Littérature scientifique sur le sujet « Harmonic complexity »
Créez une référence correcte selon les styles APA, MLA, Chicago, Harvard et plusieurs autres
Sommaire
Consultez les listes thématiques d’articles de revues, de livres, de thèses, de rapports de conférences et d’autres sources académiques sur le sujet « Harmonic complexity ».
À côté de chaque source dans la liste de références il y a un bouton « Ajouter à la bibliographie ». Cliquez sur ce bouton, et nous générerons automatiquement la référence bibliographique pour la source choisie selon votre style de citation préféré : APA, MLA, Harvard, Vancouver, Chicago, etc.
Vous pouvez aussi télécharger le texte intégral de la publication scolaire au format pdf et consulter son résumé en ligne lorsque ces informations sont inclues dans les métadonnées.
Articles de revues sur le sujet "Harmonic complexity"
Ghodake, Pravinkumar. « The complexity of harmonically scattered nonlinear waves from triangular, circular, and rectangular corners of the 2-D domain ». Journal of the Acoustical Society of America 154, no 4_supplement (1 octobre 2023) : A262. http://dx.doi.org/10.1121/10.0023468.
Texte intégralAbdullah, Muhammad, Tahir N. Malik, Ali Ahmed, Muhammad F. Nadeem, Irfan A. Khan et Rui Bo. « A Novel Hybrid GWO-LS Estimator for Harmonic Estimation Problem in Time Varying Noisy Environment ». Energies 14, no 9 (1 mai 2021) : 2587. http://dx.doi.org/10.3390/en14092587.
Texte intégralBernasconi, A. « Harmonic analysis and Boolean function complexity ». Calcolo 35, no 3 (1 novembre 1998) : 149–86. http://dx.doi.org/10.1007/s100920050014.
Texte intégralWitek, Maria A. G., Tomas Matthews, Rebeka Bodak, Marta W. Blausz, Virginia Penhune et Peter Vuust. « Musicians and non-musicians show different preference profiles for single chords of varying harmonic complexity ». PLOS ONE 18, no 2 (2 février 2023) : e0281057. http://dx.doi.org/10.1371/journal.pone.0281057.
Texte intégralWilliams, Lindsey R. « Effect of Music Training and Musical Complexity on Focus of Attention to Melody or Harmony ». Journal of Research in Music Education 53, no 3 (octobre 2005) : 210–21. http://dx.doi.org/10.1177/002242940505300303.
Texte intégralXu, Wanwan, Bin Wang, Jiang Liu et Da Li. « An Improved Droop Control Strategy for Grid-Connected Inverter Applied in Grid Voltage Inter-Harmonics and Fundamental Frequency Fluctuation ». Electronics 10, no 15 (30 juillet 2021) : 1827. http://dx.doi.org/10.3390/electronics10151827.
Texte intégralYanagawa, Kazunori, Ayane Fujihira, Hideki Yamaguchi et Nozomu Yoshizawa. « Describing the characteristics of light field in architectural spaces using spherical harmonic function ». IOP Conference Series : Earth and Environmental Science 1099, no 1 (1 novembre 2022) : 012014. http://dx.doi.org/10.1088/1755-1315/1099/1/012014.
Texte intégralShao, Kunming, Mingjian Zhao, Jiachun Zheng, Guangsen Zeng, Bin Li, Biyun Ma et Zhaohui Wu. « A high-precision harmonic distortion measurement algorithm and its system design based on time-domain matrix operations ». Journal of Physics : Conference Series 2290, no 1 (1 juin 2022) : 012109. http://dx.doi.org/10.1088/1742-6596/2290/1/012109.
Texte intégralHadiprayitno, Kasidi. « Relasitas Lakuan Wayang dengan Iringan Gamelan Gagrag Yogyakarta ». Dance and Theatre Review 4, no 1 (13 juin 2021) : 21–35. http://dx.doi.org/10.24821/dtr.v4i1.4923.
Texte intégralHachemi, Glaoui, Harrouz Abdelkader et Dehini Rachid. « Optimal Sizing of Passive Filters for Typical Industrial Power Systems ». Applied Mechanics and Materials 905 (15 février 2022) : 65–77. http://dx.doi.org/10.4028/p-u37f6q.
