Littérature scientifique sur le sujet « Giuseppe Carle »
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Articles de revues sur le sujet "Giuseppe Carle"
Ługowski, Piotr. « Carlo i Francesco Ceroniowie w świetle nowych źródeł archiwalnych ». Biuletyn Historii Sztuki 81, no 3 (2 septembre 2020) : 481–97. http://dx.doi.org/10.36744/bhs.483.
Texte intégralGreen, London. « Don Carlo. Giuseppe Verdi ». Opera Quarterly 7, no 3 (1990) : 179–80. http://dx.doi.org/10.1093/oq/7.3.179.
Texte intégralDe Coro, Alessandra. « Carla De Gennaro (1946-2021) e Giuseppe Nonini (1944-2021) ». STUDI JUNGHIANI, no 55 (août 2022) : 115–18. http://dx.doi.org/10.3280/jun55-2022oa14071.
Texte intégralParker, R. « Giuseppe Verdi's Don Carlo(s) : "Live" on DVD ». Opera Quarterly 26, no 4 (1 septembre 2010) : 603–14. http://dx.doi.org/10.1093/oq/kbq043.
Texte intégralHöink, Dominik. « Zensurverfahren gegen Giuseppe Verdis "Don Carlo" vor der Römischen Inquisition ». Die Musikforschung 60, no 4 (22 septembre 2021) : 362–77. http://dx.doi.org/10.52412/mf.2007.h4.552.
Texte intégralKelly, Cathie C. « Carlo Rainaldi, Nicola Michetti, and the Patronage of Cardinal Giuseppe Sacripante ». Journal of the Society of Architectural Historians 50, no 1 (1 mars 1991) : 57–67. http://dx.doi.org/10.2307/990546.
Texte intégralKościukiewicz, Jakub. « Cello in the Baroque, part 2 : Cello literature in the 17th century ». Notes Muzyczny 2, no 10 (20 décembre 2018) : 9–23. http://dx.doi.org/10.5604/01.3001.0012.9810.
Texte intégralFerreira, Laiane Marchon. « A máscara e o monstro ». Revista Entrecaminos 3, no 1 (30 septembre 2019) : 41–51. http://dx.doi.org/10.11606/issn.2447-9748.v3i1p41-51.
Texte intégralRovetta, Alessandro. « Le Osservazioni sull’architettura in Lombardia di Gaetano Cattaneo (1824) : tra Jean-Baptiste Seroux d’Agincourt, Carlo Bianconi e Giuseppe Bossi ». Storia della critica d'arte : annuario della S.I.S.C.A. 1 (2020) : 229–60. http://dx.doi.org/10.48294/s2020.013.
Texte intégralPalma, Adriano. « Persuasion and Rhetoric, by Carlo Michelstaedter, edited and translated by Wilhelm Snyman and Giuseppe Stellardi ». Philosophical Papers 39, no 1 (mars 2010) : 141–45. http://dx.doi.org/10.1080/05568641003669573.
Texte intégralThèses sur le sujet "Giuseppe Carle"
Elbaba, Alejandra. « El mándala en la obra de Carl Gustav Jung : experiencia y contexto ». Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/462856.
Texte intégralIn this research we look deeply into the origin, significance and functions of the mandala’s symbolism in Carl Gustav Jung’s work. We base our research on his personal experience in his Red Book, a series of eighteen mandalas painted by himself and placed in the center of the book, as a product of his active imagination. We also look into its understanding through the comparative method, by relating it with the largest intellectual scope around Jung in the first half of the twentieth century. This study goes deeply into the influence of the East thoughts and traditions in Jung’s researches and dives into the Eranos Circle, due to its studies about symbolism and deepening of the East-West relation. It takes into account Giuseppe Tucci as an important figure, emphasizing his theorizing of the Indo-Tibetan mandala within the framework of Jung’s psychology and, finally, pays attention to the conceptualization of the mandala as a special category of symbolism in the theoretical-scientific work of Carl G. Jung, which is a testimony of his intense interest in the Mandala symbolism.
