Littérature scientifique sur le sujet « Honey Dos (Musical group) »
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Articles de revues sur le sujet "Honey Dos (Musical group)"
Cipta, Febbry, et Sandie Gunara. « Sirojul Ummah : Music in Social Interaction ». Harmonia : Journal of Arts Research and Education 20, no 2 (27 décembre 2020) : 153–60. http://dx.doi.org/10.15294/harmonia.v20i2.21456.
Texte intégralHutka, Stefanie, Sarah M. Carpentier, Gavin M. Bidelman, Sylvain Moreno et Anthony R. McIntosh. « Musicianship and Tone Language Experience Are Associated with Differential Changes in Brain Signal Variability ». Journal of Cognitive Neuroscience 28, no 12 (décembre 2016) : 2044–58. http://dx.doi.org/10.1162/jocn_a_01021.
Texte intégralSantosa, Hendra, I. Komang Werdi Darmawan et Ni Putu Hartini. « NEMU–ANG, A NEW MUSICAL COMPOSITION ». Lekesan : Interdisciplinary Journal of Asia Pacific Arts 7, no 1 (29 mai 2024) : 47–55. http://dx.doi.org/10.31091/lksn.v7i1.2782.
Texte intégralZhu, Fengdaijiao. « Zhu Jian’er’s life creativity : the historiography of the composer’s personality ». Aspects of Historical Musicology 18, no 18 (28 décembre 2019) : 190–212. http://dx.doi.org/10.34064/khnum2-18.11.
Texte intégralHillman, Jessica. « “This Lovely Land Is Mine” : Milk and Honey's Restorative Nostalgia for Israel ». TDR/The Drama Review 55, no 3 (septembre 2011) : 31–39. http://dx.doi.org/10.1162/dram_a_00092.
Texte intégralAl-Eisa, Rasha A., Mahmoud Helal, Amani H. Aljahani, Rokayya Sami, Hamsa Jameel Banjer, Naseh A. Algehainy, Mohammad Y. Alshahrani, Amal Adnan Ashour et Ali A. Alqarni. « Ochratoxin A oral mycotoxin and honey dietary intake effects on TNF-α immunology response, lactic acid bacteria microbial louds, β-glucuronidase enzyme activity, some hematological and biochemical parameters on mice ». Materials Express 13, no 7 (1 juillet 2023) : 1203–11. http://dx.doi.org/10.1166/mex.2023.2462.
Texte intégralSahin, Aynur, Suha Turkmen, Nizamettin Guzel, Ahmet Mentese, Suleyman Turedi, Suleyman Caner Karahan, Esin Yulug et al. « A Comparison of the Effects of Grayanotoxin-Containing Honey (Mad Honey), Normal Honey, and Propolis on Fracture Healing ». Medical Principles and Practice 27, no 2 (2018) : 99–106. http://dx.doi.org/10.1159/000487552.
Texte intégralDeutsch, Ralph. « Note group selectable musical effects in an electronic musical instrument ». Journal of the Acoustical Society of America 78, no 4 (octobre 1985) : 1455. http://dx.doi.org/10.1121/1.392817.
Texte intégralBispham, John C. « Music's “design features” : Musical motivation, musical pulse, and musical pitch ». Musicae Scientiae 13, no 2_suppl (septembre 2009) : 41–61. http://dx.doi.org/10.1177/1029864909013002041.
Texte intégralApugo, Uchechukwu Ifeanyichukwu, et Onyebuchi Obia. « Modulatory Effects of Honey on Gastric Acidity and Plasma Postprandial Bicarbonate in Wistar Rats ». Journal of Drug Delivery and Therapeutics 10, no 3 (15 mai 2020) : 48–50. http://dx.doi.org/10.22270/jddt.v10i3.3978.
Texte intégralThèses sur le sujet "Honey Dos (Musical group)"
Rabinowitch, Tal-Chen. « Musical group interaction : mechanisms and effects ». Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648235.
Texte intégralWaugh, Deborah. « Nexus : integrating musical traditions / ». Thesis, View the Table of Contents & ; Abstract, 2007. http://sunzi.lib.hku.hk/hkuto/record/B37120335.
Texte intégralFeldmeier, Mark Christopher 1974. « Large group musical interaction using disposable wireless motion sensors ». Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/33547.
Texte intégralIncludes bibliographical references (p. 113-114).