Texte intégralThèses sur le sujet "Harmonic complexity"
Cheston, Sharon Brown. « Relationships among harmonic complexity preference, musical training and experience, and music aptitude in high school music students ». Case Western Reserve University School of Graduate Studies / OhioLINK, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=case1057865886.
Texte intégralGilblas, Riccardo Carmine. « Periodic sequences and persistent homology applied to music : theoretical foundations and new results ». Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAD004.
Texte intégralFrom the repeated application of the sum operator to certain sequences, regarding their length (called period), interesting behaviors and recurrent mathematical properties are observed. Some observations were made by Anatol Vieru himself in [18]: he observed that the period of sequences generally tends to increase when applying the sum operator, and for some sequences it still remains a power of 2. In addition, for specific sequences, there are values that tend to proliferate. The first mathematical formalization was made by D.T. Vuza in 1982 ( [19]) and in [2] were presented the fundamental results on the decomposition into idempotent and nilpotent sequences (called reducible and reproducible respectively). In[4] the problem of the proliferation of certain values in sequence primitives [2, 1, 2, 8, 4, 4, 8] P12 was studied in a computational way was studied. More recently, in [13] the formalism of automata (cellular automata) has been used to study the dual properties of the operator . Here we summarize the theory of periodic sequences with modular valuesdeveloped so far and present the results obtained on the period of primitives and on the proliferation of values. The main results (Lemma 1.3.5, Proposition 1.5.10, Theorems 1.5.6, 1.5.9 and 2.2.1, Section 2.3.2, Section 2.4) are part of a joint work with Luisa Fiorot and Alberto Tonolo (see [8, 9]). Persistent homology has been used in mathematical and musical research, in order to link the topological characteristics of barcodes to the musical properties of data sets. In particular, in [23] the persistent homology is used with the Tonnetz for automatic classification of styles. In [24], the Vietoris-Rips filtration is used to calculate the persistent homology of a musical score and to display the thematic characteristics of musical pieces. As in [23], the objective is to reconstruct the harmonic properties (harmonic density) of chord sequences associated with music pieces. We use two musical databases ([33, 26]) which contain the harmonic analysis of the Beatles corpus and several classical music corpus respectively. Compared to [23], we abandon the Tonnetz in favor of a more flexible object: a graph of chords. This allows us to freely modify the relationships between agreements and also to consider non-symmetrical distances between them. This last aspect plays, in our opinion, a central role in harmonic progressions, because it describes well the temporal asymmetry of the human perception of harmony. To construct simplicial complexes on oriented graphs, therefore without having a symmetrical distance, we use Dowker filtration, the advantages of which have been presented in [22, 25]
Sbeity, Fatima. « Identification et modélisation de systèmes non linéaires générant des sous et ultra-harmoniques : Application à l'imagerie ultrasonore sous et ultra-harmonique ». Phd thesis, Université François Rabelais - Tours, 2013. http://tel.archives-ouvertes.fr/tel-01062555.
Texte intégralSundar, Aparna. « Visual Brand Language : Color, Complexity, and Harmony ». University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1407405389.
Texte intégralEschevins, Anastasia. « Matching beer with food : pairing principles, underlying mechanisms and a focus on aromatic similarity ». Thesis, Bourgogne Franche-Comté, 2018. http://www.theses.fr/2018UBFCK057/document.
Texte intégralPairing between beer and dishes emerges as a new trend in France. Beer promoters or gastronomy professionals need to offer high-quality advices in terms of beer and food pairing to their customers. Within this context, the objective of the research was to identify pairing principles and to better understand the underlying perceptual mechanisms. Determinants of food and beverage pairing were first analysed from experts’ discourses. Results showed that food and beverage pairings are governed by perceptual, conceptual and affective features, related to physio-chemical, perceptual and cognitive processes. Experts often mentioned “Aromatic Similarity” as one of the main pairing principles. This “Aromatic similarity” principle consists in matching two products sharing similar aromas. Underlying perceptual mechanisms were then investigated. Results showed that aromatic similarity in food and beverage generally increases harmony and homogeneity and decreases complexity of the match. These effects can be reinforced by orientating the attentional focus on the shared aroma. From a theoretical point of view, this work concludes that beer and food pairing includes sensory dimensions with the search for harmony, as well as symbolic and contextual dimensions. From an applied point of view, this work provides useful information to gastronomy professionals with recent knowledge on perceptual mechanisms underlying food and beverage pairing principles
Islas, Munoz Juan. « Automotive design aesthetics : Harmony and its influence in semantic perception ». University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1367941397.
