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Littérature scientifique sur le sujet « Historicity of Form »

Auteur : Grafiati

Publié le 9 mars 2023

Mis à jour le 10 mars 2023

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Articles de revues sur le sujet "Historicity of Form"

Margolis, Joseph. « Pragmatism and Historicity ». Journal of the Philosophy of History 13, n^o 3 (22 novembre 2019) : 302–24. http://dx.doi.org/10.1163/18722636-12341430.

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Abstract This paper provides a straightforward argument that demonstrates the irreconcilability of pragmatism and transcendentalism, by way of Darwin’s failure to account for the emergence of the human self or person and the existential and historied import of the human invention and mastery of language. On the Darwinian issue, I examine the implications of Darwin’s having neglected the most important phase of the evolution of Homo sapiens – the invention and mastery of natural language, which account for the self-transformation of the human primate into a self or person (with the acquisition of competences that appear nowhere else in the animal world); and which signify a novel transformation of the evolutionary process itself – the hybrid entwining of biological and cultural forces in the formation of the self. It’s a consequence of the invention of language that accounts for the historied nature of the human form of life. I treat history and historicity as existential constraints on the human form of cognition, which introduces an ineliminable but benign form of skepticism, which I show to be incompatible with Husserl’s transcendentalism and his attempt to accommodate historicity. I take pragmatism to be committed to an existential treatment of history and historicity, in the context of reviewing George Herbert Mead’s analysis of history and historical time. The two arguments converge on the incompatibility of pragmatism and transcendentalism.

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Spaak, Claude Vishnu. « Transcendental Philosophy and Epochality : Truth and Historicity in Heidegger ». Phainomenon 27, n^o 1 (1 avril 2018) : 99–127. http://dx.doi.org/10.2478/phainomenon-2018-0005.

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Abstract This article aims at answering the following problem: since for Heidegger the historicity of Being presupposes the withdrawal of the transcendental source of such a historicity, then does Heidegger’s perspective lead to a form of relativism of the kind of an epochal historicism? If on the contrary one judges that for Heidegger there is after all, beyond the ordered unfolding of epochs in the history of Being, an ultimate transcendental or at least trans-epochal dimension, does Heidegger’s thinking lead back to an ahistorical Absolute beyond historicity? In order to answer these questions, I propose to divide Heidegger’s philosophy in three stages, rather than the two stages that have usually been retained by commentators ever since the works of Richardson, in conformity with Heidegger’s own indications regarding the Turning (Kehre) of his philosophy. Indeed, Heidegger in the 1930’s develops the notion of machination (Machenschaft) and thus gives historicity a hegemonic function in Being’s essential occurrence (Wesung), itself understood as the intensification of the program of machination starting in the Greek inceptual thinking and developing itself until today’s planetary technological era. However, after 1945 Heidegger does not think anymore that the truth of Being is entirely determined by historicity and that Being essentially abandons Dasein to machination and to its gradual historical unfolding, because there is now according to him, beyond the epochs that are destined to Dasein, a trans-epochal giving (and perhaps generous) origin of presence that constitutes the supreme cause for thinking (Sache des Denkens).

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Lotz, Christian. « The Historicity of the Eye ». Phänomenologische Forschungen 2009, n^o 1 (2009) : 79–94. http://dx.doi.org/10.28937/1000107959.

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Against a stream of culturally oriented scholars some scholars in aesthetics, such as Arthur Danto and Noel Carroll, have maintained that there is a sense of “seeing” and visual recognition that does not depend upon historical and cultural practices. This essay shows that Danto’s assumption of a difference between a “core” and an “extended” form of perception and visual recognition should be rejected. The underlying argument of my considerations in this essay is the following: the distinction between a “pure” and an “extended” perception or visual perception is untenable, since, as a phenomenological reflection can reveal, our normal mode of perception is always extended. In this vein, it is argued here that there is, after all, only one mode of perception and that Danto’s position is based on abstractions from the real phenomenon. Consequently, whereas Danto maintains that it makes sense to talk about a “natural” form of seeing, this essay argues that “seeing” is itself a culturally defined way of comportment, and that assumptions about naturalistically defined perceptual core processes turn out to be idealized constructions.

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Donahue, Luke. « Erasing Differences between Derrida and Agamben ». Oxford Literary Review 35, n^o 1 (juillet 2013) : 25–45. http://dx.doi.org/10.3366/olr.2013.0055.

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This article asks if we can learn anything new about the perhaps tired ‘debate’ between deconstruction and historicism by placing Derrida's The Beast and the Sovereign beside Agamben's Homo Sacer. While Derrida underscores many of Agamben's shortcomings and metaphysical assumptions, he submits Homo Sacer to critique rather than deconstructing (or reading) it. If we fully engage Homo Sacer, I argue, then we can track a peculiar history in which the trace ‘itself’—the trace which has no itself and thereby opens historicity in the first place—faces absolute disappearance. More precisely, while it would seem that differences can never absolutely disappear since they are the (disappearing) remains of their own disappearance, there are perhaps some erasures that destroy ahead, that destroy even and especially their ability, in the future, to return as ghosts or repeat in a different form. I conclude by suggesting that these ‘absolute erasures’—similar but not reducible to what Derrida calls ‘ash’ or ‘cinder’—introduce a historicity of difference that has remained unread.

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Grim Feinberg, Joseph. « The Story of Dialectics and the Trickster of History ». Praktyka Teoretyczna, n^o 1(43) (1 août 2022) : 131–53. http://dx.doi.org/10.19195/prt.2022.1.6.

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Drawing on Hegel’s interpretation of narrative and Lyotard’s rejection of “grand” dialectical narratives, this paper addresses the relationship between emancipatory dialectics and narrative form. It begins by establishing the intimate connection between dialectical thought and narration. On this basis, the paper argues that varying conceptions of dialectics can be associated with varying structures of narrating history. Finally, the paper makes the case for identifying a specific narrative form adequate to the radical rereadings of Hegel that have replaced the perspective of the master (the subject privileged by a given system of historicity) with the perspective of the slave (who, while excluded from historicity, struggles against this exclusion). This narrative form corresponds to none of the classical Greek genres; it is best described as a trickster tale.

