Thèses sur le sujet « Haute-Vienne (France) – 20e siècle »
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Tabutaud, Amandine. « Les genres à l'épreuve de la désindustrialisation : ouvrières de Seine-Saint-Denis et de Haute-Vienne (années 1950-2000) ». Electronic Thesis or Diss., université Paris-Saclay, 2023. http://www.theses.fr/2023UPASK012.
Texte intégralThe aim of this thesis is to examine the representations of deindustrialization through conflicts, public policies, and the experiences of women workers, based on gender.Ile-de-France and Limousin offer a new perspective to understand the process from a gender perspective, alongside the emblematic industrial basins hit by deindustrialization. By leaving the geographical areas usually studied which are characterized by their mono-industry and their male workforce, and by adopting a comparative approach, the plurality of the modes of deindustrialization is highlighted. They disrupt the industrial life of the spaces studied and clash with the lives of workers in general, and female workers in particular.Through the examination of the process of deindustrialization through female, mixed, and male factories linked to diversified sectors, both traditional and emerging in the early 1950s, a new reading grid was established. It is a complex phenomenon in its form, its temporality, its degree of visibility, the actors involved and the genre, which puts at a distance the representations generally show on the media or artistic scene of factory closures accompanied by their lot of layoffs.As a source of tension between employees, employers and intermediary bodies, deindustrialization is then systematically evoked as a sustainable economic process for some, as a temporary phenomenon for others, or even as a pretext. Thus, the use that is made of it by the actors and the ways in which it models the career paths reflect the changes of times.The thesis is interested in the effects that it has on workers' trajectories and what it creates as disorder in the professional and personal lives of these women. Feminized branches from the 1950s onwards were affected by the destruction of jobs in Seine-Saint-Denis and Haute-Vienne.If the State does not seem indifferent to the fate of women in society and at work, its position is weakened by economic degradation.The organization and sexual structuring between the industrial sectors is detrimental to them and persists during periods of unemployment. Gender inequalities are exacerbated by deindustrialization.In addition to job loss, dismissal also has repercussions on the intimate life and destabilizes workers
Clérivet, Marc. « La danse de tradition populaire dans les milieux ruraux de Haute-Bretagne : 19e-20e siècles ». Rennes 2, 2010. http://www.theses.fr/2010REN20042.
Texte intégralPopular arts and traditions are subject to studies in some european regions, especially in Brittany. Moreover has traditional dancing in western Brittanny been the research purpose of Jean-Michel Guilcher. This area is nowadays considered as ethnochoreology’s birth-place, since the publication of his thesis “La Tradition populaire de danse en Basse-Bretagne” in 1963. However, only traditional dancing in the Breton speaking area of Brittany is depicted. Thus was the present work carried out with this state of mind in this part of Brittany. Without the same ambitions regarding to the methodological and conceptual aspects, we tried to understand the nature of the practices, contexts, and social representations in line with the traditional dance in this gallo speaking area, from diachronic and geographic points of view. The nature of the catalogs indeed appear to be very heterogeneous, depending on the areas of this region, on the social structure of the rural environments that have been carrying them for the whole 19th and the beginning of the 20th century
Madurell, François. « L'ensemble Ars nova : une contribution au pluralisme esthétique dans la musique du XXe siècle ». Paris 4, 2000. http://www.theses.fr/1999PA040250.
Texte intégralSaint-Jean, Dominique. « Intégration ou assimilation des immigrés italiens dans les campagnes toulousaines au vingtième siècle ». Toulouse 2, 1999. http://www.theses.fr/1999TOU20102.
Texte intégralVinel, Sophie. « Les ébénistes toulousains de 1890 à 1960 ». Toulouse 2, 2004. http://www.theses.fr/2004TOU20011.
