Bibliographies thématiques / God – Poetry

Littérature scientifique sur le sujet « God – Poetry »

Auteur : Grafiati
Publié le 25 juillet 2024
Mis à jour le 26 juillet 2024

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Articles de revues sur le sujet "God – Poetry"

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Linafelt, T. « Biblical love poetry (... and God) ». Journal of the American Academy of Religion 70, no 2 (1 juin 2002) : 323–45. http://dx.doi.org/10.1093/jaar/70.2.323.

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Dewi, Novita. « Finding God in All Things through Poetry ». Journal of Language and Literature 21, no 1 (16 mars 2021) : 190–97. http://dx.doi.org/10.24071/joll.v21i1.3145.

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Poetry is a language of devotion. It is the melody that resonates from one’s pure conscience. Being the most important and richest part of our spiritual practice, people read and write poems to help them gain understanding about themselves, each other, and the world around them. Examining world poetry, mainly from America, Indonesia, and Sri Lanka which tell about the presence of God, this article attempts to find out how God the Creator is present and represented, focusing as it does on the connection between poetry and spiritual exercises. Each of the seven poems under discussion is read by considering Ignatian Spirituality of which the core is “Finding God in All Things”. The selected poems show that God can indeed be found in three main spots. First, God resides in the universe. The presence of God in nature is a common theme shared by the poets discussed. Second, the speakers of the poems find God within themselves. They find God through discretion. Third, some of them find the face of God in that of other people because humans are created in His image. The poems open an awareness that God is present in the sufferings of others. In conclusion, poetry serves as both prayers and spiritual exercises that can improve people’s inner compassion and justice.
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Indrajeet Mishra. « Mapping Indianness : Niranjan Mohanty’s Poetry ». Creative Launcher 5, no 3 (30 août 2020) : 203–12. http://dx.doi.org/10.53032/tcl.2020.5.3.27.

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Niranjan Mohanty is a distinct and unique voice in Indian English poetry. His poetry is a milestone in propagation and popularization of indigenous cultural ethos and methods. He fuses together religiosity, modernity, contemporaneity and imagination. He has unflinching faith and devotion in Almighty. In his Prayers to Lord Jagannatha and Krishna he reminds of medieval devotional poetry. He represents God in different and unconventional manner. To him God is friend, foe, companion, animal etc. He is not reluctant in critiquing and exhibiting devotion to God simultaneously he surrenders himself entirely. Mohanty’s poetry is full of mystic journey. His poetic themes include the poet’s love for his dead father, the poet’s grief over the de-generation that sprouts on the name of modernity and development and deep faith in rituals and religion. He glorifies the incarnation of divinity in the human form and records the pangs, suffering, longing, desire and uncertainties in love like mortal beings. The mythical references, images and symbols affirm poet’s craving for God, culture and tradition.
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Slee, Nicola. « Getting God Through Poetry and Prayer ». Modern Believing 59, no 3 (juillet 2018) : 209–17. http://dx.doi.org/10.3828/mb.2018.16.

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Sesorova, A. « The myth of the angel in A. Polezhaev’s poetry ». Philology and Culture, no 2 (25 juin 2024) : 205–8. http://dx.doi.org/10.26907/2782-4756-2024-76-2-205-208.

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This article considers the myth of the angel in the poetry of A. Polezhaev, a representative of the socalled “God-fighting” romanticism. The image of an angel was quite frequent in the poetry of Russian romantics in the first half of the 19 th century, in particular, it was most traditionally and fully represented in the poetry of V. Zhukovsky who worked within the framework of Christian Romanticism. Polezhaev, on the other hand, comes to consider this image from a God–fighting position, and his image of an angel is artistically comprehended through the prism of the opposition “Beauty – Death”, which is not only typical, but also meaningful for Polezhaev’s poetry. The image of an angel acquires several incarnations in A. Polezhaev's poetry: it can be comprehended through the image of a beautiful beloved endowed with angelic beauty; Polezhaev also refers to the traditional image of an angel messenger of God, but embodies it differently, through the plot of fallen angels rejected by their creator. In addition, the features of the traditional image of an angel in Polezhaevsky poetry are given to a demon capable of bringing not destruction and death, but inspiration. Thus, we can say that the God-fighting motifs in his work manifest themselves atypically and in a peculiar way, the protagonist makes attempts to fight with God both through the image of an angel, including an inverted one, and through beauty.
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Ghosh, Subho. « Jayanta Mahapatra’s Poetry : A Mythic Mirage of Social Introspection on the Bedrock of Reality ». INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 07, no 11 (1 novembre 2023) : 1–11. http://dx.doi.org/10.55041/ijsrem27373.

