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Littérature scientifique sur le sujet « Humanists – Italy – 16th century »

Auteur : Grafiati

Publié le 10 mars 2023

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Articles de revues sur le sujet "Humanists – Italy – 16th century"

Mnozhynska, R. « Stanislav Orikhovsky on religious tolerance ». Ukrainian Religious Studies, n^o 30 (29 juin 2004) : 68–79. http://dx.doi.org/10.32420/2004.30.1508.

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Stanislav Orikhovsky (1513-1565) - one of the most prominent Latin-speaking Ukrainian-Polish humanists of the first half of the 16th century. For a long time he was known almost exclusively as a Polish figure. We now have every reason to include him in our culture, above all because he was a conscious Ukrainian - he invariably added the term "Ukrainian" (Ruthenus, Roxolanus, Russus) to his last name. this is frankly stated "(Ruthenum me esse et glorior et libenter profiteor). In Western Europe it was called "Ukrainian Demosthenes" and "modern Cicero." His teachers were famous figures of the time: the German humanist Melanchthon and the reformer Martin Luther - in the latter's house he even lived during his studies. Many prominent people of that time in Italy and Poland also had the honor of communicating with him.

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Pisano, Raffaele, et Paolo Bussotti. « ON POPULARIZATION OF SCIENTIFIC EDUCATION IN ITALY BETWEEN 12TH AND 16TH CENTURY ». Problems of Education in the 21st Century 57, n^o 1 (25 décembre 2013) : 90–101. http://dx.doi.org/10.33225/pec/13.57.90.

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Mathematics education is also a social phenomenon because it is influenced both by the needs of the labour market and by the basic knowledge of mathematics necessary for every person to be able to face some operations indispensable in the social and economic daily life. Therefore the way in which mathematics education is framed changes according to modifications of the social environment and know–how. For example, until the end of the 20th century, in the Italian faculties of engineering the teaching of mathematical analysis was profound: there were two complex examinations in which the theory was as important as the ability in solving exercises. Now the situation is different. In some universities there is only a proof of mathematical analysis; in others there are two proves, but they are sixth–month and not annual proves. The theoretical requirements have been drastically reduced and the exercises themselves are often far easier than those proposed in the recent past. With some modifications, the situation is similar for the teaching of other modern mathematical disciplines: many operations needing of calculations and mathematical reasoning are developed by the computers or other intelligent machines and hence an engineer needs less theoretical mathematics than in the past. The problem has historical roots. In this research an analysis of the phenomenon of “scientific education” (teaching geometry, arithmetic, mathematics only) with respect the methods used from the late Middle Ages by “maestri d’abaco” to the Renaissance humanists, and with respect to mathematics education nowadays is discussed. Particularly the ways through which mathematical knowledge was spread in Italy between late Middle ages and early Modern age is shown. At that time, the term “scientific education” corresponded to “teaching of mathematics, physics”; hence something different from what nowadays is called science education, NoS, etc. Moreover, the relationships between mathematics education and civilization in Italy between the 12th and the 16th century is also popularized within the Abacus schools and Niccolò Tartaglia. These are significant cases because the events connected to them are strictly interrelated. The knowledge of such significant relationships between society, mathematics education, advanced mathematics and scientific knowledge can be useful for the scholars who are nowadays engaged in mathematics education research. Key words: Abacus schools, mathematics education, science & society, scientific education, Tartaglia

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Bellusci, David. « Gasparo Contarini : From Scholasticism to Renaissance Humanism ». Études maritainiennes / Maritain Studies 26 (2010) : 55–67. http://dx.doi.org/10.5840/maritain2010263.

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This paper examines the shift from Scholasticism to Renaissance humanism by focussing on the Italian humanist, Gasparo Contarini (1483-1542). The politico-religious climate of 15th-16th century Italy represents the arena in which Contarini developed his philosophy. His studies at the University of Padova where Padovan Aristotelianism dominated reflected the basis of his intellectual formation. The Platonic revival of Renaissance Italy also made its way into Contarini’s humanist philosophy.

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García Bueno, Carmen. « Jacobo Diasorino en Italia = Jacobus Diasorinus in Italy ». ΠΗΓΗ/FONS 3, n^o 1 (7 juin 2019) : 51. http://dx.doi.org/10.20318/fons.2019.4551.

