparative close-ups, dealing with characters and recipients (English ‘girls’ novels’ and their Polish equivalents), literary convention (adventure novels), and fairytale quality, imagination, and fantasy (Polish literary works inspired by English classic fantasy books). The study shows that Golden Age children’s literature transferred into Polish by means of translation brought new trends, motifs, genres and themes to Polish juvenile literature, signifi cantly contributing to its development.

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Eliphase, Ndayikengurukiye. « Role of Fantasy in Intellectual Development of Children ». Shanlax International Journal of English 7, n^o 4 (1 septembre 2019) : 32–37. http://dx.doi.org/10.34293/english.v7i4.583.

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This paper discusses the concept of fantasy. There is much in the word of fiction today so that the number of writers on imagination is increasing. After people have come to realize that romance is serving as much as a sea in the intellectual development of children, most of them have started to encourage their children to like more reading fantasy books. Some parents have even made it a great deal by deciding to build a small home library of fantasy books for children.The paper’s purpose is to discuss the role of fantasy literature in children’s intellectual development by including different forms of fantasy and its various advantages. The latter include creativity, entertainment, imagination and language skills improvement, the schematic knowledge, enjoyment, strategies applied for problem-solving, knowing the do’s and don’ts of the society, etc. Some Critics have made assertions on children’s ways of learning. This paper incorporates some of the claims and discusses them with some excerpts of illustrative stories related to fantasy.Enhanced by the fact that fantasy is the roadmap to the child thinking ability development, the paper will finally show why parents should motivate their children to get interested in fiction, which has a lot to do with children’s learning process.

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Mawanti, Cholis, Nensy Megawati Simanjuntak, Suyatno et Darni. « Implementation of Directive Functions in Children's Literature Written by Authors of Children Aged 7-12 Years ». Indonesian Journal of Contemporary Multidisciplinary Research 2, n^o 3 (30 mai 2023) : 315–20. http://dx.doi.org/10.55927/modern.v2i3.3860.

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A work of fiction made by a child is an extraordinary gift. The child's ability to imagine and put that imagination into a series of stories is an invaluable value of the archipelago's wealth. A work made by children aged 6-12 years became one of the riches of Indonesian literature which eventually developed and was called children's literature. Children's literature is rich in values and messages. Children's literature is also rich in directive functions. This study found that in children's literature there are many directive functions conveyed by the author through his work. The various directive functions contained in children's fiction are representations of real life experienced by characters or writers in their daily routines. The richer the directive function in children's fiction, the richer the message conveyed by the author, implicitly or explicitly

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WILSON, KIM. « The Past Re-imagined : Memory and Representations of Power in Historical Fiction for Children ». International Research in Children's Literature 1, n^o 2 (décembre 2008) : 111–24. http://dx.doi.org/10.3366/ircl.2008.0001.

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This article argues that historical fiction functions as a collective memory: it provides a social framework for recollections that speak of a national agenda often through personal experiences. Taking as its examples three Australian and New Zealand fictions for children and young adults, from the late twentieth and early twentieth-first century, the article examines texts that focus on how we remember the past and what aspects of that past should be remembered: Memorial (1999), a picture book by Gary Crew (author) and Shaun Tan (illustrator), The Divine Wind (1998) by Garry Disher, and The Swap (2004) by Wendy Catran. Close analysis of these texts suggests that, like memory itself, historical fiction tends to eulogise the past. In historical fiction, for children especially, whilst power relations of cultural significance can be perpetuated, they can also be re-positioned or re-invented in order to re-imagine the past. Shifts in the present understanding of past power relationships contribute towards the reinvention of race relations, national ideologies and the locus of political dissent. The article concludes that historical fiction, because of its simultaneous claim to fact and imagination, can be a powerful and cunning mode of propaganda.

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Kardiansyah, M. Yuseano. « Philip Pullman’s Northern Lights : Exploring Children and Myths as the Intrinsic Formulation in an Adventure Story ». Rainbow : Journal of Literature, Linguistics and Culture Studies 12, n^o 2 (28 octobre 2023) : 141–50. http://dx.doi.org/10.15294/rainbow.v12i2.73949.