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Jayanta Mahapatra’s impregnation of socio-cultural backdrops that he discerns in his locale fetches him face to face with history and myth when his “self” is connoted in the act of attention. The intimacies amid the self and reality - the reality that flees but comprises self and culture form the bedrock of Mahapatra’s poetry. To him, it is the investigation of myths and it is leashed with the world of art and sculpture. He keeps on his quest for a divine spirit and for charm in the relationship between man and man, and God and God, men and sculptured art. Mahapatra holds forth to have the condemnation that tradition is and continuance, it is entirety and one has to fathom the present in terms of the past and the past in terms of the present. There is a dense token of introspection in his poetry. The elementary poetry of Mahapatra is a satiric repercussion on past and current racial, religious, cultural, and societal life. The poet's attempt to extract meaning from his emotional and intellectual existence is often shown in Oriya culture. He exercises the Oriya life caught in the current of time as the impulsive millstone for his poetry. Keywords: Indian culture, social introspection, poetry, sensibility, self-exploration, discovery
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Sholihah, Husniatin, et Nensy Megawati Simanjuntak. « Existentialism in Extracurricular Poetry Creation : A Hermeneutic Analysis ». Journal of Language and Literature Studies 4, no 2 (20 juin 2024) : 432–44. http://dx.doi.org/10.36312/jolls.v4i2.1894.

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Poetry is a literary form that conveys the poet's emotions and thoughts through an imaginative and structured process. It is rich in emotion and distinct in its expression. Writing poetry involves channeling imagination into lines and stanzas, reflecting the poet's creative freedom and ownership. Within the framework of existentialism, poets exercise complete freedom in crafting their poetry without external influence. This study employs a qualitative approach using Hermeneutic analysis and data validation techniques, where data are validated through thorough reading to ascertain the meaning of each word and phrase. The data sources consist of seven poetry texts created by members of the extracurricular poetry group at MTs Miftahul Huda Palang Tuban. Data were collected in the form of words, phrases, and stanzas that depict existentialism, particularly individual freedom. The findings reveal five existential themes in the poetry: "me" (29%), "heart" (14%), "love" (14%), "friends" (29%), and "God" (14%). The terms "me" and "best friend" are the most prevalent, highlighting the themes of self-identity and interpersonal relationships as forms of existence. This study demonstrates that the poet's existence is manifested through the choice of words, with the dominant themes reflecting the poet's exploration of identity, relationships, and individual freedom.
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Priydarshi, Ashok Kumar. « Human and Divine in the Poetry of Walt Whitman ». Journal of Advanced Research in English and Education 6, no 04 (8 décembre 2021) : 1–4. http://dx.doi.org/10.24321/2456.4370.202106.

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Materialism and spiritualism are major themes of Whitman’s poetry. A man can be worldly-wise and yet spiritual. For Whitman, materialism and spiritualism can co-exist perfectly. So, according to Whitman, if people are desirous of getting worldly pleasure, it does not make them less connected with God. We cannot be less spiritualistic than those who worship God and offer prayers to Him. Spiritualism is that constant search, more inner than outer, that enables us to know what we are. Whitman looks upon each and everyone as spiritual. For him, it is the body that shows the way to the soul and the soul shows the way to God. We see a gradual shift of emphasis from the material to spiritual in the poetry of Walt Whitman.
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Priydarshi, Ashok Kumar. « Human and Divine in the Poetry of Walt Whitman ». Journal of Advanced Research in English and Education 6, no 04 (8 décembre 2021) : 1–4. http://dx.doi.org/10.24321/2456.4370.202106.

