Thèses sur le sujet « Humanities -> art -> advanced art education »
Pour voir les autres types de publications sur ce sujet consultez le lien suivant : Humanities -> art -> advanced art education.
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Consultez les 50 meilleures thèses pour votre recherche sur le sujet « Humanities -> art -> advanced art education ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Parcourez les thèses sur diverses disciplines et organisez correctement votre bibliographie.
1
Head, Donna J. « Advanced Placement Art History : Effective Teaching Strategies in the Art Beyond the European Content Area ». VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/1037.
Texte intégralRésumé :
This thesis presents a study of current research on effective teaching strategies in art beyond the European tradition content area of the Advanced Placement Art History (APAH) examination administered by the College Board. Three Advanced Placement Art History teachers participated in this study. Each teacher demonstrated successful and effective strategies in her APAH program. The criteria for selection required that each participant taught the class for three years (2001-4) and their students scored higher than the national average as published by the College Board. Each teacher discussed with the author how they teach the art beyond the European tradition content area. Presented in this study are teaching strategies each participant used in the classroom. Emphasis is placed on effective strategies that ask the students to participate in their learning.
2
Bond, Richard P. « Sexual Orientation and the Advanced Placement Art History Survey ». Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc700015/.
Texte intégralRésumé :
This two-part study included a content analysis of an AP art history text and a survey together with interviews with AP art history teachers that embraced both quantitative and qualitative research methodologies. The first phase of the study examined one of the more popular art history survey texts in the AP art history program, Gardner’s Art through the Ages, in terms of how inclusive it is in addressing issues of sexual orientation and, particularly, same-sex perspectives. In addition, the text was examined for evidence of sexual orientation ignored – particularly same-sex perspectives ignored and for heteronormative hegemonies. The second phase investigated the understandings and opinions of AP art history teachers toward the inclusion of sexual orientation and same-sex perspectives in their curriculums and classrooms. Recent recognition of gay, lesbian, and same-sex perspectives in the study of art history has challenged art educators and art historians to begin to consider opening up their curriculums and writings to include these perspectives. These ignored perspectives produce important understandings that enrich and deepen the discourse of art history. The inclusion of gay and lesbian content and same-sex perspectives to the study of AP art history, not only effectively serves the needs of AP art history teachers, but it provides a more equitable and comprehensive visual arts education to students. The implications of this study are broad and complex. If students are to be well and comprehensively educated in the history of the visual arts, including discussions about the sexual orientation of gay and lesbian artists as well as artworks depicting same-sex perspectives is important. Similarly, their teachers must be well-informed and believe that including such material in the curriculum is important. There is definitely a need for designing more balanced and equitable AP art history programs that include gay and lesbian artists as well as same-sex perspectives. From a multicultural art education perspective, this study reveals that gays and lesbians are marginalized in a major AP art history survey text. It illuminates how an AP art history survey text and AP art history teachers’ attitudes and knowledge base on same-sex perspectives inform their curriculums, specifically concerning what’s important to teach in an AP art history classroom. If approved AP art history survey texts as well as the influential annual AP College Board art history exam included issues of sexual orientation, particularly same-sex perspectives, it would encourage more AP art history teachers to include gay and lesbian artists and same-sex perspectives in their curriculums.
3
Henson-Dacey, Jacqueline B. « High School Visual Art Students' Perceptions of Creativity ». ScholarWorks, 2015. https://scholarworks.waldenu.edu/dissertations/1406.
Texte intégralRésumé :
When high school art teachers do not understand how their students experience creativity, studio art programs are less effective in fostering student learning than they would otherwise be. Nevertheless, extant research does not reveal a consistent or comprehensive understanding of how adolescents experience creativity in art education. Drawing on Csikszentmihalyi's theory of creativity and flow, this study explored students' perceptions of creativity and its relationship to flow, or the state of consciousness associated with optimal pleasure. This phenomenological study investigated students' perceptions of creativity and flow by interviewing nine high school advanced placement students in a public high school in southwest Florida. Data were drawn from three structured interviews with each subject and a field journal kept by the researcher. The Think Aloud technique used for the second interview provided rich descriptions while participants were in the midst of doing art. Field journal entries were organized according to Bailey's guide to field note classification. Moustakas's interpretation and modifications of the Van Kaam method of analysis provided a systematic approach to transcript reduction. The results of the investigation revealed four themes in the ways students perceive their own creativity, namely, influences, mindset, self-efficacy, and emotions. As they reflected on their perceptions of creativity and flow, students gained a greater awareness of their experience while creating art. Among the study's implications for social change, as art educators elicit these understandings, they foster creativity and transform students' lives in school and potentially, the wider society.
4
Leonard, Melissa M. « Motivating Students for Success in Art Education ». Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/1048.
Texte intégralRésumé :
This study is intended to analyze the differences of elementary age students from two different public elementary schools and their motivation to learn about art. The analysis will compare and contrast the results of my efforts as an art educator to present the same curricular information to both groups of students.
I have examined the demographics, the parent involvement, and the other areas affecting the students of the two schools in which I have taught during my seven years as an elementary art educator. My purpose in completing this study has been to better understand how to meet the needs of my current students who seem to struggle considerably in the art classroom when compared to the students I have previously taught. I wish to better understand what shapes the minds and attitudes of our students today whom we teach in art programs.students today that we teach in art programs.
5
Turner, Noele. « The National Art School - A Social History from 1833 to 1973 and a Catalogue of the Archival Art Collection ». Thesis, Griffith University, 2012. http://hdl.handle.net/10072/366320.
Texte intégralRésumé :
At the core of this thesis is a broad social history of the origin of the National Art School (NAS), dating from the earliest days of art history in NSW when the Mechanics Institute was formed. From 1833, after many incarnations and name changes, this organisation evolved into the National Art School. Since 1922 it has been located in the old Darlinghurst Gaol in East Sydney. I have detailed the growth of the School until 1973 when it was absorbed into the Alexander Mackie College of Advanced Education. The documentary material used in the construction of the NAS history is examined in relation to the social and political forces that operated in Sydney and Australia during the period under examination.
The thesis began as a project to catalogue the extensive collection of student paintings held by the NAS. The lack of documentation, at the most basic level of student and staff names, extended the necessary scope of the research. The photographic record of the collection of student paintings is included as an appendix, as is the catalogue of these works. My thesis also includes, as appendices, the definitive (although incomplete) list of over 4,000 past student names, dating from the beginning of the twentieth century to 1973, and an incomplete, although comprehensive list of teachers names covering the same period. It has taken some years of research to compile these listings from a variety of official, published
and press sources.Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
Full Text
6
Messemer, Heike, Walpola Layantha Perera, Matthias Heinz, Florian Niebling et Ferdinand Maiwald. « Supporting Learning in Art History – Artificial Intelligence in Digital Humanities Education ». TUDpress, 2020. https://tud.qucosa.de/id/qucosa%3A73553.