Texte intégralThe cabinet makers of Toulouse, remarkable theoreticians, such as Alet, Fauré, Soutiras or Arbus, straightened out a precarious situation by reforming the Fine Arts School and by creating the S. A. M. , a provincial society especially active, just like the S. A. D. In Paris. They advocated two successive sources of inspiration. First prevailed southern roots and the notion of the land, both connected to the concepts of modernity and originality : their inspiration had to be local, stemming from the Oc culture. But, as soon as 1925, they returned to an art that referred to neo-classicism, participating in their way in the development of the french style. If, at first, there was a school of Toulouse, recognizable by specific features, later the production merged into the traditionalistic movement. Toulouse furniture, even if it didn't benefit from the inovations of the avant-garde, deserves to be recognize for its real qualities of careful workmanship, true harmony and sober elegance
Dubois, Sébastien. « Emergence et développement de l'archéologie préhistorique en Midi Toulousain entre 19e et 20e siècle ». Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00690340.
Texte intégralSeree, de Roch Ludovic. « La modernisation de la fiscalite en france (1914-1926), l'exemple du midi toulousain ». Toulouse 1, 1999. http://www.theses.fr/1999TOU10033.
Texte intégralUpdating a financial system is one of the most important economic, financial, and political problems a government may have to face. The law passed on july 15, 1914, laid the fundamental principle of an income tax. In spite of innumerable difficulties, w. W. I made this inevitable change possible, a change which was accepted and applied. Thus an ancient tax system which, for more than a century, had been the financial foundation of a country, was completely transformed, and the most profound fiscal reform since the revolution was implemented. New direct taxes, based on modern principles were instituted : a general income tax, scheduled taxes, a tax on war benefits. The reform also included indirect taxes imposed on transactions, luxury goods, wines and spirits, a turn-over tax, to which will be added taxes on the production of coal, fertilizers, coffee and tea, on the slaughtering of animals, on entertainments, gambling. . . Over the years, the turn-over tax, which was originally +subsidiary; to the reform, turned out to be a step at least as important as the creation of an income tax. This dissertation deals with the national and local aspects of this updating through the example of the toulouse area. These synthetic taxes are the fruit of a social and cultural determinism, linked to considerations relating to the administration, book-keeping, politics, finances, the budget and money. Economic conditions, the evolution of the role of the state, the changes in mental habits, play an essential part. The analysis ends with the poincare reforms of august 1926 which settled war-debts. While stressing the break with the past, the dissertation brings forth many examples showing that there is however a continuity between old and new taxes
Weirich, Armelle. « Berta Zuckerkandl (1864 -1945) salonnière, journaliste et critique d'art, entre Vienne et Paris (1871-1918) ». Thesis, Dijon, 2014. http://www.theses.fr/2014DIJOL037.
Texte intégralAt the end of the 19th and beginning of the 20th century, Berta Zuckerkandl (1864-1945), Austrian salonnière and journalist, engaged actively in artistic, cultural and political exchanges between France and the Austro-Hungarian Empire. Being on familiar terms with Georges Clemenceau gave her the opportunity to exchange ideas with artists and intellectuals in Paris, including Rodin, Carriere, Raffaelli, and Geffroy. Her salon in Vienna gathered some of the most pioneering personalities of the Wiener Moderne...- Bahr, Klimt, Wagner, Mahler...- and thus formed the centre of a vast social network within Europe. Being a spokeswoman of the Vienna Secession, Zuckerkandl established herself as one of the most active contemporary art critics. She guided artists and introduced the public into modern art by drawing on French initiatives to influence the art's development. The present study thus aims at highlighting her role in the dynamic artistic exchange between Vienna and Paris. It will first present Zuckerkandl's biography in order to draw attention to her privileged position in the exchange of the French and Austrian cultures. Secondly, it will show her impact on artistic Austrian groups and provide a detailed analysis of a corpus of selected documents dealing with modern art. It will finally discuss her interventions in favour of French artists and the reception of their works in Austria by highlighting the artistic, cultural and political aims pursued by Zuckerkandl, who was determined to preserve the Austrian culture despite the war and the collapse of the Austro-Hungarian Empire
Michalak, Thomas. « Les Assemblées parlementaires, juge pénal : analyse d’un paradigme irréalisable : (1789-1918) ». Electronic Thesis or Diss., Paris 2, 2020. https://buadistant.univ-angers.fr/login?url=https://bibliotheque.lefebvre-dalloz.fr/secure/isbn/9782247218530.
