Littérature scientifique sur le sujet « Humanistic poetry »
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Articles de revues sur le sujet "Humanistic poetry"
Codrescu, Andrei, Radu Vancu et Laurent Milesi. « On 21st-Century Poetry and Poetics ». Word and Text - A Journal of Literary Studies and Linguistics 12 (2022) (30 décembre 2022) : 145–50. http://dx.doi.org/10.51865/jlsl.2022.10.
Texte intégralAlieva, Fatima Abdulovna, Fatyma Khamzaevna Mukhamedova et Aigul' Muratovna Bekeeva. « Artistic system of the children’s poetic folklore of Dagestan ». Litera, no 11 (novembre 2020) : 42–56. http://dx.doi.org/10.25136/2409-8698.2020.11.34158.
Texte intégralZhang, Jing. « Humanistic Solicitude in Robert Frost’s Out,Out ». Learning & ; Education 10, no 7 (7 juin 2022) : 243. http://dx.doi.org/10.18282/l-e.v10i7.3032.
Texte intégralAkamov, Abusup'yan Tatarkhanovich, et Aigul' Muratovna Bekeeva. « The peculiarities of poetic language of Abdurrahman of Kakashura ». SENTENTIA. European Journal of Humanities and Social Sciences, no 4 (avril 2021) : 43–50. http://dx.doi.org/10.25136/1339-3057.2021.4.36468.
Texte intégralDr. Budhanath Pratihast. « A.K. Ramanujan’s Select Poems : A Humanistic Approach ». Creative Launcher 5, no 2 (30 juin 2020) : 48–53. http://dx.doi.org/10.53032/tcl.2020.5.2.05.
Texte intégralSemenist, Ivan. « “Misty Poetry” as a reflection of the nature of Chinese literature of the “New Period” (second half of the 20th century) ». Synopsis : Text Context Media 26, no 4 (2020) : 145–50. http://dx.doi.org/10.28925/2311-259x.2020.4.5.
Texte intégralSoule, Janis Rodgers. « 2013 Society for Humanistic Anthropology Poetry AwardsFirst Place ». Anthropology and Humanism 39, no 1 (juin 2014) : 93. http://dx.doi.org/10.1111/anhu.12040.
Texte intégralAYAZ, JINDWADA AYAZ, et Ramzan Tahir. « U-2 YOUSUF HASSAN KI GHAZAL MEIN TABQATI AUR SMAJI SHAOOR ». Al-Aijaz Research Journal of Islamic Studies & ; Humanities 5, no 3 (7 août 2021) : 14–24. http://dx.doi.org/10.53575/u2.v5.03.14-24.
Texte intégralAYAZ, JINDWADA AYAZ. « YOUSUF HASSAN KI GHAZAL MEIN TABQATI AUR SMAJI SHAOOR ». Al-Aijaz Research Journal of Islamic Studies & ; Humanities 5, no 3 (7 août 2021) : 14–24. http://dx.doi.org/10.53575/arjish.005.03.0335.
Texte intégralKaraali, Gizem. « Can zombies write mathematical poetry ? Mathematical poetry as a model for humanistic mathematics ». Journal of Mathematics and the Arts 8, no 1-2 (26 juin 2014) : 38–45. http://dx.doi.org/10.1080/17513472.2014.926685.
Texte intégralThèses sur le sujet "Humanistic poetry"
Santos, Alessandro Barnabé Ferreira. « Jorge de Sena e a Peregrinação Infecta : das paisagens poéticas que se (não) dão a ver ». Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-30012018-190912/.
Texte intégralJorge de Sena figures as a poetic personality of difficult framing in the poetic scene production from the 40\'s to 60\'s in Portugal. He was not a presentialist or neorealist poet, nor surrealist or even adhering faithfully to Fernando Pessoas own poetics. This Portuguese poet forges a poetics of his own from the idea of testimony and metamorphosis which stands as the poetical result of the aesthetic and ethical act of his poetry, that occurring through a symbiosis between the empirical subject and the poetic subject. This thesis investigates the figurations or not of poetic landscapes related to his destinations of exile: Portugal, Brazil, and United States of America. Therefore, what can be seen or what is hidden from these places and in these spaces of his infected pilgrimage, in his Peregrinatio ad Loca Infecta (1969), an infectious diary turned into an aesthetic object in the ethical configuration of his circumstantial testimony. To do that so, this investigation is supported on geographic studies from a humanistic and cultural orientation, and also upon the studies concerning to the relation between poetry and landscape promoted by the French schollar Michel Collot.
