Thèses sur le sujet « History of drama shows »
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Sager, Jenny Emma. « "The strategy with cunning shows" : the aesthetics of spectacle in the plays of Robert Greene ». Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:af29d412-c285-46e4-953c-43eac3e86f13.
Texte intégralTener, John V. « Exhibiting the Victorians : Melodrama and Modernity in Post Civil War American Show Prints ». The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu149259715322474.
Texte intégralPluquet, Céline. « Le cinéma muet, un art musico-visuel : pratiques, théories et esthétiques de la musique de cinéma à Paris entre 1907 et 1929 ». Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080053.
Texte intégralThis thesis intends to articulate the historical, theoretical, cultural and aesthetic aspects of film music during the silent era through the case of Parisian theaters. It questions the role of music and how it defined cinema at that specific time. This study shows the establishment of practices, theories, filmic and musical forms conditioned by film music. A first definition of film music between 1906 and 1907 describes the cinematic show as being a cinematic pantomime from the moment it appears as an artistic representation, as both a musical and visual experience. Shortly after the Great War, film music is gradually marked by the recognition of the orchestra as a model of musical accompaniment practice in Parisian theaters. Finally, film music becomes fully embedded when theorists establish the idea of the musical accompaniment of a cinematic art throughout the 1920s.This investigation thus leads us to rethink the role of the cinematic show in the definition of cinema. In short, film music represents the cornerstone which brings together a perception of cinema as being both an art and a performance
Curel, Agnès. « Une voix en métamorphose. De l'art du boniment au bonimenteur en scène : enquête sur une mémoire sonore du théâtre ». Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA142.
Texte intégralThis thesis was written as an investigation. It first focuses on the presence on contemporary stages (20th and 21st centuries) of characters commonly known as bonimenteurs and the recurrent reference to the art of boniment. What does this imaginary world convey? How was this fictional figure constructed and how is it rooted in a tangible history? And how have certain specific oral codes used in boniment contributed to its historical durability? Our research was developed around a dual historical investigation. It examines what constituted the art of boniment throughout the 19th century, while also considering the introduction of boniment into fiction, due in part to a partial shift into an art form also observed in the 19th century. The study of the transition between a theatrical function precisely defined in a historical timeline and an active dramatic function on stage and modern screens highlights the specificities of the bonimenteur. Thanks to his or her position between room and stage, sound and image, the bonimenteur seems to create a specific dramatic gesture.This work also leads us to consider the bonimenteur as a figure questioning theatre’s relationship with orality and its history, which may embody another representation of theater based on the power of orality as performance
Chopoidalo, Cindy. « The drama of history, examinations in Shakespearean historiography ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ59713.pdf.
Texte intégralPiatt, Wendy Louisa. « Politics and religion in Renaissance closet drama ». Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287042.
Texte intégralTaylor, Miles Edward. « Nation, history, and theater : representing the English past on the Tudor and Stuart stage / ». view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9986765.
Texte intégralTypescript. Includes vita and abstract. Includes bibliographical references (leaves 255-265). Also available for download via the World Wide Web; free to University of Oregon users.
Brown, Ian. « History as theatrical metaphor : history, myth and national identities in modern Scottish drama ». Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30714/.
Texte intégralWalsh, Maeve. « Re:vision : the interpretation of history in contemporary Irish drama ». Thesis, Goldsmiths College (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.286613.
Texte intégralMillet, Sandra Kay. « Theatre History in the Secondary Drama Classroom and Beyond ». BYU ScholarsArchive, 2012. https://scholarsarchive.byu.edu/etd/3507.
Texte intégralStreete, Adrian George Thomas. « Calvinism, subjectivity and early modern drama ». Thesis, University of Stirling, 2001. http://hdl.handle.net/1893/12800.
Texte intégralPruitt, John. « British drama museums : history, heritage, and nation in collections of dramatic literature, 1647-1814 / ». View abstract, 2005. http://wwwlib.umi.com/dissertations/fullcit/3203336.
Texte intégralWinston, Susan. « Great Exhibitions : representing the world at the Great Exhibition, the Crystal Palace at Sydenham and early British films shows ». Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309960.
Texte intégralSherlow, Lois Juanita. « Towards interculturalism : A critical history of contemporary drama in Canada ». Thesis, University of Ottawa (Canada), 1996. http://hdl.handle.net/10393/10363.