Texte intégralAt first glance, the title refers to the judicial activity of the Cour des pairs (1814-1848) and the Senate of the Third Republic (1875-1940). These are the most striking involvements of French legislative bodies in rendering justice. The trials of the ending Restauration ministers, and the one of Louis Malvy seem to be well known, but in reality these are only imperfectly so. In both cases, the upper house has turned away from its initial mission of legislator and supervisor of the government to transform itself, in a very incomplete way, into criminal courts. However, study only these two cases is not enough to define the mission of a parliamentary jurisdiction. The concept of Haute Cour de justice must therefore be understood in its entirety and in its history. A history which, like many others, is marked by the Revolution, which will influence the 19th and 20th centuries, and set a French prototype of political court. These Hautes Cours possess special competencies: ratione personae et ratione materiae. They judge politicians, but since the Revolution one foresees the difficulty of doing so with criminal law, which is hardly suited to the resolution of political disputes. Finally, the French Haute Cour is also a tribunal for major political crimes, namely, serious attacks on sovereignty. It is thereforce a question of recount the history of the “Tribunal supreme” in order to reveal the concept of political justice as an aporia
Dréan, Hervé. « L’environnement sonore en Haute-Bretagne (1880-1950) : l’exemple de la région de La Roche-Bernard ». Thesis, Rennes 2, 2018. http://www.theses.fr/2018REN20054/document.
Texte intégralAt the end of the 19th century, the sonic environment of the region of La Roche-Bernard in Upper Brittany was affected by a period of important modifications which accompanied the decline of traditional rural society. A reconstitution of this disappearing environment is necessarily complex, partial and subjective with regard to the disparity of the available resources. This study, principally based on oral interviews supplemented by archive research, rather than establishing the exact relationships between sounds, opens up reflection around a possible categorization which principally considers their perception and emission, or more precisely their functions, usage and interpretations. In addition, the resulting classification takes into account the folklore or traditional character of the sounds studied. This manner of inventory, which is non exhaustive, does however reveal, on closer inspection, the periods of change where one type of sonic environment gives place to another. Lastly, a general chronology establishes possible links between the disappearance and the evolution of the sonic environment in the traditional rural society studied
Grandcoing, Philippe. « Les demeures de la distinction : le phénomène châtelain dans le département de la Haute-Vienne au XIXe siècle ». Paris 1, 1997. http://www.theses.fr/1997PA010593.
Texte intégralThis work proposes to study the manor phenomenon in the Haute-Vienne departement between 1789 and 1914. The analysis of theoretical and descriptive discourses and the evolution of the corpus of mansions thus designated have shaped a new figure of the manor. This one has become distinct from the former seignorial structure. Towards 1900 this term designates an heterogeneous set of dwellings that are often of recent origin (a manor in two appeared during the period). This resistance to and adaptation on the manor model result from the development of the holiday in the countryside and the status of people getting their income from the land in the bourgeoisie. Old families and upstarts asserted their status as worthies in that way. It is also the fruit of the emotional enhancement of the mansion in the nobility. This appeal for the mansion was at its peak between 1860 and 1880. Afterwards it declined because of the emergence of the villa. But if the mansion remained a very prized type of dweling it is because it is both an element of social distinction for the one who lives in it and an index of social otherness for those living around it. The laying-out of the dwelling and its surrounllings being of the a mediocre quality and social inequalities little marked. However the mansion does not seem here to be the catalyst for social antagonisms. The owners of mansions have really gone through a decline in their political, social and economic influence. Gradually, their residences have become simple special places, the quality of their architecture setting them apart
Beyssi-Cassan, Maryvonne. « Le métier d'émailleur à Limoges (XVIè-XVIIè siècles) ». Paris, EPHE, 2003. http://www.theses.fr/2003EPHE4053.
