Thèses sur le sujet « God – Poetry »
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Jenkins, Sarah E. « Facing God : contemporary American devotional poetry / ». Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2392.pdf.
Texte intégralMariani, Paul L. « God and the imagination : Praying through poetry ». The Church in the 21st Century Center at Boston College, 2013. http://hdl.handle.net/2345/bc-ir:104010.
Texte intégralMason, John Robert. « To Milton through Dryden and Pope, or, God, man and nature : 'Paradise Lost' regained ? » Thesis, University of Cambridge, 1987. https://www.repository.cam.ac.uk/handle/1810/250913.
Texte intégralGilliland, Don. « Self, world, and God in the poetry of Dickinson and Melville ». Thesis, [Tuscaloosa, Ala. : University of Alabama Libraries], 2009. http://purl.lib.ua.edu/80.
Texte intégralHanley, Lorraine D. « God, exile and the development of the poetic voice in the poetry of Ernestina de Champourcin / ». May be available electronically:, 2008. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Texte intégralEsser, Carolin Maud. « Naming the divine : designations for the Christian God in old English poetry ». Thesis, University of York, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434102.
Texte intégralGreenham, Ellen J. « Vision and desire : Jim Morrison's mythography beyond the death of God ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2009. https://ro.ecu.edu.au/theses/16.
Texte intégralSayuti, Najmah. « The concept of Allāh as the highest God in pre-Islamic Arabia : a study of pre-Islamic Arabic religious poetry ». Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30215.
Texte intégralThrough verse the ancient Arabs expressed how they conceived of their deities, whether, idols representing various gods and goddesses, or Allah. These verses make it clear that Allah alone was not represented by any idol, allowing us to infer that He was regarded as superior to other deities. This thesis, therefore, attempts to show how the ancient Arabs expressed through poetry their belief in Allah as the Lord of Gods, which was the true nature of their ancestral belief, the h&dotbelow;anifiyya, the religion of their forefathers Abraham and Ishmael.
McCullough, Eleanor G. « "Except you ravish me" [microform] : the images of Christ as courtly knight, bridegroom, and mother of the soul as woven through the religious love lyric "In a valey of this restles mynde" / ». Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p048-0326.
Texte intégralFarish, Helen. « Sex, God and grief in the poetry of Louise Gluck and Sharon Olds ». Thesis, Oxford Brookes University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421705.
Texte intégralFløysvik, Ingvar. « When God becomes your enemy the theology of the complaint Psalms / ». Theological Research Exchange Network (TREN), 1994. http://www.tren.com.
Texte intégralTocheva, Polya. « The Language of Man and the Language of God in George Herbert's Religious Poetry ». Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/TochevaP2003.pdf.
Texte intégralHand, Jessica Danielle. « God Made the Apples, We Made the Bites ». Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_theses/108.
Texte intégralMyers, Lillian. « The Dwelling Place of God : the Significance of Structure in "The Temple" ». Thesis, Griffith University, 1999. http://hdl.handle.net/10072/366135.
Texte intégralThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Humanities
Faculty of Arts
Full Text
Hodge, Anita Obermeier. « Handmaidens of God : the female figures Judith, Juliana, and Elene in Old English heroic poetry / ». View online, 1985. http://repository.eiu.edu/theses/docs/32211130497875.pdf.
Texte intégralBarker, Simon John. « Probing the god-space : R.S. Thomas's poetry of religious experience, with special reference to Kierkegaard ». Thesis, University of Wales Trinity Saint David, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683109.
Texte intégralBrewster, Richard. « 'Unhappily in love with God' : conceptions of the divine in the poetry of Geoffrey Hill, Les Murray and R.S. Thomas ». Thesis, Durham University, 2002. http://etheses.dur.ac.uk/4120/.
Texte intégralFoster, Hubert Wakefield. « Catullus' Attis counterfeit epic / ». Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5975.
Texte intégralThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 24, 2009) Vita. Includes bibliographical references.