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Materialism and spiritualism are major themes of Whitman’s poetry. A man can be worldly-wise and yet spiritual. For Whitman, materialism and spiritualism can co-exist perfectly. So, according to Whitman, if people are desirous of getting worldly pleasure, it does not make them less connected with God. We cannot be less spiritualistic than those who worship God and offer prayers to Him. Spiritualism is that constant search, more inner than outer, that enables us to know what we are. Whitman looks upon each and everyone as spiritual. For him, it is the body that shows the way to the soul and the soul shows the way to God. We see a gradual shift of emphasis from the material to spiritual in the poetry of Walt Whitman.
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Badri, Impon, Misra Nofrita et Hermawan Hermawan. « Analisis Citraan dalam Antologi Puisi Titip Pesan pada Tuhan Karya Lenggok Media Production Rokan Hulu ». LITERATUR : Jurnal Bahasa, Sastra dan Pengajaran 2, no 1 (12 décembre 2021) : 1–8. http://dx.doi.org/10.31539/literatur.v2i1.2865.

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The purpose of this study was to describe the imagery contained in the anthology of the poem Titip Message to God by Lenggok Media Production Rokan Hulu. This research method is a qualitative descriptive method. The results of this study were to find 179 images in the anthology of the poem Titip Message Pada God with Lenggok Media Production Rokan Hulu, namely 80 visual images, 45 auditory images, 15 olfactory images, 6 tasting images, 17 tactile images, and 16 motion images. In conclusion, in this poetry anthology visual imagery is more dominant because poetry is more poetry than dark poetry, so that poetry words tend to use denotative language to describe the objects they see and most of the poets adhere to naturalism by describing what is according to their vision. Keywords: Imagery, Leggok, Poetry
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Thèses sur le sujet "God – Poetry"

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Jenkins, Sarah E. « Facing God : contemporary American devotional poetry / ». Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2392.pdf.

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Mariani, Paul L. « God and the imagination : Praying through poetry ». The Church in the 21st Century Center at Boston College, 2013. http://hdl.handle.net/2345/bc-ir:104010.

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Mason, John Robert. « To Milton through Dryden and Pope, or, God, man and nature : 'Paradise Lost' regained ? » Thesis, University of Cambridge, 1987. https://www.repository.cam.ac.uk/handle/1810/250913.

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This thesis handles a number of passages in the poems of Dryden and Pope which show that both poets had been deeply impressed by Paradise Lost. These passages are so various and numerous (this is one of the principal claims to novelty of this thesis) that it is no longer possible to maintain that Milton was in different ways an isolated figure. Secondly, the effect on both poets of these passages they admired in Paradise Lost is such as to justify the claim that in important respects Milton made Dryden and Pope. The principal point of this thesis is to provide evidence suggesting that the implied verdict on Paradise Lost which emerges from Dryden's and Pope's manifold uses of the poem in producing their own poetry, is radically unlike any of the verdicts pronounced on Paradise Lost by the most gifted readers of poetry during the years from Wordsworth's death down to the present. In Dryden and Pope there was a common underlying estimate of the permanent worth of Paradise Lost. This finding entails an examination of the nature and development of the divergent tradition, which is traced back to a point in the middle years of the nineteenth century, and has been maintained without substantial addition or modification until recent times. However, the bulk of the thesis is not polemical. God, Man and Nature are the topics which principally stirred the two poets in their reading of Paradise Lost. Nevertheless, neither Dryden nor Pope separated their feelings for Milton's Nature from their feelings for Milton's Man and Milton's God. The nature found by Dryden and Pope was a nature crowned by human nature, but was invisible until they were confronted by the intermingling and interpenetration of the human and the divine. Common to Dryden and Pope was the conviction that Paradise Lost was a unique creation and unique above all because these three elements were so interrelated, and one could never be isolated without involving all the others. The whole question of what constitutes evidence of Dryden's and Pope's contact with Paradise Lost is examined in a separate appendix. Further appendices include lists of all the instances known to me.
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Gilliland, Don. « Self, world, and God in the poetry of Dickinson and Melville ». Thesis, [Tuscaloosa, Ala. : University of Alabama Libraries], 2009. http://purl.lib.ua.edu/80.