Texte intégralRésumé :
In recent years and especially in the context of the coronavirus pandemic, digital distance learning increases. But for academic students, the selection of adequate learning materials for educational purposes is becoming more and more complex. This marks only one starting point where the use of artificial intelligence (AI) offers additional value. AI has a great potential to enhance and support research and education in the field of digital humanities (DH). As international organisations have just expressed their thoughts on the subject, AI is the topic par excellence and will decisively shape the future development of educational processes.
7
Camara, Del. « Visual arts : Teaching creativity from within ». Scholarly Commons, 2019. https://scholarlycommons.pacific.edu/uop_etds/3628.
Texte intégralRésumé :
In the ever-changing world of visual arts education, there is a gap in the literature about the incorporation of creativity, risk-taking, and play in the curriculum. The purpose of this study was to understand how high school visual arts educators teach visual arts and creativity in the age of digital media, including the practices art teachers use to engage their students in their development of art-making and ways teachers encourage students to take risks in art-making practices. Utilizing an arts-based research method focusing on four case studies in the Central Valley of California, this inquiry examined the way visual arts educators teach the arts at the high school level. Further, this study used data sources of classroom observations, surveys, and one-on-one interviews. Data analysis utilized the theoretical lens of multiple intelligences to examine the different ways each visual arts teacher teaches visual arts. Findings indicated that there is a need for a common definition of creativity, student-teacher relationships are critical for improving students’ efforts in the arts, learning about the visual arts develops skills that students can use throughout their lifetime, and students from lower socioeconomic backgrounds tend to be more willing to take risks in their artwork. Recommendations for further research and policy for school leaders conclude this study.
8
Bullock, Nora B. « Examination of values instruction in education and the role of humanities in values education ». Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1988. http://www.kutztown.edu/library/services/remote_access.asp.
Texte intégral
9
Bretschneider, Miette. « The Bauhaus : Understanding its History and Relevance to Art Education Today ». Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/honors/53.
Texte intégralRésumé :
I am interested in how the ideas of the Bauhaus shaped not only today’s world of art education, but also the outlook of the German nation during the early 20th century and today. It appears that art is not as prevalent as it once was, whereas fields like science and engineering have become popular. However, the ingenuity of the Bauhaus has lasted into this century and continues to have an impact on our American education system, as well as our ideas about art. As part of my thesis, I am comparing the classes I have taken at East Tennessee State University with those courses taught at the Bauhaus. Many of my art pieces are exploration of materials and my subjective artistic outlook. For example these subjects included weaving, metalsmithing, printmaking, and ceramics. I am placing most emphasis on the significance of the famous Bauhaus Preliminary Course, the Vorkurs, and how our education was closely linked to that of 1920s Germany.
10
Winde, Annie Rita Yvonne. « I wan´t to work big and learn art- pupils views on art education in lower secondary school ». Thesis, Malmö universitet, Fakulteten för lärande och samhälle (LS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-34506.
Texte intégralRésumé :
This essay is about the participants students, teachers, school and their terms and regulations. The investigation aim to examine how the art subject curriculum interact with the pupils own views on what they want to achieve in art classes in school. Further this paper is on what impact some processes to adulthood can have on students learning ambitions during adolescence. Especially it discusses art education in aspects of identity process, influence, motivation, reflection and learning. Lastly this thesis inquires if pupils acquire tools through art lessons that can support their ability in learning for life skills and in further education on their own as adults.
11
Walker, Jan Bridwell. « The evidence of Bias within Art Historical Methodolgy and the Potentiality of Viewer Dialog as a Pedegogical Tool ». Digital Commons @ East Tennessee State University, 2004. https://dc.etsu.edu/etd/891.
Texte intégralRésumé :
The evidence of cultural and social partiality within the methodology of art history has influenced the manner in which art is presented to the public. The formally structured and often obsolete methods of the earliest art historians continue to influence the telling of art history today, relying on and emphasizing art historical fact over the viewer's personal interaction and interpretation.
The traditional structure of both the public art museum and art education course rely on the classical methodologies of the past, resulting in the presentation of the object as historically and socially removed from the viewer's own experience.
The role of the art historian should cease to be one of translator, but rather one of facilitator to the artistic exchange. It is through this intentional dialog between artist, viewer and art object that authentic enlightenment occurs.
12
Lovell, Bonnie R. « Development of a Studio Art Curriculum for the Concentration Section of the Advanced Placement Drawing Portfolio ». Digital Archive @ GSU, 2006. http://digitalarchive.gsu.edu/art_design_theses/11.
Texte intégralRésumé :
This thesis presents an Advanced Placement curriculum for the concentration section of the Drawing Portfolio. It is intended as a teaching tool to encourage and develop creative strategies related to idea generation and refinement based on creative problem solving, which is essential to the development of an effective concentration. One of the most difficult problems faced by Advanced Placement Studio Art students is idea generation for the artwork related to a central topic for the concentration section of their portfolios. This curriculum introduces lessons based on artist research, brainstorming, synectics, and SCAMPER techniques designed to foster creative idea generation for artwork development. It also gives students a tool with which to analyze the ideas generated based on specific criteria necessary to the concentration. This curriculum specifically encourages the creative process in students and provides teachers with a foundation with which to begin a unique and highly personal journey by the individual student.
13
Vollmer, Phillip. « LIVE ART : A Positive Change in this World ». VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3026.
Texte intégralRésumé :
LIVE ART is a program for students with special needs and students who are typically developed. They work collaboratively, with integrated forms of performance and visual art, culminating in a live performance. LIVE ART sought to use innovative methods of pedagogy, peer support and artistic influence to create a new curriculum where all students, regardless of ability, could grow. Along with this account, this thesis illustrates the experience of one teaching artist and his growth and journey through the program. His personal struggles with previous educational systems are mirrored in the struggles of the students, with their successes leading to his own. The thesis culminates in the revelation of teaching as a necessary mode for his own growth.
14
Fergus, Kelly. « Cultivating a Democratic community in the Elementary Art Classroom ». VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/6112.
