Bibliographies thématiques / Haggard, Henry Rider (1856-1925)

Littérature scientifique sur le sujet « Haggard, Henry Rider (1856-1925) »

Auteur : Grafiati
Publié le 17 février 2024

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Articles de revues sur le sujet "Haggard, Henry Rider (1856-1925)"

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Fike, Matthew A. « C. G. Jung on plagiarism in Pierre Benoît’s L’Atlantide ». International Journal of Jungian Studies 9, no 3 (2 septembre 2017) : 167–82. http://dx.doi.org/10.1080/19409052.2017.1355331.

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ABSTRACTJung explained the possible plagiaristic relationship between Henry Rider Haggard’sSheand Pierre Benoît’sL’Atlantideas either cryptomnesia or archetypal inspiration, but he was misinformed about the case and unfamiliar with Benoît’s life. This essay critiques Jung’s statements about Benoît and then considers the case for plagiarism that was published inThe French Quarterlyin 1919–1920. Neither the typical reply – thatL’Atlantidereflects the author’s African experience and historical knowledge – nor the reading of the novel that arose from Jung’s 1925 seminar adequately refutes the plagiarism charge. A depth-psychological reading ofL’Atlantideshows the danger of seeking the anima archetype itself rather than experiencing the anima in a relationship with an available woman. But even if literary analogies, including the Circe myth, suggest that Haggard and Benoît may have tapped into the same archetypal vein, the novels’ similarities and verbal echoes cannot be dismissed outright.
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Silva, Evander Ruthieri da Silva Ruthieri da. « A questão sul-africana : literatura, colonialismo e masculinidades em Marie (1912), de H. Rider Haggard ». Diálogos 22, no 1 (7 juillet 2018) : 229. http://dx.doi.org/10.4025/dialogos.v22i1.43643.

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O escopo central do artigo converge na análise e problematização das relações entre colonialismo e masculinidade na produção literário-intelectual do romancista H. Rider Haggard (1856-1925), com destaque para seu romance Marie (1912). A narrativa literária cinge elementos da ficção e realidade ao narrar eventos do passado sul-africano, em especial o Great Trek, período de migrações e deslocamentos de colonos bôeres na década de 1830. No cerne de um contexto imaginado com as marcas da violência e do martírio, Haggard retrata a formação de seu protagonista, o caçador Allan Quatermain, de modo a promover figurações de virilidade e heroísmo que atuam como respostas ao que muitos de seus contemporâneos sentem e ressentem como crises da masculinidade no fin-de-siècle. Abstract The South African Question: Literature, Colonialism and Masculinities in H. Rider Haggard’s Marie (1912) The central scope of the article converges in the analysis and problematization of relations between colonialism and masculinity in H. Rider Haggard’s (1856-1925) literary and intellectual production, with emphasis in his romance Marie (1912). The literary narrative deals with elements of fiction and reality by narrating events from South African past, especially the Great Trek, a period of migrations and displacements of Boer colonists during the 1830s. At the heart of a context imagined with violence and martyrdom, Haggard depicts the formation of his protagonist, the hunter Allan Quatermain, in order to promote virility and heroism, which act as answers to what many of his contemporaries feel and resent as crises of masculinity in the fin-de-siècle. Resumen La cuestión sudafricana: literatura, colonialismo y masculinidades en Marie (1912), de H. Rider Haggard La meta central del artículo converge en la análisis y problematización de las relaciones entre colonialismo y masculinidad en la producción literario-intelectual del novelista H. Rider Haggard (1856-1925), con destaque para su romance Marie (1912). La narrativa literaria establece una relación entre elementos de ficción y realidad al narrar eventos del pasado sudafricano, en especial el Great Trek, período de migraciones y desplazamientos de colonos bôeres en la década de 1830. En el corazón de un contexto imaginado con las marcas de la violencia y el el martirio, Haggard retrata la formación de su protagonista, el cazador Allan Quatermain, para promover imágenes de virilidad y heroísmo que actúan como respuestas a lo que muchos de sus contemporáneos sienten y resienten como crisis de la masculinidad en el fin-de-siècle.
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Da Silva, Evander Ruthieri. « Visões do Império : A visualidade da África colonial na literatura de H. Rider Haggard (1856-1925) ». Tempos Históricos 24, no 1 (23 octobre 2020) : 238–64. http://dx.doi.org/10.36449/rth.v24i1.22334.