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Hanley, Lorraine D. « God, exile and the development of the poetic voice in the poetry of Ernestina de Champourcin / ». May be available electronically:, 2008. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.

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Esser, Carolin Maud. « Naming the divine : designations for the Christian God in old English poetry ». Thesis, University of York, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434102.

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Greenham, Ellen J. « Vision and desire : Jim Morrison's mythography beyond the death of God ». Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2009. https://ro.ecu.edu.au/theses/16.

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The poetry of Jim Morrison, as opposed to his lyric verse, has been the subject of little critical examination. The aim of this paper is to open up an understanding and interpretation of a mythographic landscape developed by Morrison in his response to existence in a demythologised western culture. Through the use of the Greek myth of Oedipus in its entirety, as opposed to the two most universally known events of the adult Oedipus' life, discussion here will attempt to demonstrate that Morrison developed a cohesive, holistic vision of the human condition of existence in the world, and presented a path of possibility for transcending its conflict. Indeed, it is proposed here that Morrison draws a clear path to and framework for living beyond the death of God. For structure, discussion will be framed around not only the Oedipal myth, but also the ?Three Metamorphoses? found in Nietzsche?s Thus Spoke Zarathustra, a transformational trinity which is easily aligned to the story of Oedipus. Critical theory will be drawn from mythology, principally through the work of Joseph Campbell, existentialism, from the work of Soren Kierkegaard and Jean-Paul Sartre, psychoanalysis, drawing mainly from Sigmund Freud, Julia Kristeva and Jacques Lacan and philosophy, based largely though not exclusively, in Friedrich Nietzsche' s The Will to Power.
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Sayuti, Najmah. « The concept of Allāh as the highest God in pre-Islamic Arabia : a study of pre-Islamic Arabic religious poetry ». Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30215.

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The ancient Arabs used poetry not only to entertain themselves in the midst of their harsh life in the Arabian desert, but also to proclaim their cultural values, which were the moral-spiritual and material basis of their nomad society. Composing poetry therefore was almost a sacred rite for them. Its recitation in particular, was a main feature of certain ritual customs held annually during the aswaq (sg. suq , festival) season. The most common themes touched upon were the attributes of which a tribe may have been particularly proud, such as its victories and generosity to the vanquished, the bravery of its heroes in battle and on hard journeys, the beauty of its women and of nature, the genealogy of the tribe, and prayers to the Almighty.
Through verse the ancient Arabs expressed how they conceived of their deities, whether, idols representing various gods and goddesses, or Allah. These verses make it clear that Allah alone was not represented by any idol, allowing us to infer that He was regarded as superior to other deities. This thesis, therefore, attempts to show how the ancient Arabs expressed through poetry their belief in Allah as the Lord of Gods, which was the true nature of their ancestral belief, the h&dotbelow;anifiyya, the religion of their forefathers Abraham and Ishmael.
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McCullough, Eleanor G. « "Except you ravish me" [microform] : the images of Christ as courtly knight, bridegroom, and mother of the soul as woven through the religious love lyric "In a valey of this restles mynde" / ». Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p048-0326.

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Farish, Helen. « Sex, God and grief in the poetry of Louise Gluck and Sharon Olds ». Thesis, Oxford Brookes University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421705.

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Livres sur le sujet "God – Poetry"

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Grube, John. God, sex & poetry. Toronto : Dartington Press, 2002.

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Lackovich, Mary Ann. The poetry of God. Kenosha, WI : Eucharistic Crusader Movement, 2001.

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God created poetry : Poems. Jacksonville, Fla : Logos Christian College and Graduate School, 1995.

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DuMars, Susan Millar. The god thing. Cliffs of Moher, County Clare, Ireland : Salmonpoetry, 2013.

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Greger, Debora. God. New York : Penguin, 2001.

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McIntyre, Brad. God is like this : Poetry. De Pere, Wis : Paisa Pub., 2005.

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Dharker, Imtiaz. Postcards from God. Newcastle upon Tyne : Bloodaxe Books, 1997.

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Dharker, Imtiaz. Postcards from god. New Delhi : Viking, 1994.