Texte intégralRésumé :
Cultivating a more socially just, democratic classroom community is a best pedagogical practices qualitative case study. This study is designed to explore how three Virginia elementary art teachers define and create a democratic classroom community, inside their art rooms, through the implementation of various instructional strategies within the physical, social-cultural, and pedagogical spaces of their classrooms. Such instructional strategies may include a shift in power dynamics, student-centered art, choice-based art, and a big idea/real-world issue-orientated curriculum (ex: visual culture, social justice, democratic pedagogies). Each of the three selected participants were interviewed and asked to describe their classroom practices as well as provide examples of ways they perform any or all of the various instructional strategies mentioned. The data in this research study was collected through a digital survey, interviews, raw field notes, audio recordings, and visual journal entries. The responses to the interview questions were then coded and analyzed to compare and contrast understandings of the participants’ pedagogical practices. This study concludes that the perceptions of these progressive instructional strategies varied among each participant, however, they ultimately all fall on the spectrum of a democratic classroom community.
15
Pedraza, Jennifer E. A. « Assessment of “Community Stepping Stones,” a Community-Based Youth Art Education Program ». Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3613.
Texte intégralRésumé :
Community Stepping Stones is an art education program whose objective is to
“provide education, mentor children and adolescents, enhance the community
economics, and enrich the quality of life in the community” (Community Steppping
Stones [CSS], 2009a). Community art education programs, particularly for youth, have
become increasingly popular as a way to address and prevent delinquent behavior.
However, art education programs have proven challenging to evaluate and sustain.
The goal of my thesis was to explore how Community Stepping Stones
implemented and evaluated a community-based youth arts education program
compared to other, similar programs and how the organization could make the program
more effective and more sustainable long-term. As part of an internship with Community
Stepping Stones, I conducted participant observation, document review, and interviews
with individuals affiliated with Community Stepping Stones and other art education
programs in the community. Data was collected between February 2009 and September
2010.Community Stepping Stones has grown significantly during my involvement with
the organization, expanding funding, programming, and staff. Current efforts to reinforce
evaluation measures and secure additional funding sources will help make the program
more sustainable in the future. Additional efforts towards collaboration with other
community and government organizations, increased community involvement, and better
program organization will also be beneficial towards sustainability efforts.
At this time, published evaluations of community-based youth art education
programs and organizational impact on youth and community are limited. Although not a
comprehensive assessment, I hope my research can help bolster the literature in this
area.
16
McCamy, Tania m. « The Role of Youth Arts : Providing Opportunity and Intervention for At-Risk Populations ». Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/honors/211.
Texte intégralRésumé :
The Role of Youth Arts: Providing Opportunity and Intervention for At-Risk Populations considers the positive outcomes of arts experiences during childhood and adolescence. The benefits of arts education include cognitive, social, and emotional growth. The arts are also seen to improve student learning, achievement, and engagement on many levels. Childhood arts participation directly affects adult arts engagement in which individuals gain the cultural capital that allows for social ascent. As well as being a means for opportunity, art can be used as a means of intervention for at-risk youth populations. Through art, children and teens find meaning, belonging, and success that they lack in other areas. This work will discuss my role developing an activity for an at-risk youth program called PATROL, that partners Johnson City police officers with children from local housing authorities. The programs teaches positive actions and decision making while offering support and mentorship for the youth participants.
17
Lederman, Jonathan E. « Ethical applications of free culture applied for art education : piloting chinavine as an interactive model ». Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1444.
Texte intégralRésumé :
This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.Bachelors
Arts and Humanities
Philosophy
18
Clement, Jennifer. « Reforming Dance Pedagogy : A Feminist Perspective on the Art of Performance and Dance Education ». [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002197.
Texte intégral
19
de, Beer Mostyn. « You First Then Me : Exploring Complexity with Art Workshops ». Thesis, Konstfack, IBIS - Institutionen för bild- och slöjdpedagogik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-7475.
Texte intégralRésumé :
This work takes as its starting point the idea that awareness and understanding of the complex nature of relationships, among people and the natural and built environment, is of crucial importance against the background of the ongoing environmental crisis. The author explores how holding art workshops can contribute with specific knowledge about this complexity. In early 2020, the author held art workshops in the South African port city of Durban, in a gallery area adjacent to a park. Qualitative methods, including ethnography and visual methods, were put to use in the study which developed from this project. The stages of fieldwork, processing and analysis are described in detail. The study’s posthumanist theoretical framework draws in insights from Arts-Based Environmental Education and Art Education for Sustainable Development, as well as current thinking about design and creativity. These ideas, together with the choice of methods, facilitated an awareness of correspondences, or productive similarities, among elements from the workshops and the surrounding area. Noticing correspondences like these widened the project’s focus to include informants, groups and stories from the edges of the field, and opened up possibilities for relating local insights to larger concerns. The study considers how holding art workshops can provide opportunities for research into environmental, educational and social issues. It concludes with a discussion about how thinking about complexity can be productive within the field of Art Education.
20
Parker, Angela. « The History and Educational Legacy of the Manchester Art Museum, 1886-1898 ». VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/623.
Texte intégralRésumé :
This thesis examines the history of the Manchester Art Museum (Manchester, England), which was founded by Thomas Coglan Horsfall (1841-1932) in 1886. It considers the museum’s permanent collections and its programming from 1886 to 1898 with brief notes on the later years of the institution. While, like previous work on the Manchester Art Museum, the thesis contextualizes the museum within Victorian arts and community institutions, it breaks new ground by highlighting the ways in which it diverged from these institutions. The analysis of the museum’s collections and programming emphasizes the contributions that Horsfall and the Art Museum Committee made to museum education through the museum’s circulating loan collections and school tours.
21
Wang, Ruoqi. « “Online Participation Art Strategy” : Design for supporting students' wellbeing in crises times ». Thesis, Linnéuniversitetet, Institutionen för design (DE), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-104751.
Texte intégralRésumé :
Online learning in the present circumstances of the pandemic is unique, unlike common digital learning situations, raises a number of concerns. University students might struggle with adjustment and feel discouraged by changes, as conventional socializing in class is their major loss in online learning. Students should continue to learn, and schools have gone to great lengths to transfer educational content into the digital world, not just online teaching and delivery methods, but also support the students' wellbeing. The project created a framework for students’ wellbeing support, online learning in higher education and crisis preparedness. Moreover, the project used several research methods to collect and analyze data, and design methods to treat and develop ideation. The resulting project is called the ‘Online participation Art Strategy’. Based on the insights that ‘enhancing online learning by enhancing online participation’, the project provides educational materials in the form of campaign design and graphic design, to enhance online participation and thereby support the wellbeing of students.Online presentation
22
Akner, Koler Cheryl. « Form & ; Formlessness : Questioning aesthetic abstractions through art projects, cross-disciplinary studies and product design education ». Doctoral thesis, Konstfack, Industridesign, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6000.