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Resumen: El presente artículo analiza, en la primera parte, la presencia del copista griego Jacobo Diasorino en Italia, en una primera estancia de juventud y en una posible segunda estancia hacia 1550, desde el punto de vista de las copias manuscritas que pudo haber ejecutado en esos momentos y de su contexto. En la segunda, se centra en aquellos de sus manuscritos que acabaron entrando la Real Biblioteca del monasterio de San Lorenzo de El Escorial, con especial atención al fondo del humanista italiano Francisco Patrizi.Palabras clave: Jacobo Diasorino, Francisco Patrizi, El Escorial, Italia, Henri Estienne, siglo XVI, copistas griegos.Abstract: This article analyses, in the first part, the presence of the Greek scribe Jacobos Diassorinos in Italy during his youth and possibly around 1550. Both stays are examined from the point of view and the context of the copies he could have done in such moments. In the second one, the article focusses on those of his manuscritps kept in the Real Biblioteca of the monastery of San Lorenzo de el Escorial (Spain), especially on those which belonged to the Italian humanist Francesco Patrizi.Keywords: Jacobos Diassorinos, Francesco Patrizi, El Escorial, Italy, Henri Estienne, 16th century, Greek scribes.

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Figueroa, Óscar. « La India y el Renacimiento florentino : las cartas de Filippo Sassetti ». Interpretatio. Revista de Hermenéutica 5, n^o 1 (10 mars 2020) : 107–21. http://dx.doi.org/10.19130/iifl.it.2020.5.1.0009.

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Here we present the translation of two of the letters that Filippo Sassetti, the Florentine merchant and humanist of the 16th-century, sent from India to Italy with abundant and insightful observations about the religious beliefs, customs, languages, nature and social life of the subcontinent. This document ―little known and so far unpublished in Spanish (and apparently in other languages too)― is a valuable testimony of the complex process of Europe’s reception and interpretative representation of the ancient Indian culture. In this respect, Sassetti’s hermeneutic endeavours, to a large extent dependent on Florentine Renaissance humanism’s ideals, stand out. They help us understand the Indian Other beyond the stereotypes in vogue then (and now), as well as the difficulties to achieve that.

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Nowicka-Jeżowa, Alina. « Poeci polscy doby humanizmu wobec Rzymu / Polish Poets of the Age of Humanism and Rome ». Ruch Literacki 53, n^o 6 (1 décembre 2012) : 631–51. http://dx.doi.org/10.2478/v10273-012-0039-6.

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Summary Based on earlier research, and especially Tadeusz Ulewicz’s landmark study Iter Romano- -Italicum Polonorum, or the Intellectual and Cultural Links between Poland and Italy in the Middle Ages and the Renaissance (1999) this article examines the influence of Rome - in its role as the Holy See and a centre of learning and the arts - on Poland’s culture in the 15th and 16th century as well as on the activities of Polish churchmen, scholars and writers who came to the Eternal City. The aim of the article is to trace the role of the emerging Humanist themes and attitudes on the shape of the cultural exchange in question. It appears that the Roman connection was a major factor in the history of Polish Humanism - its inner development, its transformations, and the ideological and artistic choices made by the successive generations of the Polish elite. In the 15th century the Roman inspirations helped to initiate the Humanist impulse in Poland, while in the 16th century they stimulated greater diversity and a search for one’s own way of development. In the post-Tridentine epoch they became a potent element of the Poland’s new cultural formation. Against the background of these generalizations, the article presents the cultural profiles of four poets, Mikołaj of Hussów, Klemens Janicjusz, Jan Kochanowski, and Mikołaj Sęp Szarzyński. They symbolize the four phases of the Polish Humanist tradition, which draw their distinctive identities from looking up to the Roman model

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Klecker, Elisabeth. « Italicis oris Germana in regna tulisti / Castalides ». Specimina Nova Pars Prima Sectio Medaevalis 6 (12 mai 2022) : 143–62. http://dx.doi.org/10.15170/spmnnv.2011.06.09.