Junior, Ivan Aparecido Gotardelo Pacheco. « Giuseppe Salerio, um comediógrafo veneziano na São Paulo de 1900 : análise e tradução de \'Un ammalato per forza\' ». Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8148/tde-08112007-153636/.
Texte intégralThis work seeks to present to the public an unknown Italian immigrant writer in São Paulo in the 1900\'s. During his life in São Paulo, Giuseppe Salerio worked as a dentist in the Av. São João, downtown, when the city was beginning to show what it would be in the future: the biggest and the most industrialized city in Brazil. Un ammalato per forza is a comedy in one act. This work reveals many aspects of the Italian immigrant theatre in São Paulo. This study wants to discuss some merits of the immigrants\' art, after a very difficult life in their country: Italy. Besides there is a translation and an analysis of Un ammalato per forza. The analysis considers readings done by the author, as well as the influence of Carlo Goldoni on his work.
Muscoloni, Alessandro [Verfasser], Carlo Vittorio [Akademischer Betreuer] Cannistraci, Michael [Gutachter] Schroeder et Giuseppe [Gutachter] Mangioni. « Generative modelling and inverse problem solving for networks in hyperbolic space / Alessandro Muscoloni ; Gutachter : Michael Schroeder, Giuseppe Mangioni ; Betreuer : Carlo Vittorio Cannistraci ». Dresden : Technische Universität Dresden, 2019. http://d-nb.info/122690226X/34.
Texte intégralBASILE, Giuseppe Domenico. « Scrivere del Mezzogiorno.Processi di auto-orientalism nella Letteratura italiana ». Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/90860.
Texte intégralSteffan, Annalisa <1994>. « Verso un inventario delle carte di Giuseppe Mazzariol e una proposta di riconnessione virtuale dei suoi archivi. Censimento analitico dei materiali dei fondi conservati presso la Fondazione Querini Stampalia e il Dipartimento Filosofia e Beni Culturali - Università Ca’ Foscari Venezia ». Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17177.
Texte intégralBINDA, LAURA. « NUOVE RICERCHE PER LA BIOGRAFIA E LA PRODUZIONE STORIOGRAFICA DI CARLO BIANCONI (1732-1802) ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18751.
Texte intégralNew information and analysis about Carlo Bianconi’s biography and writings mainly appear from unpublished archival material bare. This work allows to clarify the education of Bianconi, who grew up in a family of bibliophiles and art collectors. He kept abreast of theoretical development of Winckelmann and Mengs, who personally knew and he gradually moved closer and accepted the models of the classicism that was also mediated by the relationship established with Francesco Algarotti, who is here reevaluate. Regarding his two-year period spent in Rome, the relationship with the Cardinal Albani and moreover his trip to Naples, a glimmer is opened, with important implications for his intellectual maturity. Furthermore, there are: the reason regarding the choice of Bianconi as Secretary of the Academy of Brera, his educational initiatives and the relationship with Carlo di Firmian. From time to time, his many correspondents, his figurative works of art and especially his published writings were commented (for example the guide of Bologna and Milan) and his unpublished writings (such as Vitruvius, theoretical writings on the origin of architecture and engraving, orations) are remembered and also the collaboration with the Enciclopedia Metodica of Pietro Zani is reconsidered. Artist, collector, art writer and teacher, immersed in a climate of a Rationalism, he is a early supporter of the new taste for the classic.
BINDA, LAURA. « NUOVE RICERCHE PER LA BIOGRAFIA E LA PRODUZIONE STORIOGRAFICA DI CARLO BIANCONI (1732-1802) ». Doctoral thesis, Università Cattolica del Sacro Cuore, 2017. http://hdl.handle.net/10280/18751.