Thiemann, Susanne. « Vom Glück der Gelehrsamkeit : Luisa Sigea, Humanistin im 16. Jahrhundert / ». Göttingen : Wallstein, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2746414&prov=M&dok_var=1&dok_ext=htm.
Texte intégralLima, Ricardo da Cunha. « A presença clássica na poesia neolatina do humanista português Antônio de Gouveia ». Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-06122007-113357/.
Texte intégralThis thesis deals with the Neo-Latin poetic work published by Antônio de Gouveia, Portuguese humanist, in Lyon, France, in the years 1539 and 1540, consisting of two hundred epigrams and four love letters in verse. The thesis includes the comparative edition of the Latin text, with critical apparatus, and the translation of it into Portuguese, with notes and comments. It also includes a poetic analysis, in order to examine the stylistic procedures of the composition of the work, and to verify the influence of classical literature on this Renaissance text. The existence of two different editions of the epigrammatic poetry permitted the examination and interpretation of some changes made by the Portuguese poet. The thesis also has a chapter about the life of Antônio de Gouveia, focusing his humanistic education and his movement in the artistic and academic circles of European Renaissance.
Wu, Chunfeng. « François Cheng dans son temps : pour une création humaniste ». Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20132.
Texte intégralThis study consists in showing François Cheng’s double dimension of time. Assuming that he is a man of dialogue, we can only remark his particular situation in his time. Indeed, he is a both contemporary of the revolutionary cause of humanism and the literary and of voices like Yves Bonnefoy or Philippe Jaccottet. Thus we propose in the first part a parallel study between the poetic work of François Cheng and the diverse voices of the French poetry of the second half of twentieth century. To better understand Cheng’s place in that time and show the comparison with his contemporaries, we try to trace the major changes regarding distrust of images, a redefinition of the subject and a revival of the concept of humanism. The second part focuses on the detailed analysis in Cheng’s poetry work to better understand a poetry of elemental who desire to renew the relationship with the world. The third part of our research seek to clarify his own time based on the Empty and the Change. With this conviction, the poet sees his creation as an unachievable Work. Through the analysis of traditional themes in Western poetry such as night, love, the sound and rhythm, our study is to interpret the vitality of a writing process who breaks with conventional and opens the speech to the dynamism
Evans-Cockle, Matthew. « Humanist method and the prophetic office of English poetry in the works of Edmund Spenser and John Milton ». Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/60298.
Texte intégralArts, Faculty of
English, Department of
Graduate
Junior, Delphim Rezende Porto. « Preceptivas humanistas e musicais na tratadística quinhentista : um estudo das representações retóricas do exercício musical no renascimento italiano ». Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-12072018-172351/.
Texte intégralThe humanistic debate of artistic practices in the Italian Renaissance, especially in the sixteenth century, fostered one of the most complex and fruitful textual elaborations of music treatises. The theoretical contextualization of that musical practice, as well as an investigation on the role of their professional and dilettante musicians, which are the goals of this research, aim at analytically contextualizing the epistemic formation of Renaissance musicians based on 16th century publications printed in Italian and Latin. An essential tool for understanding the treatises in question, Rhetoric is the appropriate tool for reading the \"text beyond the text,\" in addition to being common knowledge to those authors who showed a broad humanistic baggage in their publications, as well the expected technical mastering. By paragoning disciplines and skills fostered by the study of Italian musica prattica and the studia humanitatis among courtiers and musicians in Renaissance, we intend to bibliographically point out the high degree of importance of extrinsic knowledge to the pure action of players or singers, explaining the rhetorical, poetic, and scientific elements contained in those Italian musical editions. Since the very understanding of music and musicians is intricately diverse and broad in that context, it is fair to recover that horizon of meaning--concepts and ideas--through artistic and non-artistic musical documents that outline, beyond the philosophical sedes argumentorum, amendments and topics dealt with in those treatises. Literarily speaking, the humanistic musician, also referred to, at the time, as a perfetto musico, acts as a gentilhuomo who moves, discursively speaking, amongst the nobles and courtiers of his time, developing and broadening technical discourse in view of the decorum of his readers and for the sake of his craft. Therefore, it is appropriate to consider the practical disciplines of Renaissance musicians\' exercise as part of a complex network of knowledge that highlights the poetic speech, recovering preceptives and 16th-century reasoning behind that artistic exercise.