Acker, Elizabeth Anne. « God in the Darkness : Mysticism and Paradox in the Poetry of George Herbert and Henry Vaughan ». [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0720101-152602/unrestricted/ackera0808a.pdf.
Texte intégralWilliams, Molly K. « For God and Country : Scriptural Exegesis, Editorial Intervention, and Revolutionary Politics in First New England School Anthems ». University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1511862418359819.
Texte intégralAlarabi, Nour. « A God of their own : religion in the poetry of Emily Brontë, Christina Rossetti and Constance Naden ». Thesis, University of Leicester, 2009. http://hdl.handle.net/2381/4795.
Texte intégralConnolly, Margaret. « An edition of 'Contemplations of the dread and love of God' ». Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/2786.
Texte intégralVincent, Mark Anthony. « From Sinai to Jerusalem : a study of the Hebrew text of Psalm 68 ». Thesis, Durham University, 2001. http://etheses.dur.ac.uk/1237/.
Texte intégralThompson, Alison. « The Higher Learning ». Miami University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=miami1452180306.
Texte intégralSayuti, Najmah. « The concept of Allah as the highest God in pre-Islamic Arabia, a study of pre-Islamic Arabic religious poetry ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ64191.pdf.
Texte intégralde, Warrenne Waller Christopher Scott. « Distance and dealings between the Christian and God in the poetry of George Herbert : 'wilt thou meet arms with man?' ». Thesis, University of Bristol, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687448.
Texte intégralAuer, Benedict Auer Benedict. « Deus absconditus as muse : an approach to the writing of poetry as a form of contemplative prayer for those who live with the Hidden God / ». Dissertation abstract, 1992. http://homepages.stmartin.edu/fac%5Fstaff/auer/other/AbstractofDissertation.HTML.
Texte intégralPrice, Kenneth Robert 1962. « "Nobody knows, so still it flows"—The Discourse of Water in the Poetry of Emily Dickinson ». Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc277904/.
Texte intégralEchols, Charles L. « The eclipse of God in the Song of Deborah (Judges 5) : the role of Yahweh in the light of heroic poetry ». Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614867.
Texte intégralBerta, Katherine M. « To You ». Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1489768131826135.
Texte intégralWinters, Sarah Fiona. « Me thoughts I heard one calling, talking to God in the poetry of John Donne, George Herbert, Christina Rossetti, and Gerard Manley Hopkins ». Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ50068.pdf.
Texte intégralKershaw, Alison. « The poetic of the Cosmic Christ in Thomas Traherne's 'The Kingdom of God' ». University of Western Australia. School of Social and Cultural Studies, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0085.
Texte intégralZanoni, Veronica. « The Poet and the God. Ovid, Tristia 3.1. Text, Translation and Commentary with an Introduction ». Doctoral thesis, Università degli studi di Padova, 2016. http://hdl.handle.net/11577/3421797.
Texte intégralIl lavoro di ricerca si presenta quale commento critico-letterario a Ovidio, Tristia 3.1, corredato di un’introduzione, di testo critico con traduzione in inglese, e di indici analitici. Lo studio si inserisce nel quadro dei più recenti commenti esegetici di altri libri dei Tristia e tenta di chiarire alcuni passi di difficile interpretazione topografica e poetica. In primo luogo, la trasposizione letteraria di alcuni monumenti sul Palatino (la porta Mugonia e il tempio di Giove Statore) è riferibile all’assimilazione della figura del princeps a quella di Giove, la cui prima attestazione si ha proprio nei Tristia. In secondo luogo, l’arrivo del libello a Roma e la sua richiesta di aiuto si articolano secondo formule gestuali e verbali del tutto simili a quelle che esprimevano la richiesta di ospitalità da parte di uno straniero: la stretta di mano, la presentazione di una lettera accompagnatoria, la presenza di un sigillo o di un oggetto di riconoscimento. La corrispondenza del libello con un hospes che esercita lo ius hospitii farebbe intravedere nella richiesta di hospitium un nuovo modello per la composizione di Tristia 3.1. L’analisi filologico-letteraria ha dato esito a un approfondimento del lessico specifico della poesia dell’esilio presente nell’elegia, individuando nuovi termini speciali e accezioni. Data la rilevanza letteraria e topografica dell’elegia, il commento si caratterizza per un approccio multidisciplinare filologico-letterario e storico-archeologico, che valuta al contempo le fonti letterarie – con particolare attenzione ai contributi della critica, all’uso dei termini, delle locuzioni, della metrica, al rapporto con le altre opere ovidiane e di altri autori – e gli ultimi ritrovamenti archeologici con le relative ricostruzioni topografiche.