Texte intégralRésumé :
This research is based on empirical, embodied studies aimed to generate and regenerate aesthetic reasoning through three approaches: an educational approach concerned with developing an aesthetic discipline, supporting a formgiving process aimed to create tangible artifacts. an art-based approach supporting an open exploration of distortion and formlessness a multi-disciplinary exploratory approach concerned with aesthetic experiences shared in laborations demonstrating complexity and transformation. The overall aim of the thesis is to explore different types of aesthetic abstractions that elaborate aesthetic reasoning about form and formlessness. The thesis develops methods and models for aesthetic investigation that support, challenge and go beyond the normative conceptions of beauty, with high relevance for teaching 3-D formgiving aesthetics and research by design methodologies. A central method applied throughout the entire research project is a cooperative inquiry method engaging students and experienced professionals as co-researchers in embodied/ interactive physical form studies and laborations. The content of the thesis is presented in three parts relating to the approaches above: -Part 1 defines an aesthetic nomenclature organized within a taxonomy of form in space. This aesthetic taxonomy is outlined in five levels based on essential aesthetic abstractions, emphasizing structure and inner movement in relation to the intention for the development of a gestalt. It originates from the educational program of Alexander Kostellow and Rowena Reed and has been further developed through an iterative educational process using a Concept-translation-form method, resulting in the Evolution of Form (EoF)-model. This EoF-model reciprocally weaves together geometric structures and organic principles into a sequence of seven-stages. To question the normative principles of beauty inherent in the EoF-model, a bipolar +/- spectrum was introduced at each stage to expand the model, aiming for a more inclusive approach to aesthetics. -Part 2, both challenges and expands the aesthetic reasoning in part 1 through i) solo sculptural exhibitions exploring properties of distortion and transparency in a constructivist art community ii) collaborative projects with physicists concerning infinity and studies of continuous complex curvatures and iii) explorative studies of material breakdown and non-visual studies with ID masters students at Konstfack. - Part 3 problematizes the taxonomy of form by applying methods and results from a cross-disciplinary study of complexity and transformation involving artists, physicists, designers and architects. The three year study explored temporal events of changing phenomena and formlessness that did not comply with any traditional aesthetic norms. Based on the experience from 12 laborations, three models were developed: The Transformation-model and Framing the dialogue-model were developed to physically interact with as well as to document and discuss change and transformation through bipolar reasoning. The Aesthetic phase transition-model was developed to capture the particular properties expressed in a transformation and unify stable objects with changing events. In conclusion, the thesis claims the value of an inclusive aesthetic mode of abstract reasoning in the scientific and design communities. A provisional 3 modes of abstraction-model is presented placing numeric, linguistic and aesthetic modes of abstraction as interdependent within a spectrum from separation to contextualization.S. 1-77: sammanfattning, s. 78-255: 10 uppsatser
23
Francis, Bart Andrus. « Mapping Creativity : An A/r/tographic Look at the Artistic Process of High School Students ». BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3260.
Texte intégralRésumé :
A high school visual art educator, along with 20 students enrolled in this teacher/researcher's Advanced Placement (AP) studio course, investigated the processes involved in creating artwork. Understanding artistic processes beyond skills and techniques is significant for curriculum development, but it is also key in conceptualizing art as a way of knowing. The arts based research strategy utilized in this study was a/r/tography, which focuses on the interconnectedness between artist, researcher, and teacher/learner. This highly reflective form of action research allowed the researcher and students to uncover new understandings of what it means to be an artist-researcher through a combination of knowing, doing, and making. Student-researchers learned several arts based forms of inquiry by analyzing the processes of contemporary artists. They were invited to record and reflect upon their own processes in a research journal as they generated artworks. The teacher-researcher also kept an intensive reflective journal concerning artmaking, but also included pedagogical concerns, questions, observations, and insights. At the conclusion of the semester, students were taught to analyze their own artistic process via their sketchbook entries by creating two visualizations: a mind map and an artwork as a data visualization of their process. Several important understandings are drawn from this study that transform this educator's practice as an artist-educator. These include the following concepts: not knowing as an artist, researcher, student and teacher; anxiety may be a necessary factor in artistic creation and pedagogy; and pretending is a strategy that allows one to productively move through uncertainty, ambiguity, and anxiety.
24
Chabanne, Jean-Charles. « Penser / Enseigner la littérature comme un art, vol. 1 "Synthèse des publications" ; vol. 2 "Questions et perspectives" ». Habilitation à diriger des recherches, Université de Perpignan, 2005. http://tel.archives-ouvertes.fr/tel-00915337.
Texte intégralRésumé :
Ce dossier a été présenté pour l'Habilitation à Diriger des Recherches. Il comporte deux parties. Dans la première, le candidat analyse son parcours de chercheur dans les domaines de la littérature française du XXe siècle (R. Queneau), et des approches littéraires et linguistiques de l'humour, comme une ouverture aux questions d'épistémologie de la littérature développée dans cette seconde partie. Celle-ci, intitulée " Questions et perspectives en didactique de la littérature : Penser/enseigner la littérature comme un art ", présente un état des lieux de la recherche en didactique de la littérature, et présente quelques chantiers en développement dans ce champ, au croisement des problématiques de la théorie littéraire, de l'analyse du travail enseignant et d'une réflexion transdisciplinaire autour de la notion d' " expérience esthétique ".
25
Avalon, Alexxis. « Arts in new directions : the development and application of a construct that uses the arts to promote transformation and self-actualization in health care and education/therapy ». [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001421.
Texte intégral
26
Arney, Lance A. « Political Pedagogy and Art Education With Youth in a Street Situation in Salvador, Brazil : An Ethnographic Evaluation of the Street Education Program of Projeto Axé ». Scholar Commons, 2007. https://scholarcommons.usf.edu/etd/608.
Texte intégralRésumé :
Projeto Axé is a non-governmental organization that carries out political-pedagogical work and art education for children and adolescents living in a street situation in Salvador, Bahia, Brazil. I conducted an exploratory ethnographic study with Projeto Axé's Street Education program in order to observe its day-to-day activities and to conduct a utilization-focused program evaluation (Patton 1997) of its pedagogical praxis. This thesis will describe how ethnographic fieldwork methods are interwoven with the political-pedagogical approaches of Projeto Axé's Street Education program and explain how street educators attempt to construct citizenship with participants in the Street Education program. Findings are based on an analysis of data collected during three months of fieldwork, during which I observed the day-to-day activities of the Street Education program and formally interviewed seven street educators.
