Littérature scientifique sur le sujet « History of colours »
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Articles de revues sur le sujet "History of colours"
Gostkowska, Kaja. « Apprivoiser la richesse des couleurs sur la palette du peintre, ou vers une liste terminologique des noms de couleurs ». Romanica Wratislaviensia 63 (11 octobre 2016) : 41–52. http://dx.doi.org/10.19195/0557-2665/63.4.
Texte intégralDavies, Will. « Colour Vision and Seeing Colours ». British Journal for the Philosophy of Science 69, no 3 (1 septembre 2018) : 657–90. http://dx.doi.org/10.1093/bjps/axw026.
Texte intégralBieszk, Marta. « Coding colours : Differences across languages and their consequences for translation and language teaching ». Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching 18, no 2 (16 mai 2021) : 9–25. http://dx.doi.org/10.26881/bp.2021.2.01.
Texte intégralVyas, Bhawna. « THE EVER-CONTEMPORARY CHARACTER OF COLOURS AND INTERIOR DECORATION ». International Journal of Research -GRANTHAALAYAH 2, no 3SE (25 février 2021) : 1–10. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3557.
Texte intégralLawson, Jane A. « Rainbow for a Reign : The Colours of a Queen's Wardrobe ». Costume 41, no 1 (1 juin 2007) : 26–44. http://dx.doi.org/10.1179/174963007x182318.
Texte intégralDe Winter, Stefanie, Pieter Moors, Hilde Van Gelder et Johan Wagemans. « Illusory Depth Based on Interactions Between Fluorescent and Conventional Colours : A Case Study on Frank Stella’s Irregular Polygons Paintings ». Art and Perception 6, no 2-3 (17 octobre 2018) : 116–50. http://dx.doi.org/10.1163/22134913-20181093.
Texte intégralMitchell, Daniel Jon. « Reflecting nature : chemistry and comprehensibility in Gabriel Lippmann's ‘physical’ method of photographing colours ». Notes and Records of the Royal Society 64, no 4 (13 octobre 2010) : 319–37. http://dx.doi.org/10.1098/rsnr.2010.0072.
Texte intégralDe Winter, Stefanie, Nathalie Vissers, Christophe Bossens et Johan Wagemans. « Instantaneous Art ? Investigating Frank Stella’s Moroccan Paintings with a Short-Exposure Experiment ». Art and Perception 8, no 2 (8 juin 2020) : 121–57. http://dx.doi.org/10.1163/22134913-bja10001.
Texte intégralKaplan, Haktan, et Selçuk Peker. « The Image of Colour and Number in Fairy Tales : The Case of Bolu Folk Tales ». Journal of Education Culture and Society 14, no 1 (20 juin 2023) : 597–618. http://dx.doi.org/10.15503/jecs2023.1.597.618.
Texte intégralMaBouDi, HaDi, James A. R. Marshall et Andrew B. Barron. « Honeybees solve a multi-comparison ranking task by probability matching ». Proceedings of the Royal Society B : Biological Sciences 287, no 1934 (2 septembre 2020) : 20201525. http://dx.doi.org/10.1098/rspb.2020.1525.
Texte intégralThèses sur le sujet "History of colours"
Bideaux, Kévin. « La vie en rose : petite histoire d'une couleur aux prises avec le genre ». Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080021.
Texte intégralFrom pink toys to countless representations of women in pink, “pink is for girls” is both fact and performative assertion — that is to say a self-fulfilling one. It is both a feminine symbol and associates everything it colours with femininity. Stemming from the desire to understand the origins and modalities of the association of pink with femininity, this thesis endeavours to follow the history of the colour since the first pink dyes, with a focus on the eighteenth century during which pink grew in popularity; a history of its symbolism linked — or not — to gender, its uses and misuses, its rejections and appropriations. At the intersection of gender studies and colour studies, this thesis highlights the ideologies underlying the use of pink, and their repercussions on both women and men, in terms of identity construction and social relations. Present throughout the visual arts, as well as in cinema, video games, fashion and marketing, pink participates in the process of gender categorisation through its aestheticisation and repetition of stereotypes. When worn by men, it connotes effeminacy, even homosexuality, confirming its feminine link through its symbolic incompatibility with the masculine. Militant attempts to reappropriate pink as an emblem by feminist, gay or queer communities have not managed to erase pink’s link to femininity, and paradoxically have reinforced it. Pink is thus revealed as a technology of gender, as defined by Teresa de Lauretis: its representation is its construction
Eastaugh, Nicholas John. « Lead tin yellow : its history, manufacture, colour and structure ». Thesis, Courtauld Institute of Art (University of London), 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.295156.
