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Pratama, Muhammad Rakha Rizky, et Septia Winduwati. « Aktivitas Interaksi Parasosial Penggemar Kepada Idola (Studi Deskriptif Kualitatif pada Wota dan Woti Penggemar JKT48 di Jabodetabek) ». Koneksi 5, no 1 (4 mars 2021) : 133. http://dx.doi.org/10.24912/kn.v5i1.10197.
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JKT48 is an idol group originating from Indonesia and produced by Akimoto Yasushi. This research is expected to be able to explain the parasocial interactions that occur between fans and idols. Parasocial interactions are interactions that occur when individuals interact with people who are presented by the media. This research is focused on finding out how the parasocial interaction activities between JKT48 fans Wota and Woti and JKT48 idols. This study uses the concept of communication theory, fandom theory, and parasocial interactions. This research uses a qualitative approach with a collection method by conducting interviews with three informants, study documentation, and literature study. The results in this study are Wota and Woti will feel sad when their idols leave, Wota and Woti limit their relationship with idols only to idols with fans, Wota and Woti make JKT48 as their guide when they behave. None of the three informants in this study was affected pathological.JKT48 merupakan grup idola yang berasal dari Indonesia dan diproduseri oleh Akimoto Yasushi. Penelitian ini bermaksud menjelaskan interaksi parasosial yang terjadi antara penggemar dan idola. Interaksi parasosial merupakan interaksi yang terjadi ketika individu berinteraksi dengan orang yang dipresentasikan oleh media. Penelitian ini fokus untuk mengetahui bagaimana aktivitas interaksi parasosial antara penggemar JKT48 Wota dan Woti terhadap idola JKT48. Penelitian ini menggunakan konsep teori komunikasi, teori fandom, dan interaksi parasosial. Penelitian ini menggunakan pendekatan kualitatif dengan metode pengumpulan data berupa wawancara tiga informan, studi dokumentasi, dan studi kepustakaan. Hasil dalam penelitian ini adalah Wota dan Woti akan merasa sedih ketika idolanya keluar, Wota dan Woti membatasi hubungannya dengan idola hanya sebatas idola dengan penggemar, Wota dan Woti menjadikan JKT48 sebagai pedoman mereka saat bertingkah laku. Namun penelitian menunjukkan bahwa efek patologis tidak terjadi pada tiga informan.
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Saraswati, Listya Ayu, et Nurbaity. « BTS ARMY’s #BTSLOVEYOURSELF : A Worldwide K-Pop Fandom Participatory Culture in Twitter ». Lililacs Journal : English Literature, Language, and Cultural Studies Journal 1, no 1 (12 janvier 2021) : 1–8. http://dx.doi.org/10.21009/lililacs.011.01.
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Korean popular music (K-pop) fandom is under spotlight as the K-pop industry has rapidly grown transnationally. Fandom practices across nation borders in social media has grown out from supporting their idols by buying the records, continuously discussing idols’ personal life, and attending live music concerts, to supporting social causes in the name of the idols. This paper investigates fandom participatory culture of creating and supporting social activism message in social media. By collecting and analyzing a large-scale of fandom activity data from Twitter, we investigate to what extent fandom participatory culture is prevalent and important in transnationalism of K-pop, in particularly social activism in social media. By analyzing the Twitter data of ARMY on #BTSLOVEYOURSELF, we show the participatory culture is what gives the fandom and their messages bigger effect in social media which is beyond the idol’s industrial well-made representation and image. However, there is also a possibility of inter-cultural intermediaries of fandom practices to echo idol’s message in social media and to define success for the multi-billions industry.
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Li, Yaran. « Virtual or Real : Analysis on the Development of Virtual Idols in the Simulation Society--Taking “LASER” and “MANTA” for Examples ». SHS Web of Conferences 179 (2023) : 01013. http://dx.doi.org/10.1051/shsconf/202317901013.
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Virtual idols with “beautiful skins” and “interesting souls” have gradually become the idolize goal of the second-generation youth group and come into public view. Based on jean Baudrillard ’s “simulacra theory”, this paper summarizes the dual empowerment of voice control created by Cat’s Ear Entertainment to virtual idol men’s groups LASER and MANTA from the virtual and realistic perspectives, and finds that virtual idols also have three major dilemmas in the simulacra society: the fans of virtual idols are alienated; IP long tail communication bundles fan consumption; Pink circle thinking breaks the utopia of virtual idols. With the continuous development of the concept of meta-universe, the healthy and sustainable development of virtual idols is still on the road.
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Rahmi, Mauliddhea Sakina, Nandang Rahmat et Amaliatun Saleha. « POSTHUMAN IN JAPANESE POPULAR CULTURE : VIRTUAL IDOL HATSUNE MIKU ». AICLL : ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE 1, no 1 (17 avril 2018) : 81–86. http://dx.doi.org/10.30743/aicll.v1i1.12.
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Idol is a popular young entertainer in Japan. The development and changes of idol’s generation are pretty fast because of the fan’s demands for perfect idols that meet their desire. The strategy to fulfill the demands of the idol which have deficiency (as a human) is to make virtual idols. Their presence started to replace idol, which means virtual idol is part of the product of Japanese’s popular culture. This research is intended to descript the virtual idol’s posthuman value as a virtual product that mixed with human reality. The object of this research is Hatsune Miku’s concert Magical Mirai 2016. She is one of the virtual idol who is still developing until now. This research used cultural studies approach and cybersemotic method (Piliang, 2010) to read Hatsune Miku’s posthuman value. The result of the study shows Hatsune Miku has posthuman value manifested on her appearance and voice. The posthuman values illustrated on Miku are her appearance that shows Japanese young women ideal body and her voice which can be controlled by anyone who has the software.
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Gucci, Yolla Castro, K. Y. S. Putri et Vera Wijayanti Sutjipto. « Analysis of Interpersonal Communication Patterns in K-POP Fans' Parasocial Interactions ». Journal of Media,Culture and Communication, no 42 (27 février 2024) : 1–7. http://dx.doi.org/10.55529/jmcc.42.1.7.
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Uploaded social media contents from idols to fans on a continuous state can create a sense of closeness for fans. The upload usually contains the idol's daily activities. The language communicated on idol social media uploads uses language similar to interpersonal communication. This is what increases parasocial relationships with fans. This study aims to find out how emotional involvement is established in parasocial relationships carried out by K-Pop Enthusiasts on X. This research uses a qualitative approach and descriptive research. The results of this study show fans who are members of K-Pop fans constantly interact with their idols through social media, especially X. Fans also have high self-disclosure as K-Popers and high expressions of love for their idols. In addition, fans have a high sense of dependency to stay connected with things related to their idol.
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Rismayanti, Rebekka, Irene Santika Vidiadari et Lukas Suryanto Ispandriarno. « SOCIAL MEDIA CONSUMPTION AND THE CONSTRUCTION OF IDOL AMONG THE TEENAGERS IN SUBURBAN AREA OF YOGYAKARTA ». Interaksi : Jurnal Ilmu Komunikasi 11, no 1 (1 juillet 2022) : 84–92. http://dx.doi.org/10.14710/interaksi.11.1.84-92.
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The advancement of technology has made many people, including teenagers, use new media to access information and interact with other people. One of the new media platforms widely used by teenagers is social media. Because identity plays a significant role in the life of the youth, besides sexuality, social media is relevant to teenagers. Social media helps teenagers on their quest to define and explore who they are, one of which is by facilitating them to find idols. This research aims at illustrating the construction of idols in teenagers through the consumption of one of the social media platforms, Instagram, by employing a qualitative approach and case-study methods. The research result shows that social media consumption in suburban adolescents is low and makes them still have strong connections with the surrounding social environment. The low consumption and influence of social media also make it easy for teenagers to believe in their idol's appearance and perceive it as a complete image of the idol. Teenagers have many ways to find and 'meet' their idols. Teenagers believe in their idols' social media appearance and perceive that the contents show the natural character and personality of the idols.
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Maliszewski, Dariusz. « Trojan Schematic Idols at Munich ». Anatolian Studies 43 (décembre 1993) : 111–15. http://dx.doi.org/10.2307/3642968.