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Ryabinina, Elena V., Inna I. Kovalenko et Aleksandr N. Khoroshev. « THE SPACE OF HISTORICITY IN THE DIGITAL PARADIGM OF CULTURE ». Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, n^o 42 (2021) : 124–34. http://dx.doi.org/10.17223/22220836/42/11.

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The purpose of the article is to reveal the virtual nature of historicity, clearly represented by digital practices, in a spatial aspect. The research methodology is oriented on “hermeneutical understanding”, which is interactive in nature and corresponds to the interpretational possibilities of virtual experience. The specifics of the latter conditioned a phenomenological approach to the question of the definability of the life world of subjectivity, in which the mutually exclusive factors interact. Liberal democratic reasons express the need for recreation, but they signify the unification of individuals. Historical self-consciousness is inherent in existence, but is lost in the absolute power of “here-and-now”. Sociocultural continuum bears the combination of the incompatible (grotesque), being-nonsense, but it exists as fully tangible for all. The characteristic of the transformed form of historicity, conditioned by its own virtual moment, in the aspect of space constitutes the scientific novelty of the work and allows us coming to the conclusion: the digital paradigm of space reveals the crisis of historicity through the dynamics of its virtual moment to the status of the instance of being. Thus, in terms of experiencing space, it is clear that it becomes meaningful through the image of movement based on the current accessibility of the flow. The mental quality of the space in the performance-effects is transformed into a mature declarative, and the temporality of history in the digital space is represented by the superimposition of gradations of infinity and speculative momentality in quasi-simultaneity. The movement of retrospective analysis from the unity of the historical and the logical – through the actualization of the subject – reaches a state of conditionally indefinable relation to the past. That is, the past – from the category conditioned by real facts and the deed of history – turns into a sort of a mark, from which the outlines of the future set off, loaded with “hyperreality”. The subject is a priori hypostasizing in such performances into the affective-bodily factor, manifests itself as a “hyper-sign” of the being, which is attributed to the abolition of the fullness of itself. In the sense of categorization of the basic attitude towards its reality, which is the basis of historicity, such abolition is expressed by imitation of free will, and this is obviously a comic form. The set fair obviousness and self-sufficiency of the virtual moment of historicity shows the process of canceling the obsolete integrity scenario (the subject of cultural experience) and its replacement with a virtual feature that is “prosthetic” by the digital continuum.

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Majdi, Ahmad Labib, et Iik Arifin Mansurnoor. « Fred McGraw Donner tentang al-Qur’an : Pemikiran dan Catatan Kritis terhadap Kesarjanaan Non-Muslim ». JOURNAL OF QUR'AN AND HADITH STUDIES 10, n^o 2 (31 décembre 2021) : 155–78. http://dx.doi.org/10.15408/quhas.v10i2.22273.

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This paper aims to discuss Fred McGraw Donner’s thoughts on the Qur’an and the Qur’anic studies among non-Muslim scholars. By using a concept/thought studies research design and library research, this paper outlines Donner’s thoughts on the Qur'an, which is available on various works in the form of journal articles, book chapters, monographs, or review work. The findings of this paper claim that as historian Donner succeeded in presenting critical thoughts by not accepting traditional explanations at face value and not tending to reduce the Qur’an’s theological status and its historicity. On the issue of the historicity of the Qur’an, Donner has also offered three things or three steps that can be considered as a method in the search for the historical truth of the Qur’an. These three things are starting with the Qur’an text itself, comparing the hints inside it with sira literature, and looking at the religious phenomenon of the late antique Near East.

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Çencen, Namık, et Ahmet Şimşek. « "Diriliş" by the perspective of expert historiansUsta tarihçilerin bakış açısı ile “Diriliş Dizisi” ». International Journal of Human Sciences 12, n^o 2 (27 novembre 2015) : 1377. http://dx.doi.org/10.14687/ijhs.v12i2.3435.

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Since December 2014, “Diriliş Dizisi” which is published uninterruptedly every week totally 26 episodes in TRT is closely watched by a large audience notably government in Turkey. It has been interest subject of frequentative historicity of series with music and costumes in the process. For this purpose, it is planned to be discussed on the historicity of series with thirteen historian who are defined by “master” in the field. Five of those discontinue to interview to don’t watch the series for some reason. Eight historian who said that watched regularly the series was carry out interviewers. Some of data one on one and the others through mail are obtained. Interviewers were applied to a form with 17 items about the series. The resulting data, the success of historicity of the series and deficient historicity main axis were evaluated. According to historians interviewed “diriliş” series “in general” it has been successful. Interview almost all of historians have been found very successful especially the costumes, dress that are represent. Still almost all these historians normally have been met unsuitable with certain historical facts because of based on a scenario of series. In contrast, they found fault point expressed in many articles regarding the historicity of the material. A large number of a support that is given by expert consultant team will prevent this obvious mistake. Again a large part of the master historian, as in the example “diriliş” stated that they welcome the expansion of the historical series. ÖzetAralık 2014 yılından beri TRT’de 26 bölümü kesintisiz olarak her hafta yayınlanan “Diriliş Dizisi” Türkiye’de başta devletin üst kademeleri olmak üzere geniş bir kitle tarafından ilgiyle takip edilmektedir. Süreç içinde müziği ve kostümleriyle sık gündeme gelen dizinin tarihselliği merak konusu olmuştur. Bu amaçla alanında “usta” olarak tanımlanan on üç tarihçiyle dizinin tarihselliği üzerine görüşülmesi planlanmıştır. Görüşüne başvurulan beş tarihçi diziyi çeşitli sebeplerden dolayı izleyemedikleri için görüşmeyi sürdürmemişlerdir. Düzenli olarak diziyi izlediğini söyleyen sekiz tarihçi ile kapsamlı görüşmeler yapılmıştır. Verilerin bir kısmı birebir görüşme yoluyla bir kısmı ise elektronik ortamda yazışmalar ile elde edilmiştir. Görüşmecilere dizi hakkında 17 maddelik bir form uygulanmıştır. Elde edilen veriler, dizinin tarihselliğinin başarısı ve eksikleri ana ekseninde değerlendirilmiştir. Görüşülen tarihçilere göre “Diriliş” dizisi “genel olarak” başarılı bulunmuştur. Görüşme yapılan tarihçilerin tamamına yakını özellikle kostümler, kılık kıyafetler temsilini oldukça başarılı bulmuştur. Yine bu tarihçilerin tamamına yakını, dizinin bir senaryoya dayanması nedeniyle bazı tarihsel gerçeklere uymamasını normal karşılanmıştır. Buna karşın görüşüne başvurulan tarihçiler dizinin tarihselliğine ilişkin pek çok maddede hatalı buldukları noktaları dile getirmiştir. Dizinin çok daha geniş bir uzman danışman kadrosunca desteklenmesinin bu bariz hataları önleyeceği belirtilmiştir. Usta tarihçilerin yine büyük bir kısmı, “Diriliş” örneğinde olduğu gibi tarihsel dizilerin yaygınlaşmasından memnuniyet duyduklarını ifade etmişlerdir.