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This study investigates a novel entitled Northern Lights (1995), authored by Philip Pullman as a fantasy fiction in the context of popular literature. The aim of this study is to reveal the significance of children and myth characters as the formula and the intrinsic formulation of this novel as an adventure story. As a textual study, this study uses a narrative analysis method that can help to explore the intrinsic elements of prose fiction. The relevant data collected and analyzed in this study are narrations or dialogues that refer to particular acts and speech of characters, settings of place, theme, and plot in the novel. All data are analyzed to disclose the conception of children and myths used as the basic formula of this novel. At the end of the analysis, the investigation reveals the significance of children and myth characters in this novel. They are seemingly used to attract readers’ interest and concern in transcending their imagination boundaries in their daily lives. Besides, this study can also explicate how they are intrinsically formulated in an adventure story.

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Ferholt, B., R. Lecusay, A. P. Rainio, S. Baumer, K. Miyazaki, M. Nilsson et L. Cohen. « Playworlds as Ways of Being, A Chorus of Voices : Why are Playworlds Worth Creating ? » Cultural-Historical Psychology 17, n^o 3 (2021) : 95–103. http://dx.doi.org/10.17759/chp.2021170313.

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This paper discusses the playworlds of the Playworld of Creative Research (PWCR) research group. Play¬worlds are created from a relatively new form of play that can be described as a combination of adult forms of creative imagination (art, science, etc.), which require extensive real life experience, and children’s forms of creative imagination (play), which require the embodiment of ideas and emotions in the material world. In playworlds, adults and children (or teenagers or seniors) enter into a common fantasy that is designed to support the development of both adults and children (or teenagers or seniors). The PWCR understands play¬worlds and the study of playworlds as ways of being. In this paper we present unique, individual playworlds that we truly love from the perspective of researchers, artists, teachers, children, administrators, and imagi¬nary characters, who participate in playworlds. We use a master fiction writer’s words on the love of literature to frame our discussion of playworlds, focusing on truth, time, human magic, infinite possibilities, fun, and the enriching and intensifying (and so, creating) of the real in playworlds in Japan, Finland, Sweden and the US.

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Thèses sur le sujet "Imagination in children – Juvenile fiction"

Struyk-Bonn, Christina. « Whisper ». PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/1150.

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Whisper was a reject, living in a world so polluted and damaged that many humans and animals alike were born with defects. She'd grown up in an outcast camp far from any village, and those who lived in the camp were like her: disfigured. But on her sixteenth birthday, Whisper's father came to take her back to the village where she was to fill her mother's vacated spot and perform duties for the family. Her job was to cook, clean, wash the clothes, and maintain the family property. At night she was chained to the doghouse. Her uncle decided that Whisper could make far more money for the family by other means. He escorted her to the city where he brought her to the Purgatory Palace which was full of people like her, people with disfigurements who had been abandoned by their families and lived in the city for one reason only -to beg for money. Whisper refused to beg, and instead used the violin she'd received from her mother, and played songs for the money she earned. This became tolerable for a time. But Whisper missed her forest home with an ache as cold as the city and she missed the other rejects from the camp in the woods. When she was accused of attacking a store attendant, she found herself in jail. She was rescued by Solomon, a man who had heard her songs on the street corners and said that she played as only a genius could. He offered her a place at The Conservatory of Music, where she would study the violin with him. Whisper accepted this offer but even though she was warm, safe, and played music every day, she did not fit in at The University and knew that she never would. This is a young adult novel about Whisper, trying to find a place in a world that doesn't accept her. It is a story of rejection, pollution and social status. Whisper discovers that through perseverance, friends and determination, anyone can find a way to fit.

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Potter, John Randall Charles. « Ordinary children, extraordinary journeys, the role of imagination in the early life and selected fiction of Alice Munro ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ30740.pdf.

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Liu, Shu-Pai, et 劉淑白. « A Study of Shaping Exceptional Children in Juvenile Fiction – Taking An Example of Newbery Medal Works ». Thesis, 2014. http://ndltd.ncl.edu.tw/handle/66308215305329623520.