Texte intégralGeraghty, Kathryn. « Colors of the Western Mining Frontier| Painted Finishes in Virginia City, Montana ». Thesis, University of Oregon, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10599315.
Texte intégralVirginia City once exemplified the cutting edge of culture and taste in the Rocky Mountain mining frontier. Weathering economic downturns, mining booms and busts, and the loss of the territorial capital to Helena, Virginia City survives today as a heritage tourism site with a substantial building stock from its period of significance, 1863-1875. However, the poor physical condition and interpretation of the town offers tourists an inauthentic experience. Without paint analysis, the Montana Heritage Commission, state-appointed caretakers of Virginia City cannot engage in rehabilitation. As of 2017, no published architectural finishes research exists that provides comparative case studies for the Anglo-American settlement of the American West between 1840-1880, for American industrial landscapes, or for vernacular architecture in Montana. This thesis offers a case study of five buildings to add to the body of scholarly architectural finishes research, provide rehabilitation recommendations, and provide a published, baseline study for future research.
Fowlie, Martin Kenneth. « Colour polymorphism in the common buzzard : evolution and life history consequences ». Thesis, University of Glasgow, 2003. http://theses.gla.ac.uk/6195/.
Texte intégralMolina, Giralt Glòria. « Colour and technology in historic decorated glazes and glasses ». Doctoral thesis, Universitat Politècnica de Catalunya, 2014. http://hdl.handle.net/10803/144623.
Texte intégralVilla-Vicencio, Heidi. « Colour, citizenship and constitutionalism : an oral history of political identity among middle-class coloured people with special reference to the formation of the Coloured Advisory Council in 1943 and the removal of the male franchise in 1956 ». Master's thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/22562.
Texte intégralThis thesis explores the political identity of middle-class coloured people in metropolitan Cape Town focusing particularly on the period extending from the formation of the Coloured Advisory Council in 1943 to the removal of the qualified coloured male franchise in 1956. The findings of the thesis are based largely on thirty-one random interviews with coloured men and women over the age of sixty-three. All of the males had the vote and either the fathers or husbands of all the women had enjoyed the vote. The 'open attitude' style of interviewing was employed, enabling the interviewees to help frame the discussions. Politics for most of my respondents was not an integral influence within their childhood. Most men, however, recalled their fathers voting and have clear memories of election days, political movements of the time and meetings that took place. All, except one, became teachers. Their post-secondary education, often at the University of Cape Town, encouraged most to grapple with the political and social processes of the day. By the 1940s the majority of the males began to challenge the prevailing political structures and beliefs of mainstream coloured society. The childhood memories of political events of most women were comparatively less pronounced. Some recalled their fathers voting, although memories of their mothers involvement in church and welfare activities are clearer. They also recalled political events that affected them directly. Most of the women interviewed either became teachers or they married teachers. This exposed them to what they saw as male-dominated coloured politics and they experienced a sense of political alienation from these political processes. This does not necessarily imply that they were apolitical. On the contrary, looking back, they see themselves as having given expression to political concerns in alternative ways. They also showed greater interest in 'white politics' as expressed through the United Party accepting that it was 'white politics' that ultimately had the power to determine their social and economic well-being. Most women showed limited concern about the removal of qualified males from the common voters' roll. They saw this as having a minimal impact on their social well-being. It was largely the Group Areas Act that socially and economically affected their lives, giving rise to a heightened level of political awareness and involvement. The ambiguities and divisions which marked middle-class coloured political groupings could be attributed partly to the historical policies of social-engineering practised by successive governments, whose intention was to construct a coloured political identity separate from whites, while being grounded in civil privileges not extended to Africans. Most of my interviewees acknowledged that by the 1940s they had accepted these privileges. They were naturally reluctant to see these undermined politically. From 1948 onwards middle-class coloured privileges began to be eroded. This signalled the emergence of a new era of coloured identity.