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Кубина, Екатерина Алексеевна, et Марина Андреевна Барейчева. « Preservation of the historicity of the socialist city district in the process of renovation (Ekaterinburg) ». Академический вестник УралНИИпроект РААСН, n^o 1(52) (30 mars 2021) : 20–26. http://dx.doi.org/10.25628/uniip.2022.52.1.004.

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В статье проанализирован район-соцгород Уралмаш в Екатеринбурге как исследовательское поле для программы реновации, выявлены его основные территориальные проблемы (недостаток социальной инфраструктуры, уровень преступности и т. д.). Изучены мировые практики успешной реновации схожих с объектом исследования территорий, учитывающие их историчность, полученная информация структурирована в формате сравнительного анализа, сформирована когнитивная карта района. Результаты аккумулированы в форме первоочередных решений в рамках реновации микрорайона Уралмаш с упором на сохранение культурной историчности территории. The authors analyzed the Uralmash socialistic city district in Yekaterinburg as a research field for the renovation program, identified the main territorial problems (lack of social infrastructure, crime rate, etc.). The world practices of successful renovation of territories similar to the object of study, taking into account their historicity, are studied, the information obtained is structured in the format of a comparative analysis, and a cognitive map of the area is formed. The results are accumulated in the form of priority decisions within the framework of the renovation of the Uralmash microdistrict with an emphasis on preserving the cultural historicity of the territory.

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Blair, Sara. « Visions of the tenement : Jews, photography, and modernity on the lower east side ». IMAGES 4, n^o 1 (2010) : 57–81. http://dx.doi.org/10.1163/187180010x547648.

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AbstractScholars have recently begun to focus on the problem of explaining a signal phenomenon: the preponderance of Jews (the so-called “people of the book”) in the development of modern photography. Against identitarian readings, this essay stresses the embeddedness of photography’s developing interests in a specific site in which both Jewishness and modernity were being made and remade: the variably iconic Lower East Side. Long imagined as a world apart, that space embodied the most profound and urgent paradoxes of historicity; it became a proving-ground for the powers of the camera to document new urgencies of social experience, and the experience of historicity itself. In particular, the built landscape and the iconography of its distinctive form, the tenements, became a resource for photographers of various affiliations for new stylistics and registers of response. Focusing on the difference the Lower East made to photographic practice, this essay aims to bring into view the importance of that site to the emergence of postwar photography, and to account more richly for the complex relations between Jewishness and visual practices.

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Thèses sur le sujet "Historicity of Form"

Sourgen, Gavin Oliver. « 'Artlessness and artifice' : Byron and the historicity of poetic form ». Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:c5487012-3205-483f-9a98-4e679662a74d.

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This thesis examines the conscious amalgamation of conflicting forms in Byron’s verse, and how these forms strain to create meaning in the processes of his poetry. Through a series of close readings and critical engagements with other Romantic poets, I endeavour to show how Byron’s poetry is often a rich site of contention between revolutionary and conservative impulses; both in its style and subject matter, and more often than not, in the complicated relationship between them. Beginning with Byron’s problematic place in the English Romantic canon, I attempt to lay a foundation for my claims that for all his mistrust of closed systems and predetermined positions there remained an urging desire to reconcile definitive artistic contour with internal form-developing process in many of his most intense poetic engagements. In his efforts at reconciling an awareness of the ever-moving provisional nature of subjectivity with a deep-rooted demand for evaluative permanence, Byron habitually employs a hybrid poetic idiom which seeks to be both timeless and time specific. In many of his most distinctive compositions, Byron holds a so-called ‘High Romantic’ lyrical mode, in which meaning is immersed in a persistent flowing rhythm, in tension with an eighteenth-century rhetorical style in which the careful placement of weighty words offsets its continuity to striking effect. By bookending my enquiry with Byron’s penetrating discursive conflicts with the naïve lyrical impulses of Wordsworth’s blank verse and what he perceived as the rhetorical appropriations of Keats’s poetry, I wish to demonstrate that Byron’s poetry enacts a curious meeting of nature and culture by a refusal to cleave them.

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Mack, Ruth. « Literary historicity literary form and historical thinking in mid-eighteenth-century England / ». Available to US Hopkins community, 2003. http://wwwlib.umi.com/dissertations/dlnow/3080723.

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Alexander, Sandra Kaye. « Form, flesh and art's historicity : the themes of human embodiment and visual art in the work of Merleau-Ponty ». Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.288906.

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BARBAGLIA, LUCA. « RECEPTION AND LEGACY OF ERNST CASSIRER'S THEORY OF SYMBOLIC FORMS IN THE PHILOSOPHY OF WALTER BENJAMIN ». Doctoral thesis, Università degli Studi di Milano, 2021. http://hdl.handle.net/2434/869966.