Texte intégralIn the Middle Ages, the champlive enamels of Limoges were famous and they largely contributed to establish the reputation of the city. During the Renaissance and thanks to the fashion for painted enamels, the artistic renown of the city was particularly kept alive by the emblematic Leonard Limosin. Nevertheless, this artist's prestige overshadowed the other enamellers for a long time. The purpose of this thesis is to apprehend the enamellers'community, its artistic practices, but also its social and economic characteristics. Based on an exhaustive examination of parish registers and notarial minutes of Limoges (1560-1680), on the catalogues of exhibitions or private collections of painted enamels, the thesis successively deals with the numbers of enamellers, their economic positions, their social status in a medium sized city. Much attention is devoted to the study of their families which is essential for the understanding of this community. Their craft, the way it was practiced, the way it was taught and the way it was handed down are analysed. Their very eclectic sources of inspiration, including a lot of drawings, engravings and engraving books are listed. The research also attempts to identify the customers and the purchasers many enamelled objects which were created at the time. In the XVIth century, the enamel lovers could be found at the court, whereas, during the XVIIth century, they were less prestigious people who were complete strangers to the city and the province. Paradoxically, in the Modern Period, the reputation of Limoges seemed to arise from its artistic activity which its inhabitants never considered with much interest
Dunouhaud, Cécile. « Soulager, éduquer, contrôler : l'assistance en Haute-Vienne au XIXème siècle (1815-1914) ». Paris 4, 2006. http://www.theses.fr/2006PA040069.
Texte intégralSince the demonstration of Alain Corbin, Haute-Vienne is well known as a poor country. Located at the west of the Massif central, the region offers all the features of poverty. The aim of this study is to present the means to remedy the poverty in this country. Besides, we hereby analyse the evolution of this policy between 1815 and 1914. The charity offices, the economical stoves, the begging dumps are many solutions which are offered to the public administration in order to solve problems link to poverty. Until 1870, all these social structures are managed by men who are nourished by charity and Catholicism. The passage in years 18801890 towards a municipality from left represents well a rupture in the management of the social and administrative structures. The main problem deals with the assistance are illustrated by the rise of provident societies whose the purpose is to educate the population in order to help them avoid poverty. The end of the 19th century allows us to clarify the knowledge relating to structures such as orphanages, nurseries, asylums and old people’s homes. To conclude, this research underlines ther gap between town and countryside concerning the management and perception of poverty
Danthieux, Dominique. « Le département rouge : la formation d'une identité politique dans le département de la Haute-Vienne de la fin du XIXe siècle aux années 1930 ». Paris 4, 2002. http://www.theses.fr/2002PA040140.
Texte intégralThe aim of this thesis is to study the machinery of a local identity constitution whose political adherence to the " left " since the middle of the 19th century, is one of the main constituent elements. Two approaches could be found in that study. The first one focused, according to the classical methods of the political history, on the process and the actors of the mass politicization. The second approach privileges the representation developped by the population and permitting to consider another way the relation between politics and electors. Another view is to envisage the links uniting, in a clearly delimited territory, the rural society to working urban society so as to show their reciprocal contribution and influences. As it could be understood in the title, the aim is to demostrate the coherence of " red " towns and villages of Haute-Vienne departement as a whole
Brachet, Champsaur Florence. « Créer c'est avoir vu le premier. Les Galeries Lafayette et la mode (1893-1969) ». Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH069.