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碩士
國立臺東大學
兒童文學研究所
102
One of the important themes of Children’s literature is to help children grow up. And the realistic fictions can help young people understand the significance of growth as “real” in the real world. The research takes five Newbery Medal winning works, “The Summer of the Swans”, “Sweet Whispers, Brother Rush”, “Joey Pigza Loses Control”, “Al Capone Does My Shirts”, “Rules”, as the keys to enter the world of exceptional children in order to discuss and analyze ADHD, mental retardation, and autistic children. The study is divided into five chapters. The first chapter, Introduction, discusses the readers can enhance their understanding of disability groups by reading those kinds of juvenile fictions. The second chapter discusses the texts in the images of exceptional children. Analyze those kids’ characterization to understand their characteristics. The third chapter discusses the relationship between exceptional children and their parents. Because of the birth of children with special needs, brings the impacts and influences on their parents, and causes psychological stress and parental adjustment problems. The fourth chapter discusses the special relationship between exceptional children and siblings. Both the exceptional children and their non-physically challenged siblings approach the growth progress by getting through the enlightenment trilogy—conflict, escape and identity. The fifth chapter is the conclusion that we can expect the understanding, tolerance and fair treatment of exceptional children. There is only love can overcome obstacles. “Always with you, I’m not alone.” If we can have better understanding of exceptional children, we shall be able to get across the barriers and obstacles between both sides, and get along with each other which are the main purpose of this study.

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Merts, Hilda Wilhelmina. « Die terapeutiese rol van fiksie in die hantering van sekere lewenskrisisse en ontwikkelingsprobleme van kinders ». Diss., 2004. http://hdl.handle.net/10500/1315.

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Children experience life crisis and normal developmental problems. This study is aimed at highlighting the role fiction can play in assisting children in coping with certain normal life crisis and developmental problems. A discussion on the nature of the bibliotherapeutic process indicated that fiction plays a major role in the success thereof. A model was designed for the selection process of fiction for the bibliotherapeutic process. Selection criteria were established for both the reader and the reading matter. Tables were designed consisting of selection criteria for both the reader and the reading matter. Stories about life crisis relating to death and divorce, as well as normal developmental problems about fear of peer group rejection and fear of the acquirement of skills, were evaluated against these criteria. This indicates that it is possible to select the right book for the bibliotherapeutic process with children.
Information Science
M.Inf.

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Clark, Sherryl. « New (Old) Fairy Tales for New Children ». Thesis, 2017. https://vuir.vu.edu.au/36015/.

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The creative thesis 'New (Old) Fairy Tales for New Children‘ makes a contribution to the field of creative writing research. It comprises creative work in the form of four fairy tales and a novel for upper primary/early high school readers (70%) and a short exegesis (30%). The creative work uses key fairy tale elements to tell new stories for contemporary children. The four fairy tales are intended to sit within the Western European tradition, drawing on the repetitions, cadence and storytelling voice of the tales collected by the Brothers Grimm.

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Suranukkharin, Todsapon. « The construction of cultural ideologies in award-winning Thai and Australian children's picture books (1987-2006) ». Phd thesis, 2013. http://hdl.handle.net/1885/155848.

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This thesis examines the role of children's picture books in constructing cultural ideologies. It aims to analyse the dominant cultural ideologies inscribed in Thai and Australian children's picture books, with specific emphasis on how such identities are constructed through verbal and visual language. The analysis focuses on the changes, if any, in the construction of cultural ideologies in Thai and Australian children's picture books that won national awards from 1987 to 2006, and how the changes correspond to the impact of social change. The corpus chosen for analysis consists of 60 children's books, comprising 30 from Thailand and 30 from Australia. The picture books have either won the Thai National Book Development Committee Award or the Picture Book of the Year Award given by Children's Book Council of Australia (CBCA). The thesis is structured around three themes based on the ideological construction of power in the books, including the construction of age relations, gender relations and community relations. Despite the fact that Thai society has undergone enormous change over the last two decades, the analysis shows that award-winning Thai children's books have been written mainly from a conservative point of view. They work by providing the foundations for social harmony and respect of order in a patriarchal and hierarchical society where all members are expected to know their proper place and live their lives in ways that contribute to the benefit of the whole community. Some slight changes can be detected in the way perspectives on those cultural ideologies have shifted at certain periods. These include the way of giving more emphasis to a child's self discovery over adult authority, the attempt to create non sexist picture books, and changes in the meaning and implication of unity and cohesion. Yet the analysis reveals that an ethos of conservative discourse still informs the books. It highlights the use of representation to control the overall appearance of idealised discourse in Thai society. In contrast, there is much variety and range in the way cultural ideologies have been constructed in award winning Australian children's books. While an ethos of conservative discourse can still be detected in the corpus, a number of books show that such ways of seeing the world can be challenged, questioned and even proved to be inadequate. Unlike the Thai books, the representation of patriarchal and hierarchical society can be overturned by giving more prominence to children's sense of agency and imagination and by portraying male and female characters in a more symmetrical way. In contrast to the depiction of the smooth and harmonious relationship between people of the same cultural and community groups in the Thai books, some recent Australian picture books emphasise the conflicts and disputes between different social groups. These changes are analysed in the context of the impact of social change. Social and political topics, such as the emancipation of women through the feminist movement and issues relating to contemporary politics including refugees, border control and cultural difference are taken into account.