Soud, William David. « Toward a divinised poetics : God, self, and poeisis in W.B. Yeats, David Jones, and T.S. Eliot ». Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:331a692d-a40c-4d30-a05b-f0d224eb0055.
Texte intégralToulze, Thierry. « Le sacrifice comique de Valère Novarina : étude rhétorique de la période 1975-2010 ». Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20093/document.
Texte intégralAt once comic, tonic, rhythmic, inventive, chaotic, aesthetic and utterly incomprehensible, the language used by Novarina is here considered on a formal level. Through a panoramic and subtle description of the rhetorical “Novarinian” arsenal, this work intends to establish a comprehensive evaluation of the work the playwright has done to this day. A systematic study of the most recurrent figures of speech amounts to exploring this new domain ; if there is novelty, there is also a subtle reneval of age-old traditions (farce, carnival, mystery) which does not prevent Novarina from being at the very heart of modernity. The plays will be selected and put forward according to the formal aspect studied : variations on biblical themes, critical of the media and other institutions, tribute to Shakespeare, circus, food, emptiness, kénôse, “pantinity”, etc. In sum, this study aims to achieve the following objectives : emphasizing the incredible rhetorical variety found in this plays and highlighting their comic dimension, finding new ways of exploring Novarina works (sport, bestiary, “logodynamic”, science-fiction, Taoism, childhood, Pataphysic, connections with Lewis Carroll), mapping this labyrinthine imagination, setting up a work-structure and marking out the path with pebbles as did Tom Thumb, attempting to define the adjective “Novarinian” and trying to explore the mystery of his sphinx-like work, accepting as our own one of the demiurge’s war cries : “What we cannot speak about, is precisely what we must say”
Souza, Luciane Noronha do Amaral de. « O sagrado como busca em Poemas malditos, gozosos e devotos, de Hilda Hilst / ». São José do Rio Preto : [s.n.], 2008. http://hdl.handle.net/11449/94185.
Texte intégralBanca: Antonio Alcir Bernardez Pécora
Banca: Marcos antonio Siscar
Resumo: Este trabalho desenvolve uma análise sobre o livro Poemas malditos, gozosos e devotos (1984) da escritora paulista Hilda Hilst (1930-2004). Para tanto, realiza-se um estudo da busca devota, maldita e gozosa empreendida pelo sujeito poemático no intuito de obter o conhecimento de si mesmo e do sagrado representado pela idéia de Deus. Nas análises dos poemas, procura-se desvelar o modo como essa tentativa de relação do eu frente ao objeto é construída através da linguagem a partir da tensão instituída entre busca/distanciamento e carne/espírito, uma vez que nos poemas Deus é o amante desejado, mas completamente distante e alheio aos apelos de quem o busca ininterrupta e sacrificialmente.
Abstract: The aim of this work is to analyze the book Poemas malditos, gozosos e devotos (1984) of the Brazilian writer Hilda Hilst (1930 - 2004). The study searches the devoted, cursed and joyful search done by the subject in the poem who aims to obtain the knowledge about himself and about the sacred, represented by the idea of God. In the analyses of the poems it is unveiled the way that this attempt of relationship of "I" facing the object is constructed through the language, from the tension between search and distance and between flesh and spirit, given that in the poems God is the desired lover, but is completely distant and ignores the cries of those who search Him interruptedly and with sacrifice.