Texte intégralThis thesis researches the role of Galeries Lafayette at the heart of the French fashion system. It re-evaluates the role of retail and department stores as value-creating intermediaries in the relationship between producer and consumer. Additionally, the research highlights the innovative capacity of a family business and shows that the introduction of new organizational methods in retail trade along the 20th century, imported and adapted from the United States, was as much present as in manufacturing enterprises. In the first part, the thesis looks at the foundation of the company, its competitors and its customers. To differentiate themselves, Galeries Lafayette manufactured and sold models inspired by those of the couturiers under the store private label. At the turn of the twentieth century, while fashion houses claimed a monopoly on trend setting, Galeries Lafayette introduced fashion in department store. This effective appropriation of fashion design built the legitimacy of the company as an intermediary, and posited the prescribing power of the brand in the fashion market. It also made Galeries Lafayette a player in the economy of counterfeiting, a major issue for the apparel industry in the inter-war period. The thesis shows, however, that various management regimes for design exist at Galeries Lafayette. In a second part, we analyze the investments of the company in the creative industries and in particular the cases of Chanel Perfumes as well as Madeleine Vionnet and Jean Patou fashion houses. In doing so, for the first time, the thesis analyzes the financing of fashion houses thus unbundling the study of the main actors in the fashion system. In a third part, the thesis studies competitive and market change from World War II onwards: the modernization of the clothing industry, the ready-to-wear revolution, and the emergence of new capitals of fashion besides Paris. The dismantling of the vertical integration in manufacturing, the opening of central purchasing to new suppliers, the pioneering establishment of in-house fashion forecasting office in the early 1950s induced a new organization and changes in the link between creators, designers, industrialists and customers for Galeries Lafayette
Grondin, Reine-Claude. « La colonie en province : diffusion et réception du fait colonial en Corrèze et en Haute-Vienne (c. 1830-c. 1939) ». Paris 1, 2007. http://www.theses.fr/2007PA010645.
Texte intégralSparhubert, Eric. « Les commandes artistiques des chapitres de chanoines séculiers et leurs enjeux : édifier et célébrer à Saint-Junien (XIe-XIIIe siècles) ». Poitiers, 2008. http://www.theses.fr/2008POIT5002.
Texte intégralAmong the studies devoted to the creations of different religious orders, rare are those to pose the question of the monulental ambitions of canons located outside the main dioceses capitals, particulary secular canons. This question is at the heart of the present study, witch the proposes a necessary coming and going between monograph and synthesis and of witch the main link is the encounter with an exemplary edifice : Saint-Junien. In the first place the archaeological study and the putting in perspective offer a light on the questions proper to edifices of the 11th century, and reveal a particularly creative site. And similarly study the symbolic program elaborated by the canons, centred on the passed celebration and patron saints. The venture, then invites the examination of what is happening in the other Limousin collegiale churches. Finally, the rearrangements of the building around 1200 are signs of functional modifications which generally bend the architectural order. Replaced amongst some of the furthest sites, as far away as England, they portray the great movements which have animated the clerical Church between the Lateran councils III & IV
Leborgne, Mathieu. « L'espace d'un oubli : le rôle des mémoires collectives dans la construction du sentiment d'appartenance territoriale : le cas du Parc naturel régional du Verdon ». Paris, EHESS, 2006. http://www.theses.fr/2006EHES0017.
Texte intégralThe central assumption put forward that in territorialized identity construction processes, social group memories would have a central role to play. It is why we propose a contribution to a "sociology of signs" as an analysis of what is produced by spatial marking of memory. The regional nature park of Verdon, created in 1997 in the south-east of France, is our field of investigation. After a theoretical approach on the foundations of thought wich link memory and territory, reffering in particular to Maurice Halbwachs works (part1), we will describe the history of both physical and symbolic construction of the Verdon territories (part 2). The role of hydroelectric area, are the two central poles of a specific territorial character where more than memory, it is oblivion wich seems to prevail. How consequently, can the regional nature park of Verdon appear as territory in this area with differentiated links with past (part 3) ? The appeal to nature seems to be a possible referent of local identity
Purmale, Zané. « Habiller le mur : les relations entre la tapisserie et la peinture sous la Troisième République : le cas des Gobelins (1870-1925) ». Thesis, Bordeaux 3, 2020. http://www.theses.fr/2020BOR30017.