Jeridi, Sihem. « Les enjeux humanistes du dialogue entre poésie et peinture dans Les écrits sur l'art de Francis Ponge ». Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100064.
Texte intégralFrancis Ponge undertook a dialogue with the painting to question the foundations of such interference such as it shows itself in the Parisian frame of the 20th century. This relationship conceived by the poet as an alliance participates of the institution of a humanist philosophy which cries out its attachment in the reality as the major principle of the artistic and poetic creation. The thematic and technical unity which governs texts relaying on systematic links which concern several aspects: parallelism of the practices, the convergence of the visions of the art, the uniqueness of the definition of artist... Ponge prepares the ground for a new turning point in its work which is the dialogue between the writing and the paint a thought which settled down definitively in the pages of The Workshop although it displayed throughout its texts in particular the first ones. Of a reflection which is outlined between the lines under the shape of a spun metaphor, the thought on the art dresses a major status in the poetics of Ponge
Garnier, Sylvain. « Érato et Melpomène ou les sœurs ennemies : langage poétique et poétique dramatique dans le théâtre français de Jodelle à Scarron (1553-1653) ». Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040148.
Texte intégralPoetical expression seems to be an inherent aspect of classical theatre. However, plays written in the second half of the seventeenth century, particularly the tragedies, were conceived to adhere to regular standards of form which tended towards the removal of poetic expression from theatre and which largely succeeded in doing so. To summarise this process, it is necessary to recount the history of poetic expression in plays from the advent of humanist tragedy in the mid-sixteenth century to the establishment of what would be later called « classicism ». It can then be demonstrated that lyrical elocution shifted over time from tragedy to comedy, following the same evolution as lyrical poetry which evolved from the noble style of the Pleiade all the way to Scarron’s burlesque expression, through the simplicity of Malherbe’s expression, the ingenuity of marinism, or the preciosity of the gallant style. Poetical expression thus progressively shifted from the choirs and pathetic discourses of the humanist tragedy, towards the sighs, songs, and conceits of the lovers of tragi-comedy and pastorales, before being parodied in the ridiculous manner of speech of the characters in burlesque comedy. Simultaneously, theorists of regularity theorised the fundamental opposition between poetic and dramatic language, thus making the development of a regular poetical tragedy nearly impossible
Guillaume, Catherine. « Devenir lecteur des référents culturels dans l'œuvre du poète européen Guillermo Carnero ». Thesis, Orléans, 2018. http://www.theses.fr/2018ORLE1161.
Texte intégralThe European poet Guillermo Carnero, known as 'novísimo', published his first poems in late Franco's Spain in the 1970s and became known to the general public with his flagship work Dibujode la muerte. Author of eleven books, he continues the development of his spiral work until the latest collection, Carta florentina, published in 2018, while conducting an academic career as a professor of literature at the University of Alicante. Suffering from a reception often frozen by the imposed reception figures of literary historiography, the significance of this work, reputed difficult, was only too rarely highlighted despite the publication of European essays. The poet, reader and cosmopolitan scholar inlove with the arts and cultures, expresses in his poetry an intimate relationship with the world through a dialogical relationship with the cultural referent, which occupies a central place there as a founding axis around which are articulated the expression of poetic emotion and reflection on creation. The hybridity that constitutes the weaving of the elusive order of this poetic work induces in the reader a committed reception and a roaming within the author's own cultural universes. Thus the humanist mediation between the poet and his reader is implemented thanks to the influence of the cultural referentmobilized to express the intimacy of a painful relationship with the world. This humanistic mediation, a factor of self-knowledge, is conducted here without any search for intertextuality but leaves room for the writing of emotion at work, captured in the instantaneity of the ambivalences of an elusive poematic voice
Kern, Matthias. « "L'amour du peuple" : esthétique populiste et imaginaire du populaire dans la culture française de l'entre-deux-guerres ». Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0152.