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Livres sur le sujet "Imagination in children – Juvenile fiction"

Bennett, John Roy. Jason Mason Middleton-Tapp. Montreal : Lobster Press, 2000.

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Hines, Anna Grossnickle. I am a Tyrannosaurus. Berkeley, CA : Tricycle Press, 2011.

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Collet, Géraldine. Little worlds. Washington, DC : Magination Press, 2018.

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Dudko, Mary Ann. Baby Bop pretends. Allen, Tex : Barney Pub., 1994.

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Bowman, Patty. The amazing Hamweenie escapes ! New York, NY : Philomel Books, an imprint of Penguin Group (USA), 2015.

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Lee, Ruby. The magic box. Don Mills, Ont : Oxford University Press, 2009.

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Norman, Philip Ross. A mammoth imagination. Boston : Little, Brown, 1992.

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Eulate, Ana A. de. Life is beautiful ! Madrid, Spain : Cuento De Luz SL, 2012.

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Birney, Betty G. Imagination according to Humphrey. London : Faber & Faber, 2015.

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Birney, Betty G. Imagination according to Humphrey. New York, NY : G. P. Putnam's Sons, an imprint of Penguin Group (USA), 2015.

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Chapitres de livres sur le sujet "Imagination in children – Juvenile fiction"

Paffard, Mark. « A Writer for Children : 1894–1899 ». Dans Conservative Belief and the Imagination in Kipling’s Fiction, 73–94. Cham : Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-40220-3_5.

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« Stimulating the historical imagination : working with primary age children on books about the plague ». Dans Historical Fiction for Children, 139–47. David Fulton Publishers, 2013. http://dx.doi.org/10.4324/9781315069333-23.

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McDonagh, Josephine. « Transported ! » Dans Literature in a Time of Migration, 112–49. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.003.0004.

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A shared interest in the practice of colonization as a form of predation and capture provides a surprising link between Edward Gibbon Wakefield’s writings about systematic colonization and Charlotte Brontë’s whimsical juvenile writings. Both present their ideas in fictional form, and their colonies as imaginative constructs. Wakefield’s theory, which was influential in shaping British colonial policy, involved transporting working-class families to Australia to establish a labour force within new settlements. To reinforce the difference between his scheme and that of chattel slavery, he emphasized the freedom of his workers. Yet his scheme entailed significant restraints of their personal liberties: their freedom of movement, association, and right to own property, as well as the requirement to marry and have children. Similar preoccupations are evident in an earlier episode in Wakefield’s biography, in which he kidnapped a young woman in order to marry her for her family’s wealth and prestige. Brontë, who was roughly the same age as Wakefield’s young victim, explores these themes explicitly in her own teenage accounts of a colony in Africa, Glass Town. Co-authored with her siblings, this intricate saga of conquest and settlement by a group of European explorers presents a juvenile commentary on contemporary colonial practices. It reveals the coercive violence within the colony, as well as the submerged erotic elements within it. It also shows the ways this same violence underpins fictional narratives, especially the marriage plots that Brontë develops in her mature works.

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Holt, Frank L. « Mummies of the Imagination ». Dans A Mystery from the Mummy-Pits, 78–96. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197694046.003.0004.

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Abstract Ankh-Hap now inhabits a modern world in which mummies have been deliberately “monsterized” in many ways. In the nineteenth century, Gothic fiction depicted mummies as progressively more angry, sinister, and deadly. In the early twentieth century, magazine pulp fiction and comic books continued the trend, influencing a later spate of horror films featuring mummies as movie monsters alongside Dracula and Frankenstein. The sensationalized curse of Tutankhamun’s tomb contributed to the popular notion of malevolent mummies. Meanwhile, children have been bombarded with conflicting depictions of mummies as either comical or creepy, as evidenced in the marketing of modern toys, games, candies, and breakfast cereals.