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In the Staatliche Antikensammlungen und Glyptothek in Munich (SASuG) there are four marble schematic idols from Schliemann's excavations at Troy. In 1902 these objects together with a large group of other Trojan artefacts (pottery, spindle whorls and small stone objects) were transferred from Berlin to Munich, to the Königliche Vasen-Sammlung (Bertram 1992: 44) now an integral part of SASuG.From Schmidt's catalogue we know that more schematic stone idols were sent to Munich (Schmidt 1902: 334). Alfred Götze in the subsection “Brettförmige Idole: Aus Stein und Muschel” of this catalogue described several groups of idols. Thirty idols—28 of marble, one of schist(?) and one of limestone—were marked with numbers 7348 to 7377 (Götze 1902: 277 ff.). Among this group predominate idols with engraved features on the face and neck (nine examples), face (seven examples), face, neck and hair (two examples); the others have engraved features on the face and breasts (one example); on the face and a circle with a central point between “shoulders” (one example).
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Pohan, Syafruddin, et Zelfi Nanda Gustiana. « FENOMENA FANWAR DAN FANATISME ANTAR FANDOM K-POP DI MEDIA SOSIAL TWITTER ». SEMAR : Jurnal Sosial dan Pengabdian Masyarakat 1, no 03 (30 septembre 2023) : 10–16. http://dx.doi.org/10.59966/semar.v1i03.218.
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The development of technology has triggered the rapid entry of culture from various regions including abroad, one of which is the entry of K-Pop music which is much loved by the public, including in Indonesia. The popularity of K-pop has created groups that idolize K-pop idols. The large number of K-pop groups makes the competition between idols in which their fandoms participate, creating fanwars based on fanwar behavior. This study aims to analyze the behavior of fanwar and fanaticism which is carried out through the social media Twitter. This study used a descriptive qualitative method supported by a literature review. The result of this research is that fanwar behavior is triggered by fanaticism and it is easy to do fanwar through social media because of the existence of a base account.
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Wasylewicz, Magdalena. « Autorytety medialne – starcie czy wsparcie (?) autorytetów realnych współczesnej młodzieży ». Lubelski Rocznik Pedagogiczny 35, no 1 (21 février 2017) : 99. http://dx.doi.org/10.17951/lrp.2016.35.1.99.
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<p>Od zarania dziejów ludzkość uznawała autorytety i potrzebowała ich istnienia. Jest to najważniejszy filar życia społecznego oraz nieodzowny element sukcesu jakiejkolwiek aktywności, zwłaszcza w wychowaniu i edukacji. Obecnie trwa dyskusja na temat „współczesnych autorytetów”. W czasach daleko idących zmian społecznych jego rola również się zmieniła. Coraz częściej dyskutuje się o problemie upadku autorytetów społecznych. Tradycyjne autorytety: rodzice, nauczyciele czy wybitne osobistości przestrzeni publicznej, zostają zastąpieni przez tzw. idoli, których popularność w naszym kraju wzrasta. Niniejszy artykuł jest próbą odsłonięcia esencji fenomenu medializacji życia, podczas gdy tradycyjne autorytety są zastępowane przez „autorytety – idole medialni”. Celem teoretycznych rozważań i empirycznej wiedzy w niniejszym artykule było ustalenie roli autorytetów medialnych w życiu dzisiejszej młodzieży i połączenie jej z rolą prawdziwych autorytetów.</p>
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Ilić, Jelena. « SPORTS IDOLS OF YOUNG ATHLETES ». Anthropological aspects of sports, physical education and recreation 4, no 1 (1 novembre 2013) : 13–18. http://dx.doi.org/10.5550/sp.4.2012.02.
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Zuyyinah Candar Kirana. « ORANG TUA FIGUR IDOLA ANAK : KONSEP PENDIDIKAN POLA ASUH ISLAM ». Jurnal Mu’allim 3, no 2 (7 septembre 2021) : 211–24. http://dx.doi.org/10.35891/muallim.v3i2.2673.
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Parents play a role and are responsible for their children, so they are not badly affected by the increasingly rapid advances in digital technology. Parents must also play a role as teachers, friends, and idols for children. When children feel that their parents are idols, children will always rely on their parents, be obedient and follow what their parents say and do. If parents are kind to their children, children will surely idolize their parents. If parents have become idols, teaching kindness to children will be very easy. Parents are every child's first teacher. Therefore, parents play a very important role in shaping the mental and character of children. By implementing Islamic education parenting in educating children, of course children will grow up to be good, pious, independent, tough and not easily swayed by technological developments and times. Children will have a strong stand and be ready to face the challenges of the times. Certainty in the strength of faith, the power of knowledge and adab possessed will be a provision when children find problems with the twists and turns of life.
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Muhartoyo, Muhartoyo, et Vanesha Sharone. « Code Switching and Code Mixing Practised By K-POP Idols Diaspora ». Lingua Cultura 17, no 2 (27 décembre 2023) : 227–31. http://dx.doi.org/10.21512/lc.v17i2.10399.
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The research discussed K-pop idols as ambassadors for brands, contributing to the global popularity of K-pop as a cultural phenomenon. Given their strong influence and popularity, it was fascinating to discern how K-Pop idols' diaspora communicates with each other. By using the descriptive-qualitative approach with the interpretive-explorative pattern, the research was intended to examine the practice of code-switching and code-mixing by K-pop idols' diaspora during their interaction, to enumerate the code-switching and code-mixing instances, as well as to study the reasons/motivations behind the use of using code-switching and code-mixing. The result of the data analysis confirmed that, like other bilinguals, K-Pop idol's diaspora utilize code switching and code mixing during their interaction for various underlying reasons. It is found that there are 19 inter-sentential switchings, 18 intra-sentential switching, four tag switching, 11 insertion code-mixing, four alternation code-mixing, and six congruent lexicalizations with different reasons or motivations. The research concluded that it is almost inevitable for bilinguals and multilinguals to practice code- switching and code-mixing to navigate language selection during their interaction.
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Tuty Mutiah, Mutiah, Adityo Fajar, Ilham Albar Pane, Chepi Nurdiansyah et A Rafiq. « KOMODIFIKASI FANDOM BLACKPINK DI INDONESIA ». NIVEDANA : Jurnal Komunikasi dan Bahasa 4, no 2 (24 décembre 2023) : 425–32. http://dx.doi.org/10.53565/nivedana.v4i2.986.
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Fandom is a term used to describe activities that reflect the closeness between fans and their idols based on a particular cultural product. Advances in digital technology have made interaction between fandoms and their idols easier, enabling them to consume a variety of products issued by such idols. Unfortunately, fandom activity on digital media is often exploited in the form of collecting user data that is then exploited for commercial purposes. Sometimes, digital media consumption can even become a "job" that users do not realize, which ultimately benefits content providers and platforms. This research aims to explore how fandom exploitation happens in a Blackpink fandom case study in Indonesia. In data analysis, concepts such as "playbour" (the work done by fans in support of their idols), "datafication" (transforming activity into data), and "commodification" (converting something into commodity) are used as a framework. The process of fandom exploitation begins with an attempt to build emotional closeness between idols and fans. Idola is present in a variety of content, both music-related and non-musical. fandom data is obtained through various activities of digital media consumption and the formation of dedicated membership within the community. By leveraging the enthusiasm of the fans, capital owners and associates take further steps to maximize their profits. They can collaborate with a variety of brands that may not have a direct connection to music, but rely on idol popularity to boost their sales or brand image.
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Aufa, Rahmatul, Samsunuwiyati Mar'at et Sri Tiatri. « PERANAN COGNITIVE FLEXIBILITY, SELF-ESTEEM, DAN LONELINESS TERHADAP CELEBRITY WORSHIP PADA REMAJA ». Jurnal Muara Ilmu Sosial, Humaniora, dan Seni 3, no 2 (14 octobre 2019) : 539. http://dx.doi.org/10.24912/jmishumsen.v3i2.3483.2019.