Texte intégralMeridan, Lissa. « De l'harmonie au chaos : émergence dans la musique de Gérard Pape ». Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30055.
Texte intégralThe free expression of the sixties gave rise to a generation of pioneers that we now call the avant-garde. The arrival of electroacoustic music fuelled their experimentation and as a result, numerous new musical genres and theories appeared which have not only changed the language of music at a fundamental level, but have also redefined the ways we perceive it. Contemporary music now finds itself confronted by an analytical dilemma. The limits of a traditional approach simply don’t take into account the complex interactions in this music that are responsible for its unusual forms and original sounds. We hope to resolve this dilemma by integrating an innovative methodology based on systems theory, a scientific approach that takes into account the qualitative aspects of scientific problems, reason for which it has gained momentum over the past thirty years. By applying this approach to a musical work we aim to develop a methodology that will permit us to explain the process by which the composer intervenes at the molecular level of sound and thus creates illusions and musical paradoxes, which we might consider emergent effects. The objective of this analysis is to gain an understanding of Gerard Pape’s particular musical approach, for whom musical energy seems to be a transcendental force. His innovative musical vision engages the principles of emergence in the dynamic complexity of his writing. Sonic paradoxes strike the listener but are less evident to transcribe into a musical score. We hope to find a link between the notated score and the emergent effect produced by the dynamic interrelations of its content. By undertaking a systems approach to musical analysis, we hope to develop a transversal model that will enable us to highlight the elusive new structures and properties that seem to grow out of this process. In Pape’s music, these emergent features distort the musical surface, and although engendered by the score, seem to burst out of nowhere, leading the listener from harmony into chaos
Hsu, Chun-Hao, et 許峻豪. « A Study on Harmony Complexity and its Application to Automatic Accompaniment ». Thesis, 2014. http://ndltd.ncl.edu.tw/handle/25977940818717227424.
Texte intégral國立交通大學
工學院聲音與音樂創意科技碩士學位學程
102
This study aims to explore the complexity of chord progressions and its application to the automatic accompaniment system. Experiment was conducted to verify the harmony complexity by general public. To make a better accompaniment with melody, we use harmony complexity to control music accompaniment texture. In addition, we propose DCPA (Dual Chord Progressions Algorithm) automatic accompaniment system, which is divided into four parts: key finding, chord analysis, chord select algorithm, and pattern accompaniment system. To improve the versatility of system, we establish the rule of chord function to make the chord progressions comply with the rules. In pattern accompaniment system, users can add a variety of different patterns accompaniment, so that the automatic accompaniment sounds richer. Researchers can make more chord-select rules and patterns to coordinate specific music style in the future work.
Williams, Lindsey Ross Madsen Clifford K. « The effect of musical training and musical complexity on focus of attention for melody or harmony ». Diss., 2004. http://etd.lib.fsu.edu/theses/available/etd-04122004-102233/.
Texte intégralAdvisor: Clifford K. Madsen, Florida State University, School of Music. Title and description from dissertation home page (viewed 10-6-04). Document formatted into pages; contains 134 pages. Includes biographical sketch. Includes bibliographical references.
Livres sur le sujet "Harmonic complexity"
Sabadini, Irene, Daniele C. Struppa et David F. Walnut, dir. Harmonic Analysis, Signal Processing, and Complexity. Boston, MA : Birkhäuser Boston, 2005. http://dx.doi.org/10.1007/0-8176-4416-4.
Texte intégralPocock, Mary E. The influence of harmonic complexity on melodic expectations. 1991.
Trouver le texte intégralWalnut, David F., Irene Sabadini et Daniele C. Struppa. Harmonic Analysis, Signal Processing, and Complexity : Festschrift in Honor of the 60th Birthday of Carlos A. Berenstein (Progress in Mathematics Book 238). Birkhäuser Boston, 2008.