Mestre
Souza, Luciane Noronha do Amaral de [UNESP]. « O sagrado como busca em Poemas malditos, gozosos e devotos, de Hilda Hilst ». Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/94185.
Texte intégralEste trabalho desenvolve uma análise sobre o livro Poemas malditos, gozosos e devotos (1984) da escritora paulista Hilda Hilst (1930-2004). Para tanto, realiza-se um estudo da busca devota, maldita e gozosa empreendida pelo sujeito poemático no intuito de obter o conhecimento de si mesmo e do sagrado representado pela idéia de Deus. Nas análises dos poemas, procura-se desvelar o modo como essa tentativa de relação do eu frente ao objeto é construída através da linguagem a partir da tensão instituída entre busca/distanciamento e carne/espírito, uma vez que nos poemas Deus é o amante desejado, mas completamente distante e alheio aos apelos de quem o busca ininterrupta e sacrificialmente.
The aim of this work is to analyze the book Poemas malditos, gozosos e devotos (1984) of the Brazilian writer Hilda Hilst (1930 – 2004). The study searches the devoted, cursed and joyful search done by the subject in the poem who aims to obtain the knowledge about himself and about the sacred, represented by the idea of God. In the analyses of the poems it is unveiled the way that this attempt of relationship of “I” facing the object is constructed through the language, from the tension between search and distance and between flesh and spirit, given that in the poems God is the desired lover, but is completely distant and ignores the cries of those who search Him interruptedly and with sacrifice.
Suave, Tonyglei. « Onde está o teu Deus ? um estudo exegético dos Salmos 42 43 ». Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/18310.
Texte intégralThe objective of this dissertation is to present an exegetic study of a biblical poem: Psalm 42 43. This undertaking is justified in the measure that the search for the original meaning of a text which is inspired by God and is the bearer of a universal message of salvation can favor reflection on one of the problems that most disturbs the human conscience: human suffering and faith in a God who is omnipotent and filled with benevolence. Due to the particular position of this poem [at the start of the section of the Psalter which proportionally speaks most of human suffering] and certain stylistic traces [the striking comparison at the beginning of the poem; the name of God mentioned 22 times; the tetragram in the middle of it to call attention to a particular attitude of the person praying] this research has as a hypothesis that these Psalms throw some light on the subject of God s presence in the lives of people who suffer. In the style of commentary, the research continues following the steps of synchronic analysis with some reference to diachronic analysis when necessary. It analyzing the literary beauty and certain cultural, historical and theological aspects of one of the sacred texts which was chosen as a model of prayer for Israel because it deals with one of the vital problems of the human being in a realistic and beautiful manner. As a result of this work five essential elements were discovered which appear to contribute towards reflection on the presence of God next to the suffering human person: 1) the importance of trust in God; 2) how the presence of God appears to be experienced as absence; 3) worship as a privileged manner of communication and communion with God; 4) the misunderstanding of God as one of the causes of the difficulty to deal with suffering; 5) confining the presence of God to only the Temple in Jerusalem as a theological limitation of this poem
A presente dissertação tem como objetivo apresentar um estudo exegético de um poema bíblico: Sl 42 43. Tal empreendimento se justifica na medida em que a busca pelo sentido original de um texto, que foi inspirado por Deus e é portador de uma mensagem universal de salvação, possa favorecer a reflexão sobre um dos problemas que mais perturba a consciência humana: o sofrimento humano e a crença em um Deus cheio de bondade e onipotente. Dada a singular posição deste poema encabeça a parte do Saltério que, proporcionalmente, mais fala de sofrimento humano e certos indícios estilísticos a impactante comparação no início do poema, o nome de Deus citado 22 vezes, o tetragrama no centro do poema para chamar a atenção a uma determinada atitude do orante esta pesquisa tem como hipótese que estes Salmos lançam alguma luz sobre a questão da presença de Deus junto ao ser humano sofredor. No estilo de comentário, a pesquisa avança seguindo os passos de uma análise sincrônica com acenos à diacronia, quando necessário, analisando a beleza literária e certos aspectos culturais, históricos e teológicos de um dos textos sagrados que foi escolhido como modelo de oração para Israel por ele tratar de um dos problemas vitais do ser humano de maneira realista e bela. Como resultado deste trabalho foram encontrados cinco elementos essenciais que parecem contribuir na reflexão sobre a presença de Deus junto ao ser humano que sofre, a saber: 1) a importância da confiança em Deus; 2) o modo da presença de Deus parece ser sua ausência sentida; 3) o culto como uma maneira privilegiada de comunicação e comunhão com Deus; 4) a incompreensão de Deus como uma das causas da dificuldade de se lidar com o sofrimento; 5) o confinamento da presença de Deus apenas ao Templo de Jerusalém como uma limitação teológica deste poema
Lavelle, William H. « Revolutionary Satan : A Reevaluation of the Devil's Place in Paradise Lost ». Ohio University Honors Tutorial College / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1429893486.