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Saat ini fenomena demam idola kian menyemarak di Indonesia. Semakin tinggi tingkat pengidolaan seseorang, maka semakin tinggi juga tingkat keterlibatan dengan sosok yang di idolakan. Semakin individu mengidolakan atau terlibat dengan sosok yang di idolakan maka semakin besar pula keintiman (intimacy) yang diimajinasikan terhadap sosok idola tersebut. Ketika individu menjadikan selebriti fokus utama hidupnya, maka disfungsi akan terbentuk. Beberapa individu akan membentuk hubungan khayalan dengan selebriti idola mereka dan akhirnya mengarah ke obsesi virtual terhadap selebriti idola. Obsesi inilah yang akhirnya dikenal dengan istilah celebrity worship (McCutcheon,Maltby, & Houran, 2003). Beberapa penelitian menunjukkan celebrity worship dikaitkan dengan traits para penggemar yang patologis, negatif dan menyimpang, kinerja dan keterampilan belajar yang rendah, self-esteem yang rendah dan memiliki kesulitan dalam membentuk identitasnya, psyhological well-being yang rendah. Penelitian ini dilakukan untuk mengetahui peranan cognitive flexibility, self-esteem, loneliness, terhadap celebrity worship pada remaja. Penelitian ini menggunakan pendekatan kuantitatif dengan analisis multiple regresi. Sampel penelitian ini remaja berjumlah 630 orang dengan usia 10-24 tahun yang memiliki tokoh selebriti idola. Teknik pengambilan sampel menggunakan teknik non-probability sampling, yakni purposive sampling. Penelitian ini dilakukan dengan metode kuantitatif. yaitu dengan cara menyebar kuesioner penelitian kepada partisipan yang memenuhi kriteria. Dalam penelitian ini, peneliti mengadaptasi instrument pengumpulan data, yaitu celebrity attitude scale (CAS) 22 item, cognitive flexibility scale 12 item, Rosenberg Self Esteem Scale (RSES)10 item dan UCLA loneliness scale 20 item. Hasil penelitian ini menunjukkan adanya peranan dari cognitive flexibility, self-esteem, loneliness, usia dan jenis kelamin sebagai data demografi terhadap celebrity worship pada remaja dengan nilai R2 sebesar 12,1%. Secara parsial, terdapat dua variabel yang berperan positif terhadap celebrity worship, yaitu variabel cognitive flexibility, dan variabel loneliness. The idol fever phenomenon is increasingly popular in Indonesia. The higher the level of one's idolization, the higher the level of involvement with the idol. The more individuals idolize or engage with idolized figures, the greater the intimacy imagined against the idol figure. When an individual makes a celebrity the main focus of his/her life, then dysfunction will form. Some individuals will form imaginary relationships with their idol celebrities which will eventually lead to virtual obsession with idol celebrities. This obsession is also known as celebrity worship (McCutcheon, Maltby, & Houran, 2003). Several studies show celebrity worship is associated with fans' pathological, negative, and distorted traits, low performance and learning skills, low self-esteem and difficulty in forming their identities, along with low psyhological well-being. This research was conducted to determine the role of cognitive flexibility, self-esteem, and loneliness, against celebrity worship in adolescents. This research uses quantitative approach with multiple regression analysis. The sample of this study were 630 teenagers aged 10-24 years who had idols. The sampling technique uses non-probability sampling technique, namely purposive sampling. This research was conducted using quantitative methods by distributing research questionnaires to participants who meet the criteria. In this study, researchers adapted data collection instruments, which are 22 items celebrity attitude scale (CAS), 12 items cognitive flexibility scale, 10 items Rosenberg Self Esteem Scale (RSES) and UCLA loneliness scale of 20 items. The results of this study indicate the role of cognitive flexibility, self-esteem, loneliness, age and gender as demographic data on celebrity worship in adolescents with an R2 of 12.1%. Partially, there are two variables that have a positive role in celebrity worship, namely the cognitive flexibility variable, and the loneliness variable.
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Zhou, Jiayu, Yerin Yhee, Eunmi Kim, Jin-Young Kim et Chulmo Koo. « Sustainable Tourism Cities : Linking Idol Attachment to Sense of Place ». Sustainability 13, no 5 (4 mars 2021) : 2763. http://dx.doi.org/10.3390/su13052763.
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With the development of the “Hallyu” (Korean Wave) and people’s deep understanding of South Korea, the phenomenon of “Hallyu” idols driving tourism has become very common. Tourists, especially fans are no longer satisfied with the traditional tourist attractions with special symbolic meanings when visiting South Korea, but instead focus on common places associated with idols. For example, restaurants, cafes, bookstores, parks and convenience stores that have appeared in an idol’s social network accounts. With the application of the theory of attachment and sense of place in the tourism field, this study will start from the celebrity attachment, to exploring the specific processes and mechanisms by which idols affect the behavioral intentions of the fans. The associations between visitors and idol-related places based on celebrity attachments has also become possible, and the fans/tourists’ opinions and attitudes toward idol-related places will also change due to this emotional attachment. Relevant data were collected in the form of online questionnaires, and 440 valid responses were finalized for data analysis. Through data analysis, all the hypotheses proposed in this paper are supported, and there are significant relationships and positive influences among the variables. Data analysis results show that idol attachment can positively influence the four cognitive dimensions of sense of place (place identity, place dependence, social bonding and atmosphere). The various dimensions of sense of place can promote the generation of place attachment.
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Lemański, Janusz. « A Prohibition Against Idols (Exodus 20:4 ; Deuteronomy 5:8) and Its Subsequent Reinterpretations ». Colloquia Theologica Ottoniana 39 (2023) : 97–127. http://dx.doi.org/10.18276/cto.2023.39-05.
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W artykule podjęty jest temat zakazu czynienia kultowych wyobrażeń „obcych bogów”. Autor wskazuje, że najpierw pojawił się on w Pwt 5, 8a w formie krótkiej i stanowił dopowiedzenie do pierwszego przykazania (Pwt 5, 7.9a). Miał on w tej wersji sens monolatryczny. Kolejny redaktor rozszerzył tę krótką wersję o w. 8b. Redakcja kapłańska w Wj 20, 4 rozbiła tę wypowiedź (w Pwt 5, 8b: temûnâ jako apozycja do pesel) na dwa zdania nominalne i poszerzyła zakres zakazu także o potencjalne figuratywne wyobrażenia JHWH. W obu wersjach reinterpretacyjnych nastąpiło zarazem przesunięcie akcentów z monolatrii na monoteizm. Kolejne interpretacje z okresu po wygnaniu babilońskim nadały zakazowi czynienia idoli jeszcze wyraźniejszy charakter monoteistyczny. Najpierw deprecjonując idole jako bezużyteczne bożki (Kodeks Świętości), a potem odwołując się do doświadczenia na Horebie (audytywny, a nie wizualny sposób objawienia się JHWH), teologii stworzenia (brak w jego obrębie adekwatnych wzorców) oraz wierności swojemu wybraniu (exodus) i zawartemu przymierzu (idolatria jako przyczyna jego złamania) (Pwt 4).
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Schroeder, Marcin J. « Contemporary Natural Philosophy and Contemporary Idola Mentis ». Philosophies 5, no 3 (1 septembre 2020) : 19. http://dx.doi.org/10.3390/philosophies5030019.
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Contemporary Natural Philosophy is understood here as a project of the pursuit of the integrated description of reality distinguished by the precisely formulated criteria of objectivity, and by the assumption that the statements of this description can be assessed only as true or false according to clearly specified verification procedures established with the exclusive goal of the discrimination between these two logical values, but not with respect to any other norms or values established by the preferences of human collectives or by the individual choices. This distinction assumes only logical consistency, but not completeness. Completeness (i.e., the feasibility to assign true or false value to all possible statements) is desirable, but may be impossible. This paper is not intended as a comprehensive program for the development of the Contemporary Natural Philosophy but rather as a preparation for such program advocating some necessary revisions and extensions of the methodology currently considered as the scientific method. This is the actual focus of the paper and the reason for the reference to Baconian idola mentis. Francis Bacon wrote in Novum Organum about the fallacies obstructing progress of science. The present paper is an attempt to remove obstacles for the Contemporary Natural Philosophy project to which we have assigned the names of the Idols of the Number, the Idols of the Common Sense, and the Idols of the Elephant.
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Oktamala, Felony Prista, et Asnath Niwa Natar. « The Secret Violence : Sebuah Analisa Kekerasan Terhadap Perempuan Di Balik Industri Hiburan ». Jurnal Teologi Kontekstual Indonesia 1, no 2 (3 janvier 2021) : 112. http://dx.doi.org/10.46445/jtki.v1i2.324.