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This work reconstructs biographical, bibliographical and theoretical aspects of Walter Benjamin’s ideas in comparison to those of Ernst Cassirer. Its primary question asks: was Cassirer’s notion of symbol, as embedded in the philosophical context of his milieu, a primary element of Benjamin’s peculiar and lifelong investigation of the cultural and the perceptive, and of their mutual contamination? In answer, it constructs a historiographical survey of Benjamin’s Weltanschauung prior to encountering Professor Cassirer at the University of Berlin in the early 1910s. It investigates the impact and influence of Cassirer’s work on Benjamin, from his time as Cassirer’s student until the last years of Benjamin’s life. The form, role and development of the concept of symbol in Benjamin’s research is analysed from the early project of an epistemology to the academic failure of the Trauerspielbuch. It pays particular attention to the dimensions of the linguistic and the mythical, two main areas to which Cassirerian analysis was also addressed at the same time. In the last section, some key concepts of Benjamin’s philosophy are examined. Of particular interest is the relation between “choc”, the “medium of perception”. These are viewed through a theoretical analysis and comparison of several sources, and in the context of the configurative possibilities that Cassirer had previously ascribed to symbolization.

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Myers, Tony. « Postmodernism and historicity : narrative forms in the contemporary novel ». Thesis, University of Stirling, 1998. http://hdl.handle.net/1893/1809.

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This study proposes that modernity is constitutively based upon a synchronic temporality which perpetuates the present of the ego. Within this matrix, history is subject to the processes of subjectivization and the 'otherness' of the past disappears. Postmodernism, it is argued, designates the attempt to disinter a properly historical thinking, or historicity, from the recursive temporality of the modern. This attempt is predicated upon the retroactive temporality of the future perfect which, whilst also a synchrony, arises from a productive tension between the past, the present and the future. The self-divisive time of the future perfect expedites the discomfiture of the ego and its concomitant subjectivization of the past and, by so doing, registers the historicity of that past. The relation between the modern and the postmodern forms of temporality is expressed by the Lacanian distinction between the imaginary and symbolic orders. It is argued, moreover, that this distinction is manifest in the narrative forms of the contemporary novel. Whilst the modern form of the contemporary novel replicates the structures of an egocentric repletion of synchrony, the postmodern novel displaces this imaginary problematic to the symbolic. By employing a variety of techniques founded upon retroactivity, postmodern novels are thereby shown to foster a disclosure of the structure of historicity. Within this rubric five novels are given extended consideration: William Gibson's Neuromancer, Bret Easton Ellis's American Psycho, Thomas Pynchon's The Crying of Lot 49, Kurt Vonnegut's Slaughterhouse-Five and John Banville's Doctor Copernicus.

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Folliot, Laurent. « Des paysages impossibles : nature, forme et historicité chez W. Wordsworth et S.T. Coleridge ». Phd thesis, Université de la Sorbonne nouvelle - Paris III, 2010. http://tel.archives-ouvertes.fr/tel-00881236.

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Souvent perçu comme le poète de la " nature " par excellence, William Wordsworth serait bien plutôt celui qui a donné définitivement congé à une riche tradition descriptive, puisque les évocations du paysage sont chez lui bien plus rares que chez tous ses prédécesseurs du XVIIIe siècle. Le présent travail se propose de prêter attention à cette raréfaction, qu'on peut également voir, sur le plan de l'histoire esthétique, comme le moment d'émergence d 'une modernité abstraite. La poésie wordsworthienne, qui a pour ambition de refonder le langage et les formes poétiques par un retour à l'authenticité de la nature, apparaît indissociablement comme une rupture avec un mode essentiel de la première modernité anglaise, celui des Géorgiques. Elle prend ainsi acte de la crise de la représentation qui affecte l'optimisme du XVIIIe siècle et qui empêche désormais de voir dans le paysage la manifestation d' un ordre providentiel. Le " romantisme " anglais est ce qui surgit au défaut de la cosmologie, pour témoigner d'une fondamentale absence au monde. Cette évolution est ici étudiée en deux temps. On s'attachera d'abord à retracer, dans son détail, la trajectoire de la poésie de jeunesse de Wordsworth et de Coleridge, pour montrer que le moment refondateur de Lyrical Ballads intervient au terme d'un épuisement des formes et de la topique qui garantissaient traditionnellement l'intelligibilité du cosmos. Et l'on abordera ensuite trois moments distincts de la maturité poétique de Wordsworth [1798, 1802, 1807], qui suggèrent que le retour de l'idéologie dans son œuvre répond intimement à l'ébranlement radical dans lequel elle trouve son inspiration.

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Privalov, Roman. « Storytelling for the social media age : A study of mediated historicity and political narratives in “1917. Free history” ». Thesis, Stockholms universitet, JMK, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144028.

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Scholarship on politics and popular culture is constantly evolving in the field of media and communications. Analyzing diverse types of mediated texts, especially the ones that are structured as narratives, such works aim to show how the cultural evolves from the political and vice versa. While storytelling in social media has attracted many scholars, it is mostly neglected from the perspective of politics and popular culture. The probable reason for this is that social media for long time have not introduced any new types of popular culture mediated texts, which would be impossible to imagine without the opportunities of Web 2.0. Through examining “1917. Free history” – a project dedicated to the anniversary of the Russian revolution – this study aims to fill the research gap and expand the scholarship on politics and popular culture to the storytelling in social media. It examines the theoretical paradigm of mediated historicity with the help of content analysis, and the concepts of narrative, myth and ideology with the help of narrative analysis. For the former, the results show how remediation in pursuit of immediacy, expressed in implicitly hiding the initial contexts of production of the texts, constructs the mediated historicity of the project. For the latter, the results show that the political narratives of “1917” are constructed as agoras holding different competing myths which make equipollent ideologies appear natural. These practices are mutually beneficial and their interconnections are understood by applying a theory of the Russian identity which corresponds to the notion of identity as a national mythscape. This work could have a potential impact on narrative and discourse methodologies for the popular culture mediated texts in social media. It could also contribute to the theoretical debates on mediated historicity and research on national identity, cosmopolitan identity and nationalism in social media.

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Stutesman, Drake. « Do you see what I mean ? : an 'inner law of form' in Susan Howe's historicism ». Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.343376.

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Sebbowa, Dorothy. « Towards a pedagogical framework for construction of historicity : a case of using Wikis among pre-service teachers at Makerere University ». Doctoral thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/23049.