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Anne, Carson. Glass, irony, and God. New York : New Directions Book, 1995.

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Johnson, Kimberly. A metaphorical god : Poems. New York : Persea Books, 2008.

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Chapitres de livres sur le sujet "God – Poetry"

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Harries, Karsten. « Authenticity, Poetry, God ». Dans From Phenomenology to Thought, Errancy, and Desire, 17–35. Dordrecht : Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-017-1624-6_2.

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von Eckartsberg, Elsa. « God-Consciousness and the “Poetry of Madness” ». Dans Metaphors of Consciousness, 361–78. Boston, MA : Springer US, 1989. http://dx.doi.org/10.1007/978-1-4613-3802-4_18.

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Erickson, Gregory. « Schoenberg’s Godless Silences : Atonality, Poetry, and the Challenge of Coherence ». Dans The Absence of God in Modernist Literature, 143–75. New York : Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604261_6.

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Niedzwiedz, Jakub. « Poetic Mapping of the Polish Crown at the Turn of the 16th and 17th Centuries and Its Relation to Cartographic Imitation in Renaissance Poetry ». Dans Biblioteca di Studi Slavistici, 117–36. Florence : Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-198-3.07.

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The paper is devoted to the problem of imitation of maps in the late Renaissance Polish poetry (between 1580 and 1630). The author first discusses the special interest in cartography that existed among the Polish elite and poets of the period. The main thesis of the paper is that poets widely used map-based techniques in constructing their poems. Imitation (imitatio) played a crucial role in this process. To illustrate this concept, the author analyses the work of five poets: S.F. Klonowic, K. Miaskowski, S. Petrycy, M.K. Sarbiewski and Sz. Szymonowic. Looking at the shared topoi used in poems and maps and investigating how the late Renaissance poets described the territory of the Polish-Lithuanian Commonwealth, allows the author to draw a similarity between controlling space in poetry and maps. This suggests the idea of ruling over space might be related to the 16th-century idea of a God-like poet.
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Walker, Peter. « T. S. Eliot : Poetry, Silence and the Vision of God ». Dans European Literature and Theology in the Twentieth Century, 86–104. London : Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1057/9780230379503_6.

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Ostriker, Alicia. « What’s Done Is Donne and How Can I Find God Now : Poems from The Volcano Sequence ». Dans John Donne and Contemporary Poetry, 85–101. Cham : Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55300-9_9.

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« POETRY ». Dans The Wild God of the World, 21–186. Stanford University Press, 2003. http://dx.doi.org/10.1515/9780804780216-003.

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Maimon, Avraham ben. « HIDDEN GOD ». Dans The Poetry of Kabbalah, 162–64. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300183610-037.

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« Lord, my God ». Dans American Yiddish Poetry, traduit par Kathryn Hellerstein, 613–15. University of California Press, 2023. http://dx.doi.org/10.2307/jj.5973112.240.

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« God ». Dans This Body is an Empty Vessel : Poetry, 35–37. Mwanaka Media and Publishing, 2021. http://dx.doi.org/10.2307/j.ctv2z860mv.22.

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Actes de conférences sur le sujet "God – Poetry"

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Campana, Silvia. « Enthralled by mystery. Eckhart, Heidegger and the poet Mujica in an interdisciplinary dialogue ». Dans The Figurativeness of the Language of Mystical Experience. Brno : Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-5.

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Mysticism and poetry make up an inseparable pairing and, in these times of absence, they reveal the deep desire of man to go beyond the immediate, the existential, the superficial. The Argentine poet Hugo Mujica opens, from his poetic saying, a door towards the abyss and the desert, towards the limit of language and silence. We can glimpse in his poetry Heidegger’s legacy and, together with the philosopher, the Master Eckhart is also dragged from his going to God without god. From the interdisciplinary dialogue between philosophy, theology and poetry, we will approach to decipher this influence that transforms the saying of the poet-philosopher and updates his word in the desert and plunges us into the mystery of the unspeakable.
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Mehmetali, Doç Dr Bekir. « THE USE OF ARABIC WORDS IN CONTEMPORARY TURKISH POETRY.THE POEM (WORDS OF KILIS) BY THE POET MUSTAFA ALPAYDIN IS AN EXAMPLE ». Dans I. International Dubai Social Sciences and Humanities Congress. Rimar Academy, 2024. http://dx.doi.org/10.47832/dubaicongress1-1.