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In this paper, the authors will conduct a critical analysis of the culture of secret violence especifically against women in the K-pop media industry. Every year there are sad cases behind the success of large companies that have succeeded in bringing someone to the world stage. Some of the sad cases lead to the death of the idol by suicide. This issue ist important and has taken a lot of public attention. In the perspective of young people, Idols are those who have an ideal body, handsome, beautiful voice, fashionable, have famous band, popular, charming stage performances, have interesting photos and videos that express their feelings and euphoria, and is in caring of a large agency. But in the reality, there were some of idols that have ended their life (suicide). One of the strong reasons is because they are depressed. Furthermore, the authors will analyse the problem from theological perspective, where women are also created by God in His image, who are intelligent and equal to men. So they can’t be made objects of violence. AbstrakDalam paper ini penulis akan melakukan analisa kritis terhadap suatu budaya kekerasan terselubung khususnya terhadap perempuan dalam industri media K-pop. Setiap tahun selalu ada kasus yang memprihatinkan di balik kesuksesan perusahaan-perusahaan besar yang berhasil membesarkan nama seseorang sampai pada kancah dunia. Kasus-kasus yang memprihatinkan tersebut mayoritas berujung pada kematian seorang idola karena bunuh diri. Persoalan ini menjadi penting dan menyita banyak perhatian publik. Tentunya, yang disebut idola oleh anak-anak muda itu adalah mereka yang memiliki tubuh yang ideal, rupawan, suara yang indah, fashionable, grup band yang terkenal, lagu-lagu yang hits, penampilan panggung yang mempesona, foto-foto dan video yang menggugah perasaan dan euforia, serta berada dalam naungan agensi yang besar. Namun tidak disangka-sangka, para idola tersebut tidak sedikit yang memilih untuk mengakhiri hidupnya sendiri. Salah satu alasan yang kuat adalah karena mereka mengalami depresi. Lebih jauh, penulis akan menganalisa persoalan tersebut dari perspektif teologis, di mana sejatinya perempuan juga diciptakan Allah segambar dan serupa dengan Dia, berakal budi, setara dengan laki-laki, dan tidak layak untuk menjadi obyek kekerasan.
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Zych, Marcin, et Katarzyna Roguz. « Botaniczni idole i idolki oraz inne triki, czyli jak skutecznie przekonać ludzi, że rośliny są ważne ». Kosmos 72, no 2 (23 novembre 2023) : 187–96. http://dx.doi.org/10.36921/kos.2023_2936.
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Rośliny odgrywają kluczową rolę w kształtowaniu życia na Ziemi, choć paradoksalnie często pozostają one niezauważoną częścią bioróżnorodności. To zaskakujące, jak spychamy ten podstawowy składnik lądowych ekosystemów do roli „neutralnego tła” dla bardziej atrakcyjnych gatunków. Ta nieuważność może okazać się dla nas zgubna. Niestety, coraz więcej gatunków roślin jest zagrożonych wyginięciem – ich liczba przekroczyła 40% globalnej flory. Aby zwrócić uwagę na rośliny, potrzebna jest uważność w naszej relacji z nimi i skuteczne narzędzia angażujące większą część społeczeństwa w działania na rzecz ich ochrony. Jedną z metod może być uwypuklanie osobistych historii związanych z roślinami – „botanicznych historii miłosnych”. Połączenie osobistych wątków z przedstawieniem znanych postaci historycznych w „botanicznym” kontekście może wzmocnić efektywność takiej narracji. Artykuł przedstawia dwie takie postacie żyjące na przełomie XIX i XX wieku, które mogłyby być inspiracją w działaniach edukacyjnych – Różę Luksemburg, polityczną aktywistkę i rewolucjonistkę oraz Władysława Michała Zaleskiego, katolickiego hierarchę. Obie skrajnie różne jeżeli chodzi o ich pochodzenie społeczne, przekonania i aktywność zawodową, lecz połączone jedną wspólną cechą – ogromną miłością do botaniki.
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Yoon, Sang-Pil, Joon-Sung Park et Sung-Whan Yoon. « Analysis of Audience Response to Metaverse Virtual Idols : Focusing on ISEGYE IDOL ». Innovation Enterprise Research 8, no 2 (30 juin 2023) : 1–16. http://dx.doi.org/10.37297/ier.2023.6.8.2.1.
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Scano, Gian Paolo. « L'araba fenice e il tempietto dei perfidi lari : dualismo, mentalismo e teoria del soggetto ». RICERCA PSICOANALITICA, no 3 (novembre 2010) : 77–96. http://dx.doi.org/10.3280/rpr2010-003006.
Texte intégralRésumé :
La psicoanalisi nacque come disciplina fisicalista agli albori della crisi della meccanica classica, che ha lasciato la sua impronta sia nella teoria, che rivela un imprevisto dualismo nell'impianto meccanicista, che nella sua evoluzione storica, schiacciata tra contrapposte istanze riduzioniste e mentalista tuttora perduranti. Č difficile dire se la teoria dei sistemi sia sufficiente antidoto contro ogni ritorno del mentalismo, che facilmente filtra nel linguaggio teorico tramite radicate abitudini e pregiudizi, che, come gli idola theatri di F. Bacon, intralciano i processi della conoscenza. L'A. evidenzia alcuni di tali idoli pregiudiziali, riconducendoli ad un'insufficiente considerazione della prospettiva evoluzionista nell'ambito della teoresi psicologica. A partire dall'assunto che il cervello deve essere considerato, anche nelle sue caratteristiche alte e nella sua natura di cervello-che-costruisce-unamente, come un effetto casuale della storia degli organismi di questo pianeta, egli delimita una piattaforma, che poggiando sul ruolo dei qualia nel mondo effettivo della selezione naturale, potrebbe affrontare il problema dell'Io, della soggettivitŕ e dell'intersoggettivitŕ in termini dichiaratamente evoluzionisti in grado di integrare, nella prima, la "natura seconda". Questa prospettiva, tuttavia appena abbozzata, sembra poter consentire di evitare, tanto la Scilla riduzionista quanto la Cariddi mentalista.
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Scano, Gian Paolo. « l'araba fenice e il tempietto dei perfidi lari : dualismo, mentalismo e teoria del soggetto ». Ricerca Psicoanalitica 21, no 3 (31 décembre 2010) : 77–96. http://dx.doi.org/10.4081/rp.2010.472.
Texte intégralRésumé :
La psicoanalisi nacque come disciplina fisicalista agli albori della crisi della meccanica classica, che ha lasciato la sua impronta sia nella teoria, che rivela un imprevisto dualismo nell'impianto meccanicista, che nella sua evoluzione storica, schiacciata tra contrapposte istanze riduzioniste e mentalista tuttora perduranti. È difficile dire se la teoria dei sistemi sia sufficiente antidoto contro ogni ritorno del mentalismo, che facilmente filtra nel linguaggio teorico tramite radicate abitudini e pregiudizi, che, come gli idola theatri di F. Bacon, intralciano i processi della conoscenza. l'A. evidenzia alcuni di tali idoli pregiudiziali, riconducendoli ad un"insufficiente considerazione della prospettiva evoluzionista nell'ambito della teoresi psicologica. A partire dall'assunto che il cervello deve essere considerato, anche nelle sue caratteristiche alte e nella sua natura di cervello-che-costruisce-unamente, come un effetto casuale della storia degli organismi di questo pianeta, egli delimita una piattaforma, che poggiando sul ruolo dei qualia nel mondo effettivo della selezione naturale, potrebbe affrontare il problema dell'Io, della soggettività e dell'intersoggettività in termini dichiaratamente evoluzionisti in grado di integrare, nella prima, la "natura seconda". Questa prospettiva, tuttavia appena abbozzata, sembra poter consentire di evitare, tanto la Scilla riduzionista quanto la Cariddi mentalista.
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Nafeesa, Nafeesa, et Eryanti Novita. « HUBUNGAN ANTARA HARGA DIRI DENGAN PERILAKU IMPULSIVE BUYING PADA REMAJA PENGGEMAR K-POP ». Cakrawala - Jurnal Humaniora 21, no 2 (15 septembre 2021) : 79–86. http://dx.doi.org/10.31294/jc.v21i2.10319.
Texte intégralRésumé :
KPop is currently a trend for some teenagers. Most of these teenage Kpop fans feel that being a fan also has to collect various kinds of goods or what is commonly known as merchandise related to their idols. They assume that buying these items will make them true fans no matter what the price. They are willing to spend up to millions of rupiah to get their idol's original products such as albums, clothes, bags, pants, hats, bracelets and so on. Furthermore, this study will analyze the problem of high idol impulsive buying behavior in the adolescent community and determine the relationship between self-esteem and impulsive buying behavior in adolescents. This study will specifically examine whether there is a relationship between self-esteem and impulsive buying behavior in adolescents. This research will use Coopersmith's theory of self-esteem and Rook and Fisher's theory of impulsive buying, which is then examined in terms of its aspects and characteristics. Keywords : Teens, KPop Fans, Impulsive Buying, Self-Esteem
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Ilić, Jelena. « Sportski idoli sportsista seniorskog uzrasta ». Sportlogia 9, no 1 (30 juin 2013) : 8–14. http://dx.doi.org/10.5550/sgia.130901.se.002i.