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This thesis originates from the realization that the pedagogy of history is becoming dangerously obsolete, as it does not always relate to the contemporary needs of 21st century learners, who often find learning history irrelevant to their present situation. This challenge is attributed to, among other reasons, the way history is taught employing largely behaviorist pedagogies with significantly reduced active learner engagement and little alignment to the way today's students learn. Gadamer's historical hermeneutic theory was employed to advocate for a dialogical approach between the past (part) and the present (whole) mediated by Emerging Technologies, specifically Wikis. Thus, the study is guided by three research questions: firstly, how is historicity constructed on the Wiki platform among pre-service teachers at Makerere University? Secondly, how is authenticity of history meanings constructed among pre-service teachers? Thirdly, what design principles guide a pedagogical framework for construction of historicity? A Design Based Research Methodology (DBR), with theoretically informed solutions aligned to the study problem, was used among pre-service teachers enrolled at Makerere University, Uganda, for the period 2013-2016. Consequently, four phases of DBR were employed: identification of the problem by the researcher in collaboration with practitioners; development of solutions informed by existing design principles and technological innovation; iterative cycles of testing and refinement of solutions and finally, reflection to produce design principles and enhance solutions (Reeves, 2006). Data from questionnaires, interviews and observations on the Wiki was gathered and analyzed through a hermeneutic cycle-driven analysis during DBR phase three. Key findings demonstrated that historicity is constructed through dialogical engagements between educator/researcher and students mediated on the Wiki. Authenticity of history meanings is achieved through collaborative editing, reviewing and sharing understandings on a Wiki. The practical contribution of this research lies in the creation of design principles (i.e. connecting with the present, appreciating heritage, dialogue in history, doing history, validating history and applying history) and a pedagogical framework to be used for the construction of historicity mediated by Wikis, while the theoretical contribution lies in the methodological approach of using DBR to systematically implement and operationalize historical hermeneutics theoretical constructs in History Education in the Ugandan context.

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Stanford, Jennifer Renee. « Leo Strauss and the Problem of Sein : The Search for a "Universal Structure Common to All Historical Worlds" ». PDXScholar, 2010. https://pdxscholar.library.pdx.edu/open_access_etds/91.

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Leo Strauss resurrected a life-approach of the ancient Greeks and reformulated it as an alternative to the existentialism of his age that grew out of a radicalized historicism. He attempted to resuscitate the tenability of a universal grounded in nature (nature understood in a comprehensive experiential sense not delimited to the physical, sensibly-perceived world alone) that was historically malleable. Through reengagement with Plato and Socrates and by addressing the basic premises built into the thought of Friedrich Nietzsche and Martin Heidegger, Strauss resurrected poetry (art, or the mythos) that Enlightenment thinkers had discarded, and displayed its reasonableness on a par with the modern scientific approach as an animating informer of life. He thereby placed philosophy in a place subservient to poetry/the mythos, as had the ancients.

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Livres sur le sujet "Historicity of Form"

The shadow of the Galilean : The quest of the historical Jesus in narrative form. Philadelphia : Fortress Press, 1987.

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Theissen, Gerd. The shadow of the Galilean : The quest of the historical Jesus in narrative form. London : SCM Press, 1987.

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The shadow of the Galilean : The quest of the historical Jesus in narrative form. Minneapolis : Fortress Press, 2007.

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Der Schatten des Galiläers : Historische Jesusforschung in erzählender Form. München : Kaiser, 1986.

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The God of Jesus : The historical Jesus and the search for meaning. Harrisburg, Pa : Trinity Press International, 1998.

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Ghini, Agnese. Le forme della tradizione in architettura : Esperienze a confronto. Milano : F. Angeli, 2005.

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Trials of authorship : Anterior forms and poetic reconstruction from Wyatt to Shakespeare. Berkeley : University of California Press, 1990.

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Kazakova, Gandalif. The problem of formation of romantic historicism and rehabilitation of medieval culture in the creative heritage of F. R. de Chateaubriand. ru : INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/1044190.

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The monograph is devoted to the literary and scientific heritage of the famous French writer, historian, philosopher, thinker, diplomat and statesman F. R. de Chateaubriand, whose scientific works were practically unknown to the Russian reader for many decades. Being the founder of French romanticism and laying the main elements of this direction of culture, F. R. de Chateaubriand nevertheless causes numerous disputes and questions. The monograph shows the process of formation of the writer's romantic worldview on the example of his early works, which still retain traces of the literature of the XVIII century and already carry new romantic trends of the XIX century. The author also presents the facts of the writer's biography and analyzes a number of his historical works devoted to medieval France. From the Renaissance until the end of the XVIII century, one of the elements of medieval architecture and Christian religion-Gothic architecture — was perceived as something negative, barbaric, rude, completely inconsistent with the aesthetics of the XVI — XVIII centuries. F. R. de Chateaubriand was one of the first researchers who discovered the beauty of Gothic churches and the color of national history to the mass reader at the turn of the XVIII—XIX centuries. The rehabilitation of Gothic architecture was accomplished by F. R. de Chateaubriand in his Treatise "the genius of Christianity". The famous "forest theory" of the origin of Gothic helped to "remove" negative assessments of the middle Ages and influenced the formation and development of romanticism both in France and in other European countries. It was F. R. de Chateaubriand's idea of the relationship between medieval architecture and Christian consciousness that influenced all the subsequent development and formation of the history of medieval art. For a wide range of readers interested in the history of literature.

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Theissen, Gerd. The Shadow of the Galilean : The Quest of the Historical Jesus in Narrative Form. Fortress Press, 2007.

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Theissen, Gerd. The shadow of the Galilean : The quest of the historical Jesus in narrative form, translated from the German by John Bowden.. S.C.M.P., 1987.

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Chapitres de livres sur le sujet "Historicity of Form"

Li, Xiaoxi, et Ye Zhang. « Integrated Examination of Urban Form : Historicity ». Dans Conserving and Managing Historical Urban Landscape, 71–88. Singapore : Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4222-8_5.

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Li, Xiaoxi, et Ye Zhang. « Integrated Examination of Urban Form : Historicity and Socio-economic Vibrancy ». Dans Conserving and Managing Historical Urban Landscape, 89–155. Singapore : Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4222-8_6.