Texte intégralO'Donnell, David O'Donnell, et n/a. « Re-staging history : historiographic drama from New Zealand and Australia ». University of Otago. Department of English, 1999. http://adt.otago.ac.nz./public/adt-NZDU20070523.151011.
Texte intégralMcBain, James. « Early Tudor drama and legal culture, c. 1485-1558 ». Thesis, University of Oxford, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670056.
Texte intégralLi, Jing. « Self in community : twentieth-century American drama by women ». HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/322.
Texte intégralGreen, Sean Douglas. « History at Play in the Portrayal of Politicians in Canadian Drama ». Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34602.
Texte intégralCavanagh, Dermot Paul. « Covert enmity : history and the dramatic imagination in the Tudor drama ». Thesis, University of Sunderland, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.333928.
Texte intégralVodden, Amy. « A cultural history of male homosexuality in twentieth-century American drama ». Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438739.
Texte intégralRamukosi, Patrick Mbulaheni. « Modern tragedy : a critical analysis of the elements of tragedy with special reference to N.A. Milubi's plays ». Thesis, University of Limpopo, 1999. http://hdl.handle.net/10386/2336.
Texte intégralWarner, Kathleen Marie. « Historical theory, popular culture and television drama / ». [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe19144.pdf.
Texte intégralManossa, Geraldine, et University of Lethbridge Faculty of Arts and Science. « The roots of Cree drama ». Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2002, 2002. http://hdl.handle.net/10133/227.
Texte intégralv, 107 leaves ; 28 cm.
Speed, Helena Christina. « The influence of the Inns of Court on English Renaissance drama 1584-1594 ». Thesis, University of Reading, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.262855.
Texte intégralHowe, Elizabeth. « The impact of the introduction of actresses on English drama, 1660-1700 ». Thesis, Royal Holloway, University of London, 1988. http://repository.royalholloway.ac.uk/items/381ad106-a7de-4394-ae50-3c320741ed15/1/.
Texte intégralNagase, Mariko. « Literary editing of seventeenth-century English drama ». Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3628/.
Texte intégralHeuer, Imke. « 'The German's tale' : German history, English drama and the politics of adaptation ». Thesis, University of York, 2008. http://etheses.whiterose.ac.uk/14111/.
Texte intégralAronson, Shari Gay 1966. « La carpa : A descriptive model for teaching history through drama in education ». Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/278492.
Texte intégralDavis, Laurel F. « Voyage to Terra Australis ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2004. https://ro.ecu.edu.au/theses/1648.
Texte intégralPark, Choon-Keun. « Identity, society, and history in modern Korean plays three aspects of three modern Korean plays ; Moonlight play, Material man, and Terrorists / ». Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1145642426.
Texte intégralReilly, Kara. « Automata : a spectacular history of the mimetic faculty / ». Thesis, Connect to this title online ; UW restricted, 2006. http://hdl.handle.net/1773/10235.
Texte intégralTurner, Irene. « Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31949204.
Texte intégral齊曉楓 et Hsiao-feng Chi. « Patterns of husband selection in traditional Chinese fiction and drama ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31238312.
Texte intégralMacbeth, Georgia School of Theatre Film & Dance UNSW. « A Plurality of Identities : Ulster Protestantism in Contemporary Northern Irish Drama ». Awarded by:University of New South Wales. School of Theatre, Film and Dance, 1999. http://handle.unsw.edu.au/1959.4/33257.
Texte intégralOh, Seiwoong. « The Scholarly Trickster in Jacobean Drama : Characterology and Culture ». Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278216/.
Texte intégralBotha, Estelle. « Where dance and drama meet again : aspects of the expressive body in the 20th century ». Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1704.
Texte intégralAcknowledging theatrical styles such as physical theatre, Tanztheater and poor theatre as forms of ‘total theatre’, and recognizing that there has been a prolonged process of development to reach such a point, the first chapter investigates the historical divide between dramatic dance and drama as starting point. Subsequently, in considering the body as expressive medium, the impact of content and form on the training of the performers’ body for the theatrical context is also evaluated.
Faasen, Cornelia. « Theatre as alternative historical narrative : a study of three plays : "Ubu and the Truth Commission", "Copenhagen" and "Ghetto" ». Thesis, Stellenbosch : University of Stellenbosch, 2009. http://hdl.handle.net/10019.1/3006.