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Paralita, Isti Uga. « Pesan Persuasi Idola Korea Pada Konten Instagram Brand Skincare ». Jurnal Komunikasi Nusantara 4, no 2 (7 décembre 2022) : 264–76. http://dx.doi.org/10.33366/jkn.v4i2.162.
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The activeness of the Indonesian people on social media as a means of communication is then used by corporate brands to promote the products they will offer to the public. In this case, the skincare brand Scarlett Whitening as the best-selling skincare brand in Indonesia is collaborating with the South Korean girl group TWICE who will also promote Scarlett Whitening products on the @scarlett_whitening Instagram account. The age demographic of TWICE girl group fans is dominated by teenagers to young adults in the age range of 10-29 years, so it can be said that the target market of the Scarlett Whitening brand is in the age range of teenagers to young adults. This study was conducted to determine the form of persuasion messages by Korean idols on the content of the Instagram account @scarlett_whitening. The research method used is a multimodal method with a qualitative approach and a positivistic paradigm. From the results of the research, it was found that the persuasive message of Korean idols in the Instagram post @scarlett_whitening as the best-selling skincare product in Indonesia is closely related to the closeness between the represented participant and the active participant where actors and audiences are described as equal and there is an optimistic attitude about the products offered.
Abstrak
Aktifnya masyarakat Indonesia di media sosial dimanfaatkan oleh brand perusahaan untuk mempromosikan produk yang akan mereka tawarkan kepada khalayak. Dalam hal ini, brand skincare Scarlett Whitening sebagai brand skincare paling laris di Indonesia bekerjasama dengan girlband asal Korea Selatan TWICE yang turut mempromosikan produk Scarlett Whitening pada akun Instagram @scarlett_whitening. Demografi umur penggemar girlband TWICE didominasi oleh remaja hingga dewasa muda di kisaran umur 10-29 tahun, sehingga target pasar dari brand Scarlett Whitening berada di kisaran umur remaja hingga dewasa muda. Penelitian ini dilakukan untuk mengetahui bentuk pesan persuasi idola Korea pada konten akun Instagram @scarlett_whitening. Metode penelitian yang digunakan adalah metode multimodal dengan pendekatan kualitatif dan paradigma positivistik. Dari hasil penelitian kemudian diketahui bahwa pesan persuasi idola Korea pada postingan instagram @scarlett_whitening sebagai produk skincare paling laris di Indonesia berkaitan erat dengan kedekatan antara represented participant dengan active participant dimana aktor dan khalayak digambarkan setara serta adanya sikap optimis mengenai produk yang ditawarkan.
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Deafifa, Amei Silvia Dwi Rahma, et Rakhmaditya Dewi Noorrizki. « Fenomena Agresi Verbal Fans K-Pop Indonesia di Media Sosial ». Flourishing Journal 2, no 5 (14 décembre 2022) : 348–54. http://dx.doi.org/10.17977/um070v2i52022p348-354.
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Abstract
The spread of South Korean Pop culture or more commonly called the Korean Wave is a process of spreading South Korean culture worldwide. The presence of Korean culture in Indonesia is certainly an attraction for some people, especially teenagers, K-Dramas and the presence of boy groups and girl groups that have the appeal of making teenagers love the music genre they bring. Fans are a collection of men and women in various age ranges who idolize South Korean actors, actresses, or group singers and soloists. This group certainly has a diverse number of members and sometimes causes conflicts that trigger verbal aggression behavior. Conformity or bandwagon behavior that is considered by fans as a form of loyalty or loyalty of individuals to the group in order to avoid exclusion or exclusion is often the cause of verbal aggression behavior. In this case, fandom as a group that contains individuals with hobbies and preferences that are generally the same is one of the factors for verbal aggression by K-Pop fans. The development of Science and technology, especially in the field of technology, can also facilitate the spread of Korean culture, causing fanaticism towards the idol and things related to them. Fanaticism is a belief that makes a person blind and do anything to maintain a belief in what he likes or believes. This study uses a literature review method. The results of this study indicate that the verbal aggression behavior carried out by K-Pop fans on social media is due to the conformity of fellow fandom members and the level of individual fanaticism towards idols.
Keywords: verbal aggression; fans; fandom; K-pop; fanaticism; conformity
Abstrak
Penyebaran budaya Pop Korea Selatan atau yang lebih sering disebut Korean Wave merupakan sebuah proses tersebarnya budaya Korea Selatan secara mendunia. Hadirnya budaya Korea di Indonesia tentu menjadi daya tarik bagi sebagian orang terutama remaja, K-Drama dan hadirnya boygrup dan girlgrup yang memiliki daya tarik membuat remaja menggemari genre musik yang mereka bawakan. Penggemar merupakan kumpulan laki-laki maupun perempuan dalam bermacam-macam rentang usia yang mengidolakan aktor, aktris, ataupun penyanyi grup maupun solois yang dari Korea Selatan. Kelompok ini tentunya memiliki jumlah anggota yang beragam dan terkadang menimbulkan konflik yang memicu terjadinya perilaku agresi verbal. Konformitas atau perilaku ikut-ikutan yang dianggap oleh penggemar sebagai bentuk loyalitas atau kesetiaan individu terhadap kelompok agar terhindar dari pengucilan atau penyingkiran sering menjadi penyebab terjadinya perilaku agresi verbal. Dalam hal ini, fandom sebagai kelompok yang berisi individu dengan hobi dan kesukaan yang umumnya sama menjadi salah satu faktor terjadinya agresi verbal oleh K-Pop fans. Perkembangan IPTEK khususnya dibidang teknologi juga dapat mempermudah penyebaran budaya Korea sehingga menimbulkan fanatisme terhadap sang idola dan hal-hal yang berkaitan dengan mereka. Fanatisme merupakan sebuah kepercayaan yang membuat seseorang buta dan melakukan apapun demi mempertahankan kepercayaan pada hal yang disukai atau dipercayai. Penelitian ini menggunakan metode review literatur. Hasil penelitian ini menunjukkan bahwa perilaku agresi verbal yang dilakukan oleh K-Pop fans di media sosial akibat adanya konformitas dari sesama anggota fandom dan tingkat fanatisme individu terhadap idola.
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Mohen, Jean-Pierre. « Idoles mégalithiques ». Revue des Études Anciennes 95, no 1 (1993) : 5–10. http://dx.doi.org/10.3406/rea.1993.4517.
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Kim, Jong Moo. « The Impact of Idol Human Brand Characteristics on Idol Worship, Fan Engagement, and Purchase Intention -Focusing on 1st Generation K-POP Idols- ». JOURNAL OF THE KOREAN SOCIETY DESIGN CULTURE 29, no 3 (30 septembre 2023) : 81–91. http://dx.doi.org/10.18208/ksdc.2023.29.3.81.
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Kajkowski, Kamil, et Paweł Szczepanik. « The Multi-faced So-called Miniature Idols from the Baltic Sea AreaWielotwarzowe miniaturowe idole z basenu Morza Bałtyckiego ». Studia mythologica Slavica 16 (14 octobre 2013) : 55. http://dx.doi.org/10.3986/sms.v16i0.1529.
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DEKONINCK, R. « Des idoles de bois aux idoles de lesprit ». Revue Théologique de Louvain 35, no 2 (1 mai 2004) : 203–16. http://dx.doi.org/10.2143/rtl.35.2.2017453.
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Fathoni, Haidarul Imron, Siti Malikhah Towaf, I. Dewa Putu Eskasasnanda, Ade Ana Kartikasari, Khairani Maulida et Yunita Rohmah. « Studi fenomenologi remaja penggemar budaya populer Jepang di Kota Malang ». Jurnal Integrasi dan Harmoni Inovatif Ilmu-Ilmu Sosial (JIHI3S) 1, no 8 (17 août 2021) : 907–14. http://dx.doi.org/10.17977/um063v1i8p907-914.