Trouver le texte intégral(Editor), Irene Sabadini, Daniele C. Struppa (Editor) et David F. Walnut (Editor), dir. Harmonic Analysis, Signal Processing, and Complexity : Festschrift in Honor of the 60th Birthday of Carlos A. Berenstein (Progress in Mathematics). Birkhäuser Boston, 2005.
Trouver le texte intégralSCHNEIDER-R. Rome, complexite et harmonie. Hachette Livre - BNF, 2018.
Trouver le texte intégralSmith, Kenneth M. Desire in Chromatic Harmony. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190923426.001.0001.
Texte intégralStraus, Joseph N. Representing Disability. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190871208.003.0001.
Texte intégralDuerden, Rachel. Choreo-Musical Relationships in Mark Morris’s (2003). Sous la direction de Yael Kaduri. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.41.
Texte intégralStraus, Joseph. Broken Beauty. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190871208.001.0001.
Texte intégralRushton, Cynda Hylton, dir. Moral Resilience. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190619268.001.0001.
Texte intégralChapitres de livres sur le sujet "Harmonic complexity"
Barbeta, Gabriel, et Yomna Abdallah. « Bioconstruction and Harmonic Complexity of Biomimicry Organisms ». Dans Green Energy and Infrastructure, 237–71. First edition. | Boca Raton, FL : CRC Press, 2021. : CRC Press, 2020. http://dx.doi.org/10.1201/9781003095811-11.
Texte intégralEclerová, Veronika, Lenka Přibylová et André E. Botha. « Transformation of Master-Slave Systems with Harmonic Terms for Improved Stability in Numerical Continuation ». Dans Springer Proceedings in Complexity, 73–85. Cham : Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-27082-6_7.
Texte intégralYotter, Rachel Aine, Paul M. Thompson, Igor Nenadic et Christian Gaser. « Estimating Local Surface Complexity Maps Using Spherical Harmonic Reconstructions ». Dans Medical Image Computing and Computer-Assisted Intervention – MICCAI 2010, 169–76. Berlin, Heidelberg : Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-15745-5_21.
Texte intégralBernasconi, A., et B. Codenotti. « Measures of Boolean function complexity based on Harmonic Analysis ». Dans Lecture Notes in Computer Science, 63–72. Berlin, Heidelberg : Springer Berlin Heidelberg, 1994. http://dx.doi.org/10.1007/3-540-57811-0_7.
Texte intégralGrolmusz, Vince. « Harmonic analysis, real approximation, and the communication complexity of Boolean functions ». Dans Lecture Notes in Computer Science, 142–51. Berlin, Heidelberg : Springer Berlin Heidelberg, 1996. http://dx.doi.org/10.1007/3-540-61332-3_147.
Texte intégralSyta, Arkadiusz, et Grzegorz Litak. « Dynamical Response of a Van der Pol System with an External Harmonic Excitation and Fractional Derivative ». Dans Discontinuity and Complexity in Nonlinear Physical Systems, 107–12. Cham : Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-01411-1_6.
Texte intégralJensen, Kristoffer, et David G. Hebert. « Evaluation and Prediction of Harmonic Complexity Across 76 Years of Billboard 100 Hits ». Dans Music, Mind, and Embodiment, 283–96. Cham : Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46282-0_18.
Texte intégralKuehn, Kerry. « Harmony and Complexity ». Dans Undergraduate Lecture Notes in Physics, 17–25. New York, NY : Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4939-1360-2_3.
Texte intégralGarina, Ekaterina P., Viktor P. Kuznetsov, Nataliya S. Andryashina, Elena V. Romanovskaya et Svetlana N. Kuznetsova. « Exploring Alternative Strategies for Managing the Complexity of a Product ». Dans The Future of the Global Financial System : Downfall or Harmony, 741–47. Cham : Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00102-5_78.
Texte intégralPérez-Gómez, Alberto. « Stato d’animo e significato in architettura ». Dans La mente in architettura, 213–29. Florence : Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-286-7.13.
Texte intégralActes de conférences sur le sujet "Harmonic complexity"
Ceoldo, D., U. Minoni, D. Modotto, B. M. Shalaby, K. Krupa, A. Tonello et V. Couderc. « Second harmonic generation in an optically poled fiber ». Dans 2015 Spatiotemporal Complexity in Nonlinear Optics (SCNO). IEEE, 2015. http://dx.doi.org/10.1109/scno.2015.7324035.