Texte intégralIn this thesis I examine the way in which fictionalised and dramatised narratives in theatre have the potential to create significant alternative narratives that can potentially be regarded as a crucial part of history writing. This is done through a critical analysis of three historically orientated dramatic texts, Ubu and the Truth Commission by Jane Taylor (1998), Copenhagen by Michael Frayn (1998) and Ghetto by Joshua Sobol (1984). I investigate how these playwrights narrativised history by fictionalising and dramatising events and people of historical importance, and how each of these plays individually contributes to the debate on narrative in historiographical discourse. Drawing on Hayden White’s theory on the poetic and narrative nature of history writing, as represented by his definitive work, Metahistory, I explore different theories and works on the philosophy of history to determine the precise nature of narrative itself as well as the historical work. Chapter Two is therefore an exploration of White’s philosophy on the ‘historical imagination’ as he describes his theory on the narrative and poetic nature of the historical document. In addition, this chapter provides an introduction to narrative in a theatrical text. This is done in order to examine how we can apply White’s theory to investigate narrative in theatre that focuses on historical events for the purpose of possibly including the dramatic narrative in the broader discourse on narrative in history writing. In this I highlight the theatrical narrative as a specific practice of language beginning with an interlude on representation in theatre. This is applied as the basis for examining the three texts in subsequent chapters. There are both general and more specific advantages in pursuing these arguments. Firstly, it may generate an understanding of some of the broad claims and problems bearing on the impact that literary theory is said to have on a subject which is not normally considered to fall within its domain, namely history writing. The work of Hayden White has been singled out to represent these claims, as he challenges the traditional distinction between history and literature. As a result, we are made aware of those arguments which set out to show that there are aspects of historical writing which are often ignored or which we generally overlook. An example of such an aspect that serve as the focus of this study is the narrative in historical explanation, representing the “ineluctably poetic nature of the historical work” (White 1983:xi). As such theatre can be an important tool in the process of constructing memory and alternative narratives, arguing that these narrativised histories could provide a “countermemory to the dominant narrative of the official histories” (Hutchison 1999:3). The theatrical texts singled out demonstrate that these alternative narratives in the theatrical texts function as a discourse of multi-levelled stories that engage with the complexities of the society and the complexities present in the context of the plays, making a contribution to the practice of historiography itself.
Jaros, Michael Perin. « "To Have Lived is Not Enough for Them" performing Irish history in the twentieth century / ». Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3307371.
Texte intégralTitle from first page of PDF file (viewed February 6, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 207-215).
Kennedy, Shane Michael. « Expressionist Art and Drama Before, During, and After the Weimar Republic ». PDXScholar, 2015. https://pdxscholar.library.pdx.edu/open_access_etds/2508.
Texte intégralMcFrederick, Matt. « Staging Beckett : a production history of Samuel Beckett's drama in London (1955-2010) ». Thesis, University of Reading, 2017. http://centaur.reading.ac.uk/78067/.
Texte intégralHanson, Richard Russell. « Principal witness, Herbert Whittaker and Canadian drama, 1949-1975 ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ41549.pdf.
Texte intégralWong, Chi-keung Frederick, et 黃志強. « Postmodernism, drama, language : Waiting for Godot and Inadmissible evidence revisited ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31951053.
Texte intégralD'Ermo-Tenaglia, Doria. « Calandro, un personaggio nella storia della critica, 1788-1980 : saggio di bibliografia critica ». Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65467.
Texte intégralMateer, Megan. « Living history as performance an analysis of the manner in which historical narrative is developed through performance / ». Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1136660752.
Texte intégralSniderman, Alisa. « The Modern Stage of Capitalism : The Drama of Markets and Money (1870-1930) ». Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467505.
Texte intégralComparative Literature
曾慶慈 et Hing-chi Tsang. « A critical study of supernatural elements in Yuan drama ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B31210028.
Texte intégralO'Regan, Inge Brigitta. « "Zuwachs unsrer existenz" : the quest for Being in J.M.R. Lenz ». Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31078.
Texte intégralArts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate
Li, Siu Leung, et 李小良. « Toward a theory of dramatic adaptation : with special reference to Shakespearean and Ming Qing adaptations ». Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1986. http://hub.hku.hk/bib/B31207352.
Texte intégralJacquet, Ewa. « MÖTEN - Elevers och lärares upplevelser av en skapande kunskapsprocess ». Thesis, Högskolan i Gävle, Institutionen för humaniora och samhällsvetenskap, 2001. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-29784.
Texte intégralMavromatidou, Eleni. « The Role Of The (Postcolonial) Intellectual/Critic : Textualization Of History As Trauma : The African American And Modern Greek Paradigm ». Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1213616340.
Texte intégral