Texte intégralNew information and analysis about Carlo Bianconi’s biography and writings mainly appear from unpublished archival material bare. This work allows to clarify the education of Bianconi, who grew up in a family of bibliophiles and art collectors. He kept abreast of theoretical development of Winckelmann and Mengs, who personally knew and he gradually moved closer and accepted the models of the classicism that was also mediated by the relationship established with Francesco Algarotti, who is here reevaluate. Regarding his two-year period spent in Rome, the relationship with the Cardinal Albani and moreover his trip to Naples, a glimmer is opened, with important implications for his intellectual maturity. Furthermore, there are: the reason regarding the choice of Bianconi as Secretary of the Academy of Brera, his educational initiatives and the relationship with Carlo di Firmian. From time to time, his many correspondents, his figurative works of art and especially his published writings were commented (for example the guide of Bologna and Milan) and his unpublished writings (such as Vitruvius, theoretical writings on the origin of architecture and engraving, orations) are remembered and also the collaboration with the Enciclopedia Metodica of Pietro Zani is reconsidered. Artist, collector, art writer and teacher, immersed in a climate of a Rationalism, he is a early supporter of the new taste for the classic.
Giani, F. M. « IL CANTIERE DEL DEAMBULATORIO DEL SANTUARIO DI SANTA MARIA DEI MIRACOLI PRESSO SAN CELSO A MILANO ». Doctoral thesis, Università degli Studi di Milano, 2017. http://hdl.handle.net/2434/488289.
Texte intégralThe PhD thesis consists in a reconstruction of the different phases of the decoration of the ambulatory of the Sanctuary of Santa Maria dei Miracoli presso San Celso (between 1540 and 1566) through the examination of works, documents and bibliography. The first part is dedicated to the Sanctuary as a whole, and consists of: a chapter that analyzes the art historiography from the end of the Sixteenth century to today; three appendices, respectively dedicated to the guides (of the Sanctuary and of Milan), the visual fortune and the "fabbricieri" (the Sanctuary holders). The second part is dedicated to the phases of the decoration of the ambulatory and consist of: a chapter that analyzes in chronological order the making of the decoration (with digressions on the period prior to 1540 and next to 1566, in particular on the Borromaic period and on the nineteenth-century restorations); a entry for each work (altar piece) or decorative intervention (stuccoes and frescoes). The thesis is accompanied by a substantial array of images (largely derived from a photo campaign thanks to the instrumentation made available by the Department), a rich document summary and a bibliography.
Sokolova, Iana. « Pittura veneta a San Pietroburgo sotto i regni di Elisabetta e Caterina II (1741-1796) ». Doctoral thesis, Università degli studi di Padova, 2019. http://hdl.handle.net/11577/3423318.
Texte intégralThe present work places the magnifying glass on the artistic and cultural relations between the Republic of Venice and the Russian Empire in the eighteenth century, highlighting the presence of Venetian painting in St. Petersburg. The consolidation of ties with Venice, initiated in the era of Peter the Great, had allowed Venetian painting to 'expand' to the banks of the city on the Neva river. In the 1720s the first Venetian painter to arrive in Russia was Bartolomeo Tarsia, while it was necessary to wait for the reign of Elisabetta Petrovna, daughter of Tsar Pietro, to see a large number of Venetian artists at work at the same time: Giuseppe Valeriani, Antonio Peresinotti, Pietro and Francesco Gradizzi, Francesco Fontebasso, Pietro Rotari, Andrea Urbani and Carlo Zucchi. First of all, the living and working conditions of Venetian painters in St. Petersburg were investigated, with particular attention paid to engagements, privileges and interpersonal relations. Subsequently, the decorative activity within the sumptuous imperial residences, such as the Winter Palaces, the Summer Palaces, the Catherine Palace in Tsarskoe Selo and the Peterhof Palace, were examined on one hand, while on the other hand, the teaching in the largest institutions of artistic education in Russia at the time. The biographical profiles of Diego Bodissoni, Giuseppe Dall'Oglio and Pano Maruzzi were also outlined, active as intermediaries and art dealers, who have the merit of having favoured the arrival of paintings of the Venetian school in St. Petersburg.
FEDERICO, LUCA. « L'apprendistato letterario di Raffaele La Capria ». Doctoral thesis, Università degli studi di Genova, 2020. http://hdl.handle.net/11567/1005664.
Texte intégralLivres sur le sujet "Giuseppe Carle"
Beretti, Giuseppe. Giuseppe e Carlo Francesco Maggiolini : L'officina del Neoclassicismo. Milano : Edizioni libreria Malavasi, 1994.