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Schneider, Miriam Magdalena. « Chapter 6 Thrilling Hearts and Winning Minds : The Representation of Monarchy, Navy, and Empire in Nineteenth- Century Juvenile Adventure Fiction ». Dans The World of Children, 137–58. Berghahn Books, 2022. http://dx.doi.org/10.1515/9781789202793-009.

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« Model Children, Little Rebels, and Moral Transgressors : Virtuous Childhood Images in Taiwanese Juvenile Fiction in the 1960s ». Dans Ethics and Children's Literature, 139–56. Routledge, 2016. http://dx.doi.org/10.4324/9781315580319-14.

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Rouleau, Brian. « Epilogue ». Dans Empire's Nursery, 225–32. NYU Press, 2021. http://dx.doi.org/10.18574/nyu/9781479804474.003.0008.

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By the middle of the twentieth century, television had replaced literature as the principal means by which American children were acculturated. Juvenile fiction, meanwhile, became less avowedly imperial. “Empire’s nursery” partially collapsed under the weight of testimonials penned by nonwhite peoples unwilling to remain silent about the crimes committed against them in the name of US imperialism. Children’s literature increasingly avoided the subject of foreign relations as America’s global image became tarnished following the disaster in Vietnam.

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Ferraro, Thomas J. « Feast of Our Lady of Desire, Resplendent ». Dans Transgression and Redemption in American Fiction, 186–213. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198863052.003.0009.

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Chapter 8, revisiting Hemingway’s The Sun Also Rises and taking its cue from Jake Barnes’s Catholic conscience, argues that Jake acts in recurrent if unspoken penitential redress, crafting with Lady Brett Ashley a sentimental, extramarital intimacy enabled, in part, but only in part, by his war wound. Barnes’ story entails the pilgrimage of his Anglo-American caste-mates from the monetary social economy of Paris to the buddy-buddy warmth of the borderland Pyrenees to the fully anticapitalist, extravagantly Catholic peasant Spain, where in religious festival male camaraderie is awash from spurting wine sacks and the holy spectacle of the bullfights offers truly enfleshed sacrifice—bloody, at times deadly Lady Brett, much admired and accomplished if still soul-doubting as the Goddess of resplendent desire, seeks in Pamplona to defeat the distancing worship of a Marian throne, setting her sights instead on communion with the men in the art of spectatorship (afición) only then to commingle with its great young bullfighter, Pedro Romero. Jake serves, of course, as the man in waiting to Our Lady Ashley—whereby pimp-istry and cuckoldry, requited sentiment and frustrated desire, wishful thinking and perfected intimacy dance together in lovely co-determination. In Fiedler’s broadest terms of love and death, Hemingway takes Transgression & Redemption full circle, enacting a Provençale-ization of the American imagination so thoroughly that incommensurable violative love is proven incarnate in the embodied passions of the heart but cannot be normatively domesticated—by Woman’s dictate (no children!) as much as by man’s fate—thus their blessed alt-intimacy.

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Moore, Paul, et Sandra Gabriele. « Subscribing to the Sunday Newspaper ». Dans The Sunday Paper, 31–60. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044496.003.0002.

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There was no singular type of Sunday paper. A multiplicity of Sunday supplements produced new kinds of readers through their very form and design. Each asked readers to do more than read, but to interact with the materiality of the paper as a form of leisure. Sunday supplements established a different temporality from the weekday newspaper and the bustle of the workweek. They entreated readers to spend time with the paper, tying them to the rhythms of the weekend and the home. This temporality linked one Sunday to another, making a subscription all the more logical by providing a cultural aesthetic for the home. Most varieties of supplements appealed to women readers, who were considered especially important for securing home delivery. Lithographed art and photographic supplements, sheet music, novels and fiction magazines, fashion plates, and sewing patterns: all offered a distinctly feminine appeal. Games, puzzles, coloring books and all variety of paper toys appealed to children. Women readers found aesthetic appreciation; juvenile readers delighted in aesthetic play. Even in later days of early radio, Sunday papers were conduits of popular education explicitly including all members of the family as reading subjects, each invested in subscribing to the paper.

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