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Italicis oris Germana in regna tulisti / Castalides. The reception of humanist poetry at Vienna university in the early 16th century. In 1512 Adrian Wolfhard (1491 – 1545), a Transylvanian Saxon graduated magister in 1511, published a lengthy hexametric poem (Panegyris, Viennae: Singrenius – Vietor) in praise of Emperor Maximilian I. The eulogy of the emperor concentrates on his humanist learning and promotion of humanist studies. Echoing Conrad Celtis’ famous ode, Wolfhard praises Maximilian for having introduced Apollo and the Muses into his German speaking territories. Apart from its emphasis on humanist studies, the Panegyris assembles stock items of encomiastic poetry, it lacks concreteness and betrays the author’s unfamiliarity with Maximilian’s actual political objectives. On closer inspection, its patchwork character results from a deliberate interweaving of imitations: Wolfhard heavily relies on the first epic poem dedicated to Maximilian and his father Emperor Frederick III (Helius Quinctius Aemilianus Cimbriacus, Encomiastica, Strassburg 1512), he furthermore alludes to a congratulatory address on the occasion of Maximilian’s election to the throne of the Holy Roman Empire (Ermolao Barbaro, Oratio ad Federicum Imperatorem et Maximilianum Regem Romanorum, principes invictissimos) and possibly to Janus Pannonius, Ad imperatorem Caesarem Fridericum Tertium pro pacanda Italia. Despite the clumsiness of some of Wolfhard’s adaptations, the idea behind them is not devoid of originality: By taking over slightly modified key passages from humanist predecessors Wolfhard evidently wished to put into practice the concept of a translatio studii; the textual transpositions were meant to be recognized by a University audience and should serve to illustrate the successful transfer of humanism from Italy to Vienna.

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Combes, Liz. « 16th- and 17th-Century Italy ». Musical Times 136, n^o 1826 (avril 1995) : 194. http://dx.doi.org/10.2307/1004173.

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Platt, John. « University of Oxford, 12th July 1987 ». Moreana 41 (Number 157-, n^o 1-2 (juin 2004) : 119–26. http://dx.doi.org/10.3366/more.2004.41.1-2.13.

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Dr Platt begins by examining the reformist credentials of More that he shared with other humanists, particularly Colet and Erasmus. The humanist desire to draw from the fountain-source is explored and the need for Greek scholarship is identified as a key factor in scriptural interpretation. Finally, Dr. Platt investigates the dilemmas the humanists faced as the Protestant Reformation began to emerge in early 16th century Europe.

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Thomson, Leighton. « Vicar of Chelsea Old Church, 1950-1992, July 9th, 1995 ». Moreana 41 (Number 157-, n^o 1-2 (juin 2004) : 8–22. http://dx.doi.org/10.3366/more.2004.41.1-2.4.

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In this paper, Leighton Thomson provides the reader with an overview of early 16th century English history and he explores the achievements and reversals of the period in terms of the epoch of discovery, the Renaissance humanists and the first stirrings of the Reformation. A contrast is drawn between Thomas More and his contemporary reformers, particularly William Tyndale and Martin Luther.

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Thèses sur le sujet "Humanists – Italy – 16th century"

Maglaque, Erin. « Venetian humanism in the Mediterranean world : writing empire from the margins ». Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:4d671b0d-6917-4a1f-bcfb-2045128a11e0.

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My dissertation examines the cultural history of the Renaissance Venetian maritime empire. In this project I bring into conversation two historiographical subfields, the intellectual history of Venetian Renaissance humanism and the colonial history of the early modern Mediterranean, which have previously developed separately. In doing so, I examine the relationship between power and knowledge as it unfolded in the early modern Mediterranean. The ways in which Venetian Renaissance intellectual culture was shaped by its imperial engagements - and, conversely, how Venetian approaches to governance were inflected by humanist practices - are the central axes of my dissertation. In the first part of the dissertation, I examine the ways in which writing and textual collecting were used by elite Venetian readers to represent the geopolitical dimensions of their empire. I consider a group of manuscripts and printed books which contain technical, navigational, and cartographic writing and images about Venetian mercantile and imperial activity in the Mediterranean. In the second part, I undertake two case-studies of Venetian patrician governors who were trained in the humanist schools of Venice, before being posted to colonial offices in Dalmatia and the Aegean, respectively. I examine how their education in Venice as humanists influenced their experience and practice of governance in the stato da mar. Their personal texts offer an alternative intellectual history of empire, one which demonstrates the formation of political thought amongst the men actually practicing and experiencing imperial governance. Overall, I aim to build a picture of the ways in which literary culture, the physical world of the stato da mar, and political thought came to be entwined in the Venetian Renaissance; and then to describe how these dense relationships worked for the Venetian administrators who experienced them in the Mediterranean.