Projeto Axé's street educators employ ethnographic fieldwork methods in order to more holistically understand the everyday lives of street youth, as well as the dynamics of "street culture" that emerge in the particular urban spaces frequented by street youth. The result is an anthropological understanding that serves as the foundation for street education activities, through which street youth are provoked to think critically about their everyday reality in order to transform it (Freire 1970). The construction of citizenship through Street Education is based on the "pedagogy of desire" (Carvalho 2000), a psychological-sociocultural theory of learning developed by the organization specifically for working with youth living in a street situation. Street education and the construction of citizenship begin and happen with the desire of street youth. The content of street education is not fixed or predetermined, but emerges out of a particular street youth's desires, needs, and dialogues with street educators.
I conclude that, combined with Freireian-inspired political pedagogy and the pedagogy of desire, the use of ethnographic fieldwork methods by street educators is crucial for Projeto Axé's attempts at realizing radical transformations in the lives of street youth. Furthermore, Projeto Axé's anthropological approaches to the social and political inclusion of street youth increase the adaptability of its street pedagogy to the local socio-cultural realities emergent in other urban spaces.
27
Reilly-Brown, Elizabeth. « Dialogue in the Galleries : Developing a Tour about Contemporary Art for the Virginia Museum of Fine Arts ». VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/198.
Texte intégralRésumé :
This museum thesis project considers the challenges involved in developing engaging museum tours. The purpose of this project was to develop a fifty-minute, guided gallery tour that uses inquiry-based instruction to engage participants in dialogue and critical thinking about artworks. The tour was designed specifically for the Virginia Museum of Fine Arts (VMFA) in Richmond, Virginia, using artworks selected from the museum’s twenty-first-century art collection that relate to the theme hybridity. This project contributes to the museum studies field by exemplifying how gallery tours can stimulate active learning, encourage visitors to find meaning in artworks, and form their own conclusions about objects in the museum. The project provides a model for integrating inquiry-generated dialogue within the gallery tour structure. Finally, it demonstrates that dialogue-based teaching can be used with teens and adults, audiences that some educators perceive as more reticent than younger learners to engage with this style of education.
28
Lai, Lingchun. « Taiwan music teacher attitudes toward the arts and humanities curriculum ». Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3951/.
Texte intégralRésumé :
The purpose of the study was to investigate teacher attitudes toward following the Taiwanese arts and humanities curriculum and the relationship of teacher attitudes to four selected curriculum integration factors. These include (1) The quantity of content areas taught in music class, (2) Teachers' satisfaction of their students' learning outcomes, (3) Teachers' confidence in planning lessons, and (4) The number of years spent in curriculum integration. Questionnaires were distributed to 85 stratified random selected junior high schools throughout Taiwan. The school responses rate was 74%. Content validity was checked. The internal consistency reliability ranged from 0.74 to 0.92. Recorder playing, group singing, and music appreciation were found to be the most frequently taught musical skills, the most satisfied students' learning outcomes, the most confident lesson planning areas, and the most important to be included in the music instruction. Writing-by-ear and playing-by-ear were found to be the least frequently taught musical skills, the least satisfied students' learning outcome, the least confident lesson planning area, and the least importance. The two most frequently encountered barriers were insufficient administrative leadership and shallow student learning. The results of the Pearson product-moment correlation coefficient showed a low positive significant relationship between teachers' overall attitudes and the quantity of musical content areas taught (n = 83, r = 0.29, p = 0.007*, r2 = 0.09). Based on prior research, if attitudes that are formed from personal histories are difficult to change, and in order to change attitudes, multiple strategies must be used. The majority of teachers did not strongly support or reject this new curriculum, and strong support would be needed for the curriculum to be successfully implemented. One of the most important things that the Taiwan MOE could do is to provide music teachers with on-going in-service teacher development programs and monitoring mentor systems, in addition to the exploration and development of additional strategies that might possibly impact teachers' neutral beliefs about this new curriculum.
29
Davenport, Caroline Anne. « Integrating Nature into Urban Educational Environments ». VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/945.
Texte intégralRésumé :
Urban educational environments struggle to offer green space and natural light to their students. Studies have shown that exposure to natural elements, such as natural light, ventilation and vegetation improves student performance and concentration. The Waldorf School understands a child's innate need for natural learning; making it a natural choice when studying design options that integrating nature into the educational environment. The emphasis on nature based learning in the curriculum leads Waldorf to be the perfect school to test the boundaries of what is possible in urban educational environments. The project integrates nature into an urban adaptive re-use school environment, through use of natural lighting, access to green areas, and sustainable materials. The site is a total of 30,000 square feet, evenly separated between two floors and a roof garden. The site was built in 1923, as an automobile storage facility and straddles the boundary between an industrial neighborhood and a historic residential neighborhood. Through use of the Waldorf principles and architecture, an educational environment infused with natural rhythms and access to nature will be realized. Through the research conducted on various site, program and process case studies, investigation of architectural options and a thorough understanding of the needs of a Waldorf school, the project develops a prototype to be used in other urban schools.The work considers the possibilities in urban educational environments to integrate natural elements in the architecture for the benefit of students and teachers; creating a design example for both Waldorf and public educational environments.
30
Pinelli, Nicolas. « Développer des compétences : une approche didactique à partir de la phénoménologie de l'imprévu appliquée aux évènements artistiques ». Phd thesis, Université Pascal Paoli, 2010. http://tel.archives-ouvertes.fr/tel-00762527.
Texte intégralRésumé :
Pour développer des compétences, cette approche didactique tente de retrouver des voies de passage des savoirs aux compétences. Pour cela, une démarche déductive installe un dialogue entre six modèles théoriques (pédagogie, didactique, formation, management, socioconstructivisme et cognitivisme). Parallèlement, une démarche inductive construit un modèle expérimental (comportements, stratégies et typologie situationnelle), soutenu par un diagnostic situationnel. Ce diagnostic évalue et repère des imprévus dans l'activité de travail, avec des paramètres situationnels (individus, faits, objets, lieux et moments). Ils sont classés en invariants, variables et prodromes, selon des critères d'existence, de récurrence, de concordance et de causalité. Ils agissent aussi comme des catalyseurs situationnels. La phénoménologie de l'imprévu analyse des situations, vécues par des professionnels et des étudiants, issues des événements artistiques (cirque, danse, musique et télévision). Elle va alors surprendre des flagrants délits d'ingérence. Trois concepts théoriques (procédural, ergologique et systémique) guident notre réflexion tout au long de cette double démarche. Les résultats de cette recherche s'appuient sur des observations, des entretiens et un questionnaire. Des voies de passage s'expriment à travers des liens statistiques de convergence, de divergence (modèle expérimental), de pertinence (modèles théoriques) et de cohérence (tous les modèles). Une congruence didactique complète cette relation entre des savoirs disponibles et des compétences prescrites. Il en ressort un modèle situationnel et didactique transférable dans un dispositif de formation et pour la prévention des risques socioprofessionnels.