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Na chamada Era dos Impérios do século XIX, os romances de H. Rider Haggard (1856-1925) alcançaram expressividade no mercado editorial, pois, ao enredarem tramas ambientadas no sul da África, informavam a imaginação de muitos dos seus leitores e leitoras acerca da ocupação de outros territórios, dos encontros interétnicos e interculturais tramados nas fronteiras geopolíticas dos interesses coloniais. Este artigo concentra-se na visualidade da África colonial em dois romances de Rider Haggard, Swallow (1899) e The Ghost Kings (1908). A ênfase da análise recai sobre as imagens e ilustrações que acompanhavam estes romances, compreendendo-as como elementos associados à dimensão política da ficcionalidade, em especial, os códigos visuais que se entrecruzam aos imaginários e estereótipos relacionados aos territórios sul-africanos.
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Silva, Evander Ruthieri da. « Ação política, trabalho e resistência africana nos diários de viagem de H. Rider Haggard (África do Sul, 1914) ». Revista de História, no 180 (13 avril 2021) : 1–36. http://dx.doi.org/10.11606/issn.2316-9141.rh.2021.168103.

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O período em torno da formalização da União Sul-Africana (1910) foi caracterizado por debates políticos acerca da identidade nacional sul-africana, bem como pela promulgação de legislações de caráter segregacionista e da negação de direitos políticos à população negra. Nesse contexto, o romancista britânico H. Rider Haggard (1856-1925) retornou à África do Sul, onde viveu em sua juventude, e registrou suas impressões de viagem em diários. O artigo visa analisar as marcas da articulação política e da resistência africana nos diários de viagem de Haggard, com atenção especial ao contexto laboral e aos mundos do trabalho de sul-africanos negros e dos chamados “brancos pobres”. A despeito do alinhamento político de Haggard, os relatos do romancista possibilitam vislumbrar rastros fragmentários das reivindicações desses sujeitos históricos num contexto de institucionalização de leis excludentes.
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Thèses sur le sujet "Haggard, Henry Rider (1856-1925)"

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Senior, John. « Spirituality in the fiction of Henry Rider Haggard ». Thesis, Rhodes University, 2004. http://hdl.handle.net/10962/d1002252.

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Neither an unquestioning support for British imperialism nor a personal pre-Jungian philosophy were the driving forces behind Rider Haggard’s beliefs or his literature. These two concerns were secondary to the author’s fascination with the supernatural, a theme prominent in his era, but less so in our own. A declining faith in European religion provided the dominant focal point in Haggard’s work. Although there are important overtones of imperial concern and indeed points of Jungian significance in the texts, these are generally subservient to an intensive wide-ranging spiritual discourse. The place of Haggard’s work in history and its literary merit are thus misunderstood when his spiritualism is not taken into account. No analysis of the author’s work can be complete without first coming to terms with his spiritual ideas and then with their impact on other topics of significance to both the author and audiences of his day. The spiritual or religious aspect of his writing has been largely ignored because of its subtle nature and its relative unfashionability throughout most of the twentieth century in the critical and intellectual climate of the Western world. However, in the Victorian era, under the materialist impact of Darwin, Marx and industrialization, Europe's Christian God was pushed from centre stage, creating widespread spiritual hunger and anguish. In the resulting religious vacuum Haggard's overtures were of particular significance to his audience. In fact, when considered in terms of his immense contemporary popularity, the pervasive presence of spirituality throughout Haggard's works and in his personal writing gives some indication of the subject's enormous importance not only to the author, but to late Victorian society as a whole. In light of this Victorian significance, the spiritual element rises, by its constant presence and persistent foregrounding, to subvert not only the imperial and the Jungian, but even Haggard's overt adventure text by dealing directly with the underlying metaphysical crisis in Western society.
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Crouan-Veron, Patricia. « L' espace et le temps dans le cycle de Allan Quatermain et de She : une relecture des deux cycles mythiques de H. R. Haggard ». Nantes, 2001. http://www.theses.fr/2001NANT3017.

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Langwith, Mark J. « 'A far green country' : an analysis of the presentation of nature in works of early mythopoeic fantasy fiction ». Thesis, University of St Andrews, 2007. http://hdl.handle.net/10023/313.