Texte intégralLopes, Alan Marinho. « O entardecer de uma era : t?cnica, poesia e pensamento em Heidegger ». Universidade Federal do Rio Grande do Norte, 2010. http://repositorio.ufrn.br:8080/jspui/handle/123456789/16492.
Texte intégralCoordena??o de Aperfei?oamento de Pessoal de N?vel Superior
The thinking dialog between Heidegger s philosophy and the poetry of H?lderlin and Rilke must be dealt in language s domains. The difficulty to establish this dialog comes from the man in itself, unable to think out of the understructure of science and the modern technique. The poetic language was forgotten or ignored, turning itself obsolete in front of improvements and resources of the technique. Heidegger searches the essences to the poetry so may it be comprehended in its plenitude for the man. Technique, poetry and existence must be pronounced and investigated so the being shows itself again. To Heidegger, the man lives in a period of uncertainty due finding himself at the sunset of age. The uncertainty generates the poverty and the night of world represents the absence of god and original truth. Only with the fundamental comprehension of poetry, the man of today can project himself to the future not anymore as technique product, but with freedom to choose. The message of poetry of H?lderlin and Rilke, according to Heidegger s interpretation, transmits an alert to the contemporary man against the coming danger in his maintained relation with nature. The purpose of the following work is to build this thinking dialog, without disfigure the poetry, but taking approach over its essence, so from there to remove its true existential value.
O di?logo pensante entre a filosofia de Heidegger e a poesia de H?lderlin e Rilke deve ser travado nos dom?nios da linguagem. A dificuldade em estabelecer esse di?logo vem do pr?prio homem, incapaz de pensar fora do arcabou?o da ci?ncia e da t?cnica moderna. A linguagem po?tica foi esquecida ou ignorada, tornando-se obsoleta diante das facilidades e recursos da t?cnica. Heidegger busca as ess?ncias para que a poesia possa ser compreendida em sua plenitude pelo homem. T?cnica, poesia e exist?ncia devem ser pronunciadas e investigadas para que o ser se apresente novamente. Para Heidegger, o homem vive em um per?odo de incertezas por se encontrar no entardecer de uma era (Sunset of Age). A incerteza gera a pen?ria e a noite do mundo representa a aus?ncia de Deus e das verdades origin?rias. Apenas com a compreens?o fundamental da poesia, o homem de hoje pode se projetar ao futuro n?o mais como produto da t?cnica, mas com liberdade para escolher. A mensagem da poesia de H?lderlin e Rilke, segundo a interpreta??o de Heidegger, transmite um alerta ao homem contempor?neo acerca do perigo vigente na rela??o que ele mant?m com a natureza. O objetivo do seguinte trabalho ? construir esse di?logo pensante, sem desfigurar a poesia, mas indo de encontro ? sua ess?ncia, para de l? retirar seu verdadeiro valor existencial.