31
Boutin, Perrine. « Le 7e art aux regards de l'enfance : les médiations dans les dispositifs d'éducation à l'image cinématographique ». Phd thesis, Université d'Avignon, 2010. http://tel.archives-ouvertes.fr/tel-00556657.
Texte intégralRésumé :
Cette thèse propose de saisir et de restituer le mode de fonctionnement de " la médiation cinématographique ". Le travail porte sur la nécessité d'une " médiation ", de ses usages et des discours qu'elle engendre depuis que l'image est née, dans le cadre de dispositifs d'éducation au cinéma. Ces discours voudraient instaurer " une médiation " entre le cinéma et les enfants, pour des raisons multiples, plus ou moins implicites et partiellement contradictoires. L'enjeu consiste à saisir les glissements qui s'opèrent entre ces discours - politiques, idéologiques... - et la pratique, selon une poétique de la situation.Les enquêtes de terrain ont été essentiellement menées auprès de dispositifs scolaires, notamment École et cinéma, en parcourant à la fois l'histoire de ces dispositifs, leurs objets et leurs formes
32
Mohammed, Anisa A. « Urban Farm ». VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd_retro/154.
Texte intégralRésumé :
According to Michael Pollan's article in Mother Jones Magazine, "The typical fruit or vegetable on an American's plate travels some 1,500 miles to get there, and is frequently better traveled and more worldly than its eater" (Pollan 38). The majority of citizens living in or near metropolitan centers rarely come in contact with produce pre-barcode; that is, produce still connected to the earth or not yet processed for mass distribution and consumption. This is especially the case in urban settings where land is at a premium and is valued more for residential and commercial purposes than for food production. In the case of U.S. cities, though we produce sufficiently to feed our population, the majority of produce consumed is grown outside of state lines if not entirely outside of the country. "In 2004, the U.S. exported nearly $20 million worth of lettuce - over 3/4 of it grown in California - to Mexico. The same year, it imported $20 million worth of Mexican lettuce" (Pollan 43). It is far more likely that urbanites seek references from their car mechanics and tailors than from producers of the food they consume. Locally grown and consumed food has several quality-of-life enhancing attributes, most importantly providing fresher, more nutritious produce with a known history, increased self-sufficiency with respect to food, and reduced environmental impact caused by reduced inter and intra-national transportation.
33
Nakfoor, Sarah Shamus. « A Science & ; Mathematics Magnet School at Maymont ». VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1438.
Texte intégralRésumé :
I am interested in the idea that schools should be designed to offer individualized learning."A Science & Mathematics Magnet School at Maymont" explores a type of school that is becoming more familiar and accessible. By allowing students who have an interest in excelling in school and preparing for their future careers to come together and meet one another and experience aneducation that might not otherwise be available can be beneficial in many ways. In most cases, because of the funding required for such specialized schools, class sizes are reduced to meet budgets and the schools are opened to the community to gain funding. Smaller class sizes increase student interaction and aid in forming connections among students and between studentsand teachers. The use of the school as a venue for the community adds needed revenue. Both occurences may be advantageous and positively effect community at the school and surrounding populous levels.
34
Dolan, Timothy D. « Designers' perceptions of interdisciplinary design education ». [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-0710103-093353/unrestricted/DolanT071803f.pdf.
Texte intégralRésumé :
Thesis (M.S.)--East Tennessee State University, 2003.Title from electronic submission form. ETSU ETD database URN: etd-0710103-093353. Includes bibliographical references. Also available via Internet at the UMI web site.
35
Zalka, Csenge Virág. « Adventures in the Classroom Creating Role-Playing Games Based on Traditional Stories for the High School Curriculum ». Digital Commons @ East Tennessee State University, 2012. https://dc.etsu.edu/etd/1469.
Texte intégralRésumé :
The goal of this thesis is to develop a template for turning traditional stories into role-playing games for the high school curriculum. By developing 3 sample games based on Greek mythology, Arthurian legends, and a widespread folktale type, I explored the process of creating games that fit the limits of secondary classrooms and can be used to address specific educational standards. The sample games were tested with groups of high school and college students, and the results of the testing sessions evaluated in a narrative case study format. Feedback from the testing sessions was incorporated in the template, the final product of the thesis project. By exploring tabletop role-playing as a form of emergent interactive storytelling, a connection has been created between traditional storytelling and popular culture with the hope of reaching out to new audiences and introducing a stronger interactive element into storytelling in secondary education.
36
Lu, Dandan. « Design graphique à l'ère de la Chine postmoderne ». Phd thesis, Université Paul Valéry - Montpellier III, 2012. http://tel.archives-ouvertes.fr/tel-00756477.
Texte intégralRésumé :
Comparé à l'art contemporain chinois qui ne cesse de caracoler en tête du marché de l'art, le design graphique est un objet artistique, industriel et populaire, modeste dans ses ambitions culturelles. Toutefois ses enjeux présentent un important intérêt scientifique dès lors que toutes les productions spécifiques du design s'adressent davantage au peuple chinois qu'aux étrangers. Soumis à des commanditaires économiques et politiques, le design graphique en tant qu'objet de recherche témoigne non seulement des luttes existant à l'intérieur du champ du design chinois mais également de celles qui se livrent en pleine Chine postmoderne. Dans le cadre théorique des Etudes Culturelles, cette thèse considère que le design graphique recèle une fonction sociale et politique significative en Chine, dont les enjeux excèdent ceux que l'on pense être susceptibles de répondre à une simple fonction de communication commerciale. A partir d'analyse de quelques productions graphiques emblématiques historiques, cette recherche s'interroge sur la réactualisation de l'identité culturelle chinoise, en crise aujourd'hui. Au cours des périodes moderne, maoïste et postmoderne, le design graphique n'a cessé de participer à l'esprit du temps dominant. En tant que dispositif actif, socio-formant l'esprit et relevant de la culture, le design graphique intervient dans les processus de construction identitaire individuelle et collective. Cette recherche, après avoir rendu compte des rapports parfois ambigus ou incertains, exercés par les modèles graphiques hégémoniques et concurrentiels, s'attache à décrypter les actuelles tensions révélatrices de valeurs et visions du monde contradictoires.
37
Ricks-Chavis, Latonia M. « Student Education & ; Character Building Center Adaptive Reuse Project ». VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3462.