One of the difficulties in interactive music and entertainment is creating environments that reflect and react to the collective activity of groups with tens, hundreds, or even thousands of participants. Generating content on this scale involves many challenges. For example, how is the individual granted low latency control and a sense of causality, while still allowing for information retrieval from all participants so that the environment responds to the behavior of the entire group? These issues are particularly pertinent in the area of interactive dance. To address these issues, a low-cost, wireless motion sensor has been developed. The sensor is inexpensive enough to be considered disposable, allowing it to be given away to participants at large dance events, enabling the dancers to participate concurrently in a realtime, interactive musical performance. The sensors are either worn or held by participants and transmit a short RF pulse when accelerated past a certain threshold. The RF pulses are received by a base station and analyzed to detect rhythmic features and estimate the general activity level of the group. These data are then used to generate music that can either lead or follow the participants' actions, thereby tightening the feedback loop between music and dancer. Multiple tests of the system have been conducted, with groups ranging from fifteen to 200 participants. Results of these tests show the viability of the sensors as a large group interaction tool. Participants found the interface intuitive to use, effectively controlling such aspects of the music as style, tempo, voicing, and filter parameters. These tests also demonstrate the system's ability to detect both the activity level and dominant tempo of the participants' motions, and give considerable insight into methods of mapping these data to musical parameters that give participants direct feedback as to their current state. Furthermore, it is shown that participants, if given this direct feedback, will synchronize their actions and increase in activity level, creating a mutually coherent and pleasing outcome.
by Mark Christopher Feldmeier.
S.M.
Hsieh, Su-Ching. « Cognition and musical improvisation in individual and group contexts ». Thesis, University College London (University of London), 2009. http://discovery.ucl.ac.uk/10019875/.
Texte intégralSuner, Sedef. « Preschool Children As A User Group : Design Considerations For Musical Toys ». Master's thesis, METU, 2012. http://etd.lib.metu.edu.tr/upload/12614074/index.pdf.
Texte intégralgovernments
Weinberg, Gil 1967. « Interconnected musical networks : bringing expression and thoughtfulness to collaborative group playing ». Thesis, Massachusetts Institute of Technology, 2003. http://hdl.handle.net/1721.1/28287.
Texte intégralIncludes bibliographical references (p. 211-219).
(cont.) In order to addressee the latter challenge I have decided to employ the digital network--a promising candidate for bringing a unique added value to the musical experience of collaborative group playing. I have chosen to address both challenges by embedding cognitive and educational concepts in newly designed interconnect instruments and applications, which led to the development of a number of such Interconnected Musical Networks (IMNs)--live performance systems that allow players to influence, share, and shape each other's music in real-time. In my thesis I discuss the concepts, motivations, and aesthetics of IMNs and review a number of historical and current technological landmarks that led the way to the development of the field. I then suggest a comprehensive theoretical framework for artistic interdependency, based on which I developed a set of instruments and activities in an effort to turn IMNs into an expressive and intuitive art form that provides meaningful learning experiences, engaging collaborative interactions, and worthy music.
Music today is more ubiquitous, accessible, and democratized than ever. Thanks to technologies such as high-end home studios, audio compression, and digital distribution, music now surrounds us in everyday life, almost every piece of music is a few minutes of download away, and almost any western musician, novice or expert, can compose, perform and distribute their music directly to their listeners from their home studios. But at the same time these technologies lead to some concerning social effects on the culture of consuming and creating music. Although music is available for more people, in more locations, and for longer periods of time, most listeners experience it in an incidental, unengaged, or utilitarian manner. On the creation side, home studios promote private and isolated practice of music making where hardly any musical instruments or even musicians are needed, and where the value of live group interaction is marginal. My thesis work attempts to use technology to address these same concerning effects that it had created by developing tools and applications that would address two main challenges: 1. Facilitating engaged and thoughtful as well as intuitive and expressive musical experiences for novices and children 2. Enhancing the inherent social attributes of music making by connecting to and intensifying the roots of music as a collaborative socialritual. My approach for addressing the first challenge is to study and model music cognition and education theories and to design algorithms that would bridge between the thoughtful and the expressive, allowing novices and children an access to meaningful and engaging musical experiences.
by Gil Weinberg.
Ph.D.
Martins, Áudrea da Costa. « Linhas, vozes e tracks : a textura na composição musical de crianças ». reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/36016.