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The languages with which God has honored His servants, believers and non-believers, are all one of His signs and one of His effects. It is natural for human languages to borrow words from each other due to several factors, including religion, juxtaposition, mixing, and so on. The Turkish language borrowed many words from the Arabic language, and the Islamic religion was the main factor in this borrowing. Through this research, I wanted to show a small amount of contemporary Turkish poetry’s borrowing of Arabic words that the poet used in his poetic experience. The choice fell on the poet Mustafa Alp Aydin. Because he is one of the most prominent contemporary poets in the Turkish state of Kilis, adjacent to the Syrian border, and the president of the Kilis Poets and Writers Association. I chose his poem (The Words of Kels) to be the subject of study in this research. Because it contains quite a few Arabic words that distinguish the dialect of Kilis from others, I wanted this study to be one of the research lamps that illuminate the way for researchers in this type of studies. The importance of the research is evident in its treatment of a poet who has not been studied before, in the fact that this poet belongs to a state adjacent to Arab geography, and in his treatment of this topic in Turkish poetry and not in other types of speech. The research adopts the methods of description, analysis, induction, and deduction. It describes the Arabic words contained in this poem, analyzes them linguistically, and extrapolates the law of their use in the studied poem as a model of contemporary Turkish poetry that used Arabic words, and reaches conclusions based on this extrapolation
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MEHMETALI, Bekir. « The Woman in Diwan (The Brunette Said to Me) by Nizar Qabbani ». Dans I.International Congress ofWoman's Studies. Rimar Academy, 2023. http://dx.doi.org/10.47832/lady.con1-1.

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The woman, since God created her, was equal to the man, and a foundation on which life, the family, and society rest. Girlfriend, lover, dancer, singer, wife. Arab poetry immortalized many women, such as Abla Bint Malik Al-Absi, Habiba Antarah Bin Shaddad, Laila Habiba Majnoon Bani Amer, Buthaina Habiba Jamil, Afra Habiba Urwa, and the birth of Habiba Ibn Zaydun. In the modern era, poets emerged who had the upper hand in dealing with the issue of women, and talking about them in their poems. He describes her, flirts with her, praises her charms, or attacks and criticizes her. In this research, I wanted to address the image of the woman in the poetry collection (The Brunette Said to Me) by Nizar Qabbani, in an attempt to clarify his position towards her as it was revealed in this collection that we chose. Because it is his first collection of poetry. The aim of the study is to clarify the true image of women in this collection of poetry from the poet's perspective, his attitude towards her, and his view of her, while he was in the prime of his life and in the prime of his youth. The researcher uses the descriptive and analytical approaches, presenting and analyzing Nizar Qabbani's poems related to this topic as contained in his poetry collection (The Brunette Said to Me). To deduce, clarify, and extrapolate her image or images from the poet's perspective.
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Zeng, Haijin. « INFLUENCE OF CHRISTIANITY ON THE CREATIVITY OF THE GUANGDONG POET HUANG LIHAI ». Dans 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.25.

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Huang Lihai is one of the most active contemporary Chinese poets in the past two decades. His poems are a return to poetry, language and life. In the era of change and grand discourse dominating the aesthetic interpretation of literature, Huang Lihai’s poetry and spiritual exploration have obvious implications. His vitality in poetry creation and poetry activities has an important connection with his Christian faith and his thought resources. Huang Lihai pays close attention to individual life with heavy religious feelings, and tries to restore the relationship between man and god, the relationship between man and man, and the relationship between man and nature in the post-modern era. Backed by belief, he maintained human dignity and integrity with poetry, and opened up the divine dimension of poetry writing, which opened up a new aesthetic dimension for the Chinese contemporary poetry.
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Gritti, Fabiano. « The silence of God in the poetry of Father David Maria Turoldo ». Dans The Figurativeness of the Language of Mystical Experience. Brno : Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-6.