Texte intégralDuring the French Third Republic, the four successive administrators of the National Gobelins’ manufactory, Alfred Darcel, Edouard Gerspach, Jules Guiffrey and Gustave Geffroy, sought to give an impulsion, each in his own way, in order to provoke a tapestry revival. The first three administrators seek to rediscover the true nature of tapestry, the principles of which can be discovered by studying the past, in order to give it new vigour in the present and increase its independence from painting. Geffroy, on the contrary, seeks to guide the Gobelins to modernity by imposing the tapestry to follow the paths of painting. This thesis makes understand the artistic creation at the Gobelins’ manufactory during this period of extraordinary activity. It specifies not only the intellectual context and ideas which give its direction to the tapestry revival, but also it takes into consideration the material, institutional and economic conditions of the manufactory. Thus are revealed the imperatives imposed by the material conditions of creation, its organization involving a large number of actors and highly restraining procedures, but, above all, economic means revealed to be in total inadequacy with the goals of the manufacture. Despite these difficulties, through intense intellectual and artistic activity, the manufactory plays a central role in the revival of tapestry. If progress is slow to emerge due to the very nature of the Gobelins' functioning and despite criticism of the choice of models, Gobelins gives a tremendous boost to private industry thanks to the international influence that the manufactory plays into tapestry field. Indeed, if the contemporary critics recognized the efforts of the manufacture to be in the right direction, very often this is not the case for the models. As in most of cases they are still unknown to modern art historians, the second part of this thesis studies the artistic policy of each administrator in order to understand how it was carried out and what were the main lines of the artistic action of each administrator. This work is accompanied of an exhaustive catalog records and images retracing the history of the conception of wall hangings in haute lisse (high-warp loom) and Savonnerie murals woven at the Gobelins’ manufactory and also their cartoons and preparatory models including abandoned projects, thus drawing a most complete panorama on artistic creation at the Gobelins manufactory from 1870 to 1925
Lemaitre, Jean-Loup. « Mourir à Saint-Martial : la commémoration des morts et les obituaires à Saint-Martial de Limoges du XIe au XIIIe siècle ». Paris 4, 1988. http://www.theses.fr/1988PA040094.
Texte intégralThe chapter office developped in canonial and monastic world in the beginnings of 9th century. A specific book,the chapter book,was realized for its celebration. .
Lépinay, Thomas. « Le pouvoir des rapports : la Cour des comptes, du jugement des comptes à l’évaluation des politiques publiques (années 1950 – années 2010) : contribution à une histoire des grands corps de l’État ». Thesis, Paris 1, 2020. http://www.theses.fr/2020PA01D022.
Texte intégralBetween the 1950s and the beginning of the 21st Century, the Cour des comptes (the French Audit Office), an administrative and financial court and grand corps de l’État whose members are primarily recruited among the top-students of the École nationale d’administration (ENA), has had a peculiar trajectory. While its mandate previously entailed verifying the proper handling of public money, it gradually expanded to include duties deemed more political, such as evaluating public policies. Furthermore, the Cour became a highly-publicized institution. In other words, the magistrates modernized their role, gained new audiences (Parliament, media) and blurred the line between bureaucracy and politics. Eschewing traditional approaches of the grands corps de l’État that focus on how agents circulate within and outside the French State, this dissertation argues that Cour members have institutionalized their auditing and report writing duties in order to strengthen their position at the highest levels of the State. It draws on interviews, oral histories, written archives, ethnography and the analysis of press and official reports, and combines sociological approaches of organizational reputation and institutions. This work first shows how, within a broader context where the State itself was transforming, the role of the magistrates changed as the Cour’s power evolved. It then explains how new and more diverse audiences legitimated and used the expertise of the Cour. Finally, it examines how official reports are produced and received, and in such analyzes how a public institution can lastingly be recognised as “neutral”
Grand-Dewyse, Camille. « Langage et image : essai sur les émaux peints de Limoges, 1540-1580 ». Paris 4, 2008. http://www.theses.fr/2008PA040024.
Texte intégralThis research aims to understand the iconographical evolution of 16th century Limoges painted enamels from the 1540s to the 1580s. During this period, mythological and profane themes appear in what had previously been an exclusively religious art. Concurrently, religious scenes shift their focus to concentrate on Old Testament imagery. This study links the diffusion of the new images with the political and religious circumstances of their creation, demonstrating both the ascension of the Reformation in France and the formulation of a royal response to the schismatic presence of new faiths. The investigative method adopted is structured around the theme of violence and its various alternatives to reestablish peace. Extending the analysis to a national level provides meaningful elements proper to refining the interpretation and reveals the immediate historical context of the enamels' creation, namely the local sphere of Limoges during the religious wars. Furthermore, by gathering ideas from various intellectual and religious spheres and allowing the analysis to proceed in different directions the enameled images become equivocal, oscillating between evangelism and Reformation
Voyer, Cécile. « L'image hagiographique dans l'Église : étude sur les fonctions des images monumentales des saints (XI-XIIe siècles en France) ». Poitiers, 2003. http://www.theses.fr/2003POIT5008.