Texte intégralThe cultural production of the interwar period in France is noted for its renewed interest in the representation of social issues which shake the everyday life of the French population : work and urban misery become the main subjects in literature, photography and cinema, especially in the period between 1928 and 1939. In view of the financial crisis, labour strikes and the rise of the Front Populaire, the artistic field reacts with a renovation of realist representation styles, which should lead to a questioning of the nature of ‘people’, of the underlying social connections in the masses and of the place of popular traditions in a modernized way of life. In the ambit of literature, a short-lived movement of novel writers dominates the discussions from 1929 onwards: the populist novel, a movement founded in a manifesto written by Léon Lemonnier. This movement becomes quickly the backround for a further discussion about the needs for a renewed literary realism or naturalism. Simultaneously, the group for proletarian literature, founded by Henry Poulaille, follows the same aesthetics and claims to be the real representants of the working people by giving workers the occasion to publish. Both groups, as well as many other authors close to the literary populism, try to renew the novel by describing the ‘people’ and their living conditions. In this context, the notion ‘people’ is opposed to the bourgeoisie and its ‘psychologic’ or ‘snobby’ writing style. Thus, resorting to the term ‘people’ means first and foremost that the creator subscribes to an anti-bourgeois aesthetics, but also to an anti-modernist mindset – which distinguishes populism from the French avantgardes. It means furthermore that the creator strengthens a conception of everyday life marked by poverty which should correspond to the experiences of a majority of the French population. This thesis tries to bring out the elements of such an imagination of the ‘people’ on the basis of the artistic criticism and of the analysis of several novels written by authors who are more or less associated to the populist novel movement: Pierre Mac Orlan, Eugène Dabit, André Thérive, Marcel Aymé and Henry Poulaille. The thesis goes then on to highlight the survival of aesthetic elements of populism in the cinema of poetic realism and in French documentary photography which marks the beginning of humanist photography. By doing so, the thesis represents a sociocritical contribution to the history of ideas of the French interwar period and indicates the ideological traps of aesteticization of terms like ‘little people’ or ‘people’ in general
Livres sur le sujet "Humanistic poetry"
A key to the treasure of the Hakīm : Artistic and humanistic aspects of Nizāmī Ganjavī's Khamsa. Leiden : Leiden University Press, 2011.
Trouver le texte intégralA Ciceronian sunburn : A Tudor dialogue on humanistic rhetoric and civic poetics. Columbia : University of South Carolina, 2006.
Trouver le texte intégralAttallah, Fahmy. Beauty of being : Psychological tips for holistic wellness of the person as a whole--mind, body, spirit, and soul. Orange, Calif : Chapman University Press, 1999.
Trouver le texte intégralMichael, Rothberg, et Garrett Peter K, dir. Cary Nelson and the struggle for the university : Poetry, politics, and the profession. Albany : State University of New York Press, 2009.
Trouver le texte intégralCassidy, Jacques. Man, the human feelings dimension : "poetry, music, and freedom" and other lectures : advanced considerations in aesthetics of the human feelings that inspired-- the great humanistic or religious poetry and song : a series of classroom lectures in the humanities from his greater work, Of man, the island and the continent. Baltimore, MD : Gateway Press, 1997.
Trouver le texte intégralBet, Cherrington, dir. Facing the world : Ananthology of poetry for humanists. London : Pemberton, 1989.
Trouver le texte intégralGaland-Hallyn, Perrine. Les yeux de l'éloquence : Poétiques humanistes de l'évidence. Orléans : Paradigme, 1995.
Trouver le texte intégralSesto, Prete, et Desgraves Louis, dir. Ausone, humaniste aquitain. Bordeaux : Société des bibliophiles de Guyenne, 1986.
Trouver le texte intégralFonnker créoloceltique : Exploration de la pensée humaniste métissée. Saint Paul, Ile de la Réunion : Editions JFR/Grand Ocean, 2005.