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The article concerns the last phase of poetic production of father David Maria Turoldo, notably the last collection published when he was still alive – the Final Chants. In his very long work or religious poet, liturgist, and essayist, he treated a number of topics, incl. social themes and current affairs. In his last phase of his poetic, he doesn’t speak to the society, to the poor, and to marginalised people like in the past, but he addresses God directly – by forming an intense dialogue with the Absolute. In this poetical and mystical dialogue, he interrogates God about the most impenetrable mysteries for human understanding. These mysteries overwhelmed theologians and mystics of all times. Here, we shall focus notably on the topic of God being far from His creation – which is manifested through the divine silence. God seems not to hear the invocations of the faithful; it looks as though He doesn’t care about the problem of suffering (especially of the weakest persons) that remains apparently unrelieved by divine intervention. We shall present some meaningful short examples of such deep and complex issues, in order to introduce the reader to the knowledge of the peculiar Turoldian approach, by providing a possible interpretative key.
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Jasim MOHAMMED, Ahmed, et Hussein Ismael KADHIM. « THE IMPACT OF THE JEWISH FAITH IN MODERN HEBREW POETRY "SHABBAT FOR EXAMPLE ». Dans I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-14.

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This study is an attempt to shed light on a central and important issue in the lives of any nation or society or group of people, and it is the issue of "faith". One of the most important foundations in the Jewish faith is the "Sabbath" or day of rest for the Jews, which they respect and sanctify from all the other six days of the week. This study discusses the different representations of Saturday in Hebrew poetry. This study examined different representations of the theme of Saturday in Hebrew poetry with special emphasis on the significance of these representations shaped their worldview of the Jews on the topic flowing. Saturday is a day of rest and weekly holy people of Israel, the first deadline dates prescribed in the Torah. When there was a regular basis every seven days, on the seventh day a week. Saturday is the start of Friday's end, a little before sunset - the time called "Saturday Night", and tip the next day, with nightfall - long known as "Saturday". Jewish Saturday is considered the most sacred date. Saturday observance is one of the central commandments in Judaism; According to Judaism, this is the first commandment given to man, on the day he removed and weighed against all the commandments of the Torah. Judaism Saturday symbolizes the creation of the world by God and the holiness constant since the world was created by God. Reasons for the mitzvot and customs specific biblical command to sit origin consecrate this day and strike him from work, God's act of creation after the completion of the six days of creation. Saturday is used only for rest and refraining from doing work, and has been caught during today's Bible Holiness, pleasure, study Torah and elation. Observance of the Saturday, according to Judaism, is a practical admission creation of the world, reinforces the belief and non-observance leads to weakening of the Jewish faith, as well as keeping the Saturday brings a person to the Creator and secrete more physical nuns. Israel was set Saturday to officially rest. Sanctity of "on Saturday" is based - according to tradition - the thinking that thought that the God who created the heavens and the earth in six days, and Ahri-cc, he rested on the seventh day his work which he worked it, and he ordered them to stop all this day according craft books mentioned several books of the Bible. At the beginning of this study will be discussed at the origin of the word "Sabbath" (Saturday) in the Hebrew language, and the meaning of the word "Sabbath" in the Bible, Then, will be discussed on the types Saturday among the Jews, except they have a regular Sabbath day three ten types of Saturdays, expressing the various events and occasions and have various rituals and special customs. Too, will be discussed on the customs and rituals that the Jews do them during the entry to his departure on Saturday. Even so, it is during this study for some changes in different terms to Saturday, which the Jews call them the Sabbath. These names were used most by the Hebrew writers in modern times in their songs and stories that written in honor of this day, and Hebrew poets wrote poetry on Saturday: Bialik wrote the song "Saturday queen", poet Amir Gilboa wrote the song "Cch Cmo Sani the up" and others. By analysis of these literary works can be seen that the authors of these works depict through which all customs and ceremonies on Saturday in detail from beginning to end, especially the poet Bialik's poem "Saturday queen". And the end of the study conclusions and sources will come
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Zhang, Xiao-Bo. « From Hell to Heaven : The Children of God Dance Rimbaud’s Development of Baudelaire’s View of Poetry ». Dans 2021 International Conference on Culture, Design and Social Development (CDSD 2021). Paris, France : Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220109.079.