Texte intégralRésumé :
There are many programs throughout the world and in the state of Virginia that have been developed to change the outlook of youth on a broader spectrum. Youth in at risk communities face a different set of parameters and are often mislabeled as "bad kids". Many of these youth simply need an environment filled with positive energy. This redesign will create an environment that guides through intuition and the understanding of angles and markers that are considered universal in all languages. The space will open up a world that is non-institutional and without the normal boundaries and pressures of typical grading system. The education center will cultivate healthy habits for learning that can carry them on to community colleges, universities and the eventually the workforce.
38
Kiander, Anna. « Genom : Metod : En studie i radikala redovisningsformer ». Thesis, Konstfack, IBIS - Institutionen för bild- och slöjdpedagogik, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-6676.
Texte intégralRésumé :
Traditionella redovisningsformer i grundskolans bildämne skapar sällan utrymme för lärande. Trots att bild är ett estetiskt ämne genererar ofta redovisningsformer ett passivt förhållningssätt gentemot det som eleverna redovisar. Att redovisa inför en grupp kräver kommunikativ kompetens, något som är utanför bildämnets kursplan. Däremot kan elever lära sig att framträda, och interagera med publiken för att en lärandesituation ska uppstå. Med utgångspunkt i de traditionella redovisningsformerna undersöks utvecklingspotentialer där teater, samtidskonst, performativitet och estetiska lärprocesser tillsammans används för att besvara undersökningens syfte och frågeställningar. Hur kan redovisningsformerna i bildämnet inom grundskolan utvecklas genom performativa uttryck? För att besvara frågeställningen analyseras deltagande observationer av redovisningar på tre estetiska vuxenutbildningar genom att tematiskt kategorisera beståndsdelarna i teman för att belysa och problematisera företeelser som visade sig under redovisningarna. Gemensamma nämnare visades, oberoende av innehållet som redovisades, tydligast genom de studenter som deltog som betraktare under redovisningarna. Variationen på studenternas delaktighet visades främst genom den respons som efterfrågades och utdelades. Empirin består förutom av observationerna, även av en gestaltande undersökning. Gestaltningen har formats ur frågeställningen Hur kan en radikal redovisningsform se ut? Frågeställningen besvaras genom en performativ händelse, ett performance där uppsatsen i dess fysiska och materiella form bearbetas genom att mixas till pappersmassa som används för att tillverka nya pappersark. Gestaltningen visades som ett performance med materiella spår i form av en installation under lärarprogrammets examensutställning på Konstfack.
39
Lindle, Rachel L. « LEARNING TO RETELL STORIES THROUGH COMPARATIVE TEACHING : WRITING AND DRAWING ». UKnowledge, 2014. http://uknowledge.uky.edu/art_etds/7.
Texte intégralRésumé :
Students who are emergent readers and writers are often difficult to assess, as they are unable to communicate understanding in writing. From my observations, these students communicate ideas best through concrete forms of expression, rather than the abstract formation of letters and writing that is unfamiliar to them. Drawing provides an alternate form of expression from writing. Based on information found in literature review and personal experiences from working with students who are emergent readers and writers, pictures and drawings are a bridge to communicate ideas with these students. This form of expression and communication may be a useful assessment tool for students at this developmental stage. The purpose of this research study is to test the hypothesis that retelling using visual art representations of the story will yield positive results.
40
Quam, Andrea. « Fundamentals in Nature ». VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1597.
Texte intégral
41
Gibbs, Alarie A. « The Perceptions of Nonprofit Arts and Culture Organization Leaders Regarding Their Role in K-12 Arts Education ». UNF Digital Commons, 2018. https://digitalcommons.unf.edu/etd/782.
Texte intégralRésumé :
The present study posed two research questions. Because of limited research regarding leadership in arts and culture organizations, the background question to contextualize the study was: How do nonprofit arts and culture leaders in the Jacksonville, Florida, metropolitan area perceive their roles within their organizations? The foreground question was: How do leaders of nonprofit arts and culture organizations in the Jacksonville, Florida, metropolitan area understand their roles in providing underserved K-12 students access to and opportunity for arts education? The research questions warranted a qualitative research design using semi-structured, in-depth interviews. The review of the literature documented the importance of arts education for all and how school policy mandates have led to a reduction in access to and opportunity for arts education, especially in schools with high poverty rates and students of color. Interview data were collected from 11 leaders of nonprofit arts and culture organizations. Data analysis involved identifying five typologies that organized the description and interpretation dimensions of Eisner’s process of educational criticism (1998): arts education, programs, and services; advocacy and engagement for the arts; challenges to providing access to and opportunities for arts education; the role of partnerships; and nonprofit arts and culture organizational development. Data analysis corroborated that the problems of inequitable arts education is still pervasive in K-12 education. The participants perceived their missions as focused on arts education for all and as contributing to filling the gap in providing equitable access to and opportunities for arts education for underserved K-12 students. The present study concluded that nonprofit arts and culture organizations can provide a unique set of contributions, such as programs for K-12 students, arts leadership development, and partnerships with schools and with each other in delivering equitable access to and opportunities for arts education for underserved K-12 students.
42
Ilnicki, Andrew Patrick. « A Shift In Perspective ». VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/1376.
Texte intégralRésumé :
Responsible design practice should include environmental advocacy and a focus on community subjects often lacking in design education. My creative project is the result of investigations into how designers integrate nature into their design process. By increasing their awareness for communal and environmental advocacy at the undergraduate level, students can develop responsible design practices at the beginning of their career. The result is the student's accumulation of integrity.
43
Rowe, Katherine. « Childhood Development : How the Fine and Performing Arts Enhance Neurological, Social, and Academic Traits ». Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/464.
Texte intégralRésumé :
Abstract
Childhood development has always been a major topic when studying psychology and biology. This makes sense because the brain develops from the time a child is conceived to the time that child has reached around the age of twenty-seven. Doctors, psychologists, and sociologists look at numerous things when studying childhood development. However, how common is it for researchers to study how the fine and performing arts affect childhood development? Sociologists tend to be extremely open and mindful of all aspects of things such as culture, sexuality, religion, and even age. By taking a sociological standpoint when studying the arts and studying childhood development, society is able to make connections between the two that leads to better understanding of a child's development socially, mentally, and academically.
44
Stam, Maria. « Medier, lärande och det mediespecifika : en undersökning om den rörliga bildens plats och betydelse i ett ämnesövergripande projekt ». Licentiate thesis, Umeå universitet, Institutionen för estetiska ämnen i lärarutbildningen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-121846.