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Demirović, Alex. « The Historicity of Materialism and the Critique of Politics ». Dans Materialism and Politics, 313–26. Berlin : ICI Berlin Press, 2021. http://dx.doi.org/10.37050/ci-20_17.

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This chapter proposes one definition of critical materialism and a critique of politics based on several authors from Marx to Foucault. This critique occurs in several stages and unfolds as a criticism of universals such as human freedom, general interest, political rationality, or reconciled political community. The decisive materialist-historical question, then, is which of the different materialities is dominant at a certain point of time. I argue that Marx condemns politics as an illusion. He thought of ‘political reason’ as a form of ‘spiritualism’. Hence, critical materialism argues for a move away from the illusion of politics.

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Attoe, Aribiah David. « From Causality to Predeterministic-Historicity (PDH) ». Dans Groundwork for a New Kind of African Metaphysics, 59–75. Cham : Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-91109-6_4.

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Tewari, Saurabh, et Aurgho Jyoti. « Holistic Socio-environmental Design : Practices Through Making, Craft, and Historicity ». Dans Research into Design for Communities, Volume 2, 47–57. Singapore : Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-3521-0_4.

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Rawes, Alan. « Romantic Form and New Historicism : Wordsworth’s ‘Lines Written a Few Miles above Tintern Abbey’ ». Dans Romanticism and Form, 95–115. London : Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230206144_6.

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Woltersdorff, Volker. « Sexual Ghosts and the Whole of History ». Dans De/Constituting Wholes, 31–45. Vienna : Turia + Kant, 2017. http://dx.doi.org/10.37050/ci-11_02.

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There is a complex historical dimension to desire. Desire can never be isolated from history, nor can history be isolated from desire. Yet for Fredric Jameson, who urges us to ‘always historicize’, desire is of little help when we want to historicize. A historiography that draws on the fascination with history is therefore always suspect of giving a false account of history in its totality. Could an entanglement of pleasure and pain be a way to come to terms with desire in historiography?

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Rombai, Leonardo. « Massimo Quaini : geografia storica, fonti, conoscenze territoriali e loro uso politico e socio-culturale ». Dans Il pensiero critico fra geografia e scienza del territorio, 65–79. Florence : Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-322-2.06.

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Quaini's commitment is aimed – with the development of the Gambian concept – towards the construction of a critical and operational historical geography (usable for the aware and sustainable management, institutional planning and socio-cultural use of territories), through innovative theoretical-methodological reflections and concrete case studies: with a focus on the landscape-territorial historicity and the heritage of regions and places, and openness to interdisciplinarity and local knowledge, integrating – with exemplary critical contextualization – the written and graphic documentary sources with those of the terrain.

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Saave, Anna. « Teaching Feminist Economics. Conceptual Notes and Practical Advice for Teaching a Subject in the Making ». Dans Wirtschaft neu lehren, 77–92. Wiesbaden : Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-30920-6_6.

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AbstractTeaching feminist economics is a relatively new didactical project posing questions of content and methodology for instructors. The article proposes three possible topics with regard to the changing nature of the emergent research field: introducing feminist economics as a mode of questioning, showing its historicity and spectrum, and asking the question of a unifying paradigm. Complementarily, the article identifies teaching methodologies and aspects to consider for teaching according to feminist economics’ theoretical insights. This includes the role of experiences, the need for instructors to change perspectives, and the idea of caring and holding as starting points for a feminist pedagogy.

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Max, Charles, Gudrun Ziegler et Martin Kracheel. « Tracing Science in the Early Childhood Classroom : The Historicity of Multi-resourced Discourse Practices in Multilingual Interaction ». Dans Science Education for Diversity, 119–49. Dordrecht : Springer Netherlands, 2013. http://dx.doi.org/10.1007/978-94-007-4563-6_7.

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Actes de conférences sur le sujet "Historicity of Form"

Coll-Pla, Sergio, Tatiana Medina-Sánchez, Denis Mayta-Ponce, Daniel Málaga-Montoya, Fernando Cuzziramos-Gutiérrez et Agustí Costa-Jover. « Qualitative, historical, spatial, stylistic, and social assessment of heritage buildings in Arequipa for Cultural Heritage teaching in Schools of Architecture ». Dans HERITAGE2022 International Conference on Vernacular Heritage : Culture, People and Sustainability. Valencia : Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/heritage2022.2022.15255.

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The old town of Arequipa - Peru was declared a World Heritage Site by UNESCO in 2000. The architectural style of the buildings in the city of Arequipa has evolved, adapting to the prevailing architectural trends over time, and to the constant earthquakes that have marked the pattern of its transformation through history. Some of the main identified styles are Andean baroque, neo-colonial, historicist, modernist, and postmodernist. This project proposes a qualitative, historical, spatial, and stylistic analysis of the buildings built in the city according to academic criteria and the collective memory of the inhabitants of Arequipa. The applied method consists of a stage-by-stage evaluation of the main representative buildings in the city using mapping and matrix tabulations from graphic documentation, in situ surveys, academic criteria according to the categories of antiquity, historicity, instrumentality and artistic value. In addition, the study aims to reflect the point of view of the buildings’ inhabitants, whilst becoming a useful tool for them. It will result in the development of a catalog of relevant buildings that will help to understand their representativeness in society.

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Tekeoğlu, Muammer. « Socio-Economic Transformation and Historicality ». Dans International Conference on Eurasian Economies. Eurasian Economists Association, 2017. http://dx.doi.org/10.36880/c08.01947.

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Socio-economic transformations can be understood more clearly in the history of the broad period. Accordingly, we can speak of the rise and fall of civilizations. Numerous civilizations have formed in the world and many have disappeared. In this respect, the 21st century also undergoes important civilization transformations. In this century of technological change, the computer algorithm has reached a position that exceeds human intelligence for the first time. It is a serious danger for mankind that the control of political, social sovereignty are subject to a limited elite control, as well as significant differences in development between countries that have it and those who do not. It is envisaged that many areas of human endeavor will not be needed due to artificial intelligence tools and this will create a serious unemployment problem. This means that the freedoms of the individual and the individual will become insignificant. Therefore, there is a need for global co-operation that protects freedoms and regulates ethical norms in the 21st century. In particular, the proliferation of interdisciplinary studies is important, as social science studies tend to focus more on this field. So, in the future, either liberal freedoms will live or the dominance of computer algorithms called "dataism" will lead to a new "slavery" system. Within this context, it is hoped that Turkish Islamic civilization can create an alternative. This is because; in the past of this civilization there is an ideology that glorifies mankind. Especially with the leadership of Turkey it is possible to release this civilization from "twilight". The presentation includes titles for the breakthroughs to be made in this area.