Texte intégralRésumé :
The purpose of this study is to describe (1) The characteristics of teenagers who are fans of Japanese popular culture in Malang City; (2) Their form and way to idolize Japanese popular culture by teenagers who are fans of Japanese popular culture in Malang City; (3) The function of idolizing for teenagers who are fans of Japanese popular culture in Malang City, and (4) The impact of idolizing Japanese popular culture for teenagers in Malang City. The research approach used is a qualitative research method with a phenomenological approach. The data collection technique used is purposive. Supporting informants who were involved in this study included the Officers of the Culture and Education Section of the Consulate General of Japan. Then for the key informants, namely 8 teenagers who are fans of Japanese popular culture in Malang City. The results obtained from this study indicate that: (1) Male adolescents in the early adolescent phase idolize anime, while male adolescents in the final phase idolize anime and J-pop idol groups. Teenage girls both in the early and late phases just idolize anime. (2) The form of idolizing Japanese popular culture is done by watching videos, attending concerts, attending Japanese cultural events and collecting items related to their idols. (3) The function of idolizing for teenagers who are fans of Japanese popular culture in Malang is as an inspiration or guide, an object of romance, and as an object of refreshing. (4) The impact of idolization on Japanese popular culture in adolescents, namely the way of thinking, morals, imagination, lifestyle, and social problems.
Tujuan dari Penelitian ini adalah untuk mendeskripsikan (1) Karakteristik remaja penggemar budaya populer Jepang di Kota Malang; (2) Bentuk serta cara mereka untuk mengidolakan budaya populer Jepang yang dilakukan oleh remaja penggemar budaya populer Jepang di Kota Malang; (3) Fungsi pengidolaan bagi remaja penggemar budaya populer Jepang di Kota Malang, dan (4) Dampak dari mengidolakan budaya populer Jepang bagi remaja di Kota Malang. Pendekatan penelitian yang digunakan adalah metode penelitian kualitatif dengan jenis pendekatan fenomenologi. Teknik pengambilan data yang digunakan yaitu purposive. Informan pendukung yang terlibat dalam penelitian ini diantaranya Petugas Bagian Kebudayaan dan Pendidikan Konsulat Jenderal Jepang. Kemudian untuk informan kunci yaitu 8 remaja penggemar budaya populer Jepang di Kota Malang. Hasil yang diperoleh dari penelitian ini menunjukkan bahwa: (1) Remaja laki–laki pada fase remaja awal mengidolakan anime, sedangkan remaja laki-laki pada fase akhir mengidolakan anime dan idol grup J-pop. Remaja perempuan baik pada fase awal dan akhir hanya mengidolakan anime. (2) Bentuk pengidolaan terhadap budaya populer Jepang dilakukan dengan cara menonton video, menghadiri konser, menghadiri acara kebudayaan Jepang dan mengoleksi barang yang berhubungan dengan idolanya. (3) Fungsi pengidolaan bagi remaja penggemar budaya populer Jepang di Kota Malang yaitu sebagai inspirasi atau pedoman, objek romantisme, serta sebagai objek refreshing. (4) Dampak pengidolaan terhadap budaya populer Jepang pada remaja yakni pada cara berfikir, moral, imajinasi, gaya hidup, serta masalah sosial.
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Ramelli, Ilaria. « L’Epistola Anne ad Senecam de superbia et idolis ». Augustinianum 44, no 1 (2004) : 25–49. http://dx.doi.org/10.5840/agstm20044412.
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Hillestad, Erik. « Verden trenger idoler ». Kirke og Kultur 122, no 01 (12 avril 2018) : 53–59. http://dx.doi.org/10.18261/issn.1504-3002-2018-01-06.
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Baschet, Jérôme. « Images ou Idoles ? » Annales. Histoire, Sciences Sociales 46, no 2 (avril 1991) : 347–52. http://dx.doi.org/10.3406/ahess.1991.278950.
Texte intégralRésumé :
La thèse — et l'intention provocatrice — du livre de Michael Camille se lisent dès le titre : l'« idole gothique » s'oppose à l” image gothique », expression ayant servi de titre à la version anglaise de l'ouvrage qu'Emile Mâle consacra à l'art du xme siècle. Or, il s'agit pour M. Camille de montrer que l'image n'est pas seulement une représentation, et moins encore le sage reflet de l'œuvre encyclopédique d'un Vincent de Beauvais : s'il est vrai qu'elle est aussi une force agissante, alors l'iconographie doit faire place à l'analyse du « pouvoir des images ». Tel est bien l'objet du livre : étudier la puissance des images dans l'Occident gothique, entre le milieu du XIIe et la fin du XIVe siècle.
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MATTHEWS, CHRISTOPHER. « IDOLS ». Yale Review 95, no 3 (juillet 2007) : 116–19. http://dx.doi.org/10.1111/j.1467-9736.2007.00322.x.
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McNerney, Kathleen, et Isabel-Clara Simó. « Idols ». World Literature Today 60, no 3 (1986) : 450. http://dx.doi.org/10.2307/40142247.
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Ayu Chodijahtul Kubro et Siti Qodariah. « Pengaruh Self-esteem terhadap Celebrity Worship pada Mahasiswa Penggemar Boyband NCT ». Bandung Conference Series : Psychology Science 4, no 1 (7 février 2024) : 659–65. http://dx.doi.org/10.29313/bcsps.v4i1.10389.
Texte intégralRésumé :
Abstract. The development of Korean culture in Indonesia was triggered by the contributions made by boy groups and girl groups that managed to steal the attention of the public. One example of a boy band that is currently popular is NCT. These idols influence their fans, inspiring a sense of love in fans, which in turn increases self-confidence and a positive view of oneself. This phenomenon contributes to a stronger bond between fans and their idols, even creating a parasocial relationship known as "celebrity worship". The purpose of this study is to identify whether self-esteem affects the phenomenon of celebrity worship among college students who are fans of boyband NCT between the ages of 19-24. The method used in this study is a quantitative approach, using the Celebrity Attitude Scale (CAS) measuring instrument which has been adapted into Indonesian by Ni Made Ayu Wulansari to measure the level of celebrity worship, as well as using Self-esteem Scales developed by Rosenberg which has been validity tested by Nelan Maroqi as a self-esteem measuring instrument. Data analysis was conducted through simple regression method. The results obtained are the effect of self-esteem value on celebrity worship variables is 44.6%. so it can be concluded that there is a significant influence between self-esteem on celebrity worship in NCT fan students.
Abstrak. Perkembangan budaya Korea di Indonesia dipicu oleh kontribusi yang dilakukan oleh boygroup dan girlgroup yang berhasil mencuri perhatian masyarakat. Salah satu contoh boyband yang tengah populer saat ini adalah NCT. Para idola ini mempengaruhi para penggemar mereka, menginspirasi rasa cinta dalam diri penggemar, yang pada akhirnya meningkatkan rasa percaya diri dan pandangan positif terhadap diri sendiri. Fenomena ini berkontribusi pada semakin kuatnya ikatan antara penggemar dan idola mereka, bahkan menciptakan hubungan parasosial yang dikenal sebagai "celebrity worship". Tujuan dari penelitian ini adalah untuk mengidentifikasi apakah self-esteem mempengaruhi fenomena celebrity worship di kalangan Mahasiswa Penggemar boyband NCT yang berusia antara 19-24 tahun. Metode yang digunakan dalam penelitian ini adalah pendekatan kuantitatif, dengan menggunakan alat ukur Celebrity Attitude Scale (CAS) yang telah diadaptasi ke dalam Bahasa Indonesia oleh Ni Made Ayu Wulansari untuk mengukur tingkat celebrity worship, serta menggunakan Self-esteem Scales yang dikembangkan oleh Rosenberg yang telah di uji validitas oleh Nelan Maroqi sebagai alat ukur self-esteem. Analisis data dilakukan melalui metode regresi sederhana. Hasil yang didapatkan yaitu pengaruh nilai self-esteem terhadap variabel celebrity worship adalah sebesar 44,6%. sehingga dapat disimpulkan terdapat pengaruh yang signifikan antara self-esteem terhadap celebrity worship pada mahasiswa penggemar NCT.
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Nanda, Meera, et Ève Charrin. « Fausses idoles, vrais contentieux ». Books N° 93, no 12 (3 décembre 2018) : 54–59. http://dx.doi.org/10.3917/books.093.0054.
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Kohlmünzer, Stanisław, Janina Węgiel et Jan Grzybek. « Mycelial culture of Xerocomus chrysenteron and its metabolites ». Acta Mycologica 33, no 2 (20 août 2014) : 317–25. http://dx.doi.org/10.5586/am.1998.028.