Trouver le texte intégral1487-1527, Vecerius Conrad ca, Vecerius Conrad ca 1487-1527, Vecerius Conrad ca 1487-1527, Loutsch Claude et Melchior Myriam, dir. Humanistica Luxemburgensia : La Bombarda de Barthélemy Latomus [et] les Opuscula de Conrad Vecerius. Bruxelles : Éditions Latomus, 2009.
Trouver le texte intégralChapitres de livres sur le sujet "Humanistic poetry"
Bogotch, Ira. « International Humanistic Challenges to Educational Leadership in Prose and Poetry ». Dans Educational Leaders Without Borders, 193–212. Cham : Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-12358-5_9.
Texte intégralSchulenberg, Ulf. « “The Humanistic State of Mind” ». Dans Pragmatism and Poetic Agency, 36–50. New York : Routledge, 2021. http://dx.doi.org/10.4324/9781003214205-4.
Texte intégralSchulenberg, Ulf. « “The Humanistic State of Mind” ». Dans Pragmatism and Poetic Agency, 36–50. New York : Routledge, 2021. http://dx.doi.org/10.4324/9781003214205-4.
Texte intégralOlson, Emelie, et Kurtuluş Öztopçu. « IMAGES OF WOMEN IN THE POETRY OF EARLY TURKISH MYSTICS AND THE STATUS OF WOMEN IN TURKISH SOCIETY ». Dans Humanist and Scholar, sous la direction de Heath W. Lowry et Donald Quataert, 1–14. Piscataway, NJ, USA : Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463230081-002.
Texte intégralDe Gregorio, Mario. « «Un arancio in gennaio». La Vita del beato Giovanni Colombini di Feo Belcari da racconto agiografico a testo di lingua ». Dans Le vestigia dei gesuati, 117–31. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-228-7.10.
Texte intégralPavlincová, Helena. « Dopisy Jana Patočky Robertu Konečnému ». Dans Filosofie jako životní cesta, 88–107. Brno : Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-5.
Texte intégralDeveson, Aaron. « “And No One Talks of National Rebirth” : Liberal Humanist Interventionism in the Post-Imperial Space of D.J. Enright’s Poetry ». Dans Geocriticism and Spatial Literary Studies, 185–208. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96494-8_9.
Texte intégralMarsh, David. « Poggio and Alberti Revisited ». Dans Atti, 89–102. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.08.
Texte intégralČale, Morana. « Mediazioni e contaminazioni del modello dantesco nelle Montagne di Petar Zoranić (1508-1569?) ». Dans Biblioteca di Studi di Filologia Moderna, 61–79. Florence : Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.04.
Texte intégralRamachandran, Ayesha. « Spenser ». Dans The Oxford History of Poetry in English, 456–76. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0026.
Texte intégralActes de conférences sur le sujet "Humanistic poetry"
Jaffari, Sayed Ibne Ali. « Historical Poetry For Humanistic Education ». Dans 9th ICEEPSY - International Conference on Education and Educational Psychology. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.01.79.
Texte intégralYu, Wenjing, et Changlin Wu. « Reading Classical Poetry and Humanistic Quality Education for College Students ». Dans Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Paris, France : Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.128.
Texte intégralNgo Thi Thanh, Quy, et Minh Nguyen Thi Hong. « Vietnamese Proverbs : Values Preserved in Modern Society ». Dans GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-4.
Texte intégralMarculescu, Corina. « INSPIRE, CONNECT, PERSUADE : MIX TECHNOLOGY AND ART IN TEACHING PRESENTATION SKILLS ». Dans eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-011.
Texte intégralМир-Багирзаде, Ф. А. « Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi ». Dans Современное социально-гуманитарное образование : векторы развития в год науки и технологий : материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.
Texte intégralCohen, Tzachi. « POETRY FOR THE DOCTORS A PHENOMENOLOGICAL DESCRIPTION OF A HUMANISTICS' BASED STUDYING PROCESS AS A NECESSARY AND BASIC STEP IN DEVELOPING AN ADVANCED PROFESSIONAL TRAINING PROGRAM ». Dans 16th International Technology, Education and Development Conference. IATED, 2022. http://dx.doi.org/10.21125/inted.2022.0414.
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