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This study undertakes an examination of the representation of nature in works of literature that it regards as early British ‘mythopoeic fantasy’. By this term the thesis understands that fantasy fiction which is fundamentally concerned with myth or myth-making. It is the contention of the study that the connection of these works with myth or the idea of myth is integral to their presentation of nature. Specifically, this study identifies a connection between the idea of nature presented in these novels and the thought of the late-Victorian era regarding nature, primitivism, myth and the impulse behind mythopoesis. It is argued that this conceptual background is responsible for the notion of nature as a virtuous force of spiritual redemption in opposition to modernity and in particular to the dominant modern ideological model of scientific materialism. The thesis begins by examining late-Victorian sensibilities regarding myth and nature, before exposing correlative ideas in selected case studies of authors whose work it posits to be primarily mythopoeic in intent. The first of these studies considers the work of Henry Rider Haggard, the second examines Scottish writer David Lindsay, and the third looks at the mythopoeic endeavours of J. R. R. Tolkien, the latter standing alone among the authors considered in these central case studies in producing fiction under a fully developed theory of mythopoesis. The perspective is then widened in the final chapter, allowing consideration of authors such as William Morris and H. G. Wells. The study attempts to demonstrate the prevalence of an identifiable conceptual model of nature in the period it considers to constitute the age of early mythopoeic fantasy fiction, which it conceives to date from the late-Victorian era to the apotheosis of Tolkien’s work.
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Marty, Christophe. « L’aventure coloniale dans le roman britannique vue par le cinéma américain : King Solomon’s Mines (1950), Kim (1950), The Quiet American (1958 ; 2002), The Man Who Would Be King (1975), Apocalypse Now (1979 ; 2001) ». Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030125.

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Portant sur six adaptations hollywoodiennes de récits de Rider Haggard, Kipling, Conrad et Greene, ce travail analyse la manière dont le cinéma américain retravaille divers aspects des supports littéraires à des fins esthétiques [attention aux détails exotiques, remaniements narratifs, jeu des acteurs, couleurs, décors] et idéologiques [réflexion sur l’impérialisme colonial]. En confrontant les films et les récits qui les précèdent, il s’agit d’examiner la manière dont le cinéma prend appui sur la littérature pour tisser un réseau où transparaît le regard que Hollywood porte sur la tentation impérialiste américaine
The study focuses on six adaptations of narratives by Rider Haggard, Kipling, Conrad and Greene. It addresses the way Hollywood worked over several aspects of the literary works for aesthetic [attention to exotic details, reshaping of narratives, acting, colours, setting] as well as ideological purposes [a reflection on colonial imperialism]. Comparing the films with their literary antecedents, the study analyses the manner cinema is backed by literature to weave a network of signs which reveal Hollywood’s approach to American imperialist temptation
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Livres sur le sujet "Haggard, Henry Rider (1856-1925)"

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Leibfried, Philip. Rudyard Kipling and Sir Henry Rider Haggard on screen, stage, radio, and television. Jefferson, N.C : McFarland, 2000.

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Imagining Africa : Landscape in H. Rider Haggard's African romances. Westport, Conn : Greenwood Press, 2001.

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Victorian quest romance : Stevenson, Haggard, Kipling, and Conan Doyle. Plymouth, U.K : Northcote House, in association with the British Council, 1998.

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Low, Gail Ching-Liang. White skins/black masks : Representation and colonialism in the prose writing of Henry Rider Haggard andRudyard Kipling 1882-1901. Norwich : University of East Anglia, 1991.

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Haggard, H. Rider. A farmer's year : Being his commonplace book for 1898. London : Cresset Library, 1987.

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Haggard, H. Rider. The annotated She : A critical edition of H. Rider Haggard's Victorian romance with introduction and notes by Norman Etherington. Bloomington : Indiana University Press, 1991.

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Haggard, H. Rider. The annotated She : A critical edition of H. Rider Haggard's Victorian romance with introduction and notes. Bloomington : Indiana University Press, 1991.

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Colonial transitions : Literature and culture in the late Victorian age. Bern : Peter Lang, 2012.

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Haggard, H. Rider. She : King Solomon's mines ; and, Allan Quatermain. New York : Gramercy Books, 1996.

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Haggard, H. Rider. She : A history of adventure. Peterborough, ON : Broadview Press, 2005.

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Chapitres de livres sur le sujet "Haggard, Henry Rider (1856-1925)"

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Fike, Matthew A. « The anima’s many faces in Henry Rider Haggard’s She ». Dans Four Novels in Jung’s 1925 Seminar, 6–18. New York : Routledge, 2020. : Routledge, 2020. http://dx.doi.org/10.4324/9780367821548-2.

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Crouan-Véron, Patricia. « En quête du temps passé : des romans de Mondes Perdus de Henry Rider Haggard (1856-1926) aux romans contemporains de E. Peters (1927-) et de W. Smith (1933-), l’histoire d’une empreinte littéraire ». Dans L’Imaginaire du temps dans le fantastique et la science-fiction, 269–77. Presses Universitaires de Bordeaux, 2011. http://dx.doi.org/10.4000/books.pub.20321.

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