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Bibliographies thématiques / Horror tales, english – welsh authors

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Littérature scientifique sur le sujet « Horror tales, english – welsh authors »

Auteur : Grafiati

Publié le 26 juillet 2024

Mis à jour le 31 juillet 2025

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Articles de revues sur le sujet "Horror tales, english – welsh authors"

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Greenhill, Pauline, and Steven Kohm. "“Hansel and Gretel” Films: Crimes, Harms, and Children." Dzieciństwo. Literatura i Kultura 2, no. 1 (2020): 11–34. http://dx.doi.org/10.32798/dlk.350.

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    A brutal narrative of child abandonment, murder, and cannibalism may not seem the conventional stuff of fairy tales to those trained for a Disney-eyed view. Yet that is exactly what “Hansel and Gretel” offers. Film versions across genres, including drama, noir, horror, slasher, thriller, comedy, and adventure, deal seriously with crimes against and harms to children. Many practices and behaviours that endanger and damage people of various ages in all kinds of contexts, including environmental degradation, economic exploitation, and many forms of discrimination, are

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Maheswari, V. Uma. "Socio-cultural interface in shashi despande’s the binding vine." International journal of health sciences, August 17, 2022, 7352–55. http://dx.doi.org/10.53730/ijhs.v6ns6.11817.

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Women writers gave new dimension to Indian Literature. It took several years and numerous notable individuals to elevate Indian English writing to its current stature and reputation. Many women authors created songs, short tales, and plays long before novels became popular. They are regarded as stewards of India's rich fable and story-telling legacy. In their writings, they incorporate the recurring female experiences, which soon affected the Cultural and Language patterns of Indian Literature. Shashi Despande is among the sensitive thinkers who perceive the numerous elements of human experien

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Starrs, Bruno. "Writing Indigenous Vampires: Aboriginal Gothic or Aboriginal Fantastic?" M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.834.

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The usual postmodern suspicions about diligently deciphering authorial intent or stridently seeking fixed meaning/s and/or binary distinctions in an artistic work aside, this self-indulgent essay pushes the boundaries regarding normative academic research, for it focusses on my own (minimally celebrated) published creative writing’s status as a literary innovation. Dedicated to illuminating some of the less common denominators at play in Australian horror, my paper recalls the creative writing process involved when I set upon the (arrogant?) goal of creating a new genre of creative writing: th

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Varney, Wendy. "Homeward Bound or Housebound?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2701.

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   If thinking about home necessitates thinking about “place, space, scale, identity and power,” as Alison Blunt and Robyn Dowling (2) suggest, then thinking about home themes in popular music makes no less a conceptual demand. Song lyrics and titles most often invoke dominant readings such as intimacy, privacy, nurture, refuge, connectedness and shared belonging, all issues found within Blunt and Dowling’s analysis. The spatial imaginary to which these authors refer takes vivid shape through repertoires of songs dealing with houses and other specific sites, vast and distant

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Franks, Rachel. "A Taste for Murder: The Curious Case of Crime Fiction." M/C Journal 17, no. 1 (2014). http://dx.doi.org/10.5204/mcj.770.

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Introduction Crime fiction is one of the world’s most popular genres. Indeed, it has been estimated that as many as one in every three new novels, published in English, is classified within the crime fiction category (Knight xi). These new entrants to the market are forced to jostle for space on bookstore and library shelves with reprints of classic crime novels; such works placed in, often fierce, competition against their contemporaries as well as many of their predecessors. Raymond Chandler, in his well-known essay The Simple Art of Murder, noted Ernest Hemingway’s observation that “the goo

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Thèses sur le sujet "Horror tales, english – welsh authors"

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Glisson, Silas Nease. "Cultural nationalism and colonialism in nineteenth-century Irish horror fiction." Thesis, 2000. http://hdl.handle.net/10500/16852.

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This thesis will explore how writers of nineteenth-century Irish horror fiction, namely short stories and novels, used their works to express the social, cultural, and political events of the period. My thesis will employ a New Historicist approach to discuss the effects of colonialism on the writings, as well as archetypal criticism to analyse the mythic origins of the relevant metaphors. The structuralism of Tzvetan Todorov will be used to discuss the notion of the works' appeal as supernatural or possibly realistic works. The theory of Mikhail Bakhtin is used to discuss the writers' l

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Livres sur le sujet "Horror tales, english – welsh authors"

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Cleghorn, Gaskell Elizabeth. Gothic tales. New York, 2000.

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Roger, Dobson, Brangham Godfrey, and Gilbert R. A, eds. Selected Letters: The Private Writings of the Master of the Macabre. Aquarian Press, 1988.

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Jane, Austen. Northanger Abbey ; Lady Susan ; The Watsons ; and Sanditon. Oxford University Press, 1990.

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Jane, Austen. Northanger Abbey: Lady Susan ; The Watsons ; and, Sanditon. Oxford University Press, 1998.

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Schweitzer, Darrell. Speaking of horror: Interviews with writers of the supernatural. Borgo Press, 1994.

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Peter, Haining, ed. Irish tales of terror. Bonanza Books, 1988.

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Haining, Peter. Irish tales of terror. Wings Books, 1995.

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Tremayne, Peter. Aisling: And other Irish tales of terror. Brandon, 1992.

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Tremayne, Peter. Aisling: And other Irish tales of terror. Brandon, 1998.

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10

Proulx, Kevin E. Fear to the world: Eleven voices in a chorus of horror. Borgo Press, 1992.

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