Texte intégralThe present research is an approach to acoustic and electronic collective musical composition by music students aged between 10 and 12. It aims to analyze the several demonstrations which involve musical texture, pointing out the way those are attached to the conception of time and the processes of inference which grant musical creation activity. The subject-matter is composed by 16 regular students from public schools who attended workshop on composition guided by the researcher. The conception of such study places the research in the area of Jean Piaget´s Genetic Epistemology whose theoretical body gives support to investigation in Musical Education area. The data have been collected during the period of November 2010 to April 2011 in the researcher´s work environment in which she performed interviews based on the adopted theoretical reference. The decision-making during the compositional process meets support in the inferences and in the concepts of sequence, length and simultaneousness which are inherent in time concept. In spite of the differences as to the compositional approach and the sound results of the musical products, the textural manifestation in the acoustic and electronic pieces proved to be similar in many aspects. The musical texture, important structural dimension in music, is a fundamental parameter in the exercise of composition. It offers a wide rank for the experimenting and creating expression of its authors. So, this work can bring new approaches in the compositional practice in group in the classroom which will provide a better comprehension in the student’s musical production.
Martin, Christopher Alan. « ‘We Feed Off Each Other’ : Embodiment, Phenomenology and Listener Receptivity of Nirvana’s In Utero ». Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1143406900.
Texte intégralWallace, Matthew R. « Holding back the flood Thom Yorke, Radiohead, and post-industrial capitalism / ». [Denver, Colo.] : Regis University, 2006. http://165.236.235.140/lib/MWallace2007.pdf.
Texte intégral"May 2006." Date of submission on Certificate of Authorship: 30 April 2007. Title from PDF title page (viewed June 26, 2007). Includes bibliographical references.
Beegle, Amy C. « Children at work in their musical expression : a classroom-based study of small group improvisation / ». Thesis, Connect to this title online ; UW restricted, 2006. http://hdl.handle.net/1773/11204.
Texte intégralLivres sur le sujet "Honey Dos (Musical group)"
Reagon, Bernice Johnson. We who believe in freedom : Sweet Honey in the Rock-- still on the journey. New York : Anchor Books, 1993.
Trouver le texte intégralRoberts, M. B. Brooks & Dunn : The honky tonk truth. Minocqua, Wis : W.C. Books, 2001.
Trouver le texte intégralNiimi, J. Murmur. New York : Continuum, 2005.
Trouver le texte intégralJanet, Mills. Group tests of musical abilities : Teacher's guide. Windsor : NFER-Nelson, 1988.
Trouver le texte intégralPaytress, Mark. Guía musical de Nirvana. México, D.F : Grupo Editorial Tomo, 2001.
Trouver le texte intégralEzequiel, Sánchez Jorge, dir. Sumo. Buenos Aires : Clarín, 2008.
Trouver le texte intégralEzequiel, Sánchez Jorge, dir. Babasonicos. Buenos Aires, Argentina : Clarín, 2007.
Trouver le texte intégralEzequiel, Sánchez Jorge, dir. Luis Alberto Spinetta. Buenos Aires : Clarín, 2007.
Trouver le texte intégralEzequiel, Sánchez Jorge, dir. Soda Stéreo. Buenos Aires, Argentina : Clarín, 2008.
Trouver le texte intégralEzequiel, Sánchez Jorge, dir. Los Fabulosos Cadillacs. Buenos Aires : Clarín, 2008.
Trouver le texte intégralChapitres de livres sur le sujet "Honey Dos (Musical group)"
Nedela, Mary R. « Musical Emotions ». Dans The Group Therapist's Notebook, 73–81. 2nd edition. | New York : Routledge, 2017. : Routledge, 2017. http://dx.doi.org/10.4324/9781315457055-12.
Texte intégralOdena, Oscar. « Developing secondary students’ creativity through guided group composition and performance ». Dans Musical Creativity Revisited, 47–64. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series : SEMPRE studies in the psychology of music : Routledge, 2018. http://dx.doi.org/10.4324/9781315464619-4.
Texte intégralHerzog, Amy. « Dark Times : Fabulation, Synchrony, and the Musical Moment Reprised ». Dans When Music Takes Over in Film, 15–34. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-89155-8_2.
Texte intégralCartwright, Phillip, et Kadeshah Swearing. « Group Work : Application and Performance Effectiveness in Musical Ensembles ». Dans New Leadership in Strategy and Communication, 329–50. Cham : Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19681-3_20.
Texte intégralSheppard, Eileen. « A Musical Instrument Making Group and Their Altered States ». Dans Mild Altered States of Consciousness, 213–24. Cham : Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-53452-2_11.
Texte intégralStephens-Himonides, Cynthia, Margaret Young et Melanie Bowes. « Innovation and Leadership in Group Teaching Across the Lifespan ». Dans The Routledge Companion to Women and Musical Leadership, 309–20. New York : Routledge, 2024. http://dx.doi.org/10.4324/9781003024767-27.
Texte intégralDiment, Aleksandr, Padmanabhan Rajan, Toni Heittola et Tuomas Virtanen. « Group Delay Function from All-Pole Models for Musical Instrument Recognition ». Dans Lecture Notes in Computer Science, 606–18. Cham : Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-12976-1_37.