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Ardava-Āboliņa, Laura. « 30 Years after the Barricades of January 1991 : Media Event for the Transfer of Collective Memory and Knowledge of History ». Dans 80th International Scientific Conference of the University of Latvia. University of Latvia Press, 2022. http://dx.doi.org/10.22364/htqe.2022.74.

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In the middle of pandemic, January 2021 marked the 30th anniversary of the Barricades of January 1991. Media events have the function of transmitting social memory and teaching history to an audience of children, young people, and people who do not have these memories in their personal experience. Sociologist John Thompson introduced the concept of ‘mediated historicity’ almost two decades ago. He explained that most individuals in Western societies gained their knowledge on 20th century history primarily from media products (Thompson, 2004). The study analyzes the discourses of remembrance of the Barricades in the most popular media in Latvia: “Latvian Television”, www.delfi.lv, Channel TV, www.tvnet.lv, “Latvian Radio 1” (Media Literacy of the Population of Latvia: Quantitative Research, 2020), paying particular attention to the content of the remembrance (exhibitions, concert programs, memories, documentaries, photo competitions for young people, book openings, etc.). The theoretical basis of the research is formed by the theoretical approaches of media event and mediated historicity. Media messages was analyzed with the discourse historical method by Ruth Wodak. The research results confirm the impact of the current epidemiological situation on the sense of the commemoration forms and the emotions of the participants, new educational dimension and orientation towards the past.

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Lee, Kyungmee, Tae-Jong Kim, Aras Bozkurt, Olaf Zawacki-Richter, Berrin Cefa Sari et Victoria I. Marin. « Discourses of Distance Education and COVID-19 in South Korean News between 2019 and 2021 : A Topic Modeling Analysis ». Dans Tenth Pan-Commonwealth Forum on Open Learning. Commonwealth of Learning, 2022. http://dx.doi.org/10.56059/pcf10.8809.

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This paper aims to identify dominant discourses of distance education that emerged in Korean society before, during, and after the COVID-19 outbreak in January 2019. To achieve the aim, the authors have conducted a Topic Modeling analysis of 8,865 news articles published by 54 South Korean media outlets between 2019 and 2021. As a result, five key topics and the top 10 keywords associated with each topic have been identified for 2019, 2020, and 2021, respectively—15 topics and 150 keywords in total for the three years. There have been meaningful shifts not only in the quantity of news articles published each year but also in the quality of conversations presented in those articles on distance education. This article carefully analysed and reflected both continuity and discontinuity of distance education discourses in Korean society. Based on the results, we have drawn four discussion points: a) the normality of DE discourses, b) the historicity of DE discourses, c) the maturity of DE discourses, and d) the partiality of DE discourses. Despite the specific cultural context from which the four points were drawn, the discussions offer valuable insights applicable to different cultural contexts.

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Slabin, Uladzimir. « VERKHOVSKY EPONYMS IN THE EPOCH OF EDUCATIONAL ETHNOCENTRISM ». Dans Proceedings of the 2nd International Baltic Symposium on Science and Technology Education (BalticSTE2017). Scientia Socialis Ltd., 2017. http://dx.doi.org/10.33225/balticste/2017.122.

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Being of didactic and axiological potential, eponyms are important for science education, in particular for implementing the principles of humanization and historicism. Reviewing literature for dictionary of chemical eponyms, an unusual publication on teaching chemistry was found. It contained a number of self-introduced eponyms, no one of them is in use nowadays. Implications of the time the book was published at, ethnocentrism in education are discussed. Keywords: chemical eponyms, laboratory equipment, chemistry teaching, Verkhovsky, ethnocentrism.

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Batalov, Andrey. « The Struggle for the Historicity of Research Methods in 1960s-1980s and the Role of “Drevnerusskoe Iskusstvo” Periodical Issues in Studying Russian Medieval Architecture ». Dans Proceedings of the 2019 International Conference on Architecture : Heritage, Traditions and Innovations (AHTI 2019). Paris, France : Atlantis Press, 2019. http://dx.doi.org/10.2991/ahti-19.2019.30.

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Kapralov, A. « PHYSICS WORKBOOK FOR EXTRA-COURSE ACTIVITIES IN THE PRIMARY SCHOOL ON THE BASIS OF THE IMPLEMENTATION OF THE PRINCIPLE OF HISTORICISM ». Dans Modern problems of physics education. Baskir State University, 2021. http://dx.doi.org/10.33184/mppe-2021-11-10.148.

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Beltran, Sandra, Manoela Lopes, Rodolfo Vilela, Marco Querol, Gabriel Eroico et Ildeberto Almeida. « Expanded Method of Accident Analysis and Prevention – MAPAEX : an incident analysis in a railway company ». Dans 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1002630.

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Introduction. Organizational and systemic analyses of workplace accidents do not include systematic methods of stimulating workers' learning and empowerment. Objective. The purpose of this study is to present an incident analysis in a railway passengers transport system using the Expanded Method of Workplace Accident Analysis and Prevention (MAPAEX). Methodology. MAPAEX is a collaborative tool that looks at the accident as an unexpected result of contradictions among the different elements of an activity system. A contradiction is a historically accumulated structural tension within and between activity systems. Identifying contradictions in the activity development subsidizes the elaboration of hypotheses about their origins. The proposition of solutions implies in modeling the activity system to overcome the identified contradictions and stimulate a movement towards a safer and more efficient production. Results. In this paper, a case study on the application of MAPAEX is presented with emphasis on the phases of analysis and solution modeling, which are centered on historicity, contradictions, and mediations in activity systems. The workers who participated analyzed an incident and understood the causes of the event in a systemic way, with emergence of their protagonism. With MAPAEX as a formative intervention, the researchers stimulated local actors to analyze problems consecutively, looking for innovative solutions through reconceptualization of the object/motive of the work activity. Discussion. This new accident analysis method combines activity ergonomics and activity theory. The multi-voice collaboration and a systemic approach develop expansive learning. Differences between this method and other systemic approaches are highlighted. Conclusions. MAPAEX showed to be a powerful tool for the development of analysis of workplace accidents, contributing with the innovation of concepts and methodological and practical procedures.