Tipper, Paul Andrew. « Colour symbolism in the works of Gustave Flaubert ». Thesis, University of Hull, 1989. http://hydra.hull.ac.uk/resources/hull:3814.
Texte intégralMitchell, Michele D. « The Color Line and Georgia History Textbooks : A Content Analysis ». Digital Archive @ GSU, 2013. http://digitalarchive.gsu.edu/sociology_theses/38.
Texte intégralBeckett, Jane. « Colour theory and foundations of the Dutch avant-garde 1990-1926 ». Thesis, Courtauld Institute of Art (University of London), 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.267253.
Texte intégralHudson, Giles. « The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographer ». Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711651.
Texte intégralLivres sur le sujet "History of colours"
Hansen, Egon H. Tablet weaving : History, techniques, colours, patterns. Højbjerg, Denmark : Hovedland Publishers, 1990.
Trouver le texte intégralFlying colours : Airline colour schemes of the 1990s. Osceola, WI, USA : Motorbooks International, 1994.
Trouver le texte intégralMorton, John K. Flying colours : Airline colour schemes of the 1990s. Shrewsbury : Airlife Pub., 1994.
Trouver le texte intégralTahir, M. Athar. Pakistan colours. Karachi : Oxford University Press, 2001.
Trouver le texte intégralTahir, M. Athar. Pakistan colours. Oxford : Oxford University Press, 2001.
Trouver le texte intégralHeyer, Georgette. False Colours. Waterville, Me : Thorndike Press, 2011.
Trouver le texte intégralHeyer, Georgette. False Colours. Naperville : Sourcebooks, Inc., 2008.
Trouver le texte intégralHeyer, Georgette. False colours. London : Arrow, 1992.
Trouver le texte intégralHawdon, Lindsay. Jakob's Colours. London, England : Hodder & Stoughton General Division, 2015.
Trouver le texte intégralForester, C. S. Flying colours. Boston : Back Bay Books, 1999.
Trouver le texte intégralChapitres de livres sur le sujet "History of colours"
Herbert, Stephen. « Television in Colours ». Dans A History Of Early Television Vol 2, 285–93. London : Routledge, 2024. http://dx.doi.org/10.4324/9781032660363-61.
Texte intégralGallois, William. « A Future Painted in Sombre Colours ». Dans A History of Violence in the Early Algerian Colony, 122–44. London : Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137313706_6.
Texte intégralBellamy, Nicholas. « Clinical History ». Dans Colour Atlas of Clinical Rheumatology, 11–17. Dordrecht : Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-4882-2_1.
Texte intégralFritsch, Rudolf, et Gerda Fritsch. « History ». Dans The Four-Color Theorem, 1–41. New York, NY : Springer New York, 1998. http://dx.doi.org/10.1007/978-1-4612-1720-6_1.
Texte intégralNelson, Robert. « Colour ». Dans A History of Inspiration through Metaphors of Learning, 185–201. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003275435-18.
Texte intégralSchulman, Sarah. « United colors of homophobia ». Dans My American History, 269–71. Second edition. | Abingdon, Oxon ; : Routledge, 2018. http://dx.doi.org/10.4324/9781315121765-64.
Texte intégralCrone, Robert A. « The mixing of colors ». Dans A History of Color, 133–40. Dordrecht : Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-007-0870-9_9.
Texte intégralKwek, Theophilus. « Full colour illustrations ». Dans Southeast Asian Education in Modern History, 158–77. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series : Routledge studies in the modern history of Asia ; 133 | Includes bibliographical references and index. : Routledge, 2018. http://dx.doi.org/10.4324/9781315161211-11.
Texte intégralHerbert, Stephen. « Baird Colour Television ». Dans A History Of Early Television Vol 2, 104–5. London : Routledge, 2024. http://dx.doi.org/10.4324/9781032660363-38.