Texte intégralK.krupa, R. Fona, A. Tonello, A. Labruyere, B. M. Shalaby, S. Wabnitz et V. Couderc. « Self-increased acceptance bandwidth of second harmonic generation for high-energy light sources ». Dans 2015 Spatiotemporal Complexity in Nonlinear Optics (SCNO). IEEE, 2015. http://dx.doi.org/10.1109/scno.2015.7323996.
Texte intégralDaniel, Kamran, Lauri Kütt, Muhammad Naveed Iqbal, Noman Shabbir, Marek Jarkovoi et Martin Parker. « Load Current Harmonic Model Complexity Reduction through Empirical Pattern Analysis ». Dans 2023 IEEE 17th International Conference on Compatibility, Power Electronics and Power Engineering (CPE-POWERENG). IEEE, 2023. http://dx.doi.org/10.1109/cpe-powereng58103.2023.10227474.
Texte intégralZhang, Yu, Yue Wang, Zhi Tian, Geert Leus et Gong Zhang. « Low-Complexity Gridless 2D Harmonic Retrieval via Decoupled-ANM Covariance Reconstruction ». Dans 2020 28th European Signal Processing Conference (EUSIPCO). IEEE, 2021. http://dx.doi.org/10.23919/eusipco47968.2020.9287680.
Texte intégralLi, Chunshu, Min Li, Marian Verhelst, Sofie Pollin, Andre Bourdoux et Liesbet Van Der Perre. « Adaptive filter based low complexity digital intensive harmonic rejection for SDR receiver ». Dans ICASSP 2013 - 2013 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP). IEEE, 2013. http://dx.doi.org/10.1109/icassp.2013.6638149.
Texte intégralGolkhandan, Navid H., Farzad Tahami et Majid Reza Salehi. « A Harmonic Elimination Method For Three-Phase PWM Rectifier To Reduce Computational Complexity ». Dans 2020 28th Iranian Conference on Electrical Engineering (ICEE). IEEE, 2020. http://dx.doi.org/10.1109/icee50131.2020.9260914.
Texte intégralSbeity, Fatima, Sebastien Menigot, Emma Kanbar, Nesrine Houhat, Jamal Charara et Jean-Marc Girault. « Complexity reduction of ultrasound sub-ultra-harmonic modeling by an input modified volterra approach ». Dans 2017 IEEE International Ultrasonics Symposium (IUS). IEEE, 2017. http://dx.doi.org/10.1109/ultsym.2017.8092060.
Texte intégralSbeity, Fatima, Sebastien Menigot, Emma Kanbar, Nesrine Houhat, Jamal Charara et Jean-Marc Girault. « Complexity reduction of ultrasound sub-ultra-harmonic modeling by an input modified volterra approach ». Dans 2017 IEEE International Ultrasonics Symposium (IUS). IEEE, 2017. http://dx.doi.org/10.1109/ultsym.2017.8092894.
Texte intégralLim, Melvin C. H., Mounir Ghogho et Desmond C. McLernon. « Reduced complexity design for weighted harmonic mean SINR maximization in the multiuser MIMO downlink ». Dans 2009 IEEE 10th Workshop on Signal Processing Advances in Wireless Communications (SPAWC). IEEE, 2009. http://dx.doi.org/10.1109/spawc.2009.5161776.
Texte intégralSchmitt, M. J., C. J. Elliott, K. Lee et B. D. McVey. « Overtone Production of Soft X-Rays With Free-Electron Lasers* ». Dans Short Wavelength Coherent Radiation : Generation and Applications. Washington, D.C. : Optica Publishing Group, 1986. http://dx.doi.org/10.1364/swcr.1986.tue13.
Texte intégralRapports d'organisations sur le sujet "Harmonic complexity"
Kokurina, Olga Yu. STATE SOVEREIGNTY AND PUBLIC RESPONSIBILITY OF GOVERNMENT IN THE LIGHT OF A SYSTEMIC-ORGANIC APPROACH : INTERDISCIPLINARY RESEARCH. SIB-Expertise, décembre 2023. http://dx.doi.org/10.12731/er0755.18122023.
Texte intégral