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True, Thomas-Leo Richard. « Power and place : the Marchigian Cardinals of Sixtus V ». Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648270.

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Davies, Martin Charles. « Friends and enemies of Poggio : studies in Quattrocento humanist literature ». Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:d9b0db71-a5ec-426f-8ddf-ba7d05a15ab7.

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The last chapter does not directly concern Poggio, but publishes letters between two of his most bitter enemies, Niccolo Perotti and Lorenzo Valla. They date from the period of the protracted polemics exchanged between them and him (1451-54). An effort is made to characterise the scribe of these letters, and to place him in the context of humanist education. New information on Valla and Perotti is also integrated into their biographies.

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Pesuit, Margaret. « Representations of the courtesan in sixteenth-century Venice : sex, class, and power ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ37227.pdf.

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Norris, R. Mae. « Beyond the battlefield : Venice's Condottieri families and artistic patronage : the Colleoni of Bergamo, Martinengo di Padernello of Brescia and the Savorgnan del Monte of Udine (1450-1600) ». Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708397.

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Hammond, Joseph. « Art, devotion and patronage at Santa Maria dei Carmini, Venice : with special reference to the 16th-Century altarpieces ». Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3047.

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This study is an art history of Santa Maria dei Carmini, Venice, from its foundation in c. 1286 to the present day, with a special focus on the late Renaissance period (c. 1500-1560). It explores a relatively overlooked corner of Renaissance Venice and provides an opportunity to study the Carmelite Order's relationship to art. It seeks to answer outstanding questions of attribution, dating, patronage, architectural arrangements and locations of works of art in the church. Additionally it has attempted to have a diverse approach to problems of interpretation and has examined the visual imagery's relationship to the Carmelite liturgy, religious function and later interpretations of art works. Santa Maria dei Carmini was amongst the largest basilicas in Venice when it was completed and the Carmelites were a major international order with a strong literary tradition. Their church in Venice contained a wealth of art works produced by one of the most restlessly inventive generations in the Western European tradition. Chapter 1 outlines a history of the Carmelites, their hagiography and devotions, which inform much of the discussion in later chapters. The second Chapter discusses the early history of the Carmelite church in Venice, establishing when it was founded, and examining the decorative aspects before 1500. It demonstrates how the tramezzo and choir-stalls compartmentalised the nave and how these different spaces within the church were used. Chapter 3 studies two commissions for the decoration of the tramezzo, that span the central period of this thesis, c. 1500-1560. There it is shown that subjects relevant to the Carmelite Order, and the expected public on different sides of the tramezzo were chosen and reinterpreted over time as devotions changed. Cima da Conegliano's Adoration of the Shepherds (c. 1511) is discussed in Chapter 4, where the dedication of the altar is definitively proven and the respective liturgy is expanded upon. The tradition of votive images is shown to have influenced Cima's representation of the donor. In Chapter 5 Cima's altarpiece for the Scuola di Sant'Alberto's altar is shown to have been replaced because of the increasing ambiguity over the identification of the titulus after the introduction of new Carmelite saints at the beginning of the century. Its compositional relationship to the vesperbild tradition is also examined and shown to assist the faithful in important aspects of religious faith. The sixth chapter examines the composition of Lorenzo Lotto's St Nicholas in Glory (1527-29) and how it dramatises the relationship between the devoted, the interceding saints and heaven. It further hypothesises that the inclusion of St Lucy is a corroboration of the roles performed by St Nicholas and related to the confraternity's annual celebrations in December. The authorship, date and iconography of Tintoretto's Presentation of Christ (c. 1545) is analysed in Chapter 7, which also demonstrates how the altarpiece responds to the particular liturgical circumstances on the feast of Candlemas. The final chapter discusses the church as a whole, providing the first narrative of the movement of altars and development of the decorative schemes. The Conclusion highlights the important themes that have developed from this study and provides a verdict on the role of ‘Carmelite art' in the Venice Carmini.