Texte intégralRésumé :
The overall purpose of this licentiate thesis is to explore how different media is considered and valued by teachers in an interdisciplinary project in which the subjects of Art and Swedish are included. In the project, The Horror Genre in Literature and Film, a variety of mediations are represented: speech, writing, still- and moving images. The study focuses on the teaching strategies and approaches that participating teachers have in relation to the project's various mediations. My central concern is how the media of moving images is considered in the project. Of particular interest for my study is the question if teachers takes into account the media's special possibilities and limitations in their teaching. The theoretical framework is sociocultural theory, narrative theory and theories from the field of media and multimodality. The study was conducted in a Swedish primary school where three classes in 8th grade participated. The empirical material consists of interviews with three teachers in the subject Swedish and with one Art teacher. Also part of the empirical material, are the films produced by the pupils in the project. These films were analysed with the purpose of identifying to what degree the pupils used a narrative that is particular to the medium of moving image. The project in my study was carried out as an interdisciplinary project. Nonetheless, the results show that the teachers in the various subjects work toward the goals set in their own school subjects and that no common goals or overall objectives were formulated in the project. My study also shows that the mediations that are rewarded and have a superior role in the project are the spoken and the written word. The media of moving images has a marginalised place in the project and is regarded as less important. The main result of my study shows the problems that may arise when different forms of mediation co-exist in project-based learning within a school context. It also points out the difficulties that interdisciplinary projects have to face in terms of national regulations, frame factors such as the distribution of lesson hours, resources, as well as other factors that can affect the possibility of cooperation between the subjects.
45
Atkinson, Megan E. « Move, Interact, and Connect Personally Barter Theatre’s Project REAL Gets Implicit In Order To Learn ». Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2510.
Texte intégralRésumé :
Body movement, hands-on activity, embodiment, social interaction, emotions, and self-reflection allow teaching artists of Barter’s Theatre’s Project REAL to conduct a lesson with an implicit learning experience as the focus. Barter Theatre’s Project REAL exists as a theatre for education program that collaborates with regular classroom teachers on delivering the curriculum through specific theatre exercises in order to connect the material personally to the students’ lives. Theatre tools provide a human experience that enhances learning for the student by use of kinesthetic movement, social learning, emotions and interpersonal skills. To understand the effects of Barter Theatre’s Project REAL, the director and teaching artists collected interviews with teachers, administrators, and students. Teaching artists also conducted pre and post assessments and end of the semester surveys with classes. This study aims to give insight to the results of Project REAL’s pedagogy as well as the strengths and weaknesses of the program.
46
Carlsson, Maria. « Meningsskapande bildaktiviteter i förskolan : Att väcka förskolebarnens inneboende skaparglädje ». Thesis, Karlstads universitet, Institutionen för pedagogiska studier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-66173.
Texte intégral
47
Swanson, Joshua. « Talk This Way : A Look at the Historical Conversation Between Hip-Hop and Christianity ». Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3810.
Texte intégralRésumé :
Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation between Hip-Hop and Christianity that has been ongoing for decades. This thesis will show why that conversation is essential for the church and necessary for Hip-Hop artists to express themselves fully. This paper will show rap and Hip-Hop culture to be a complex institution with its own theology, history, and prophets – that uses its own voice to express how urban youth view not only their lives but also how God and the church are present in their lives.
48
Moulana, Sultana Jesmine. « SYNERGY : GAME DESIGN + QUR'AN MEMORIZATION ». VCU Scholars Compass, 2017. https://scholarscompass.vcu.edu/etd/5199.
Texte intégralRésumé :
The rise of digital technology has transformed nearly every part of our daily lives, including the way we learn and memorize. Such transformations raise interesting questions for one of the most long-standing and demanding memorization tasks in the world: the memorization of the Islamic holy book, The Qur’an. For Muslims, The Qur’an is a timeless, sacred text, cradling within its covers many profound images, stories, and parables. Despite rigorous research in the fields of game design and memorization techniques, very little work has been done in combining these two areas of research to create a game-based memorization experience of The Quran. This thesis synthesizes game design elements with existing memorization techniques to foster a more engaging, enriching, and inspiring Qur’an memorization experience.
49
Rézeau, Joseph. « Médiatisation et médiation pédagogique dans un environnement multimédia : Le cas de l'apprentissage de l'anglais en Histoire de l'Art à l'université ». Phd thesis, Université Victor Segalen - Bordeaux II, 2001. http://tel.archives-ouvertes.fr/tel-00007305.
Texte intégralRésumé :
Cette thèse relate une recherche-action en didactique de l'anglais de spécialité en lien avec les environnements d'apprentissage multimédias. Le versant “recherche” fait appel aux disciplines connexes de la philosophie de l'éducation, de la psychologie de l'apprentissage, de la linguistique appliquée et des sciences cognitives pour forger des outils théoriques. Nous revisitons les modèles ternaires de la situation pédagogique, d'abord pour y redéfinir la place du processus d'enseignement puis pour y introduire les instruments d'enseignement, ce qui nous amène à proposer un modèle nouveau, le carré pédagogique. Les concepts de médiatisation et de médiation sont redéfinis à la lumière de la théorie des situations d'activités instrumentées de Rabardel. Les conceptions et approches de la didactique des langues étrangères de la seconde moitié du XXe siècle sont examinées du point de vue de la situation pédagogique et de la place qu'elles font aux instruments didactiques. Le versant “action” de la recherche conduit au développement d'un didacticiel multimédia dont on fait l'hypothèse qu'il amènera une amélioration de la motivation et des stratégies d'apprentissage de la population cible. On formule une deuxième hypothèse selon laquelle la valeur de la médiation exercée par l'instrument multimédia est fonction de l'action de médiatisation exercée par l'enseignant. Le dispositif a fait l'objet d'une expérimentation in situ pendant six ans, période au cours de laquelle des données ont été recueillies a) par enquêtes et questionnaires, b) par enregistrement informatique de la trace du parcours des utilisateurs et c) par enregistrement audio d'interactions verbales. Les données des types a) et b) ont été analysées par l'analyse factorielle de correspondances et celles de type c) par les méthodes de l'analyse du discours.
50
Whitty, Chantelle. « Drawn to art therapy : a qualitative study examining art therapists' personal healing experiences with art that led them to a career in art therapy ». Thesis, 2010. http://hdl.handle.net/1828/3174.
Texte intégralRésumé :
This study investigates the healing experience that current practicing art therapists’ have had with art prior to their training, and how that experience influenced their decision to peruse a career in art therapy. Narrative inquiry was the primary methodology in the current study. Six current practicing art therapists, all females who currently reside in the area of Victoria BC, participated in the process of co-constructing their 1st person narratives with the primary researcher. The six stages of Braun & Clarke's (2006) Thematic Analysis was used as the guiding framework developing themes across the stories told. Themes and the implications that came out of these narratives with respect to future research and counseling practice are also discussed.