Texte intégralRésumé :
Subject to analysis was mycelial culture of <i>Xerocomus chrysenteron</i> and its metabolites which night be of pharmaceutical on toxicological interest. Several groups of metabolites were analysed: steroids, fatty acids, indole desiratives, aminoacid, sugars - using chromatographic analytical methods. Amony others soma interesting idolic substances were detected.
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Bhat, Shyam K. « American Idols ». Journal of Clinical Psychiatry 68, no 03 (15 mars 2007) : 481–82. http://dx.doi.org/10.4088/jcp.v68n0319.
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Wirth, Jean, et Katia Harvey. « GOTHIC IDOLS ». Art History 14, no 3 (septembre 1991) : 438–42. http://dx.doi.org/10.1111/j.1467-8365.1991.tb00448.x.
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Hamann, Byron Ellsworth. « Producing Idols ». Latin American and Latinx Visual Culture 1, no 1 (1 janvier 2019) : 23–47. http://dx.doi.org/10.1525/lavc.2019.000004.
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Idolatry is an accusation. Derived from ancient Greek terms for the veneration (latreia) of images (eidola), idolatry provides a framework for exploring the connections and confusions of the early modern Mediterratlantic world, where false images seemed to be everywhere. This essay surveys the social lives of idols in sixteenth-century New Spain, focusing on their destruction, creation, excavation, and commodification. Significantly, all four actions were performed by Europeans and Native Americans alike: the treatment of idols in New Spain cannot be neatly divided into Mesoamerican versus Mediterranean strategies. Understanding these shared practices requires contextualizing them in pre-Hispanic and medieval histories, as well as in Europe’s Renaissance present. But of course shared actions may conceal radically different meanings, and the essay’s final section considers how the Castilian term ídolo was translated into different Mesoamerican languages. The ancient category of the idol, imported to the Americas, was remade into something new. Connecting dictionary entries to military and missionary reports to the archives of the Inquisition, the production of idols in early modern New Spain provides an unexpected context for revisiting the classic concerns—and still generative possibilities—of James Lockhart’s concept of Double Mistaken Identity. RESUMEN La idolatría es una acusación. Derivada de los términos del griego antiguo utilizados para la veneración (latreia) de las imágenes (eidola), la idolatría brinda un marco para explorar las conexiones y confusiones del mundo Mediterratlántico de la temprana modernidad, donde las falsas imágenes parecían estar en todas partes. Este ensayo analiza la vida social de los ídolos en la Nueva España del siglo XVI, centrándose en su destrucción, creación, excavación y mercantilización. Es importante señalar que tanto los europeos como los indígenas americanos participaron en estos actos: el tratamiento de los ídolos en Nueva España no se puede dividir claramente en estrategias mesoamericanas versus mediterráneas. La comprensión de estas prácticas compartidas exige contextualizarlas en las historias prehispánicas y medievales, así como en el presente del Renacimiento europeo. No obstante, no cabe duda de que las acciones compartidas pueden ocultar significados radicalmente diferentes, y la sección final del ensayo considera cómo se tradujo el término castellano ídolo a diversos idiomas mesoamericanos. La antigua categoría del ídolo fue transformada al ser importada a las Américas. Al conectar las entradas del diccionario con los informes militares y misioneros a los archivos de la Inquisición, la producción de ídolos en la Nueva España de la temprana modernidad proporciona un contexto inesperado para revisar las preocupaciones clásicas, y las continuas posibilidades, del concepto de Doble Identidad Equivocada de James Lockhart. RESUMO Idolatria é uma acusação. Palavra derivada do termo do grego antigo para veneração (latreia) de imagens (eidola), a idolatria provém um enquadramento para explorar as conexões e confusões do mundo Mediterratlântico no início da era moderna, onde as imagens falsas pareciam estar em toda parte. Esse ensaio examina a vida social dos ídolos na Nova Espanha do século XVI, concentrando-se em sua destruição, criação, escavação e mercantilização. Significantemente, todas as quatro ações foram performadas tanto por europeus quanto por nativos-americanos: o tratamento de ídolos na Nova Espanha não pode ser claramente dividido em estratégias mesoamericanas versus mediterrâneas. Compreender essas práticas compartilhadas requer sua contextualização em histórias pré-hispânicas e medievais, bem como no presente da Renascença na Europa. Entretanto, é claro que ações compartilhadas podem esconder significados radicalmente diferentes, e a seção final do ensaio considera como o termo castelhano ídolo foi traduzido em diferentes línguas mesoamericanas. A categoria antiga do ídolo, importada para as Américas, foi transformada em algo novo. Conectando verbetes de dicionários a relatórios militares e missionários a arquivos da inquisição, a produção de ídolos no início da era moderna na Nova Espanha provém um contexto inesperado para revisitar preocupações clássicas – e ainda as possibilidades geradoras – do conceito de Identidade Duplamente Equivocada de James Lockhart.
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Conner, Jill. « American Idols ». Afterimage 36, no 1 (1 juillet 2008) : 20. http://dx.doi.org/10.1525/aft.2008.36.1.20.
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Moshenska, Joe. « Ozick’s Idols ». Studies in American Jewish Literature (1981-) 43, no 1 (mars 2024) : 12–28. http://dx.doi.org/10.5325/studamerijewilite.43.1.0012.
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Abstract An exploration of Ozick’s critique of Harold Bloom, in which she argues that his literary critical schemas amount to a form of idolatry, is developed into a wider account of the place of the risks of idol making and idol worship in her fictional and nonfictional writings. Ozick is seen to gradually move from a vision of the imagination as intrinsically idolatrous—hence the very notion of a Jewish writer is seen as contradictory—toward a moderated stance in which the risks of idolatrous imagining can be navigated, if never eliminated altogether.
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Lei, Shiyu. « Cyber, Body, and Communication ». Lecture Notes in Education Psychology and Public Media 40, no 1 (5 mars 2024) : 219–27. http://dx.doi.org/10.54254/2753-7048/40/20240757.
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The emerging phenomenon of virtual idols, a product of the technological era, has gradually become a new segment in the idol market. In the cyber world, the embodiment of virtual idols is primarily manifested in five aspects: world body, social body, political body, consumer body, and medical body. As a representative product of cyborgs, virtual idols connect their own bodies to the cyber world through scientific and technological means. Due to the unique composition of virtual idols, they project reality into the cyber world and construct the world body of virtual idols through interaction with fans. In the cyber world, fans and virtual idols communicate through the internet, creating an exclusive society for virtual idols and fans. During the process of social interaction, they continuously construct the social body of virtual idols. Simultaneously, based on the distinctive attributes of the virtual idol group A-SOUL, the political body of virtual idols is jointly constructed by the two-dimensional images in the cyber world and the avatars engaging in real-time interaction with fans. The continuous fusion of fans and virtual idols transforms both parties from mere producers and consumers, constructing the consumer body of virtual idols. As representatives of cyborgs, virtual idols reveal the diverse extensions of the body in the cyber world, providing new pathways for the construction of the medical body in the technological era. The construction of the body by virtual idols in cyberspace offers new pathways and insights for the construction of the body in the technological age.
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Mubaroka, Anzilna, et Vinita Susanti. « Potensi Kejahatan dan Penyimpangan Oleh Penggemar Akibat Pemujaan pada Idola (Fandom) Perspektif Kriminologi ». Jurnal Hukum Pidana dan Kriminologi 2, no 1 (30 avril 2021) : 113–30. http://dx.doi.org/10.51370/jhpk.v2i1.41.
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Artikel ini, adalah hasil penelitian tentang kajian kriminologi yang membahas potensi kejahatan dan penyimpangan dari penggemar, akibat pemujaan pada idola, khususnya idola dalam serial TV. Serial TV memiliki pengaruh besar dalam membentuk perspektif audience terutama perspektif penggemar. Salah satunya adalah pembentukan ide - ide akan idola yang menyebabkan keterikatan antara idola dan penggemar. Keterikatan ini pada beberapa kasus dapat menyebabkan terjadinya pemujaan atau obsesi penggemar kepada idola mereka. Hal ini dapat menjadi potensi terjadinya kejahatan atau penyimpangan oleh penggemar. Penelitian ini akan melihat bagaimana potensi terjadinya kejahatan dan penyimpangan oleh penggemar atas dasar pemujaan mereka kepada idola, dengan menggunakan konsep obsesi dan celebrity worship. Pendekatan yang digunakan adalah pendekatan deskriptif yang menggunakan kuesioner, mengenai persepsi penggemar atas idola dan observasi penggemar pada habitat asli mereka, yakni dalam komunitas penggemar. Subyek penelitian di khususkan pada penggemar idola serial TV Thailand. Penelitian ini berbasis pada dunia siber dan komunikasi yang terjadi secara online. Berdasarkan penelitian ini yang terjadi pada kelompok penggemar aktor serial TV Thailand, maka mereka memiliki kemungkinan terikat tidak hanya pada aktor namun juga pasangan dalam drama. Hal ini menciptakan dua ilusi yaitu kepemilikan diri mereka atas idola dan kepemilikan kuasa untuk menentukan status hubungan romantis idola.