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Luscombe, Desley School of History UNSW. « Inscribing the architect :the depiction of the attributes of the architect in frontispieces to sixteenth century Italian architectural treatises ». Awarded by:University of New South Wales. School of History, 2004. http://handle.unsw.edu.au/1959.4/31896.

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This study investigates the changing understanding of the role of the ???architect??? in Italy during the sixteenth century by examining frontispieces to published architectural treatises. From analysis of these illustrations four attributes emerge as important to new societal understandings of the role of ???architect.??? The first attribute is the desire to delineate the boundaries of knowledge for architecture as a discipline, relevant to sixteenth-century society. The second is the depiction of the ???architect,??? as an intellectual engaged in the resolution of practical, political, economic and philosophical considerations of his practice. The third represents the ???architect??? having a specific domain of activity in the design of civic spaces of magnificence not only for patrons but also for the city per se. The fourth represents the ???architect??? and society as perceiving a commonality of an architectural role beyond the boundary of individual locations and patrons. Five treatises meet the criteria set for this study: Sebastiano Serlio???s Regole generali di architetura sopra le Cinque maniere de gli edifici cio??, Toscano, Dorico, Ionico, Corinthio, et Composito, con gli essempi dell???antiquita, che, per la magior parte concordano con la dottrina di Vitruvio, 1537, his, Il Terzo libro nel qual si figurano, e descrivono le antichita di Roma, 1540, Cosimo Bartoli???s translation of Alberti???s De re aedificatoria titled L???architettura di Leonbattista Alberti, tradotta in lingua fiorentina da Cossimo Bartoli, Gentilhuomo, & Academico Fiorentino, 1550; Daniele Barbaro???s translation and commentary on Vitruvius??? De???architetura titled, I dieci libri dell???architettura di M. Vitruvio tradutti et commentati da monsignor Barbaro eletto Patriarca d???Aquileggia, 1556; and Andrea Palladio???s I quattro libri dell???architettura, 1570. A second aim for the study was to review the usefulness of frontispieces as an historical archive. It was found that frontispieces visually structure important ideas by providing a narrative with meaning as an integral part of the illustration. In this narrative frontispiece illustrations prioritise concepts found in the accompanying text and impose a hierarchical structure of importance for fundamental ideas.

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Stone, Villani Nicolas. « The dissolution of constitutions : Aristotle in Italian political thought from Niccolò Machiavelli to Giovanni Botero ». Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:600663d5-b566-46c0-8a7a-418fca1d635b.

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This thesis studies the reception of Aristotle's political thought in sixteenth-century Italy. It focuses on Aristotle's discussion of the dissolution of constitutions in Book 5 of the Politics and aims to show how Aristotle's political thought remained central to late Renaissance political discourse. No comprehensive study of the topic exists. Modern historiography on Renaissance political thought generally downplays the importance of Aristotle in the history of sixteenth-century Italian political thought and emphasises the Roman tradition over the Greek. This research aims to fill the gap in modern scholarship and revise modern interpretation of Renaissance political theory. This thesis is essentially divided into three parts, each part containing two chapters. Part I is largely introductory. Chapter 1 offers a historiographical review of modern scholarship on the reception of Aristotle in the Renaissance and early-modern political thought. Chapter 2 explores the revival of Greek studies in the fifteenth century and the changing perception of Aristotle's Politics in the Renaissance. Part II focuses on Aristotle and Machiavelli. Chapter 3 examines the similarities between Aristotle's analysis of the means of preserving tyranny and Machiavelli's discussion of how to mantenere lo stato in The Prince. Chapter 4 explores the effects that these similarities between Aristotle and Machiavelli had on the reception of Aristotle in Renaissance political thought. Part III centres on Aristotle in the republican and vernacular traditions. Chapter 5 explains the importance of Aristotle's discussion of the dissolution of constitutions to Renaissance republican political thought. Chapter 6 underlines the continuous relevance of Aristotle's Politics in the second half of the sixteenth century. The conclusion sums up the central argument of each chapter and invites us to explore the influence of Aristotle on reason of state literature.

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SANCHEZ, CAMACHO Alberto. « 'Up and down' : Genoese financiers and their relational capital in the early reign of Philip II ». Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/69995.