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Gherman, Oxana. « The Sacral Dimensions of Po(i)etic Experience ». Dans Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.20.

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The article elucidates, through the hermeneutic triptych Man-World-God, conceptualized in the reference studies signed by philosophers and theologians as R. Otto, A. LaCoque, P. Ricoeur, M. Eliade, L. Blaga, M. Popa, the sacred dimensions of creative experience. The author identifies a series of affinities between the sacral feeling and the act of poetic creation, at the levels of aesthetic emotion and of metaphorization practices, of the artistic forms of the „existence in mystery” (L. Blaga) transposition, of re-creating the private universe through the symbolic imitation of the cosmogony. The sacral imaginary finds expression in all fields of art, and, par excellence, in poetry, which is involved in the revelation of the sublime that awakens in the human soul the feeling of greatness, of magic, of unspeakable charm, of impenetrable mystery from sequences of reality in which it feels the presence of God. The conclusions converge towards the idea that the sacre has a shaping influence on consciousness, in the dynamic field of which the image of the world is articulated, and the po(i)etic experience validates the divine character of the human being origin.
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Băcilă, Florina-Maria. « Proper names and the configuration of intimacy with the Divine in Traian Dorz’s poetry ». Dans International Conference on Onomastics “Name and Naming”. Editura Mega, 2022. http://dx.doi.org/10.30816/iconn5/2019/71.

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This paper aims to analyse values of meanings of proper names which have the role to convey the intimate connection between the human soul and the Divinity, as this intimacy is configured in the poetry by Traian Dorz, a less studied contemporary Romanian writer, the author of thousands of lines of mystical poetry and of several volumes of memoires and religious mediations. Thus, in an important number of literary creations inspired by biblical truths and verses, nouns like Mire (‘groom’), Soţ (‘husband’), Frate (‘brother’), Prieten (‘friend’), Dor (‘longing’) etc. are integrated in original lyrical definitions or phrases which substitute the name of God. From the viewpoint of Christianity, these nominal phrases point out the human being’s aspiration towards the ecstatic state, as the human being is described during its mystical ascension, until the true, complete and everlasting unification with its Creator.
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Rzasoy, Seyfəddin. « The Concept of “Imam Ali” in The Sufism Thinking System : Functional Structure of Epic-İrfani Code ». Dans International Symposium Sheikh Zahid Gilani in the 800th Year of His Birth. Namiq Musalı, 2023. http://dx.doi.org/10.59402/ees01201818.

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Sufism is the philosophical-theoretical teaching and socio-cultural practice of the model of God-World-Human relations based on the Sharia-Creation-Truth-Evolution-based evolution scheme. The sufism forms the core of the Sufi teaching concept of "Imam Ali". This concept plays the role of nuclear and concentration center, covering all manifestations and expression levels of the system of sufism. The concept of "Imam Ali" plays a formulas of socio-cultural organization by bringing together all the elements of imaginative systems as a moral idea. The concept of "Imam Ali" shows itself in all the manifestation levels of the Islamic world. It is impossible to imagine medieval classical poetry beyond that. Even beyond the concept of "Imam Ali", the cultural manifestations contradicting him must also be based on literary-art traditions based on this concept. One of the cultural space and codes of use that all the artistic-psychological freshness of the concept of "Imam Ali" is Azerbaijan's love epics. The content, idea and shaping of the love epics of Azerbaijan are directly related to Imam Ali's cult. There are two heroes of this epic: Lover and Beloved. Lover and Beloved, and the opponent (Antihero), according to our own observations, are instructed by God-Human-Satan trixotomic model. On the basis of the functional structure stands the mechanism of the struggle between Truth and False, the Good and Evil, the Good and the Evil. Keywords: Sufism, Imam Ali, Code, Sharia, Sect, Enlightenment, Lover, Beloved.
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Rapports d'organisations sur le sujet "God – Poetry"

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Lovelace, Earl. Welcoming Each Other : Cultural Transformation of the Caribbean in the 21st Century. Inter-American Development Bank, janvier 1998. http://dx.doi.org/10.18235/0007927.

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