Texte intégralPhiri, Aretha. « Coloured by history, shaped otherwise ». Dans The Short Story in South Africa, 46–62. London : Routledge, 2022. http://dx.doi.org/10.4324/9781003226840-3.
Texte intégralActes de conférences sur le sujet "History of colours"
Santos, Gabriela, et Cristina Carvalho. « Ergonomic Fashion Design : Sustainable Dyes ». Dans Applied Human Factors and Ergonomics Conference. AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001318.
Texte intégralWang, Haina, Fangfei Liu et Yun Chen. « The Characteristics and Influencing Factors of the Colour of the Cizhou Kiln Porcelain ». Dans AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004222.
Texte intégralCeriachi, Melissa. « RECOVERY OF A SEVERELY DETERIORATED PAINTING : THE MARTYRDOM OF SAINT SEBASTIAN BY GIOVANNI SANTI (15TH CENTURY). INTEGRATIVE PROPOSAL ». Dans RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València : Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13492.
Texte intégralHalland, Ingrid. « Hyper-White Entanglements : A Brief History of Titanium White ». Dans 2021 ACSA Teachers Conference. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.teach.2021.38.
Texte intégralGamito, Margarida, et Fernando Moreira Da Silva. « UrbanCroma : Chromatic Methodology applied to Oeiras Municipality, Portugal ». Dans 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001997.
Texte intégralDeng, Xiaoxiao, Dihao Zhang et Shuang Yang. « Revitalizing historic urban quarters by Cityscape-control plan The case of Xi’an, China ». Dans 55th ISOCARP World Planning Congress, Beyond Metropolis, Jakarta-Bogor, Indonesia. ISOCARP, 2019. http://dx.doi.org/10.47472/dnrt1591.
Texte intégralLee, Raymond L. « Rethinking the Rainbow’s Colors ». Dans Light and Color in the Open Air. Washington, D.C. : Optica Publishing Group, 1990. http://dx.doi.org/10.1364/lcoa.1990.wb6.
Texte intégralGamito, Margarida, et Fernando Moreira da Silva. « Urban Furniture − Colour and Inclusivity ». Dans 9th Conference of the International Committee for Design History and Design Studies. São Paulo : Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0060.
Texte intégralKuksa, P. V. « Visual and color symbolism in the novel by M.A. Sholokhov "Quiet Don" ». Dans Scientific Trends : Philology, Culturology, Art history. TsNK MOAN, 2019. http://dx.doi.org/10.18411/spc-26-07-2019-01.
Texte intégralLakshminarayanan, Vasudevan. « Color mixing : the history of the color disk ». Dans Light in Nature VIII, sous la direction de Joseph A. Shaw, Katherine Creath et Vasudevan Lakshminarayanan. SPIE, 2020. http://dx.doi.org/10.1117/12.2570636.
Texte intégralRapports d'organisations sur le sujet "History of colours"
Fader, G. B. J., R. O. Miller et B. J. Todd. Making a three-dimensional model of Halifax Harbour, Nova Scotia, Canada. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/331507.
Texte intégralNowlan, G. S., et C. R. Barnes. Thermal maturation of paleozoic strata in eastern Canada from Conodont Colour Alteration Index (CAI) data with implications for burial history, tectonic evolution, hotspot tracks and mineral and hydrocarbon exploration. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 1987. http://dx.doi.org/10.4095/122453.
Texte intégralMartin, Kathi, Nick Jushchyshyn et Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.
Texte intégralEastman, Brittany. Micromobility, User Input, and Standardization. 400 Commonwealth Drive, Warrendale, PA, United States : SAE International, juillet 2023. http://dx.doi.org/10.4271/epr2023015.
Texte intégralIndigenous presence in Bolvian Folk Art : Folk Art in Bolivia : Celebration of Everyday Life. Inter-American Development Bank, novembre 2004. http://dx.doi.org/10.18235/0006412.
Texte intégralCreation of a full color geologic map by computer : A case history from the Port Moller project resource assessment, Alaska Peninsula : A section in Geologic studies in Alaska by the U.S. Geological Survey, 1988. US Geological Survey, 1989. http://dx.doi.org/10.3133/70180213.
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