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Defence date: 26 January 2021
Examining board: Professor Regina Grafe (European University Institute); Professor Luca Molà (University of Warwick); Professor Carmen Sanz Ayán (Universidad Complutense de Madrid); Professor Manuel Herrero Sánchez (Universidad Pablo de Olavide)
This doctoral thesis analyses the process of state construction in the early modern period from a joint perspective that amalgamates the agencies of state officials, lending communities, and local elites in the Hispanic Monarchy during the four initial years of Philip II’s reign. The project examines the convergence of private agendas inside and outside the royal administration, which were channelled by the Genoese lending community to overcome the consolidation of royal short-term debt in 1557 and its consequences. The application of an institutional approach, based on the works of Avner Greif, to the analysis of the social organisations that prevented a failure of coordination in the Hispanic Monarchy offers a fresh perspective on a topic normally assessed under predatory models. The specific study of two Genoese lenders who contributed to the establishment of a more viable and efficient financial system in the monarchy, Costantin Gentil and Nicolao de Grimaldo, provides details about how interregional transactions and local economies contributed to the consolidation of the early modern state.

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O'Regan, Thomas Noel. « Sacred polychoral music in Rome, 1575-1621 ». Thesis, University of Oxford, 1988. http://ora.ox.ac.uk/objects/uuid:daa9a67e-cf31-4a1b-8d74-4b814acb6957.

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The object of this thesis is to lay open a repertory of music which has long been ignored, the music for two and more choirs composed by Roman composers of the generation of Palestrina and his immediate successors. Polychoral music is taken to mean music in which two or more independent and consistent groups of voices take part, singing separately and together; the parts should remain independent in tuttl sections, with the possible exception of the bass parts. By this definition, the first real polychoral music to be published in Rome was that by Giovanni P. da Palestrina in his Motettorum liber secundus of 1575. This is taken as the starting point for this study. Music which might have influenced Roman composers is examined, as well as eight-voice music by Roman composers which is not polychoral according to the above criteria. The development of polychoral music in the city is then traced through the reigns of the various popes from Gregory XIII to Paul V, whose death in 1621 is taken as a convenient place to end the study. Particular emphasis is laid on structural and textural aspects and the way these were adapted by successive composers. The ground for the Roman concerts to style was laid in the early experiments by composers such as Giovanni Animuccia, Palestrina and Tomas Luis de Victoria; this is traced through what is termed the 'fragmented' style of the last two decades of the sixteenth century to the full flowering of the large-scale concerts to motet after 1605. The music is studied in the context of the institutions for which it was written. The archives of these Institutions have been researched for information on performance practice, which is presented here. The broader cultural, social and religious background which spawned the idiom is also examined and polychoral music related both to the new propagandist attitude of church leaders from Gregory XIII onwards, and to a general expansion in musical activity in the city of Rome through the period under investigation. The various printed and manuscript sources for this music have been researched and the resulting catalogue of pieces by fifty or so composers who worked in the city is presented. A more detailed examination is carried out of the primary manuscript sources, from which valuable information on various aspects of the music can be obtained.

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Livres sur le sujet "Humanists – Italy – 16th century"

Humanism in Italian Renaissance musical thought. New Haven : Yale University Press, 1985.

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Mina, Gregory, et Istituto Bancario San Paolo di Torino., dir. Mural painting in Italy : The 16th century. [Turin] : Gruppo Sanpaolo, 1997.

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Haasse, Hella S. The scarlet city : A novel of 16th-century Italy. Chicago, Ill : Academy Chicago Publishers, 1990.

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Italian architecture of the 16th century. New York, NY : Princeton Architectural Press, 2003.

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Rabbi Judah Moscato and the Jewish intellectual world of Mantua in 16th-17th century. Leiden : Brill, 2012.

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Humanist taste and Franciscan values : Cornelio Musso and Catholic preaching in sixteenth-century Italy. New York : P. Lang, 1998.

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Music and culture in late Renaissance Italy. Oxford : Oxford University Press, 2002.

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Eamon, William. The professor of secrets : Mystery, medicine, and alchemy in Renaissance Italy. Washington, D.C : National Geographic, 2010.

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1959-, Welch Evelyn S., dir. Making and marketing medicine in Renaissance Florence. Amsterdam : Rodopi, 2011.