Texte intégralThe study of monumental hagiographic pictures shows that the use of these pictures in churches was a major concern in the Middle Ages. Indeed hagiographic pictures have different functions in holy buildings. Together with the devotion given to saints and the maintaining of their cults, hagiographic pictures also express a political, social and cultural belief in buildings belonging to religious orders. They turn the church into a place of asserion and cohérence. Once of the functions of these hagiographic pictures is to assert the mission and the rôle that religious communauties wish to play on the local level or on the Christendom level. They permit to define the identity and the specificity of the order within a composite regular world. Hagiographic pictures are also used to keep the liturgical memory in churches for religious communities, if not for laymen. Directly or indirectly putting monumental pictures in context in an essential key to " read " them : e. G. When it inscribes itself in the network of the pictures which surround it, where it stands in the church and the context of its creation
Dufour, Joëlle, et Joëlle Dufour. « Intégration scolaire et construction identitaire : regard sur les expériences de jeunes sourds oralistes de la région de Haute-Normandie (France) ». Master's thesis, Université Laval, 2015. http://hdl.handle.net/20.500.11794/26126.
Texte intégralCe mémoire documente les expériences d’intégration sociale et académique de jeunes adultes sourds oralistes de Haute-Normandie, ainsi que leurs perceptions sur leur identité. Il insiste sur l’influence exercée par les premières sur les deuxièmes, en plus de montrer comment les normes sociales et biomédicales orientent les représentations de leur identité et comment, en retour, ces représentations participent à la reproduction de ces normes. Cette étude s’inscrit dans le courant de l’anthropologie du handicap et de la surdité, et s’appuie principalement sur les concepts de stigmate et d’identité sourde. Ses résultats, qui reposent sur 33 entrevues réalisées auprès de jeunes sourds oralistes et de professionnels en surdité, dévoilent que les jeunes sourds oralistes éprouvent d’importantes difficultés scolaires et sociales. Par ailleurs, à travers leur constante recherche de conformité, ceux-ci semblent moins à même de réinterpréter leur surdité de manière positive et, de ce fait, de développer une identité culturelle sourde.
Veillon, Charlène. « Mythes personnels et mythes pluriels dans l'oeuvre de Kimiko Yoshida : une esthétique de l'entre-deux, 1995-2012 ». Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010510.
Texte intégralThe work of Kimiko Yoshida (born on June 23rd, 1963, in Japan and living in France since 1995), mainly based on photography, is founded on the creation of « myths ». This study is about searching, defining and analysing the « functions » of Kimiko Yoshida's self-portraits. The « myths of the Photographer », at the origins of her work's functions - aiming. amongst others, to « inform, represent, surprise, signify, create desire» according to Roland Barthes' Camera Lucida - are rooted in the society, the culture and the time the artist belongs to, and as a consequence also in the singularity of his/her personality, experience, and intimate story. Thus, the general title of this study brings forwards a research of « personal and plural myths in Kimiko Yoshida's work of art», whose topic of the « in-between » is the main aesthetic position, the artist and her work situated between Japan and the West between representation and abstraction, between reality and fiction, between quotation and transgression. The fictional speech through and in the image undergoes several transformations which make up the four founding lines of this thesis, that is to say the distinctive in-between of the « conceptual character » defined by Gilles Deleuze and Félix Guattari in Whut is Philosophy ) applied to Kirniko Yoshida's name : the study of a geographical and cultural in-between defining a singular artistic « syncretism » : the illustrations of the several perceptible space-time dimensions in Kimiko Yoshida's work, notably through the games/aims of the images' colours : and the questioning about the subject in the image, between trace and absence