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Francel, Andrés. « Tensiones ideológicas y materializaciones de una ciudad intermedia a comienzos del siglo XX : paradigmas y repercusiones en la ciudad contemporánea : Ibagué, Colombia (1910-1935) ». Dans Seminario Internacional de Investigación en Urbanismo. Barcelona : Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6142.

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A comienzos del siglo XX se implementaron tres modelos de planeamiento urbano en Colombia: el embellecimiento urbano historicista, la Ciudad jardín y la Ciudad funcional. Simultáneamente, se repudiaron y amalgamaron, dinámicas de las cuales surgieron los pensamientos prospectivos sobre las ciudades colombianas. El conflicto de intereses ideológicos, sociales, económicos y políticos que conllevaron estos lineamientos nacionales de desarrollo urbano es estudiado en Ibagué, población que debió asumir su transformación de ignorada aldea colonial a ciudad capital de Departamento y centro logístico y comercial del país, de acuerdo a su posición geográfica. Las interpretaciones para estas dinámicas proceden del examen comparativo de las actas notariales, la cartografía histórica, las publicaciones periódicas y las colecciones fotográficas de la época. In the early twentieth century were carried out three models of urban planning in Colombia: City beautiful, Garden city and Funtional city. At the same time, were repudiated and amalgamated, dynamics of which emerged prospective thoughts on Colombian cities. The conflict of ideological, social, economic and political interests that led to these national guidelines of urban development is studied in Ibague, that must assume its transformation from an ignored departmental colonial town to the capital city of Deparment and the logistical and commercial center of the country, according to its geographical position. Interpretations for this dynamic come from the comparative examination of the affidavits, historical maps, periodicals and photographic collections of this time.

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Cerasoli, Mario, et Rolando Mauricio Biere Arenas. « The sustainable future of the smaller historical centres, between "modulation of the protection" and new technologies ». Dans Virtual City and Territory. Barcelona : Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8163.

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The smaller historical centres can play an important role in the rebalancing of the territory, reversing the trends (now also historical) to urban concentration and metropolisation. In an specific time of slowing urban growth, a greater attention to the rehabilitation and expansion of the concept of historicity, also to peripheral areas of the city and at the same time of the rural landscape, always more often the urban policies aim to reconnect the (interrupted) relations between historical city and territory, in order to build new development strategies centred on the complex identity of the historical places. The possibilities and perspectives aimed to increasing the “attractiveness” of the smaller historical centres requires a “healthy combination” of criteria for urban intervention, starting from the “modulation of protection”, building restoration and use of new technologies, at urban level (in the logic of new “mini-Smart cities”) as building level (energy efficiency, etc.) The "modulation of protection" is based on a scrupulous historical-critical reading of the historical centre and has as the main objective to prevent its "freezing". It process consists of a set of rules for "correct behaviour" to provide the maintenance, restoration and conservation of these areas or parts of the historic building heritage, remained essentially unchanged (compared, for example, with the historical land registers) and, at the same time, allows the controlled transformation of the buildings that in the past have been transformed and today retain only the function of “urban footprint”. The new ICT (digitals), the ability to “move” data and information instead of people, more clean energy due renewable sources, constitute a renewed opportunity to enhance and Re-inhabiting the smaller historical centres. While so it is important to protect these realities within the cultural landscape they are inserted, on the other it is possible rethink them in a smart key, identifying possibilities for a sustainable revitalization and regeneration. In this framework, we will present some study experiences conducted under the framework of the research seminar on Recovery of the historical centres of the research Master's degree in Land Management and Valuation of the UPC. In each case we will present methodological and thematic aspects; spatial analysis, strategies and policies for the conservation, maintenance and transformation, determination of assets and their classification, key projects and finally relevant aspects of the proposed Master Plans developed in the minor historical centres studied.

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Rapports d'organisations sur le sujet "Historicity of Form"

Bohuslavskyj, Oleh. UKRAINIAN-CANADIAN NEWSPAPER “NEW PATHWAY” : WINNIPEG PERIOD (1941-1977). Ivan Franko National University of Lviv, février 2022. http://dx.doi.org/10.30970/vjo.2022.51.11391.

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The subject of the study is the ideological, financial, economic and socio-social conditions of the publishing house and the editorial board of the magazine “New Pathway” Winnipeg period 1941-1977. The main objectives is to determine the peculiarities of the conditions of publishing a Ukrainian magazine in exile, which provides for the systematization and introduction into scientific circulation of factual material on creative and material activities of the “New Pathway” and socio-political environment that influenced the information and ideological and business policy of the publication. The basis of the research methodology is axiological, cultural, systemic approaches; methods of historicism, analysis, synthesis, generalization were used. The study provides not only a description of the historical path of the publication in this period, but also the reasons for miscalculations and successes, both financial and economic and socio-political, which allowed not only to stay in the information field and market for more than ninety years, technical circumstances of its existence, the political struggle in the new wave of emigration after World War II, changes in demographic and linguistic situation among the Ukrainian diaspora in Canada. The reasons for the situational increase and decrease in the activity of the publication’s subscribers were identified; the mechanisms of expanding the readership, attracting new readers and authors are analyzed; confirmed that the efforts of editors and directors of the publishing house at the initial stage of the Winnipeg period created and strengthened the material and technical base of the publishing house, conducted advertising campaigns and direct work to attract new subscribers and readers; The significance of the study is that for the first time in Ukraine the information about the Winnipeg period of the Ukrainian-Canadian weekly “New Pathway”, its financial and financial problems and creative and editorial successes was analyzed and summarized, thus filling another page in the history of Ukrainian diaspora periodicals.

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