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Between several worlds : The life and writings of Elia Capsali : the historical works of a 16th-century Cretan rabbi. München : M. Meidenbauer, 2010.

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Chapitres de livres sur le sujet "Humanists – Italy – 16th century"

Balchin, Paul N. « The Ascendancy of Principalities in 16th-Century Italy ». Dans The Development of Cities in Northern and Central Italy, 253–69. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003271901-13.

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Traetta, L. « Giuseppe Ceredi. A Hydraulic Engineer in 16th-Century Italy ». Dans Explorations in the History and Heritage of Machines and Mechanisms, 17–27. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03538-9_2.

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Sosnowski, Roman. « Place deixis in the 16th century grammars of Italy ». Dans Studies in Language Companion Series, 253–72. Amsterdam : John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/slcs.136.14sos.

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Izzo, Herbert J. « Phonetics in 16th-Century Italy : Giorgio Bartoli and John David Rhys ». Dans The History of Linguistics in Italy, 121. Amsterdam : John Benjamins Publishing Company, 1986. http://dx.doi.org/10.1075/sihols.33.07izz.

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Balchin, Paul N. « Economic Growth and Urban Development in the 16th Century ». Dans The Development of Cities in Northern and Central Italy, 311–41. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003271901-15.

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Niculescu, G., R. Oanţă-Marghitu et M. Georgescu. « On the Gold Adornments from Apahida-Fifth Century AD, Transylvania, Romania ». Dans Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy, 617–22. Berlin, Heidelberg : Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_90.

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Pintér, F., J. Weber, B. Bajnóczi et M. Tóth. « Brick-Lime Mortars and Plasters of a Sixteenth Century Ottoman Bath from Budapest, Hungary ». Dans Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy, 293–98. Berlin, Heidelberg : Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_42.

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Eniosova, N., et R. Mitoyan. « Arabic Coins as a Silver Source for Slavonic and Scandinavian Jewellers in the Tenth Century AD ». Dans Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy, 579–84. Berlin, Heidelberg : Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_84.

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Reiche, I., C. Boust, J. J. Ezrati, S. Peschard, J. Tate, L. Troalen, B. Shah et al. « Non Invasive Study of Nineteenth Century Iranian Polychrome Underglaze Painted Tiles by Fibre Optic Visible Reflectance Spectroscopy ». Dans Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy, 145–51. Berlin, Heidelberg : Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_21.

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Kouloumpi, E., G. Lawson et V. Pavlidis. « Integrated Research on Sixteenth to Early Nineteenth Century Panel Paintings : Chromatographic and Spectroscopic Characterisation of Paint Layers ». Dans Proceedings of the 37th International Symposium on Archaeometry, 13th - 16th May 2008, Siena, Italy, 233–38. Berlin, Heidelberg : Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-14678-7_33.

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Actes de conférences sur le sujet "Humanists – Italy – 16th century"

Fratini, Fabio, Silvia Rescic, Mara Camaiti et Manuela Mattone. « Traditional buildings for tobacco processing in Val Tiberina (Tuscany-Italy) ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.14373.

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This paper focuses on the analysis of buildings used for tobacco processing, built in the first half of the 20th century in Tuscany (province of Arezzo), by studying construction techniques, materials, and preservation issues. Since the 16th century, in Tuscany, the sites involved in the cultivation of tobacco are both the upper Val Tiberina and Val di Chiana (in particular Arezzo and Siena areas). At first, tobacco was used either for medical purposes or as snuff and pipe powder. It soon became the most renowned cultivation throughout the Tiberina Valley, due to the excellent quality of the tobacco produced. The first significant crops date back to the early 17thcentury. The drying process took place in specific buildings named "tabaccaie", where tobacco leaves were placed over an oak wood fire to dry. This process was adopted until the 1970s. Subsequently, a profound crisis in the agricultural sector determined the falling into disuse and abandonment of numerous "tabaccaie". In some cases, these buildings have been reused as luxury hotels for tourism purposes, but many of them have been demolished or are in a state of ruin. They represent the testimony of agro-industrial vernacular architectures nowadays at great risk. Indeed, most of the recovery interventions have often completely obliterated the original structure to make the former “tabaccaie” able to satisfy housing and comfort requirements. The study aims to deepen the knowledge of these buildings to preserve cultural identities and transfer inherited values.