Kondisi ini menyebabkan mereka melakukan cyberstalking berlebihan terhadap idola, termasuk pada ranah pribadi dan melakukan cyberbullying kepada kelompok kelompok yang memberikan respon negatif atau bahkan pada individu dekat idola yang mereka tidak setujui. Walaupun secara statistik kelompok melakukan penyimpangan dan kejahatan ini kecil, namun mereka turut serta membentuk opini dan perilaku dari keseluruhan komunitas penggemar aktor serial TV Thailand.
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Ayu, Ni Wayan Reza Savitri, et Dewi Puri Astiti. « Gambaran Celebrity Worship Pada Penggemar K-Pop ». Psikobuletin:Buletin Ilmiah Psikologi 1, no 3 (2 octobre 2020) : 203. http://dx.doi.org/10.24014/pib.v1i3.9858.
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Penggemar K-pop sering dianggap berlebihan dalam menyukai idola mereka. Sikap ini disebut sebagai celebrity worship dalam ilmu psikologi. Celebrity worship merupakan perasaan suka kepada idola yang menimbulkan obsesi. Umumnya, celebrity worship dialami oleh remaja. Perilaku yang ditunjukkan oleh individu yang memiliki celebrity worship adalah menguntit kehidupan pribadi idola yang disukai, dan mengikuti kemanapun idola tersebut pergi. Dalam dunia K-pop penggemar yang senang menguntit kehidupan idola sering disebut dengan sasaeng. Perilaku menguntit ini tidak hanya membuat idola merasa tidak nyaman, namun juga dapat membahaya diri penggemar tersebut. Faktor-faktor yang dapat mendorong individu melakukan celebrity worship adalah usia, keterampilan sosial, dan jenis kelamin. Adanya tulisan ini diharapkan dapat membantu pembaca dalam memahami celebrity worship sehingga dapat mengontrol perilaku dan tidak menyimpang atau berlebihan dalam menyukai idola
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Oyewale Peter Oluwaseun. « The Role of Agriculture in the Economic Development of Idofin-Igbanna, Kwara State Nigeria ». Economit Journal : Scientific Journal of Accountancy, Management and Finance 2, no 3 (4 janvier 2023) : 274–82. http://dx.doi.org/10.33258/economit.v2i3.819.
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The study focus on the role of agriculture in the economic development of Idofin-Igbanna, agriculture remains one the major economic activities of Idofin, agriculture as an engine of growth and poverty reduction, because it assured food security. This paper however, focuses on the development of agriculture, the gender role in agricultural activities, it also attempts the role and impact of government in the prospect agricultural economy of Idofin-Igbanna. The paper obtained it's data from both primary and secondary sources which are made up of oral interview, books, journal articles, newspaper reports and government publications relevant to the topic.
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Hidayat, Muslim, Jihan Nurrizki Ahmadiyati, Ratna Sulistiyani, Lukluk Chaeratunnisya Vebryana, Yumna Azzahra, Nursyahdina Al-Rahmah Bobihu et Luluk Maknuna. « KEBERAGAMAN PADA KELOMPOK PENGGEMAR K-POP DI INDONESIA ». Abrahamic Religions : Jurnal Studi Agama-Agama 2, no 2 (20 septembre 2022) : 106. http://dx.doi.org/10.22373/arj.v2i2.12194.
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Hallyu or Korean cultural wave has become a cultural force in Asia and began to export its cultural products widely to the Middle East, Europe, South America, Africa and North America. Korean pop music or better known as K-pop has now succeeded in placing it self in the global market and producing a new musical sensation. K-pop has the characteristics of music that can provide its own pleasure for the audience, so that this type of music is increasingly favored and consumed by many people regardless of gender or age range. Individuals in early adulthood tend to have a strong attraction to celebrities in their lives, such as pop idols, movie stars, and the like. This will eventually give rise to fan groups who are the most visible part of the audience of cultural texts and practices dominated by people in early adulthood. Fan groups that appear in K-pop culture are called K-popers (K-pop Lovers) or the K-pop community who hunts for all information about their favorite K-pop idols such as groups of singers and Korean music groups commonly referred to as Boy Bands and Girlbands. This study aims to determine the process of forming social groups and how the phenomenon of K-pop fan groups in the process of group formation is viewed from the point of view of social psychology. The method used in this research is to use a literacy study method or commonly referred to as a literature study, where the data obtained are sourced from recording and processing the research data obtained.Abstrak Hallyu atau gelombang budaya korea telah menjadi kekuatan budaya di Asia dan mulai mengekspor produk budayanya secara luas hingga ke Timur Tengah, Eropa, Amerika Selatan, Afrika dan Amerika Utara. Musik pop Korea atau lebih dikenal sebagai K-pop kini berhasil menempatkan diri di pasar global dan menghasilkan sensasi musik yang baru. K-pop memiliki ciri khas musik yang dapat memberikan kesenangan tersendiri bagi para penikmatnya, sehingga jenis musik tersebut semakin digemari dan dikonsumsi oleh banyak orang tanpa membedakan jenis kelamin maupun rentang usia. Individu pada masa dewasa awal cenderung memiliki ketertarikan yang kuat terhadap selebritas dalam kehidupannya, seperti idola pop, bintang film, dan semacamnya. Hal ini pada akhirnya akan memunculkan kelompok penggemar yang merupakan bagian paling tampak dari khalayak teks dan praktik budaya yang didominasi oleh orang-orang pada tahap dewasa awal. Kelompok penggemar yang muncul dalam budaya K-pop disebut dengan K-popers (K-pop Lovers) atau komunitas K-pop yang berburu segala informasi tentang idola K-pop yang disukainya seperti kelompok penyanyi dan grup musik Korea yang biasa disebut dengan Boy Band dan Girl Band. Penelitian ini bertujuan untuk mengetahui proses pembentukan kelompok sosial dan bagaimana fenomena kelompok penggemar K-pop dalam proses pembentukan kelompok yang dirtinjau dari sudut pandang ilmu psikologi sosial. Metode yang digunakan dalam penelitian ini yaitu menggunakan metode studi literasi atau biasa disebut juga sebagai studi kepustakaan, dimana data yang diperoleh bersumber dari mencatat dan mengolah data penelitian yang didapatkan.
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Ibnus Salam, Amrullah. « Concentration Investigating The Impact of Covid-19 On The Operation and Management of a Dance Studio ». Eduvest - Journal of Universal Studies 2, no 10 (28 octobre 2022) : 2130–39. http://dx.doi.org/10.36418/eduvest.v2i10.626.
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The Coronavirus Disease 2019 (Covid-19) entered Indonesia around March 2020. Covid-19 has been impacting in various fields, including the running of different companies. The current study will take IDOLAB dance studio from Indonesia as an example to understand the operation and management practices after the epidemic. By literature analysis and interviewing with the boss and manager from IDOLAB dance studio, several findings are shown as followings. The major impacts of Covid-19 on IDOLAB include not running dance classes, workshops and other activities, losing most students, and the lack of studio rentals. The operation and management changes in IDOLAB are: (1) The learning process during the pandemic was carried out online. (2) Teachers will teach through an app that can also be accessed by the participant. (3) The company has to solve online classes problems: the network is not smooth, students cannot interpret dance movements, trainers have difficulty evaluating student movements, hampering the process of delivering material, and students are less flexible in performing dance moves. (4) More promoting and marketing through social media such as sharing on Instagram, and WhatsApp is needed. (5) When the pandemic conditions are getting controlled, IDOLAB has some face-to-face classes, but with the condition that it follows the 3M progress, namely washing hands, maintaining distance, and wearing masks. Under the unstable epidemic situation, online classes are still necessary. How to improve the quality of online classes, emphasize the importance of exercises to customers, and promote to find mental support through dance during the epidemic could be the direction that IDOLAB dance studio can do in the future.