Petrella, Bernardo Ballesteros. « Divine assemblies in early Greek and Mesopotamian narrative poetry ». Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:cfd1affe-f74b-48c5-98db-aba832a7dce8.
Texte intégralLindeen, Karilyn. « Walt Whitman and the American Civil War : from Wound Dresser to Good Gray Poet ». Thesis, Kansas State University, 2016. http://hdl.handle.net/2097/32590.
Texte intégralDepartment of History
Charles W. Sanders, Jr.
Today, Walt Whitman is considered a famous nineteenth-century American poet. At the outbreak of the American Civil War however, he was underrated and underappreciated by American readers. Three editions of his book of poetry, Leaves of Grass, were not received well by American readers and his future in writing looked bleak. This was despite the fact that Whitman’s literary friend, Ralph Waldo Emerson, wrote an encouraging review of the first edition, which Whitman included in the second and third iterations. Ironically, Whitman’s career made a turn for the better when his brother, George Washington Whitman, was reported to be among the wounded or killed in the Battle of Fredericksburg on December 13, 1862. A dedicated family man, Whitman immediately boarded a train in New York and headed for Falmouth, Virginia, to check on his brother’s wellbeing. Whitman visited several makeshift hospitals before coming across Chatham Mansion, the temporary Union Hospital Headquarters. He saw at the base of a tree a pile of human limbs that had been tossed out of a first floor window following amputations. The scene was horrific and he paused to record what he saw in his diary. This experience forever changed Whitman the man and Whitman the poet and the transformation was evident in his subsequent writing, as Whitman first took on the persona of what I have designated as the Wound Dresser and years after the war the Good Gray Poet. This evolution changed the public perception of Whitman, and it occurred in phases. The initial phase was before the war, his work was considered obscene among American society due to his previous publications. The second transformation in Whitman was initiated by fear of personal loss when his brother was listed among the wounded and dead at Fredericksburg and the sight of the amputated limbs at Chatham Mansion. Had Whitman been exposed to the war slowly over time, the effect might not have been so profound, but Chatham was an earth shattering event in his life, as he admitted. The third phase was the result of daily exposure for years to the wounded and dying in the hospitals. He developed a personal connection with the men and was determined to stay with them, despite direct orders from hospital doctors that he should return home for his own physical and emotional recovery. His experience in the hospitals had transformed from a middle aged healthy man to a frail and brittle shell, evident in photographs of him during these years. The final phase was marked by the transformation in his writing. It was in this phase that Whitman created the most memorable and remarkable Civil War poetry that is still celebrated today. It was this poetry that caused American’s to revere him as the “Good Gray Poet.”
Brown, Adam. « A study of gold in early Greek poetry : from Homer to Bacchylides ». Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.260109.
Texte intégralLisboa, Emmanuel Gonçalves Guimarães. « Deus e o Diabo na Alcova : uma leitura do sonetário de Glauco Mattoso em busca das presenças poéticas de Deus e do Diabo ». Pontifícia Universidade Católica de São Paulo, 2010. https://tede2.pucsp.br/handle/handle/2151.