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Stanga, Chiara. « CRITERIA AND TOOLS TO CATALOGUE BRICK-MASONRY VAULTS. THE GIS-DATABASE OF FRAME, A FASCE AND PLANTERIAN VAULTS BETWEEN THE 16TH AND 18TH CENTURY IN NORTHERN ITALY ». Dans ARQUEOLÓGICA 2.0 - 9th International Congress & 3rd GEORES - GEOmatics and pREServation. Editorial Universitat Politécnica de Valéncia : Editorial Universitat Politécnica de Valéncia, 2021. http://dx.doi.org/10.4995/arqueologica9.2021.12084.

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The paper describes a proposal for criteria and tools to catalogue brick-masonry vaulted systems in Northern Italy between the 16th and 18thcenturies. Along with the standard geometric typologies, three novel parameters (maîtresses voûtes, voûte sur le plan d'une autre voûte, constructive features) are proposed to include the constructive features in the vault taxonomy. The novel parameters help catalogue three vaulting types that can be considered the metamorphosis of cloister vaults: frame, a fasce, and planterian vaults. The database was realized in MS Access and then imported into QGIS 3.10. Database and GIS have been operative tools to form hypotheses on vault disseminations, highlighting the recurrences and specificities across time and space of some peculiar construction techniques. The database collects the acquired information on each vault (building type, geolocation, building date, vaulting type, vault dimensions and description and, whenever possible, photogrammetric survey, 3D modelling, and thermographic survey). In the future, the database should be published online, making the data available and building a broader dataset to share the information.

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Dolinšek, Eva. « Monteverdi and Seconda Pratica : Music Should be at the Ser-vice of the Word ». Dans Socratic Lectures 7. University of Lubljana Press, 2022. http://dx.doi.org/10.55295/psl.2022.d21.

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This article provides insight into the music of the late Renaissance and early Baroque in Italy. Com-poser Claudio Monteverdi was one of the most important figures in the music of the early Italian Baroque. We consider the events that led to the creation of the new early Baroque style – Seconda pratica - (second practice) and describe the significant changes in vocal music that took place with the aim to depart from strict counterpoint at the turn of the 16th century. Keywords: Claudio Monteverdi; Seconda pratica; Venetian school; Madrigalisms; Ornamentation

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Petrović, Dragana. « TRANSPLANTACIJA ORGANA ». Dans XVII majsko savetovanje. Pravni fakultet Univerziteta u Kragujevcu, 2021. http://dx.doi.org/10.46793/uvp21.587p.

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Even the mere mention of "transplantation of human body parts" is reason enough to deal with this topic for who knows how many times. Quite simply, we need to discuss the topics discussed from time to time !? Let's get down to explaining some of the "hot" life issues that arise in connection with them. To, perhaps, determine ourselves in a different way according to the existing solutions ... to understand what a strong dynamic has gripped the world we live in, colored our attitudes with a different color, influenced our thoughts about life, its values, altruism, selflessness, charities. the desire to give up something special without thinking that we will get something in return. Transplantation of human organs and tissues for therapeutic purposes has been practiced since the middle of the last century. She started (of course, in a very primitive way) even in ancient India (even today one method of transplantation is called the "Indian method"), over the 16th century (1551). when the first free transplantation of a part of the nose was performed in Italy, in order to develop it into an irreplaceable medical procedure in order to save and prolong human life. Thousands of pages of professional literature, notes, polemical discussions, atypical medical articles, notes on the margins of read journals or books from philosophy, sociology, criminal literature ... about events of this kind, the representatives of the church also took their position. Understanding our view on this complex and very complicated issue requires that more attention be paid to certain solutions on the international scene, especially where there are certain permeations (some agreement but also differences). It's always good to hear a second opinion, because it puts you to think. That is why, in the considerations that follow, we have tried (somewhat more broadly) to answer some of the many and varied questions in which these touch, but often diverge, both from the point of view of the right regulations and from the point of view of medical and judicial practice. times from the perspective of some EU member states (Germany, Poland, presenting the position of the Catholic Church) on the one hand, and in the perspective of other moral, spiritual, cultural and other values - India and Iraq, on the other.

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