Trouver le texte intégralCalavalle, Alberto. Don Orione, Carlo Bo e don Giuseppe De Luca. Urbino : Quattroventi, 2008.
Trouver le texte intégralCapogrossi, Giuseppe. Giuseppe Capogrossi : Tempere 1962-1971 : omaggio a Carlo Cardazzo. Milano : Galleria d'arte di Ada Zunino, 1993.
Trouver le texte intégralLandini, Agnese, dir. Giuseppe Dessí. Florence : Firenze University Press, 2002. http://dx.doi.org/10.36253/978-88-6453-264-6.
Texte intégralFederico, Navire, dir. Il regno di Carlo Emanuele III : Cronaca dell' Abate Giuseppe Pasini. Bonn : Romanistischer Verlag, 2010.
Trouver le texte intégralCinque studi : Carlo Michelstaedter, Giuseppe Ungaretti, Alberto Savinio, Italo Calvino, Giacomo Debenedetti. Roma : Bulzoni, 2010.
Trouver le texte intégralGiuseppe Battista Piacenza e Carlo Randoni : I reali palazzi fra Torino e Genova : 1773-1831. Torino : CELID, 2012.
Trouver le texte intégralGiuseppe Candido : Vescovo e scienziato : Lecce, Castello Carlo V, 20 dicembre 2006/14 marzo 2007. [Lecce, Italy] : Grifo, 2009.
Trouver le texte intégralAngela, Pellicciari, dir. I panni sporchi dei Mille : L'invasione del Regno delle Due Sicilie nelle testimonianze di Giuseppe La Farina, Carlo Persano e Pier Carlo Boggio. Roma : Liberal, 2003.
Trouver le texte intégralVincenzi, Barbara. Giuseppe Spagnulo e Carlo Zauli : Dialoghi, confronti ed eredità artistiche tra gli anni '50 e '90. Faenza (RA) : Museo Carlo Zauli, 2021.
Trouver le texte intégralChapitres de livres sur le sujet "Giuseppe Carle"
Marcheschi, Daniela. « David Sassoli : Europa, Europa ! » Dans Libere carte, 111–13. Florence : Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0010-3.12.
Texte intégralLorusso, Lorenzo, et Stefano Zago. « Carlo Francesco Giuseppe Bellingeri ». Dans The Birth of Modern Neuroscience in Turin, 23–36. Oxford University Press, 2022. http://dx.doi.org/10.1093/med/9780190907587.003.0003.
Texte intégralPernicone, Nunzio, et Fraser M. Ottanelli. « The Risorgimento and the Origins of Anarchist Violence ». Dans Assassins against the Old Order, 7–24. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041877.003.0002.
Texte intégralKörner, Axel. « America as History ». Dans America in Italy. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691164854.003.0002.
Texte intégralSteinberg, Jonathan. « Carlo Cattaneo and the Swiss Idea of Liberty ». Dans Giuseppe Mazzini and the Globalization of Democratic Nationalism, 1830-1920. British Academy, 2008. http://dx.doi.org/10.5871/bacad/9780197264317.003.0012.
Texte intégralWolkowicz, Vera. « The Incas Go to the Opera ». Dans Inca Music Reimagined, 172–213. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197548943.003.0006.
Texte intégralKörner, Axel. « Concepts in the Language of Politics ». Dans America in Italy. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691164854.003.0003.
Texte intégralReiter, Walter S. « Into the Galant : Tartini, Telemann, Quantz, and Zuccari ». Dans The Baroque Violin & ; Viola, vol. II, 186–200. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197525111.003.0019.
Texte intégralStow, Kenneth. « Jewish and Christian Awareness ». Dans Anna and Tranquillo. Yale University Press, 2016. http://dx.doi.org/10.12987/yale/9780300219043.003.0010.
Texte intégralGalloni, Marco R. « Seeing the History of Neuroscience in Turin through the Lenses of Its Instruments/Part 2 ». Dans The Birth of Modern Neuroscience in Turin, 143–48. Oxford University Press, 2022. http://dx.doi.org/10.1093/med/9780190907587.003.0012.
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