Texte intégralThe following work treats about God's images in the contemporary poetry. Thereunto, we have selected Glauco Mattoso, a native of São Paulo poet who passes through several faces of the recent brazilian poetry. Of his vast production, we analyze, in this work, only the sonnets, without a cutting of composition or phase - we worry about the presence of God in his sonnets collection. To do so, we have read, written up and cataloged three thousand sonnets, and twenty-nine of them found the presence of God with real meaning to the content. However, we have analyzed carefully only a small part of these sonnets. For the analysis, we have anchored on the concepts of literary criticism coming from Iumna Maria Simon and Vinicius Dantas, the reflections of Hugo Friederich, and on sociological relationships of men with God studies, by Roger Bastide. The work is divided into three chapters. The first, "Um exercício de história" (A History Exercise), tries to situate the contemporary Brazilian poetry and insert Glauco Mattoso in this scenario. Also in this chapter, relevant and influential artists appear in Glauco's literary education and in the formation of pornographic and accursed tradition of portuguese language. The second chapter, "De onde vem e como vemos" (Whence it comes and how we see it), is the theoretical framework we use to read Glauco's poetry. Initially, we present Iumna Maria Simon's and Vinícius Dantas's theories, and then Hugo Friederich's. After that, these concepts are applied separately in some Glauco's poems with a distinct theme from the one we have investigated. Finally, we discuss the sociological categories defined by Roger Bastide. In the last chapter, the poems are analyzed following four different categories, but similar with regard to the theme. We ascertain the poems in it's interpretation about the divine figure, the poems in which God acts, or is claimed to act in the political, egocentric, and reversal horizons. Throughout the work, we try to understand the ways how the divine figure is treated in Glauco's poetry, and by extension, we try to point out the relations of man and God in today's society
O trabalho que ora se apresenta versa sobre a presença das imagens de Deus na poesia contemporânea. Para tanto selecionamos Glauco Mattoso, poeta paulistano que passa por diversas fases da recente poesia brasileira. Em sua vasta produção analisamos neste trabalho apenas os sonetos, sem um recorte de obra, ou de fase preocupamo-nos com a presença de Deus em seu sonetário. Para tanto, foram lidos, fichados e catalogados três mil sonetos e em vinte e nove deles encontramos a presença de Deus com real significado para o conteúdo. Porém analisamos com cuidado apenas uma pequena parte desses sonetos. Para a análise, nos ancoramos sobre os conceitos de crítica literária oriundos de Iumna Maria Simon e Vinícius Dantas e das reflexões de Hugo Friederich. E sobre os estudos acerca das relações sociológicas do homem com Deus de Roger Bastide. O trabalho esta dividido em três capítulos. No primeiro Um exercício de história tentamos situar a poesia contemporânea brasileira e inserir Glauco Mattoso nesse cenário. Aparecem, também, nesse capítulo artistas influentes e relevantes na formação literária de Glauco e da tradição maldita e pornográfica em língua portuguesa. O segundo capítulo De onde vem, e como vemos trata do arcabouço teórico que utilizamos para ler a poesia de Glauco. Inicialmente são apresentadas as teorias de Iumna Maria Simon e de Vinícius Dantas e depois as de Hugo Friederich. Na sequência esses conceitos são aplicados separadamente em poemas de Glauco com temática distinta da que investigamos. Por fim tratamos das categorias sociológicas definidas por Roger Bastide. No último capítulo analisamos os poemas seguindo quatro categorias distintas, mas próximas na temática. Averiguamos os poemas em sua Interpretação acerca da figura divina, os poemas em que Deus age, ou é clamado a agir no horizonte político, os egocêntricos e os inversivos. Ao longo do trabalho buscamos compreender as formas como a figura divina é tratada na poética de Glauco e por extensão tentamos apontar as relações do homem e Deus na sociedade atual
Ramstetter, Anthony F. Jr. « Small Gods & ; Orbital Bodies : A Thesis ». Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1371567335.
Texte intégralSharper, Donna C. « Llamadas para la liberación en los salmos de Ernesto Cardenal ». University of Toledo / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1481326494397004.
Texte intégralTricker, Tim. « The animal poetry of Ted Hughes ». Thesis, University of Aberdeen, 2001. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU148149.
Texte intégralCooper, Sarah Elizabeth Mary. « Re-connecting the spirit : Jamaican women poets and writers' approaches to spirituality and God ». Thesis, University of Birmingham, 2005. http://etheses.bham.ac.uk//id/eprint/5427/.
Texte intégralRobinson, Roger James. « The poetry of James Beattie : a critical edition ». Thesis, University of Aberdeen, 1997. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU097201.
Texte intégralDornan, R. Stephen. « Irish and Scottish poetry in the Romantic era ». Thesis, University of Aberdeen, 2006. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU218222.
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