Texte intégralPowrie, Phil. « The Acoustic Wound : Reflections on the Crystal-Song in Five American Films ». Dans When Music Takes Over in Film, 35–54. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-89155-8_3.
Texte intégralThomas, Kyle A. « Laying Down the RUG : Andrew Lloyd Webber, the Really Useful Group, and Musical Theatre in a Global Economy ». Dans The Palgrave Handbook of Musical Theatre Producers, 325–32. New York : Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-43308-4_32.
Texte intégralSchiavio, Andrea, Henrique Meissner et Renee Timmers. « 8. Influences of Physical and Imagined Others in Music Students’ Experiences of Practice and Performance ». Dans Psychological Perspectives on Musical Experiences and Skills, 165–88. Cambridge, UK : Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0389.08.
Texte intégralActes de conférences sur le sujet "Honey Dos (Musical group)"
Martiri, Edlira, Bian Yang et Christoph Busch. « Protected Honey Face Templates ». Dans 2015 International Conference of the Biometrics Special Interest Group (BIOSIG). IEEE, 2015. http://dx.doi.org/10.1109/biosig.2015.7314618.
Texte intégralRuilova, Allen. « Creating realistic CG honey ». Dans SIGGRAPH07 : Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA : ACM, 2007. http://dx.doi.org/10.1145/1280720.1280784.
Texte intégralGorodscy, Fábio, Guilherme Feulo, Nicolas Figueiredo, Paulo Vitor Itaboraí, Roberto Bodo, Rodrigo Borges et Shayenne Moura. « Computer Music Research Group - IME/USP Report for SBCM 2019 ». Dans Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10443.
Texte intégralCalegario, Filipe, Giordano Cabral et Geber Ramalho. « MusTIC : Research and Innovation Group on Music, Technology, Interactivity and Creativity ». Dans Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10441.
Texte intégralUthayashangar, S., P. Dhamini, M. Mahalakshmi et V. Mangayarkarasi. « Efficient Group Data Sharing In Cloud Environment Using Honey Encryption ». Dans 2019 IEEE International Conference on System, Computation, Automation and Networking (ICSCAN). IEEE, 2019. http://dx.doi.org/10.1109/icscan.2019.8878759.
Texte intégralPimenta, Marcelo, Rodrigo Schramm et Marcelo Johann. « LCM-Ufrgs Research Group Report : What are we doing in Computer Music ? » Dans Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10442.
Texte intégralFontes, Flaviano Dias, Giordano Ribeiro Eulalio Cabral et Geber Lisboa Ramalho. « An open source platform to assist the creation of group playlists through artificial intelligence algorithms ». Dans Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbcm.2021.19442.
Texte intégralYadegari, Shahrokh, John Burnett, Eito Murakami, Louis Pisha, Francesca Talenti, Juliette Regimbal et Yongjae Yoo. « Becoming : An Interactive Musical Journey in VR ». Dans SIGGRAPH '22 : Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA : ACM, 2022. http://dx.doi.org/10.1145/3532834.3536209.
Texte intégralKyogu Lee et Minsu Cho. « Mood Classfication from Musical Audio Using User Group-Dependent Models ». Dans 2011 Tenth International Conference on Machine Learning and Applications (ICMLA 2011). IEEE, 2011. http://dx.doi.org/10.1109/icmla.2011.96.
Texte intégralKim, Jaehun, Minz Won, Xavier Serra et Cynthia C. S. Liem. « Transfer Learning of Artist Group Factors to Musical Genre Classification ». Dans Companion of the The Web Conference 2018. New York, New York, USA : ACM Press, 2018. http://dx.doi.org/10.1145/3184558.3191823.
Texte intégralRapports d'organisations sur le sujet "Honey Dos (Musical group)"
Zuo, Lingyan, Fengting Zhu, Rui Wang, Hongyan Shuai et Xin Yu. Music intervention affects the quality of life on Alzheimer’s disease : a meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, décembre 2021. http://dx.doi.org/10.37766/inplasy2021.12.0055.
Texte intégralChejanovsky, Nor, Diana Cox-Foster, Victoria Soroker et Ron Ophir. Honeybee modulation of infection with the Israeli acute paralysis virus, in asymptomatic, acutely infected and CCD colonies. United States Department of Agriculture, décembre 2013. http://dx.doi.org/10.32747/2013.7594392.bard.
Texte intégralPedersen, Gjertrud. Symphonies Reframed. Norges Musikkhøgskole, août 2018. http://dx.doi.org/10.22501/nmh-ar.481294.
Texte intégral